4 Shots From 4 Horror Films: 1930s Part 2


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue with the 1930s.

4 Shots From 4 Horror Films

La Llorona (1933, dir by Ramon Peon)

La Llorona (1933, dir by Ramon Peon)

The Invisible Man (1934, dir by James Whale)

The Invisible Man (1933, dir by James Whale)

Maniac (1934, dir by Dwain Esper)

Maniac (1934, dir by Dwain Esper)

The Bride of Frankenstein (1935, dir by James Whale)

The Bride of Frankenstein (1935, dir by James Whale)

4 Shots From Horror History: 1930s Part One


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the start of the 1930s.

4 Shots From 4 Films

Dracula (1931, dir by Tod Browning)

Dracula (1931, dir by Tod Browning)

Frankenstein (1931, dir by James Whale)

Frankenstein (1931, dir by James Whale)

Vampyr (1932, dir Carl Theodor Dryer)

Vampyr (1932, dir Carl Theodor Dryer)

White Zombie (1932, dir by Victor Halperin)

White Zombie (1932, dir by Victor Halperin)

Scenes I Love: The Monster Escapes In Bride of Frankenstein


Today’s scene comes from 1935’s Bride of Frankenstein.  The villagers want to execute the Monster (Boris Karloff).  The Monster has other ideas.

This scene epitomizes what made the first two Karloff Frankenstein films so effective.  As scary and as destructive as the Monster may be, he’s nowhere near as bad or deliberately sadistic as the humans around him.  He’s a monster who is definitely more of a victim than a victimizer, someone who has been cruelly tossed into a world that he doesn’t understand and who has been persecuted nonstop since the moment he was created.  It’s hard not to feel sorry for Karloff’s Monster, no matter what he does.  And it’s hard not to cheer a little when he escapes, even though it does inevitably lead to more tragedy and heartbreak.

4 Shots From 4 Horror Films: Special James Whale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director: James Whale!

4 Shots From 4 James Whale Films

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

The Old Dark House (1932, dir by James Whale, DP: Arthur Edeson)

The Invisible Man (1933, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir James Whale, DP: John J. Mescall)

4 Shots From 4 Horror Films: Special James Whale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director: James Whale!

4 Shots From 4 James Whale Films

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

The Old Dark House (1932, dir by James Whale, DP: Arthur Edeson)

The Invisible Man (1933, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir by James Whale, DP: John J. Mescall)

8 Shots From 8 Horror Films: The 1930s


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at the 1930s.

8 Shots From 8 Horror Films

Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

White Zombie (1932, directed by Vincent Halperin, DP: Arthur Martinelli)

The Mummy (1932, directed by Karl Freund, DP: Charles Stumar)

The Invisible Man (1933, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir James Whale, DP: John J. Mescall)

Mark of the Vampire (1935, dir by Tod Browning, DP: James Wong Howe)

Son of Frankenstein (1939, directed by Rowland V. Lee, DP: George Robinson)

4 Shots From 4 Boris Karloff Films


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Since we yesterday paid our respects to the great Bela Lugosi, it only seems right that today, we should honor Boris Karloff.  By all account, Boris Karloff was a remarkably gentle and friendly man.  Perhaps that’s why he could find the soul in almost any character, even the ones who didn’t have one.

It’s time for….

4 Shots From 4 Boris Karloff Films

Frankenstein (1931, dir by James Whale, DP: Arthur Edeson)

Bride of Frankenstein (1935, dir James Whale, DP: John J. Mescall)

Black Sabbath (1963, dir by Mario Bava, DP:Ubaldo Terzano and Mario Bava)

Targets (1968, dir by Peter Bogdanovich, DP: Laszlo Kovacs)

4 Shots From 4 James Whale Films: Frankenstein, The Old Dark House, The Invisible Man, Bride of Frankenstein


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This October, we’ve been using 4 Shots from 4 Films to pay tribute to some of our favorite horror filmmakers!  Today, we honor the one and only James Whale!

4 Shots For 4 James Whale Films

Frankenstein (1931, dir by James Whale)

The Old Dark House (1932, dir by James Whale)

The Invisible Man (1933, dir by James Whale)

Bride of Frankenstein (1935, dir by James Whale)

6 Good Films That Were Not Nominated For Best Picture: The 1930s


1937 Oscar Banquet

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1930s.

Frankenstein (1931, dir by James Whale)

Henry Frankenstein may have created life and revolutionized the horror genre but his creation got absolutely no love from the Academy.  Starting a very long history of snubbing successful horror films, the Academy failed to nominate Frankenstein for Best Picture.  Not even Boris Karloff got a nomination!  Fortunately, the public recognized what the Academy failed to see and Frankenstein remains a classic film.

Scarface (1932, dir by Howard Hawks)

Gangster films may have been all the rage with the public in the 1930s but the Academy felt different.  Little Caesar, The Public Enemy, and Scarface may have excited audiences but none of them received much love from the Academy.  It was hard to decide which gangster film to specifically use for this post.  In the end, I went with Scarface because of George Raft and his sexy way with a coin.

King Kong (1933, directed by Merian C. Cooper and Ernest B. Schoedsack)

King Kong thrilled audiences, impressed critics, made a ton of money, and has gone on to influence just about every monster film made since.  It received zero Oscar nominations.

My Man Godfrey (1936, dir by Gregory La Cava)

My Man Godfrey, one of the best of the screwball comedies of the 1930s, received a total of 6 Oscar nominations.  It was nominated in all four of the acting categories.  It was nominated for best screenplay.  It was nominated for best director.  However, it was not nominated for Best Picture.  (My Man Godfrey is the first and, as of this writing, only film to receive four acting nominations without also receiving a nomination for best picture.)  Best Picture that year would go to The Great Ziegfield, which, like My Man Godfrey, starred William Powell.

Bringing Up Baby (1938, dir by Howard Hawks)

My Man Godfrey was not the only screwball comedy to be ignored by the Academy.  Bringing Up Baby features Cary Grant and Katharine Hepburn at their best.  It also features an absolutely adorable leopard.  Somehow, it was not nominated for best picture.

The Women (1939, dir by George Cukor)

The competition was fierce in 1939.  If you want to know why 1939 is considered to be one of the best years in Academy History, just consider the ten films that actually were nominated for best picture: Dark Victory, Gone With The Wind, Goodbye Mr. Chips, Love Affair, Mr. Smith Goes To Washington, Ninotchka, Of Mice and Men, Stagecoach, The Wizard of Oz, and Wuthering Heights.  Amazingly, even with that list of nominees, some equally good film went unnominated.  One of those films was The Women.

Based on Clare Boothe Luce’s play, The Women features a witty script, assured direction from George Cukor, and an amazing talented, all-female ensemble cast.  Though the competition was undeniably fierce in 1939, it’s still a shock that this film received not a single nomination.

Up next, in about an hour or so, the 1940s!

Scarface (1932)

Halloween Havoc!: BRIDE OF FRANKENSTEIN (Universal 1935)


gary loggins's avatarcracked rear viewer

James Whale’s brilliant BRIDE OF FRANKENSTEIN is one of those rare occasions where the sequel is better than the original… and since the original 1931 FRANKENSTEIN is one of the horror genre’s greatest films, that’s saying a lot! Whale’s trademark blend of horror and black humor reached their zenith in BRIDE, and though Whale would make ten more films before retiring from Hollywood moviemaking in 1941, this was his last in the realm of the macabre. It turned out to be his best.

Mary Shelley’s got a story to tell…

William Hurlbut’s screenplay start with a prologue set during the proverbial dark and stormy night, with Mary Shelly (Elsa Lanchester ), Percy Bysshe Shelley (Douglas Walton), and Lord Byron (Gavin Gordon ) discussing Mary’s shocking novel “Frankenstein” as clips from the 1931 film are shown. Then Mary tells them there’s more to the story, and we pick up…

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