Jacob Scipio | Through the Shattered Lens

The Outpost, which is currently streaming on Netflix and which deserves far more attention than it’s been given, is a film that left me breathless. Seriously, as the film came to its conclusion, I realized that I was so emotionally overwhelmed by what I had just seen that I actually had to stop for a few minutes and catch my breath. Once I was breathing again, I started to cry. I cried all the way through the end credits. That’s the sign of a powerful film.

Based on a true story, The Outpost takes place in 2009. PRT Kamdesh is an American military outpost in Northern Afghanistan. The post is located in a valley. The mountains, which rise high up into the sky, are not only beautiful but they also provide the perfect cover for the Taliban. The outpost is attacked on a nearly daily basis. At the start of the film, we’re told that one military strategist said that the base should have been named after George Custer because it was impossible to defend and that, should a big attack ever truly come, all 53 of the man on the base would essentially be sitting ducks.

The Outpost follows those 53 men as they go about their daily lives on the base. Commanders die and are replaced. The soldiers try to hold onto their sanity, even though they know that the “big attack” is inevitable. Though more than a few of the men have families back home, they try not to think about them. They can’t risk the distractions. Even the act of adopting a dog is seen as being a potentially dangerous move. The humor is dark, to the extent that the base’s theme song is “Everybody Dies.” While dealing with daily attacks, the base’s commanders try to win the support of the local villagers. One of the local elders asks if the Americans are the same invaders who have been in Afghanistan for the last 40 years. “No,” the flummoxed commander tries to explain, “those were the Russians.” It quickly becomes apparent that the soldiers and the villagers have at least one thing in common: no one is quite sure why the Americans are there or if they’ll ever able to leave. Orders are sent down by faceless generals and the men of PRT Kamdesh wait for the attacks that they all know are coming,

When the attack does come, it leads to one of the most visceral battle scenes that I’ve ever seen. There’s nothing glamorous about the way that The Outpost portrays war. Instead, it’s a confusing, loud, and terrifying nightmare. The Outpost establishes early on that anyone can die, an important lesson when you consider how many action movies have been made about heroes who are mythically impervious to even the slightest of injuries.

For roughly the final hour of the film, The Outpost puts us into the middle of the Battle of Kamdesh. The film pays tribute to the soldiers who fought in the battle, showcasing their bravery and the quick thinking that kept the battle from being even more of a disaster than it was. At the same time, it also reminds us that war is not fun and that the scars of combat are not just physical. When a soldier breaks down into tears while trying to talk about the battle, the film treats his feelings with the respect that they deserve. It’s been said that few people are as anti-war as the people who have actually experienced combat and The Outpost shows us why that is.

The Outpost is an important film. It’s especially important now that we have a new president and the national media is probably going to go back to ignoring whatever happens in Afghanistan for at least the next four years. For far too many people, it’s become the forgotten war, even though it’s still ongoing. The Outpost is a film that reminds us that no war and no soldier should ever be forgotten.

I’ve been pretty critical of director Rod Lurie in the past but, with The Outpost, he’s given us one of the best films of 2020.

Bad Boys For Life came out in January of this year. It was the first big release of 2020 and despite some skepticism (mostly from people like me, who pointed out that it had been 18 years since the release of the previous Bad Boys film), it went on to become the most financially successful January release of all time. Not only did audiences love it but critics were surprisingly positive as well.

When I watched the film last week, I occasionally felt as if I had stepped into a time machine. Even though the movie was just released a few months ago, it really does feel like an artifact from another age. I mean, here we have a film named after the theme song of Cops, a once inescapable reality show that has largely been memory-holed as its uncritical depiction of the police has fallen out of fashion. The film even features several scenes of the heroes singing the Bad Boys song, a song that declares that there’s nothing you can do now that the police are coming for you.

Of course, the film itself is about the type of supercops who, up until a few months ago, were popular in films and television. These are the type of cops who are always quick with a quip and who have no problem trampling all over the Constitution in their pursuit of the bad guys. The film celebrates the idea of the “super cop” in a way that seems almost unthinkable in our current cultural moment. Defund the police? How could you possibly want to do that when the cops are as charming as Will Smith and …. uhmm, Martin Lawrence?

Smith and Lawrence return as Miami Detectives Mike Lowery and Marcus Burnett. Played by Smith, Mike is a confident and cocky playboy whose carefree façade hides a complicated path. As played by Lawrence, Marcus is a mild-mannered family man who thinks that his partner needs to settle down and perhaps show a little bit more caution with some of his life choices. Together …. THEY SOLVE CRIMES!

No, this time I’m not joking. That is literally what they literally do. They’re famous for solving crimes and Mike is known as being the “bulletproof cop.” However, they’re both getting older. Mike’s beard is going gray. Marcus wants to spend more time at home. Even their old boss (Joe Pantoliano) is talking about his retirement. Unfortunately, a man named Armando (Jacob Scipio) is riding around Miami on a motorcycle and murdering anyone who was involved in the arrest and incarceration of an infamous Mexican drug lord. He’s doing so on the orders of his mother, Isabel (Kate del Castillo), who is also known as La Bruja. When Armando targets Mike, everyone is forced to reconsider their plans.

That may sounds simple and straight forward but the film complicates things with a third act twist involving Mike and Armando’s relationship. It’s a twist that really shouldn’t work and yet it does, largely because Will Smith is a strong enough dramatic actor that he makes Mike seem like an actual human being, as opposed to being just an infallible action hero. Smith gets not only the best dramatic moments but also some of the best comedic ones, especially when he ends up working with a bunch of younger cops who aren’t as impressed with Mike as Mike is with himself. Martin Lawrence doesn’t get to do as much as Smith but he has a few funny moments and, most importantly, the friendship between Mike and Marcus feels real. Lawrence and Smith have an undeniable chemistry that works in both comedic and dramatic scenes. When Marcus says that he can’t stand to see Mike putting his life in danger, you believe him. When Mike reacts to Marcus’s desire to retire as being some sort of personal betrayal, you understand exactly what’s going through Mike’s head to make him overreact. You believe that Mike and Marcus really do care about each other and it adds a surprising amount of emotional depth to certain scenes.

Bad Boys For Life is a good action film, one that has a surprisingly big heart. The action scenes are well-handled. The chase scenes are exciting. Will Smith again shows why he’s a movie star. Though the film may seem like a relic of a bygone era, it’s undoubtedly entertaining. (Considering the ADD-nature of popular culture nowadays, it’s easy to imagine that supercops will be back in fashion sooner than later.) Naturally, it ends with the promise of sequel and I imagine that we’ll eventually get one. The only real question is whether or not Marcus and Mike will still be singing their theme song. Let’s hope so.