Horror Film Review: Stir of Echoes (dir by David Koepp)


It’s blue collar horror!

As the 1999 film Stir of Echoes shows, ghost don’t only haunt the rich and famous.  Sometimes, they haunt ordinary guys who live paycheck to paycheck and just want to be able to take some pride in having a home that’s free of secrets and evil spirits.  “Ghosts, they’re a real pain the ass sometimes, y’know what I’m saying?”

For instance, in Stir of Echoes, Kevin Bacon plays Tom Witzky.  Tom is a phone lineman who lives in Chicago.  Tom wishes that he could have been something more than a phone lineman.  He wishes that his band could have taken off and he could have been a rock star.  But, now Tom’s reached his 40s, he’s got a wife named Maggie (Kathryn Erbe), a son named Jake (Zachary David Kope), and another child on the way.  So, he works hard and then he comes home and he has a beer and sometimes, he might go to a high school football game.  It’s not a glamorous life but at least it’s something with which Tom can be happy.

Of course, then Tom makes the mistake of going to a party that’s being given by his friend, Frank (Kevin Dunn).  When Maggie’s sister-in-law, Lisa (Illeana Douglas), says that she knows how to hypnotize people, Tom scoffs and challenges her to hypnotize him.  Lisa does so and, the next thing that Tom knows, he’s sitting there with tears in his eyes and everyone laughing at him.  Even though it was only a few seconds to Tom, he was apparently under hypnosis for quite a while.  He talked about being bullied as a child.  He stuck a safety pin through his hand.  He even accepted Lisa’s suggestion that he “try to be more open-minded.”  Upset over being revealed to be vulnerable, Tom leaves the party.

Tom soon learns what it means, in his case, to be more open-minded.  Soon, Tom is hearing voices and seeing what appears to be the ghost of a teenage girl in his house.  He starts to have disturbing and violent visions.  When Tom tries to pretend that nothing’s wrong, Jake tells him that it’s okay because he can see the ghost as well.

Growing obsessed with his visions, Tom is soon tearing his own house apart in an attempt to discover what the spirits are trying to tell him.  Is Tom truly seeing ghosts or, as so many in the neighborhood suspect, is he losing his mind?

When I first started rewatching Stir of Echoes for this review, I have to admit that I was a little bit concerned.  Kevin Bacon is one of the most likable actors on the planet and this film is usually cited as featuring one of his best performances but, in the first few scenes, he seemed to be almost going a little overboard with the whole “I’m just a working class guy” routine.  But, as the film progressed, I actually came to realize that Kevin Bacon was giving a brilliant performance.  The fact that he played Tom as being so rational and almost boring during the first half of the movie made it all the more effective when he started tearing his house apart during the second.  During those scenes, Bacon plays Tom as not only someone obsessed with discovering the truth but also as someone who just wants his life to be normal again.  If he has to destroy his life to get it back, that’s what he’s going to do.

(That said, my favorite character in the film was Lisa, mostly because we share the same name and she was played by the brilliant Illeana Douglas.  The thing I loved about Lisa is that, when she was informed that she had messed up Tom’s mind, she was both sorry and proud of herself at the same time.)

Stir of Echoes is still a frightening film, one with plenty of jump scares and a subtext of paranoia as it’s revealed that both the neighborhood and Tom’s friends are full of secrets.  Because they both came out in 1999, it often gets compared to The Sixth Sense.  I like The Sixth Sense but I actually prefer Stir of Echoes, just because it’s not quite as self-important as M. Night Shyamalan’s film.  The makers of Stir of Echoes didn’t set out to change the world.  They just wanted to make a scary ghost story and they succeeded.

 

The TSL’s Daily Horror Grindhouse: Smiley (dir by Michael Gallagher)


Smiley_Movie_Poster

Oh God, this movie.

Whenever I watch 2012’s Smiley (and, since this is one of those films that always seems to be playing whenever I have insomnia, I actually have seen Smiley more times than I should probably admit), I always find myself hoping that it will actually be a better film than I remember it being.

Some of that, I have to admit, is because I once dated a frat boy whose nickname was Smiley.  His high school football coach gave him that name because he was always smiling!  (Yes, I once dated a football player who smiled a lot and didn’t really care much about literature, art, movies, history, or anything else that I was actually interested in. Don’t ask me to explain how these things happen.)  His pickup truck even had a personalized licence plate that read, “SMILY.”  That’s right — he wasn’t really sure how to spell Smiley.  Whenever I see the title Smiley listed in the guide, I think of him and I have to kind of laugh.

Beyond that, Smiley was an independent, low-budget film and I have to admit that my natural inclination is always to support independent filmmakers.  If Smiley was a huge studio production, I’d have absolutely no qualms about ripping it apart.  But when I see an indie horror film like Smiley, there’s a part of me that almost feels that I have to be supportive.  But the things is, it’s one thing to be supportive and it’s another thing to be delusional.  I may want Smiley to be a good horror film but it’s not and I’m really not doing anyone any good if I pretend otherwise.

Finally, I always want Smiley to be better than it actually is because the film features one of the creepiest killers that I’ve ever seen.  Even if the character is cheapened by a rather stupid twist, Smiley is scary looking.  Smiley is presented as being the spirit of a man who, after stitching his own eyes closed, carved a permanent smile on his face.  As a force of evil, Smiley is genuinely frightening and it’s unfortunate that the rest of the film doesn’t live up to the character’s potential.

As for the rest of the film … well, it’s pretty much your typical slasher.  All of the characters are loathsome, the murders are neither suspenseful nor gory enough to really be memorable, and this is one of those films that relies far too much on scenes of people running into someone, screaming in terror, and then discovering that it was just one of their friends.  It is true that there is a twist towards the end of the film that’s designed to make you question everything that you’ve just see but since the twist doesn’t make much sense and comes out of nowhere, it’s hard to get excited about it.  The best thing the film had going for it was the character of Smiley and the twist pretty much ruins that.

(The film’s other big twist is that the cast is full of YouTube personalities, which makes Smiley the spiritual descendant of The Scorned, a similarly bad slasher film that was full of reality TV stars.)

By the way, the idea behind Smiley is that you can go on Chatroulette and, if you type “I did it for the lulz” three times, Smiley will appear and kill whoever your chatting with.  Just for the record, I’ve tried it and it doesn’t work.*

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* Well, to be honest, I got a friend of mine to try it and it didn’t work.  I’ve got better things to do then watch some guy jerking off on Chatroulette.