October True Crime: Sins of the Mother (dir by John Patterson)


In the city of Spokane, Washington, Kevin Coe (Dale Midkiff) is a real estate agent who always tries to come across as being the slickest guy in the room.  With his quick smile and his moderately expensive suits, Kevin certainly seems to fit the stereotype.  It’s only when you start to look a little closer that the surface starts to crack.

For someone who goes out of his way to come across as being confident, Kevin is actually very immature and more than a little whiny.  He’s living with a perfectly nice young woman named Ginny (Heather Fairfield) but it’s obvious that he’s keeping secrets from her.  He comes home one morning with scratches on his face and, when she asks about them, he claims that 1) he got mauled by a dog and 2) he doesn’t need any sort of medical attention.  Kevin is someone who frequently loses his job because he’s just not that good at it.  When one boss fires him, Kevin replies that he’s going to start his own business and someday, maybe he’ll be the one doing the hiring and firing.  It’s classic empty cope.

And then there’s Kevin’s mother.  Ruth Coe (Elizabeth Montgomery) is someone who likes to present herself as being a grand diva, in the manner of a Golden Screen star.  She’s extremely close to her son, at times overprotective and at times overly critical.  Kevin often goes from yelling at his mom to dancing with her within minutes.  Ruth makes it clear that she doesn’t like Ginny and Ginny eventually grows to dread seeing Ruth wandering around their house, uninvited.  And yet, despite all of the time that Kevin spends talking about how wants to get away from his mother and to live his own life, Kevin doesn’t really make much of an effort to do that.

Meanwhile, Detective Liz Trent (Talia Balsam) is investigating a series of rapes that have been committed in Spokane.  When she comes to suspect that Kevin is the rapist, Kevin claims that it’s not true and it’s just another case of the world treating him unfairly.  Ruth stands by her son and eventually shocks everyone with just how far she’s willing to go to try to keep him out of prison.

Sins of the Mother is based on a true story.  Kevin Coe may have only been convicted of four rapes but he is suspected of having committed at least 41.  In prison, he insisted he was innocent and refused to attend any counseling programs.  He also refused to apply for parole, even after he became eligible.  After his criminal sentence was completed in 2008, he was sent to the Special Commitment Center on Washington’s McNeil Island, which is a institution that houses sexual predators who are likely to reoffend.  I’m writing this review on September 15th.  Coe, as of this writing, is scheduled to be released from McNeil on October 3rd so, by the time you’re reading this, he could already be out.  Coe is 78 and is reported to be in fragile health.

As for the movie, it’s mostly memorable for Elizabeth Montgomery’s over the top performance as Ruth Coe.  Sweeping into every scene and delivering her lines in what appears to be a deliberately fake-sounding Southern accent, Montgomery chews the scenery with gusto.  While the rest of the cast often seems to be going through the motions, Montgomery grabs hold of this movie and refuses to surrender it.

Retro Television Review: Fantasy Island 4.23 “Man-Beast/Ole Island Opry”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Almost the entire show is currently streaming on Daily Motion.

This week, we learn something new about the Island.

Episode 4.23 “Man-Beast/Ole Island Opry”

(Dir by George W. Brooks, originally aired on May 16th, 1981)

Did you know that Fantasy Island is home to a world-famous country music venue?

Yes, I’m talking about the Ole Island Opry!  Operated by Lottie McFadden (Anne Francis), the Ole Island Opry is a mainstay of the Island, even though it’s never been mentioned before.  Lottie says that everyone from Charley Pride to Hank Williams to Dolly Parton has played at the Ole Island Opry.

If you’re anything like me, you’re saying, “What the heck?”

I mean, seriously, why have we never heard of this place before?  How many country music fans live on the Island?  Why would established artists be so eager to play at a venue that’s sitting on an isolated island?  And how big is this Island anyway?  With the fishing village, the native villages, the downtown area that we see sometimes, the children’s side of the Island, the ancient castles, the isolated mansions, the Ole Island Opry, and all the magical portals, Fantasy Island has got to be at least the size of New Zealand.

These questions go unanswered, as usual.  Instead, the episode focuses on Charlie Rowlands (Jimmy Dean), who was an up-and-coming country music star until his wife died and he gave up stardom to raise his daughter, Jennie (Wendy Schaal).  Charlie is an old friend of Lottie’s and his fantasy is for Jennie to make her singing debut at the Ole Island Opry.

What Charlie doesn’t know is that Jennie has a fantasy of her own.  She wants her father to stop pressuring her to become a singer so that she can focus on her love of photography!  Mr. Roarke is able to grant both fantasies.  Jennie sings but is really bad and her father finally realizes that she’s not meant to be a country-western star.  Instead, Jennie asks her father to come up on stage and sing a song.  Charlie sings King of the Road and, despite being a bit older than the usual up-and-comer, he gets a recording contract.  He also wins the love of Lottie, who leaves the Island with him.  As for Jennie, she can now attend a Yankee art school without feeling guilty.  Yay!

Jimmy Dean gave a charming performance but otherwise, this fantasy was just silly.  Perhaps it would have worked if Charlie and his daughter had stepped into the past and found themselves in Nashville in the 40s but having Jennie make her debut (and farewell) at the “Ole Island Opry” just required a bit too much of a suspension of disbelief.  As well, Mr. Roarke has a habit of combining people’s fantasies without giving them any advance warning.  It always seem to work out okay but I still think Mr. Roarke is lucky that he hasn’t gotten sued by a guest who didn’t want to share their fantasy with anyone else.

The other fantasy featured David (David Hedison) and Elizabeth Tabori (Carol Lynley) coming to the Island in an attempt to cure David of a recurring nightmare that he’s been having, one in which Elizabeth and he are in a dark cave and Elizabeth is terrified of something.  Mr. Roarke quickly deduces that David is a werewolf.  David can be cured by a very rare plant.  Unfortunately, it will take the plant a few days to arrive so David will have to survive two full moons on Fantasy Island.

As with most of this show’s horror-themed fantasies, this fantasy was simple but fun.  The werewolf makeup was pretty basic but David Hedison poured himself into the role of the tortured David Tabori.  Fortunately, the magic flower arrives just in time to curse David of his ancestral curse.

As David and Elizabeth leave, Tattoo says that David must have been crazy because werewolves don’t exist.  Suddenly, Tattoo realizes that he’s turning into a werewolf.  Roarke has a good laugh as the end credits roll.

This week was another uneven trip to the Island.  It’s interesting that, even with a werewolf on the loose, everyone still braved the night to attend the show at the Ole Island Opry.  Fantasy Island is a strange place and I wouldn’t have it any other way.

Retro Television Reviews: Fantasy Island 3.23 “Eagleman/Children of Mentu”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming is on Youtube!

This week, season 3 comes to an end!

Episode 3.23 “Eagleman/Children of Mentu”

(Dir by Michael Vejar, originally aired on May 17th, 1980)

As I watched the third season finale of Fantasy Island, I found myself growing a bit sad.  Even though I went into this program knowing that Ricardo Montalban and Herve Villechaize eventually came to despise each other, it’s still a bit jarring to see just how obvious that dislike was by the end of season 3.  Gone were the silly moments of banter that used to start each episode.  Instead, by the end of season 3, each episode opened with same stock footage of Tattoo announcing the plane and then Roarke and Tattoo heading down to the docks to meet their guests.  When Tattoo and Roarke do speak to each other, the actors barely look at each other.  As I said, it’s a shame and it’s hard not to feel that the show itself became a bit less interesting once Roarke and Tattoo stopped interacting.

As far as this week’s fantasies, they both feel somewhat familiar.  There’s a comedic fantasy and a vaguely serious fantasy, both featuring actors who had previously appeared on the show in different roles.  The comedic fantasy features Bob Denver as Morris Binstock who comes to the Island for a business retreat.  Accompanying him is his son, Barney (Keith Coogan).  Ever since the death of his wife, Morris has struggled to connect with his son.  His fantasy is to become his son’s favorite comic book hero, Eagleman!

And he gets his wish.  Roarke has set up an entire Eagleman secret headquarters in the closet of Morris’s room.  Morris puts on the Eagleman costume and he does a flew klutzy things and he gets to fly.  His son is happy.  But is Morris devoting so much time to being Eagleman that he’s running the risk of losing a promotion at work?  After all, a promotion would not only mean more money but it would also be something that would continue to exist, even after Morris left the Island.  It looks like obnoxious Hal Ripley (Larry Storch) is going to get the promotion but when the company’s CEO, H.H. Moran (Jim Backus), discovers that Morris has been pretending to be Eagleman to make his son happy, Moran makes Morris vice president.  H.H. Moran is all about family!

The more serious fantasy features Vernee Watson as Rochelle McKenzie, a reporter who is trying to track down Dr. Arthur Gates (Ralph Bellamy), a millionaire who vanished one day.  Roarke explains that Dr. Gates has been spotted on the nearby Island of Mentu.  Roarke warns her that the inhabitants of Mentu are not friendly and Rochelle will be putting her own life at risk if she goes to the island,

Rochelle still goes to the island and guess what?  Roarke was not lying about those angry inhabitants.  One of the men is horribly scarred.  Another has to use a crutch but still growls at every human he sees.  The island and the natives were exploited by a mining company and now, the natives distrust almost everyone they see.  However, Dr. Gates has decided to dedicate his life to taking care of them.  That’s a good thing because it turns out that the scarred native has a sick child and only Dr. Gates can provide the proper medical attention.

Both stories are fairly silly, though at least Rochelle’s story gives Ralph Bellamy a chance to take on the type of role that was usually given to Ray Milland.  If you only know Bellamy as the guy who was constantly getting dumped for Cary Grant in the 30s and 40s, this episode allows Bellamy a chance to show that he could be a likable and authoritative actor.  As for the Eagleman story, it was kind of uncomfortable to watch because Bob Denver looked like he was in his early 60s and it was hard not to worry about him seriously injuring himself whenever he put on the costume.

There’s an interesting moment in Rochelle’s fantasy, in which she tells Mr. Roarke that she feels foolish coming to the Island in pursuit of a “fantasy.”  She feels that she’s being childish but Roarke explains that fantasies are not childish and that one should always pursue their dreams.  Whether it was intentional or not, this scene serves as a mission statement for the entire series.  Yes, Fantasy Island was frequently silly and childish but, in the end, it still resonates because people will always have dreams and they will always have fantasies.  There will always be a place for Fantasy Island.