4 Shots From 4 Films: Special Martin Ritt Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this day, 109 years ago, Martin Ritt was born in New York City.  Like many of the Hollywood directors who came to prominence in the 1950s, he started his directorial career in the theater before moving over to live TV.  In 1952, his television career was derailed when he was accused of being a communist.  Blacklisted, it would be five years before Ritt could get another directing job.  When he did start to work again, he moved from television into the movies, starting with 1957’s Edge of the City.  Perhaps due to his own experiences, his films always had a social conscience and always defended the individual against corrupt corporations and governments.  In 1976, he directed one of the first films about the Hollywood blacklist, The Front.

As a director, Ritt was known for his skill with actors.  More than anyone, he played a huge role in making stars out of both Paul Newman and Sally Field.  He was also one of the few directors to understand how to harness Richard Burton’s self-destructive tendencies and, as a result, Burton gave one of his best performances in Ritt’s adaptation of The Spy Who Came In From The Cold.  

It’s time for….

4 Shots From 4 Martin Ritt Films

Edge of the City (1957, dir by Martin Ritt, DP: Joseph Brun)

The Long Hot Summer (1958, dir by Martin Ritt, DP: Joseph LaShelle)

Hud (1963, dir by Martin Ritt, DP: James Wong Howe)

The Spy Who Came In From The Cold (1965, dir by Martin Ritt, DP: Oswald Morris)

8 Shots From 8 Horror Films: The 1930s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the 1930s.

8 Shots From 8 Horror Films

Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

White Zombie (1932, directed by Vincent Halperin, DP: Arthur Martinelli)

The Mummy (1932, directed by Karl Freund, DP: Charles Stumar)

The Invisible Man (1933, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir James Whale, DP: John J. Mescall)

Mark of the Vampire (1935, dir by Tod Browning, DP: James Wong Howe)

Son of Frankenstein (1939, directed by Rowland V. Lee, DP: George Robinson)

4 Shots From 4 Films: Special Josef von Sternberg Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this date, 128 years ago, the great cinematic stylist Josef von Sternberg was born in Vienna.  Von Sternberg would become one of the great directors of both the silent and the early sound era and is today best remembered for his many collaborations with Marlene Dietrich.  

It’s time for….

4 Shots From 4 Josef von Sternberg Films

Underworld (1927, dir by Josef von Sternberg, DP: Bert Glennon)


The Blue Angel (1930, dir by Josef von Sternberg, DP: Gunther Rittau)


Shanghai Express (1932, dir by Josef von Sternberg, DP: Lee Garmes and James Wong Howe)


The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)

A Malignant Odor: SWEET SMELL OF SUCCESS (United Artists 1957)


gary loggins's avatarcracked rear viewer

Watching SWEET SMELL OF SUCCESS is like taking a slog through a sludge-filled, rat infested sewer. It’s “a cookie full of arsenic”, with two of the most repellant characters to ever worm their way across the silver screen. It’s also a brilliant film, with superb performances from stars Burt Lancaster and Tony Curtis, wonderfully quotable dialog by Clifford Odets and Ernest Lehman, tense direction by Alexander Mackendrick, and stunning black and white photography by James Wong Howe . It’s a movie that demands repeated viewings; just make sure to take a shower after each one!

Powerful Broadway columnist J.J. Hunsecker is dead set on destroying the relationship between his kid sister Susie and up-and-coming jazz guitarist Steve Dallas. To achieve this goal, he uses his toady, press agent Sidney Falco. Sidney, forever trying to curry favor with the great Hunsecker, pimps out cigarette girl Rita to rival columnist Otis Elwell, in exchange for…

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Halloween Havoc!: Bela Lugosi in CHANDU THE MAGICIAN (Fox 1932)


gary loggins's avatarcracked rear viewer

chandu1

Thrills! Chills! Romance! Action! CHANDU THE MAGICIAN plays like a Saturday matinée serial aimed directly at the kiddie crowd. Based on a popular radio series, the film is pretty antiquated seen today, its saving graces being the special effects wizardry of co-director William Cameron Menzies and the deliciously evil Bela Lugosi as the megalomaniacal villain Roxor.

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The movie kicks off with the banging of a gong and an offscreen narrator ominously intoning “Chan-du the Magician”. A hand is used to wipe the screen credits, the first of Menzies’ many filmic tricks. We’re taken inside a temple where Frank Chandler, aka Chandu, has spent three years learning the ancient secrets of the mystic arts (move over, Dr. Strange!). He’s a yogi now, master of the hypnotic eye and astral projection, and demonstrates his prowess by performing the old Indian rope trick and walking through fire. His mentor bids him to “go…

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