Film Review: Barquero (1970, directed by Gordon Douglas)


barquero-movie-poster-1970-1010695655Travis (Lee Van Cleef) is a former gunslinger who now makes his living taking settlers across a river on his small barge.  When we first meet him, he is telling a child to shut up and stop bothering him while he is guiding the barge.  He depends on the settlers on the other side of the river for his livelihood and they depend on him for transportation but he doesn’t like them and they don’t like him.  Travis only cares about two people, his Mexican lover, Nola (Maria Gomez) and an eccentric hunter named Mountain Phil (Forrest Tucker).

After stealing a shipment of silver, outlaw Jake Remy (Warren Oates) and his army of mercenaries need to cross the river to escape into Mexico.  To prevent anyone from following, they plan to destroy the barge afterward.  However, Travis and Phil find out that Remy is on the way and take the barge to the other side of the river.  When Jake and his gang arrive, a tense stand-off ensues, with the outlaws on one side of the river and Travis and the settlers trapped on the other.

Though Barquero was directed by the veteran American director Gordon Douglas (Douglas’s best known film is the 1950s giant ant film, Them!),  it was heavily influenced by contemporary Spaghetti Westerns and Sam Peckinpah’s The Wild Bunch.  This can be seen in both its graphic violence and in the casting of Lee Van Cleef and Warren Oates in the leading roles.

Travis was a perfect role for Van Cleef, a talented actor who was ignored by Hollywood until he found fame playing ruthless villains in European westerns.  Surly and unsmiling, Travis may seem like an unlikely hero but, like many of the best Spaghetti westerns, there are no traditional good guys in Barquero.  Travis is more interested in saving his boat than protecting the settlers.  He is a hero of circumstance.

As Jake, Warren Oates is a great villain.  In his very first scene, he and a prostitute watch as his gang massacre the citizens of a small town.  When the prostitute asks if she can come with them, Jake calmly replies, “I don’t think so” and shoots her dead.  Stuck on his side of the river, Jake smokes the local weed and starts to have violent hallucinations.  Soon, he is shooting bullets into the river.

Also doing good work are Forest Tucker as Mountain Phil and Kerwin Mathews.  Mathews, who is best remembered for starring in The 7th Voyage of Sinbad, plays the Marquette, a disgraced French nobleman who has started a second life as Jake Remy’s right-hand man.

Barquero starts with a bang but it struggles to keep up the momentum over its entire running time.  The opening shoot out is exciting but things slow down almost too much during the stand-off at the river.  It is an interesting but flawed western that deserves to be better known than it is and worth watching to see Lee Van Cleef and Warren Oates at their best.

Barquero-Oates-on-dock

Embracing the Melodrama Part II #81: 1969 (dir by Ernest Thompson)


NineteensixtyninefilmIn 1988, the same year that he was forcing Michael J. Fox to snort cocaine in Bright Lights, Big City, Kiefer Sutherland played a far different role in the film 1969.

As you might guess from the film’s title, 1969 takes place in 1969.  Scott (Kiefer Sutherland) and Ralph (Robert Downey, Jr.) have just graduated from high school and are facing a future that involves either going to college or going to Vietnam.  Scott’s older brother, Alden (Christopher Wynne), has already enlisted in the army and has made their father, Cliff (Bruce Dern), proud in a way that Scott knows he will never be able to match.

So, Scott and Ralph make plans to go to college together and basically stay there until the war ends.  But, needless to say, things don’t work out as perfectly as Scott assumed that they would.  Scott and Ralph spend the summer on a road trip, during which time they meet the usual collection of hippies and fascists who always populate films like this.  They also discover that they have less in common than they thought.  Scott is an idealist who is convinced that he can change the world.  Ralph is far more fatalistic, a cynic who hides his pain behind a constant stream of sarcasm.

When Ralph is kicked out of school (and loses his draft deferment as a result), Alden is killed in Vietnam and Scott sees his father in a potentially compromising position with Ralph’s mother (Joanne Cassidy) (on the night of the moon landing no less!), the disillusioned Scott feels that he has to take action.  With the help of Ralph and Ralph’s sister, Beth (Winona Ryder), Scott breaks into the local draft office and tries to destroy all the records.

Now, if you guessed that the police arrive and that Scott and Beth eventually find themselves in a van, driving for the Canadian border, then you’ve probably seen countless other films that were set in the same year as 1969

1969 is a rather predictable film but, at the same time, it’s likable in much the same way that a rerun of Everybody Loves Raymond is likable.  It’s not something you really need to watch but, if you do watch it, you won’t necessarily be filled with regret.  I imagine that one reason why 1969 tends to show up on networks like Antenna and This TV so much is precisely because it is such a thoroughly inoffensive little movie.

The film also features some above average performances.  It’s not surprising that Robert Downey, Jr. and Winona Ryder both give good performances because, to a large extent, their characters mirror their own public personas.  But, considering that he’s best known for playing Jack Bauer in 24, it’s still somewhat surprising to see a much younger Kiefer Sutherland playing such an essentially gentle character and being totally convincing in the role.  (He already had that sexy growl of a voice, however.)  And finally, the film’s best performance comes from Bruce Dern.  Eternally befuddled and confused by the changes around him, Cliff is ultimately the film’s most sympathetic character, even if he wasn’t originally meant to be.

And needless to say, considering that the film is called 1969, it’s got a great soundtrack!