Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing King of the Building, which aired on CBS in 1987. The entire show is currently streaming on YouTube!
This week, Richard Lewis is a doorman.
Episode 1.1 “Pilot”
(Dir by James Komack, originally aired on July 31st, 1987)
Joey (Richard Lewis) is the …. KING OF THE BUILDING!
Well, no. Actually, he’s just a doorman for a Park Avenue apartment building. The owner of the building, Mr. Jamison (Simon Jones), is the real king of the building but the elderly residents all prefer to deal with Joey. That’s because Mr. Jamison is greedy and venal and always looking for an excuse to kick people out of their apartments. His latest target is Mrs. Gladstone (Billie Bird), who has dementia and thinks that Joey is her son, Elliot.
(Mrs. Gladstone has a sitcom form of dementia, where all of her mistakes are quirky and she never loses her temper or gets paranoid or disappears for hours on end.)
When Mr. Jamison brings in a social worker (Lora Staley) to try to get Mrs. Gladatone ruled incompetent, Joey and the other workers at the building conspire to make it appear as if all of Mrs. Gladstone’s confusion is due to Mr. Jamison keeping her apartment in disrepair. The social worker declares that Mrs, Gladstone will be fine as long as Joey is working at the building.
(Personally, I would think this would lead to Mr. Jamison just firing Joey so he could then get rid of Mrs. Gladstone but that doesn’t seem to occur to him. Of course, Joey also mentions that he’s a member of a union so maybe Joey has his job for life. I hope it pays well.)
This was a pilot for a series that presumably would have followed Joey as he protected the elderly residents from Jamison. It only aired once and it didn’t lead to a series. Watching the pilot, it’s easy to see why. Richard Lewis, who passed away two days ago, was a comedian who was acclaimed and famous for his ability to comedically explore what it meant to be truly neurotic. There’s not really anything neurotic or obsessive or even particularly interesting about Joey. He gets nervous and he complains a lot but, in the end, he’s just a blue collar doorman who doesn’t like his boss. Lewis is likable but miscast in the role. Watching him, one gets the feeling that Lewis was holding back all of his natural instincts to play the rather subdued and sensible Joey.
Despite the failed pilot, Richard Lewis would continue to appear in television and moves for the rest of his life and he became a bit of a cultural institution. On Curb Your Enthusiasm, he often played the voice of reason to Larry David and proved that one could play sensible without losing his edge. And, of course, a generation will always remember him as King John.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week, we learn more than we ever wanted to know about Arnold Horshack.
Episode 2.19 “There Goes Number Five (a.k.a. Has Anyone Seen Arnold Part 2)”
(Dir by Bob LaHendro and James Komack, originally aired on February 3rd, 1977)
When last we checked in with the Sweathogs, Arnold Horshack was missing and perhaps dead. This episode opens with the Sweathogs in the classroom, telling Gabe that they’re worried about their friend. Gabe says that Arnold must be having a “problem in his personal life.”
“Come on, Mr. Kotter,” Epstein says, “Arnold ain’t got no personal life.”
Suddenly, Horshack comes into the classroom and asks Mr. Kotter how one becomes a father. “Well, first you meet a girl….” Gabe starts but Horshack stops him and explains that his fifth stepfather has died, felled by a heart attack while driving his taxi on the Long Island expressway. Horshack is now the man of his family. Everyone hugs Horshack and promises to help him out if they can.
“Awwwwww!” the audience says and it actually is a pretty sweet scene.
Unfortunately, the rest of the episode is not quite as effective. After the scene with the Sweathogs, the viewer is suddenly confronted with a new tenement location, a host of new characters, and some very broad acting as the show goes from being an episode of Welcome Back Kotter to being a poorly disguised pilot for a show that presumably would have focused on Horshack’s eccentric family. We meet Horshack’s mother (played by Ellen Travolta, sister of John). We meet Horshack’s obnoxious sibilings. When meet Goldie (Susan Lawrence), who Horshack has a crush on. And we eventually meet Horshack’s uncle, the wealthy Harry Orshack (James Komack). Uncle Harry gives Horshack a part-time job and agrees to train him to be “a shark” so that Horshack will be able to take care of his family. We also meet Leonard (Robert Stoneman), who is Harry’s other protégé and who takes an immediate dislike to Arnold. One can only imagine how many conflicts they would have had if this pilot had been turned into a show.
The episode suffers from a lot of problems, the least being that a little bit Arnold Horshack goes a long way. As a character, Horshack is funny when he’s a part of an ensemble but he’s a bit too cartoonish to be effective as a lead. On Welcome Back, Kotter, Horshack is an amusing eccentric but, in this episode, he’s surrounded by characters who are equally eccentric and it really does get to be too much. Watching it, one can see why the idea of doing a show about the Horshacks never got out of the pilot stage.
For the record, this is the first episode of Welcome Back Kotter to not feature Gabe telling a joke at the beginning of the show. As it ends, when Horshack returns to school and tells everyone that he’ll be working for his uncle Harry, Gabe offers to tell Horshack about his uncle who once had a job but we don’t actually get to hear the punchline of the joke.
In this episode’s defense, I should mention that it appears that both it and the previous episode actually aired on the same night and, as such, the backdoor pilot was the second half of a one-hour broadcast. So, I imagine that viewers in 1977 didn’t find all of this to be as jarring as a viewer in 2023 would. Still, if I was going to spin-off a Sweathog, I would have gone with Epstein. He seemed like he had a wild life.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC from 1975 to 1979. The entire show is currently streaming on Tubi!
This week is all about love and punishment!
Episode 2.13 “A Love Story”
(Dir by James Komack & Gary Shimokawa, originally aired on December 30th, 1976)
Gabe tells Julie about his Uncle Pete and Aunt Priscilla and how they won “a lot of money in the sweepstakes.”
In class, Gabe is teaching about the Spanish-American War when Freddie comes in doing the “She Loves Me/She Loves Me Not” routine with a daisy. Freddie is followed by a new student named Carmen (Lisa Mordente), who hands Gabe a note.
“Dear Mr. Kotter,” it reads, “please excuse my daughter’s violent temper. Don’t get her mad and she won’t have to deck you. Signed, Epstein’s Sister’s Mother.”
That’s right, Carmen is Epstein’s sister! When Epstein says, “What’s my baby sister doing in this class!?,” Carmen attacks him and throws him on top of Gabe’s desk.
After Gabe seperates the siblings, he introduces her to the class. Epstein can only watch in horror as Barbarino says, “You really filled out,” and Horshack says, “I want you have your children.”
Fortunately, the bell rings and school ends. Horshack stays after class to tell Kotter that he’s now in love with Carmen Epstein. Gabe encorages him to have confidence and ask out anyone that he wants to ask out.
Meanwhile, Epstein goes to the principal’s office with Carmen so that he can ask his best friend, Principal Lazarus, to transfer Carmen out of the Sweathogs. While Epstein talks to Lazarus, Horshack enters the office and approaches Carmen. When Horshack sees that Carmen is carrying a trumpet, Horshack says that he love the trumpet. Carmen plays a terrible version of Three Blind Mice for him. Horshack asks Carmen to go out with him but Barbarino walks into the office and asks Carmen to come with him. As anyone would, Carmen abandons Horshack for Barbarino. “I might even let you ask me out on Saturday,” Barbarino tells Carmen. Awwwwwww! Barbrino!
Gabe steps into the office and, as Horshack tells Gabe about what happened, Freddie steps into the room and reads a poem that he’s written for his new love. Epstein comes out of Lazarus’s office at the same time that Woodman is coming out of his office. Epstein warns Woodman that Lazarus doesn’t like him. This leads to a vintage Woodman meltdown as he points out that not only is his office smaller than Lazarus’s but his American flag only has 13 stars. “I’m plotting a mutiny,” Woodman says, “You can join, Kotter!” As Woodman plots to take over the school, Freddie mentions that he saw Barbarino heading down to the boardwalk with Carmen. Epstein announces that he’s going to kill Barbarino.
In the very next scene, Epstein has been chained to a locker and Horshack is still talking about how he just wants to devote his life to Carmen. Freddie suggests that maybe Epstein should give Horshack his blessings to date Carmen to keep Carmen away from Barbarino. Epstein agrees because he figures that Horshack won’t “try anything” with his sister. However, as soon as Horshack starts to rehearse what he’s going to say to Carmen, Epstein starts to shout, “STAY AWAY FROM MY SISTER! STAY AWAY FROM MY SISTER!”
The next day, in class, Gabe announces that they’re going to use the last few minutes of class to talk about love. He asks Vinny to explain what love means to him.
“Love,” Barbarino says, “mean never having to hear I’m pregnant.”
Epstein flies into a rage telling Barbarino to stop hitting on Carmen. Barbarino replies, “I’ve got a disease!” No, not that type of disease. It’s a disaease that Barbarino calls “Girlitis” and it requires him to hit on every girl he sees. Horshack then starts yelling at Barbarino, saying that Barbarino that he has no idea what it’s like to be alone. Carmen announces that Horshack has guts and “I like a man with guts!” Carmen then shows that she can take care of herself by beating up her brother.
Horshack literally picks up Carmen in his arms and announces that he wants to show her his shell collection under the boardwalk.
“YOU’RE GOING TO DIE, ARNOLD!” Epstein yells.
Back at the apartment, Gabe tells Julie that Carmen Epstein has transferred out of his class. Oh, okay. I guess that takes care of that plotline. Gabe tells Julie a joke about the time his sister Eileen lost a tooth and figured out that Gabe was the tooth fairy.
This is another one of those episodes that worked because it largely focused on how the four main Sweathogs related to each other. Robert Hegyes, Lawrence Hilton-Jacobs, and John Travolta all had a tremendous amount of chemistry and it’s always fun to watch them play off of each other. Ron Palillo occasionally went bit overboard but, with a character like Horshack, I imagine it was probably impossible not to. That said, Palillo more than held his own in this episode and his awkward flirting with Carmen was actually rather sweet. I still would have gone for Barbarino.
Episode 2.14 “Caruso’s Way”
(Dir by Bob LaHendro, originally aired on January 6th, 1977)
Gabe tells Julie about his uncle who was an inventor and who invented a deodorant called Invisible because, when it was worn, no one would want to acknowledge you. This leads to usual pity laughs from Julie.
At school, Gabe tries to teach about the War of 1812. (“When did it start?” Horshack asks.) Gabe notices that Barbarino is not in class and asks if anyone has seen him. Epstein says that Barbarino was fooling around in gym class and doing his “Ba-Baa-Baaa-Barbarino” dance and Coach Caruso ordered him to stay after class.
When Barbarino finally arrives at Gabe’s class, everyone wants to know what happened but a visibly shaken Barbarino insists that nothing happened and asks Gabe to resume teaching about the War of 1812. (Even Gabe is shocked.) When Epstein says he’d rather here about the “war between Vinny and Caruso,” Gabe announces that it’s Barbarino’s business and they’re not going to discuss what happened between Barbarino and Caruso.
On cue, Woodman enters the classroom and he says that he needs to discuss what happened between Barbarino and Caruso. Woodman says that he’s hearing rumors that Caruso hit Barbarino in front of the Girls Gym Class. “There are rules againt hitting students, even Sweathogs,” Woodman says, “I don’t know why.” Barbarino denies that Caruso hit him and Woodman leaves.
However, after the bell rings, Barbarino tells Gabe, Freddie, Epstein, and Horshack that Caruso did hit him but that he’s got a plan to get revenge but he can’t reveal it. Gabe suggests that Barbarino “cool down about it” before doing anything foolish.
Later, Barbarino drops in on Gabe and Julie at their apartment and you can literally see Julie (or maybe just Marcia Strassman) light up at the idea of sharing a scene with John Travolta as opposed to just with Gabe Kaplan.
Barbarino asks them if they watched the news and if they saw any reports on what happened between him and Caruso. Gabe jokes that they broke into “Bowling for Dentures” to report on it. “Really?” Barbarino asks. Awwwwwwww! Poor Barbarino!
Gabe and Julie try to dissuade Barbarino from hitting Caruso back. Barbarino says that he’s thinking of borrowing his uncle’s cement truck and using it to drive over Caruso. Gabe tells Barbarino a story about what happened when Gabe’s friend Bonzo Moretti was slapped by Caruso. Bonzo went to his parents but Barbarino says that telling his parents would just lead to his mother praying for something bad to happen to Caruso. After suggesting that Julie stock the kitchen with Danish and root beer for anyone who might drop by, Barbarino leaves.
The next day, Gabe talks to Woodman and asks Woodman would he would do if “two of your teachers had a confrontation.”
“Fire you,” Woodman replies.
Coach Caruso (played by veteran tough guy actor, Scott Brady) steps into Gabe’s classroom and, after Woodman leaves, they discuss the Barbarino situation. In a very well-acted scene (seriously, this episode features Gabe Kaplan at his most sincere), Gabe tells Caruso that, when he was a student, it bothered him when he heard about Caruso hitting kids. “Now that I’m a teacher, it bothers me even more.” Gabe explains that Caruso took away Barbarino’s pride and asks Caruso to apologize to him. Caruso refuses, saying that he his own pride to think of. Gabe convinces Caruso to come back to the classroom in the afternoon, so that Barbarino can apologize to him and Caruso can apologize back and they can both retain their pride.
However, when Caruso shows up in class and Barbarino apologizes, Caruso refuses to return the apology. (What a jerk!) Instead, Caruso challenges Barbarino to an arm wrestling contest.
“How macho!” Horshack exclaims.
Barbarino wins the arm wrestling contest! Yay! Caruso warmly congratulates Barbarino and leaves. In the hallways, Caruso confesses to letting Barbarino beat him. “When you went to school here,” Caruso says, “I taught you. Today, you taught me.” Awwwwwwww!
Back at the apartment, Gabe tells Julie about the time his Uncle Moe went to Miami Beach and jumped into a pool that he had been told was lukewarm, just to discover it was freezing. “How could you say that water was lukewarm!?” Moe demanded of another vacatinor. “I don’t know, look warm to me .”
This was a great episode, featuring the young John Travolta at his sensitive best and also giving Gabe Kaplan a chance to show off that he actually could act. Barbarino regained his pride, Coach Caruso learned how to be a better teacher, and Woodman continued to be Woodman.
The senior class of Angel Beach High finally graduate in Porky’s Revenge, the last official Porky’s film. It’s a good thing, too. Most of the members of the Porky’s cast were already in their late 20s when they were cast in the first Porky’s. By the time Porky’s Revenge was made, most of them looked more like they should be planning for their retirement than for college.
Director Bob Clark did not return for Porky’s Revenge and it really shows. The third film doesn’t have any messages about tolerance or fighting bigotry. Instead, it’s just a typical teen sex comedy with a subplot about Brian Schwartz (Scott Colomby) trying to help Coach Goodenough (Bill Hindman) pay back his gambling debt to Porky (Chuck Mitchell). Otherwise, the gang plays basketball, tries to arrange an orgy with the cheerleaders, and even helps Ms. Balbircker (Ellen Parsons) find love. I guess everyone forgot about Ms. Balbricker allying herself with the Klan during the previous film.
Porky’s Revenge doesn’t really have enough ambition to be terrible though. It’s just bland. Just as it doesn’t have the social conscience of the first two film, it’s also not as raunchy. There’s considerably less nudity and the occasionally rough edges of the first two films have been removed. That makes Porky’s Revenge less problematic but it also makes it less interesting. The first two films may have been imperfect but they did capture the feel of high school. This one doesn’t do that because the actors are too old and suddenly their characters are too nice. If not for the title, you would think this was just another dumb comedy that played for a week at the drive-in as opposed to being the second sequel to the most commercially-successful Canadian film of the 80s.
I did laugh when the gang went to the ruins of Porky’s to make sure that it hadn’t been rebuilt, just to discover that Porky now owned his own steamboat. I’m also glad that everyone finally graduated and gave the Porky’s saga a fitting close.
There was a direct-to-video sequel to Porky’s Revenge. It came out in 2009 and was called Porky’s Pimpin’ Pee Wee. I think I can live without watching it.
Through the Shattered Lens 