October True Crime: Karla (dir by Joel Bender)


When it comes to true crime cases, few are as disturbing as the story of Paul Bernardo and Karla Homolka.

Paul and Karla were a young, married couple who lived in Ontario.  They were both attractive.  They were both popular.  They were both superficially charming, in the style of someone who you might have taken a class with but the only thing you can really remember about them is their smile.  And they were both killers.  Paul Bernardo, a wannabe rapper who had previously made his money by smuggling cigarettes and who was also a serial rapist, murdered at the least three teenage girls, including Karla’s sister, Tammy.  When Paul was arrested, Karla told prosecutors that she had helped Paul with his murders but only because he threatened and abused her.  Prosecutors, perhaps moved by a picture that Karla’s friend took of her bruised face after one of Paul’s beatings, made a deal with her for her testimony.  In return for testifying against Paul Bernardo, Karla was convicted only of manslaughter and given a 12-year prison sentence.  (She was 23 at the time and would only be 35 when released from prison, assuming that she served the full sentence.)  However, during the trial, video tapes of the murders were uncovered and showed that Karla had been a far more active participant in the murders than she had originally admitted.  That included the murder of her sister, Tammy.

There were calls to rescind Karla’s plea bargain and to try her for murder but since her plea bargain had only required her to provide enough evidence to convict Paul, it was ruled that she had upheld her end of the bargain.  While Paul Bernardo is currently serving his life sentence, Karla Homolka is now free and living somewhere in Canada.

Needless to say, the case drew international attention, both due to the circumstances of Karla’s plea bargain and also to Paul and Karla’s image of being the “Ken and Barbie Of Serial Killers.”  It’s a case that continue to haunt Canada, an example of how the accused was ultimately treated with more respect than the victims.  For her part, Karla continues to claim that it was all Paul and that she was forced into helping.  Paul claims that he and Karla were equal partners and that the actual murders were all committed by Karla.  Personally, I think they’re both lying.

2006’s Karla stars Laura Prepon as Karla Homolka.  The film opens with her already in prison and being interviewed by a psychiatrist (Patrick Bauchau) who has been assigned to determine if there’s a risk of her reoffending.  As Karla tells her story, we see flashbacks of Karla’s life with Paul (Misha Collins).  Prepon and Collins are both chillingly believable as the soulless Paul and Karla.  Laura Prepon plays Karla as being a narcissistic sociopath who is incapable of understand that she’s not the victim in this story.  I imagine that Prepon’s performance probably captures the essence of the real Karla, even if Prepon doesn’t really look like her.

That said, the film itself is largely a surface level exploration of the case.  The film’s script attempts to maintain some ambiguity as to whether or not Karla Homolka was a voluntarily participant in the murders or if she actually was just too scared of Bernardo to stop him.  Prepon plays her as being a sociopath but the script still tries to play both sides of the debate and, as a result, the film falls flat.  The film may be called Karla but it doesn’t really get into her head and, as a result, it has all the depth of an Investigative Discovery special.  In the end, the film feels like it’s trying to exploit the notoriety around a famous case without taking a firm position on the case’s biggest controversy.  When it comes to the crimes of Karla Homolka, that’s not an option.

Late Night Retro Television Review: Pacific Blue 2.2 “Daystalker”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

This week, the Daystalker stalks wherever it is that this show takes place.

Episode 2.2 “Daystalker”

(Dir by Don Michael Paul, originally aired on August 24th, 1996)

After his girlfriend Sandy (Cindy Ambuehl) is assaulted by a serial rapist, TC becomes obsessed with tracking the so-called Daystalker down.  Detective Bonnie Wilson (Gwen McGee), sent to the beach to head up the investigation, thinks that the Daystalker is going to eventually move on from rape to murder.  She also thinks that TC is a loose cannon who is going to spook the Daystalker into moving to another city before he can be captured and prosecuted for his crimes.  Cory is set up as a decoy and soon finds herself being followed by the Daystalker.  Meanwhile, the terribly traumatized Sandy struggles with PTSD.

And, while that’s going on, Elvis and Victor try to get a Rastafarian to take a hex off of them!

This episode epitomizes one of the things that really bugs me out Pacific Blue.  On the one hand, we have a very serious storyline about a serial rapist and one of his traumatized victims.  A scene where Sandy has to leave a self-defense class because it’s triggers a flashback is a powerful and honest moment, certainly more powerful than anything you would expect to see on a show like Pacific Blue.  On the other hand, we have this totally cartoonish subplot about a random Rastafarian putting a hex on Elvis and Victor.  At a time when the entire bike patrol is supposed to be out looking for a serial rapist who has assaulted their best friend’s girlfriend, Victor and Chris are laughing because Elvis thinks the hex is making his hair fall out.  Never mind the stupidity of the hex plot.  Tonally, the two plots don’t go together.  With this episode, Pacific Blue reveals that it still doesn’t know if it wants to be a gritty crime drama or just Baywatch on bicycles.

This could have been a very strong episodes.  There were moments and lines of dialogue that really stood out for being considerably more thoughtful than one might expect from this show.  But it was still an episode of Pacific Blue, which means that the camera still lingered on random women in bikinis and way too much time was spent on TC saying, “I have to do something!”  Only TC could make his girlfriend’s rape about himself and only Pacific Blue would let him get away with that.

Even when they’re dealing with a serious issue as they did for half of this episode, it’s hard to escape the fact that these people are bicycle cops.  The bicycles, the crisp white shirts, the shorts …. it just makes it hard to them seriously.  This was yet another episode where a lot of time was spent with Palermo and TC explaining that bike cops are real cops.  We’re at the start of the second season here.  If you’re still having to justify your existence at this point, you’re never going to do it.