Brad reviews THE LAST STAND (2013), starring Arnold Schwarzenegger!


After eight years of serving as Governor of California, Arnold Schwarzenegger made his big comeback as an action movie star in director Kim Jee-woon’s THE LAST STAND (2013). Sure, he put in a little work on the first two EXPENDABLES movies, but those were really just glorified cameos. Here, Arnold was front and center for the film’s 107 minute running time. This was an exciting time for me, because like most action movie fans, I loved him and had truly missed seeing him consistently kicking butt and taking names on the big screen. I gladly made my way to the movie theater in January of 2013  for a large tub of ‘corn, a big Mr. Pibb, and the true return of an action megastar!!

In THE LAST STAND, Schwarzenegger plays Ray Owens, a former LAPD narcotics officer who chose to leave the big city and take a job as the sheriff of the quiet, southern border town of Sommerton, Arizona. It won’t be quiet for long after notorious drug kingpin Gabriel Cortez (Eduardo Noriega) makes a daring escape from FBI custody. Cortez immediately heads towards the border in a souped up Corvette where an advanced group of highly trained gunmen, led by Burrell (Peter Stormare), are waiting to help him cross. Cortez and his small army of mercenaries appear to be on a collision course with Sheriff Owens and his ragtag group of deputies, including Mike (Luis Guzman), Jerry (Zach Gilford), and Sarah (Jaimie Alexander). Knowing they’re outgunned and outmanned, Sheriff Owens asks for additional help from ex-military man and current drunk Frank Martinez (Rodrigo Santoro), as well as the crazy local gun nut Lewis Dinkum (Johnny Knoxville). Add to this mixture, FBI agent John Bannister (Forest Whitaker) and his team’s attempts to try to stop Cortez before he gets to Sommerton, and the stage is set for lots of action! 

I really liked THE LAST STAND when I saw it at the movie theater in 2013, and I really liked it again when I revisited the film this week. I made it a habit many years ago to not read reviews of a film before I go see it at the theater. I had found that reading potential negative comments could affect my viewing of a film, so I cut that out. As such, after totally enjoying myself with THE LAST STAND, I was surprised that the film wasn’t received very strongly by the audience or critical community, and I was even more surprised that it completely flopped at the box office, only bringing in a total of $12 million in the United States during its run. For me, the film delivered what I was looking for… Arnold Schwarzenegger kicking ass, spouting off some good one-liners, and outsmarting and outmuscling his much younger adversaries! No critic or keyboard warrior can take that away from me, as THE LAST STAND is an entertaining movie with a good cast. Heck, even the great Harry Dean Stanton pops in for a surprise cameo at the beginning of the action. 

I also appreciate the fact that THE LAST STAND is the American directorial debut of the great South Korean director Kim Jee-woon, who has directed some of my favorite South Korean films, including A BITTERSWEET LIFE (2005) and I SAW THE DEVIL (2010). His direction brings some Asian flair that results in stronger, more graphic violence, as well a penchant for jarring changes in tone between humorous character interplay and sometimes violent tragedy. In a movie designed primarily as a piece of entertainment, I appreciate those more over-the-top touches that lift it above the norm. 

Overall, I easily recommend THE LAST STAND to fans of Arnold Schwarzenegger and old-school action movies. It’s not a Schwarzenegger classic in the same way as movies like PREDATOR (1987), TERMINATOR 2 (1991), and TRUE LIES (1994), but it’s still a fun ride! 

Here’s What’s Coming To The 2023 Cannes Film Festival


The initial line-up for the 2023 Cannes Film Festival was announced today.  Usually, films are added (and occasionally even withdrawn) after the initial announcement so this list will probably be added to in the days and weeks to come:

COMPETITION:

Club Zero, Jessica Hausner
Asteroid City, Wes Anderson
The Zone of Interest, Jonathan Glazer
Fallen Leaves, Aki Kaurismaki
Les Filles D’Olfa (Four Daughters), Kaouther Ben Hania
Anatomie D’une Chute, Justine Triet
Monster, Kore-eda Hirokazu
Il Sol Dell’Avvenire, Nanni Moretti,
La Chimera, Alice Rohrwacher,
About Dry Grasses, Nuri Bilge Ceylan,
L’Ete Dernier, Catherine Breillat,
The Passion of Dodin Bouffant, Tran Anh Hung,
Rapito, Marco Bellocchio,
May December, Todd Haynes,
Firebrand, Karim Ainouz,
The Old Oak, Ken Loach,
Perfect Days, Wim Wenders,
Banel Et Adama, Ramata-Toulaye Sy,
Jeunesse, Wang Bing,

OUT OF COMPETITION:

Killers of the Flower Moon, Martin Scorsese
The Idol, Sam Levinson
Cobweb, Kim Jee-woon
Indiana Jones and the Dial of Destiny, James Mangold
Jeanne du Barry, Maiwenn

MIDNIGHT SCREENINGS:

Omar la Fraise, Elias Belkeddar
Kennedy,” Anurag Kashyap
Acide, Just Philippot

SPECIAL SCREENINGS:

Retratos Fantasmas (Pictures of Ghosts), Kleber Mendonca Filho
Anselm, Wim Wenders
Occupied City, Steve McQueen
Man in Black, Wang Bing

CANNES PREMIERE:

Le Temps D’Aimer, Katell Quillevere,
Cerrar Los Ojos, Victor Erice,
Bonnard, Pierre et Marthe, Martin Provost,
Kubi, Takeshi Kitano

For Oscar watchers, the big news is probably that both Asteroid City and Killers of The Flower Moon will be premiering at Cannes.  Asteroid City is the latest from Wes Anderson and, to be honest, I have my doubts about it as an Oscar contender.  The trailer indicates that it’s very, very quirky.  While Anderson did receive some Oscar recognition for Grand Budapest Hotel, a good deal of that film’s success was due to Ralph Fiennes’s lead performance.  Fieness kept Grand Budapest rooted in a stylized reality.  I’m not sure if anyone in the cast of Asteroid City is going to perform the same duty.  If Asteroid City is going to become an Oscar contender, a good showing at Cannes would definitely help.

As for Killers of the Flower Moon, it’s being shown out of competition.  I can understand the logic.  With all of the high expectations that come along with being Martin Scorsese’s latest film (as well as being the first Scorsese film to feature both De Niro and Di Caprio), it’s best not to run the risk of being snubbed by the unpredictable Cannes jury.  The last thing anyone wants is for the narrative to shift from “sure-fire contender” to “late career disappointment.”

The Cannes Film Festival runs from May 16th to May 27th!