Late Night Retro Television Review: Freddy’s Nightmares 1.17 “Love Stinks”

Posted on November 28, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Tubi!

This week, dreams continue to come true in Springwood, Ohio. Freddy continues to show up in very short host segments because I guess he doesn’t have anything better to do. And I continue to find ways to pad out my reviews for a show that there’s really not much to be said about. It happens. Some shows are interesting and take chances and other shows just recycle the same thing over and over again. Anyway, let’s get to it….

Episode 1.17 “Love Stinks”

(Dir by John Lafia, originally aired on February 26th, 1989)

Adam (John Washington) is a high school jock who has a chance to join the White Sox and who has a girlfriend named Laura (Tamara Glyn). When his parents go out of town, Adam throws a house party. The party goes wrong when he finds himself unable to say the words “I love you,” to Laura. Laura leaves him and Adam has a one-night stand with Loni (Susanna Savee). Soon, Adam finds himself drifting in-and-out of a dream state. He sees Laura chopping him up with meat cleaver. He sees his parents come home and he notices that his father is missing a finger. Loni ruins his interview with the baseball scout. It’s all because Adam can’t say “I love you,” but suddenly, Adam wakes up in bed and hears the party still going on downstairs and realizes it was all a dream. He runs downstairs and grabs Laura and says, “I love you!” Except, Laura now looks like Loni. And when his parents show up and say they brought someone to meet him, it turns out to be Loni except Loni now looks like Laura.

Meanwhile, Adam’s slacker friend Max (Georg Olden) gets a job at Mr. Cheesy Pizza. He’s working for his hated uncle, Ralph (Jeffery Combs). When Max’s girlfriend disappears, Max is horrified to discover that she’s become a part of the special sauce that Ralph uses to make the pizza’s so memorable. Don’t worry, it’s all just a dream. Except, in the waking world, the pizza oven explodes and kills Ralph. Max apparently decides to take a lesson from his dream and makes tasty use of Ralph’s remains.

By the admittedly low standards of Freddy’s Nightmares, this episode wasn’t that bad. Though the first story was incoherent, it still captured the feeling of being scared of commitment. The second story was predictable but at least it featured Jeffrey Combs doing his sociopathic nerd thing. This episode held my interest. That said, almost every episode pretty much has the exact same “It was just a dream” plot twist. At this point, it’s no longer a shock when someone suddenly opens their eyes and breathes a sigh of relief. Even Freddy seems kind of bored with it all.

Retro Television Review: Highway to Heaven 3.3 “For The Love Of Larry”

Posted on November 21, 2024 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This episode features a very good boy.

Episode 3.3 “For the Love of Larry”

(Dir by Michael Landon, originally aired on October 8th, 1986)

At the start of this episode, we find Jonathan and Mark on a dangerous assignment. They’re in the city and apparently, they’re working as undercover cops and trying to catch a local drug dealer. At least, I assume that the people working with Jonathan and Mark were supposed to be cops. None of them were in uniform so I guess they have just as easily been a neighborhood vigilante group. As Jonathan and Mark prepare to confront the dealer, Jonathan says that the scourge of drugs is the greatest threat that American will ever face.

It’s a heavy assignment but it doesn’t really seem like a Highway to Heaven sort of assignment. Usually, Mark and Jonathan are specifically assigned to help someone. This time, though, it appears that they’ve just been assigned to help the cops do their job. Jonathan and Mark don’t really do anything that any other cop couldn’t have done. Mark gets excited when the dealer tries to shoot him because he’s convinced that God is causing the bullets to miss him. Only after the dealer is captured does Jonathan reveal that God didn’t do Mark any favors. Mark just got lucky.

Mark’s earned a break! He and Jonathan drive off to another one of those small towns that always seem to show up on this show. They rent a cabin for a few days. However, Mark’s attempts at relaxation are continually interrupted by a dog. First, the dog runs in front of the car. Then, the dog somehow shows up at the cabin. Even though Mark took the dog to a shelter, the dog somehow managed to get out and track Mark down.

Eventually, Mark and Jonathan figure out that they need to follow the dog. The dog leads off the main road, to an overturned car that is hidden away in the woods. A father and a son, both badly injured but still alive, are in the car. Jonathan and Mark are able to rescue them but then they notice that the dog is in the back seat and was apparently killed in the crash.

The camera pans up to the sky and gets lost in the clouds. Suddenly, the dog’s ghostly form appears and seems to actually wink at the audience, letting us know that the dog may have died but his spirit stayed on Earth long enough to rescue his owners. (The Larry of the title is the son of the dog’s owner.)

Did this episode make me cry? You better believe this episode made me cry! I’m not even a dog person and I was still sobbing at the end of this episode. As I’ve mentioned before, there’s an earnest sincerity at the heart of this show that makes it effective even when it should be silly. Having the dog appear in the clouds is the type of thing that a lot of shows probably would have screwed up. In lesser hands, it would have been too heavy-handed and overly sentimental to work. But, on this show, it does work. It helps that the dog was cute.

This was a simple episode but sometimes, it’s the simple episodes that work the best.

The TSL Horror Grindhouse: My Friends Need Killing (dir by Paul Leder)

Posted on October 3, 2023 by Lisa Marie Bowman

At the start of 1976’s My Friends Need Killing, Gene Kline (Greg Mullavey) and his wife, Laura (Meredith MacRae) lie in bed together. Gene can’t sleep. He’s haunted by the sounds of gunfire and explosions and people barking out orders at him. A Vietnam vet, Gene has been seeing a Dr. MacLaine (Eric Morris) for help with dealing with his wartime PTSD but it hasn’t done him much good. Without telling Laura, Gene has been sending letters to the former members of his platoon, letting them know that he will soon be visiting them in each of their home cities. Gene says that he’s just dropping by for a visit but the reality is that Gene has decided that his friends need killing.

Without telling his wife, Gene leaves home in the morning and heads to San Francisco. While Laura is looking at old pictures of Gene and having flashbacks to their perfect wedding day, Gene is stalking the people with whom he committed an atrocity in Vietnam. Like Gene, the former members of his platoon have struggled to adjust to returning home. One lives in Texas, loves to hunt, and brags about how he never thinks about the war. Another has found work as a trucker. Another has a nice big house and a pregnant wife and still suffers from flashbacks of his own. Perhaps the most tragic of Gene’s friends is Les Drago (Roger Cruz), who is now a performance artist and an anti-war activist and who recites Lady MacBeth’s “out damn spot” speech while discussing his activities during the war.

My Friends Need Killing is a short but intense movie. It may only have a 73-minute running time and a portion of that running time may be taken up with filler but Gene pursues his mission with a relentless and ruthless determination that is ultimately very unsettling to watch. As played by Greg Mullavey, Gene wanders through the film with the thousand-yard stare of a man who has truly snapped. Years after the war, he can’t forgive anyone, including himself. To him, it doesn’t matter that someone like Les returned from Vietnam and decided to dedicate his life to preventing another pointless war. What matters to Gene is getting vengeance on those who he blames for his sins. Even though the film makes clear that Gene’s actions are due to his experiences during the war, Gene himself never becomes a sympathetic figure. He’s too vicious in his murders, even targeting the wife of one of his platoonmates.

Adding to the film’s unsettling and grim atmosphere is the film’s rather ragged editing. Scenes begin and end abruptly, sometimes in mid-conversation. Each murder is followed by a shot of an airplane landing in another city as Gene continues his mission. Scenes of Gene having flashbacks are haphazardly mixed with scenes of Laura and Dr. MacLaine trying to figure out where Gene has disappeared to. One is tempted to smile at the film’s score, which sounds more appropriate for a 70s cop show than a movie about a murderous vet, but even the score ultimately adds to the film’s off-center feel. The score feels as out-of-place as the happiness of his friends does to Gene. My Friends Need Killing ultimately feels like a film about a world that is spiraling out of control. The film ends on a truly odd note, one that suggests that there is hope for the future, even if there’s no place for Gene in it.

Much like Bob Clark’s Deathdream, My Friends Need Killing suggested that mainstream America would never be ready to fully accept what happened in Vietnam.

Embracing the Melodrama Part II #74: Perfect (dir by James Bridges)

Posted on May 14, 2015 by Lisa Marie Bowman

Okay,before reviewing the 1985 film Perfect, I have three things to say.

Number one, I nearly captioned the picture above “John Travolta, Jamie Lee Curtis, and Little Xenu.” And then I laughed and laughed. But, in the end, I resisted temptation because I’m an adult now.

Number two, Perfect came out in June in 1985, a few months before I was born. As a result, I have no idea what the 1985 reviews looked like. However, it still seems to me that you’re taking a big risk when you give a movie a title like Perfect, especially when the movie itself is far from perfect. How many reviews opened with, “Perfect fails to live up to its name…”

And finally, as a result of seeing both this film and Staying Alive, I have to say, “What the Hell, John Travolta?” Seriously, what the Hell was going on? John Travolta gave a great performance in the 1970s, with Saturday Night Fever. And then in the 1990s, he was good in Pulp Fiction, Get Shorty, Face/Off, Primary Colors, and a few others. (For our purposes here, we shall pretend that Battlefield Earth never happened.) Even though most of Travolta’s recent films have been forgettable, his performances have generally been adequate.

So, seriously, John — what was going on in the 80s? Because judging from both Perfect and Staying Alive, John Travolta apparently totally forgot how to act during that decade. When I reviewed Staying Alive, I said that Travolta’s performance managed to create a whole new definition of bad. But he’s actually even worse in Perfect. It helped, of course, that in Staying Alive, Travolta’s character was supposed to be stupid. In Perfect, on the other hand, he’s actually supposed to be a brilliant reporter.

Or, at the very least, he’s supposed to be brilliant by the standards of Rolling Stone. Travolta plays Adam Lawrence, an award-winning reporter for Rolling Stone. The magazine, by the way, plays itself and so does its publisher, Jann Wenner (though his character is technically named Mark Roth). What’s interesting is that the film itself doesn’t necessarily paint a flattering picture of Rolling Stone or Jann Wenner, though admittedly a lot of that is due to the fact that Wenner himself gives a performance that is even worse than Travolta’s. It’s impossible to watch Perfect without thinking about the fact that Adam is writing for the same magazine that would eventually put Dzokhar Tsarnaev on the cover and publish the UVA rape story.

Anyway, if I seem to avoiding talking about the exact plot of Perfect, that’s because there’s not really much of a plot to describe. Adam, a hard-hitting investigative journalist, is doing research on a story about how people are hooking up at gyms. Wenner agrees. “We haven’t done L.A. in a while!” he says. Adams joins the a gym called the Sports Connection, which he is soon calling “The Sports Erection” because he’s a super clever reporter. He falls in love with an aerobics instructor, who is played by Jamie Lee Curtis. She doesn’t trust reporters but is eventually won over by Travolta’s … well, who knows? Mostly she’s won over because the plot needs some conflict. She gets on Adam’s computer and she types, “Want to fuck?” Adam says sure but then tries too hard to dig into the dark secret from her past. “You’re a sphincter muscle!” she shouts as him. Adam writes a compassionate and balanced article about the Sports Connection. Wenner edits the article and turn it into a sordid hit piece. (And again, you wonder why Wenner agreed to play himself.) Feelings are hurt, issues are resolved, and eventually everyone takes an aerobics class.

Honestly, the entire movie is mostly just a collection of scenes of Jamie Lee Curtis and John Travolta working out. And, in all fairness, Curtis does about as well as anyone could in this terrible film. Travolta, on the other had … well, just check out the scene below and maybe you’ll understand why I had a hard time concentrating on Travolta’s acting.