Retro Television Review: Miami Vice 5.15 “Over The Line”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad learns that a man has to know his limitations.

Episode 5.15 “Over The Line”

(Dir by Russ Mayberry, originally aired on April 28th, 1989)

“All of our heroes are dead.”

That line was delivered in 1973’s Magnum Force, by a motorcycle cop-turned-vigilante who justified his murderous actions by claiming that he was a part of the first generation without heroes.  That line could have just as easily been delivered by the cops in this episode of Miami Vice.

Crockett and Tubbs are recruited by Walter Stevens (Thomas Arana), a cop-turned-vigilante who explains to them that, once they join his organization, they can never leave.  Of course, Crockett and Tubbs are only pretending to be vigilantes so that they can take down both the drug dealers and Walter’s organization.  They do this despite the fact that, in many ways, Crockett agrees with Walter.  But when Walter’s methods lead to three good cops getting killed, Crockett realizes that Walter has to be stopped.  Even worse, he discovers that Walter is funding his operation by selling the cocaine that he confiscates from the dealers.

When Crockett pulls his gun on Walter and tells him to surrender, Walter appears to be doing so.  Walter warns Crockett that there’s a lot more to the organization than Crockett realizes.  Suddenly, a police captain named Robert Highsmith (Robert Fields) pops up and shoots Walter.  Crockett says that Walter was surrendering.  Highsmith insists that he saved Crockett’s life.

With the drug dealers and the bad cops taken down, Highsmith takes all the credit.  Highsmith is not only a police captain but he’s also a candidate for Dade County Supervisor.  At a televised “meet-the-candidate” forum, Highsmith brags about how he personally is helping to clean up the city.  Crockett watches and says, “Whatever it takes, right?”

Agck!

Seriously, this episode is cynical even by the standards of Miami Vice.  Legitimate cops like Crockett and Tubbs can’t do their job because of budget cuts.  The vigilante cops are taking down the drug dealers but they’re also stealing and selling cocaine so they’re not actually doing anything to stop the flow of drugs into Miami.   Walter becomes the first Miami Vice bad guy to both show remorse and to willingly surrender but he’s still gunned down by Captain Highsmith who, at the end of the episode, appears poised to be elected to political office.  Miami Vice was often critical of the War on Drugs.  This episode showed why the war couldn’t be won, despite the best efforts of soldiers like Crockett, Tubbs, and Castillo.  Men like Highsmith had to appear to be winning the war so that they could accumulate more power but if they actually did win the war, they would no longer be given carte blanche to do whatever they wanted.

This was a dark but effective episode.  Crockett’s hair has never been longer and he’s never appeared more defeated.

Retro Television Review: Miami Vice 4.14 “Baseballs of Death”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

I saw the title of this week’s episode and I immediately called my sister….

Episode 4.14 “Baseballs of Death”

(Dir by Bill Duke, originally aired on February 19th, 1988)

“Watch this with me,” I told Erin, “it’s a baseball episode!”

“It is?” Erin asked.

“Look at the title!”

I was excited.  I always like to find things that I can watch with my sister and, as we all know, she loves baseball.  She certainly loves baseball more than she loves tv shows about bombs that blow up when you step on them.

Unfortunately, it turned out that this episode was not about baseball.  Instead, it featured a bunch of bombs that blow up when you step on them.  According to this episode, those bombs are known as baseballs.  Sorry, Erin!  Honest mistake….

Misleading title aside, this is a really good episode.  It features Tony Plana as a Chilean diplomat who is trying to buy a shipment of weapons, including the explosive baseballs.  Plana is a chilling villain.  In fact, he’s the first villain of season 4 to actually feel dangerous.  When we first meet him, he’s coldly executing the girlfriend of a tabloid reporter.  Plana’s lack of emotion as he kills and plots to kill feels like a throwback to the soulless sociopaths who made the first season’s rogue gallery.  A very young Oliver Platt shows up as an arms dealer and his nerdy confidence adds to some comedy to what is an otherwise fairly grim episode.  Just as with Plana’s cold villainy, Platt’s cheerful amorality felt like a throwback to the first season.

Indeed, this entire episode felt like a return to what the show used to be.  After a season that’s involved televangelists, bull semen, UFOs, and Crockett getting married to Sheena Easton, it was nice to see an episode that actually felt like an episode of Miami Vice.  Director Bill Dule gave this episode a stylish and, at times, almost surrealistic feel.  Crockett was back to be a cynic.  Castillo stared at the floor and spoke through clenched teeth while Switek actually got to put his phone-tapping skills to good use.  In the end, Tony Plana may have been the villain but, in old school Miami Vice style, the majority of the blame was still put on the U.S. government.  The episode even ended with an exciting boat chase.  All this episode needed was Phil Collins on the soundtrack and it could have passed for something from the first two seasons.

Season 4 has been uneven but this episode felt like classic Vice.  Erin thought the episode would have been better with actual baseballs and I agree with her that the title was misleading.  That said, this was still an enjoyable throwback to what the show used to be.