4 Shots From 4 Films: Special Allison Anders Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today, the Shattered Lens wishes a happy birthday to the great director Allison Anders!  It’s time for….

4 Shots From 4 Allison Anders Films

Border Radio (1987, dir by Allison Anders, Dean Lent, and Kurt Voss, DP: Dean Lent)

Gas Food Lodging (1992, dir by Allison Anders, DP: Dean Lent)

Mi Vida Loca (1993, dir by Allison Anders, DP: Rodrigo Garcia)

Grace Of My Heart (1996, dir by Allison Anders, DP: Jean-Yves Escoffier)

Music Video of the Day: When The Going Gets Tough, The Tough Get Going by Billy Ocean (1985, dir by ????)


Sometimes, on twitter (or whatever it’s called nowadays), people will just become fixated with something.  Yesterday, it was this music video for a song called When The Going Gets Tough, The Tough Gets Going.  I lost track of how many times I saw this video shared on Saturday.

So, I figured, why not share it here as well?

This music video was made to promote the 1985 film, The Jewel of the Nile.  Along with Billy Ocean, the stars of the film — Kathleen Turner, Danny DeVito, and Michael Douglas — also appear in this video.  Was Danny really playing the saxophone?  No, he was not.  Apparently, in the UK, this video was briefly banned because Danny was not a member of the Musicians’ Union and his miming of the sax solo went against the rules.

The UK banning something because an American broke a rule?  Wow, that’s so unlike them!

Enjoy!

Live Tweet Alert: Watch Tenebrae With #ScarySocial!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting a true classic, Dario Argento’s Tenebrae!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes That I Love: Veronica Lake Meets Joel McCrea in Sullivan’s Travels


In 1941’s Sullivan’s Travels, Joel McCrea plays a filmmaker who disguises himself as a transient so that he can experience what’s really going on outside of Hollywood.  Veronica Lake plays “the Girl,” who ends up sharing his journey.

In today’s scene that I love, McCrea and Lake meet for the first time.

4 Shots From 4 Films: Special Veronica Lake Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate the birth of one of my favorite Golden Age actresses, Veronica Lake!  It’s time for….

4 Shots From 4 Veronica Lake Films

Sullivan’s Travels (1941, dir by Preston Sturges, DP: John Seitz)

This Gun For Hire (1942, dir by Frank Tuttle, DP: John Seitz)

I Married A Witch (1942, dir by Rene Clair, DP: Ted Tetzlaff)

The Blue Dahlia (1946, dir George Marshall, DP: Lionel Lindon)

 

Live Tweet Alert: Join #FridayNightFlix for Dead Men Don’t Wear Plaid!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1982’s Dead Men Don’t Wear Plaid!

If you want to join us this Friday, just hop onto twitter, find Legend on Prime, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

Scenes That I Love: Cyrus’s Speech From The Warriors


Cyrus?

He’s the one and only.

From 1979’s The Warriors , here’s a scene that I love.  Playing the role of Cyrus, the man who could bring all of the gangs of New York together, is Roger Hill.  Playing the role of his assassin is the great David Patrick Kelly.

Cyrus knew what he was talking about but the world wasn’t ready for him.

Can you dig it?

Miniseries Review: Death by Lightning (dir by Matt Ross)


Death by Lightning, a four-episode miniseries that recently dropped on Netflix, tells the story of two “forgotten men,” as the show itself puts it.

Michael Shannon plays James A. Garfield, the Ohio farmer and former Congressman who, despite attending the 1880 Republican convention solely to give the nominating speech for Secretary of Treasury John Sherman (Alistair Petrie), found himself nominated for President after the convention found itself deadlocked between supporters of Former President Grant (Wayne Brett) and Senator James Blaine (Bradley Whitford).  Garfield did not want to run for President and he certainly did not want to run with Chester A. Arthur (Nick Offerman), an associate of New York political boss, Roscoe Conkling (Shea Whigham).  However, in November of 1880, James Garfield was narrowly elected the 20th President of the United States.

Matthew MacFayden plays Charles J. Guiteau, a failed lawyer and self-proclaimed newspaper publisher who felt that a stump speech he had given at a small rally was responsible for Garfield’s victory.  Guiteau expected to be appointed to a position in the Garfield administration, perhaps as Consul to France.  In those days of no Secret Service protection and an open White House, Guiteau was one of the many random office seekers who managed to get a face-to-face meeting with Garfield.  What Guiteau did not get was a job.  While Guiteau may have deluded himself into thinking that he was an inside player, everyone else viewed him as being a pesky and disreputable character.  On July 2nd, 1881, Guiteau shot Garfield in the back.  After Garfield died in September, Guiteau was convinced that he would be pardoned by the newly sworn-in President Arthur.  Instead, Guiteau was hanged on June 30th, 1882.

(It’s now generally agreed that Guiteau was such a bad shot that Garfield would have survived his wounds if not for the incompetence of his doctors, who probed his wounds with their bare hands in an effort to extract the bullet.  Garfield died as a result of multiple infections caused by his medical treatment.)

Again, Death by Lightning describes Garfield and Guiteau as both being forgotten men.  That’s not quite true.  I knew who both of them were before I watched the miniseries but then again, I’m also a history nerd.  As much as I don’t want to admit it, it is true that the majority of today’s Americans don’t know either Garfield or Guiteau.  And yet, in 1881, America revolved around them and their fate.  Everyone checked every day for news on Garfield’s health and Guiteau’s trial was heavily covered by the press.  That’s something to remember whenever you hear people talking about how “history will remember” whatever may be happening in the news today.  History may remember but people are quick to forget.

As for Death by Lightning, it does a good job of telling not only the stories of Garfield and Guiteau but also Chester Arthur as well.  The miniseries takes place at a time when political machines dominated American politics and also at a time when the Spoils system and the widespread corruption that it engendered were both accepted as immutable political realities.  Guiteau, having spent his life seeing other people receive jobs for supporting the right candidate, felt that he was naturally entitled to whatever position he requested.  Guiteau’s actions actually did lead to reformation of the Spoils system, with President Arthur emerging an unlikely reformer.  Never again would a random office seeker by allowed through the front doors of the White House and never again would a President casually walk around Washington D.C. without some sort of guard.  With a smart script, good performances, and even a few moments of unexpected cringe humor, Death by Lighting recreates that moment in American history and it pays tribute to James A. Garfield, who was universally described by his contemporaries as being a decent man who was struck down before he could reach his full potential.

How historically accurate is Death by Lightning?  That’s a fair question.  Death by Lightning sticks to the established facts about Garfield and Guiteau but a scene in which Garfield’s daughter argues with him about immigration is undoubtedly meant to be more of a commentary on 2025 than 1880.  I think it can be argued that no film or series can be 100% historically accurate because those who actually witnessed the events in question are no longer with us.  Inevitably, the past is always viewed and recreated through the filter of the present.  And indeed, it is tempting to compares Garfield and Guiteau to our modern-day politicians and activists.  Guiteau, with his constant excuses for his own dumb decisions and his ranting and raving about how he speaks for the people, was a particularly familiar character.  As for the modest and honest Garfield, it’s sadly difficult to think of any modern-day politicians from the same mold.

As a final note, my favorite part of this miniseries occurred during the first episode.  The recreation of the 1880 Republican Convention is wonderfully entertaining.  It’s amazing to think that, in the days before television coverage required political conventions to become carefully choreographed and tightly controlled, there actually was legitimate suspense about who would end up being nominated.  Sadly, those days seem to be over.

Song of the Day: Over The Top by Kenny Loggins


Since today’s scene came from Over the Top, it seems only appropriate that today’s scene should come from it as well.

In a lifetime
Made of memories
I believe
In destiny

Every moment returns again in time
When I’ve got the future on my mind
Know that you’ll be the only one

Meet me halfway
Across the sky
Out where the world belongs
To only you and I

Meet me halfway
Across the sky
Make this a new beginning of another life.

In a lifetime
There is only love
Reaching for the lonely one

We are stronger when we are given love
When we put emotions on the line
Know that we are the timeless ones

Meet me halfway
Across the sky
Out where the world belongs
To only you and I

Meet me halfway
Across the sky
Make this a new beginning of another life.

[Instrumental interlude]

Meet me halfway
Across the sky
Out where the world belongs
To only you and I

Meet me halfway
Across the sky
Make this a new beginning of another life.