Special Memorial Day Edition: Randolph Scott in GUNG HO! (Universal 1943)


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Duke Wayne wasn’t the only movie cowboy who fought WWII in Hollywood. Randolph Scott battled fascism in quite a few war dramas, and one of his best is 1943’s GUNG HO! (currently streaming on The Film Detective ). The rock-solid Mr. Scott plays tough-as-nails Col. Thorwald, an expert in guerilla warfare thanks to his experience with the Chinese army, who whips a diverse crew of Marines into fighting shape to launch the first American ground offensive against the Japanese on Makin Island.

Scott and his second-in-command, the versatile character actor J. Carrol Naish (playing a Marine of Greek descent this time around), gather up a motley crew of misfits and reprobates ala THE DIRTY DOZEN:  there’s battling stepbrothers Noah Beery Jr. and David Bruce (who’re also rivals for the affections of pretty Grace McDonald in a subplot), hillbilly farmboy Rod Cameron, murderous minister Alan Curtis , “no good kid” Harold…

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Halloween Havoc!: JUNGLE WOMAN (Universal 1944)


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Paula Dupree, the Ape Woman of CAPTIVE WILD WOMAN , returned in a sequel titled JUNGLE WOMAN a year later. While the former film has a kind of goofy charm to it, the sequel is a wretched concoction that’s not worth the time it’ll take me to write this – but I’m gonna do it anyway, so bear with me!

JUNGLE WOMAN is the very definition of a ‘quickie’, and I don’t mean that in a good way. A good chunk of the film is made up of stock footage from the original, including the stock footage that film used from Clyde Beatty’s THE BIG CAGE. Even so, it took three screenwriters to come up with this nonsense! The movie starts out okay, with a female fiend attacking a man, who gives her an injection, shown in shadow. But it quickly bogs down as we’re at a coroner’s inquest, with…

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Hand-y Man: Peter Lorre in THE BEAST WITH FIVE FINGERS (Warner Brothers 1946)


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Warner Brothers was in at the beginning of the first horror cycle with DR. X and MYSTERY OF THE WAX MUSEUM , both starring Lionel Atwill. The studio concentrated more on their gangster flicks, Busby Berkeley musicals, swashbuckling epics, and the occasional highbrow films with George Arliss and Paul Muni, but once in a while they’d throw horror buffs a bone: Karloff in 1936’s THE WALKING DEAD, ’39’s THE RETURN OF DR. X (no relation to the original, instead casting Humphrey Bogart as a pasty-faced zombie!), and a pair of scare comedies from ’41, THE SMILING GHOST and THE BODY DISAPPEARS.

Come 1946, Warners took another stab at horror with THE BEAST WITH FIVE FINGERS, a psychological thriller about a dead pianist’s crawling hand out for murderous revenge… well, sort of. The movie was assembled by a host of horror vets, directed by Robert Florey (MURDERS IN THE RUE MORGUE…

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The Fabulous Forties #17: Gung Ho! (dir by Ray Enright)


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The 17th film in Mill Creek’s Fabulous Forties Box Set was the 1943 war film, Gung Ho!

Gung Ho!, which is filmed in a documentary style and features a narrator, opens with a series of job interviews.  A tough lieutenant (J. Carrol Naish) is recruiting Marines to serves in a special unit, one which will only take on the most hazardous of assignments.  The narrator reminds us that the interviews are taking place just a few weeks after the attack on Pearl Harbor and we listen as each interviewee is asked whether or not he is okay with killing members of the Japanese army.

Some of the interviewees hesitate and some don’t but ultimately, all of them are okay with killing.  One (Rod Cameron) explains that he’s already a murderer, having killed someone back in Kentucky.  Another says that he fought in the Spanish Civil War and that he sees his service as being a continuation of the fight against fascism.  Another Marine (Alvan Curtis) says that he’s an ordained minister but he’s willing to do what has to be done.  A Marine named Pig Iron shows up and, since he’s played by a young Robert Mitchum, we know that he’ll get things taken care of.

And then we get to the final interviewee.  He doesn’t have a big role in the film but his one line makes a big impression.  When asked why he doesn’t mind the idea of killing, he replies, “I just don’t like Japs.”

AGCK!

That’s a line that would definitely not make it into a modern version of Gung Ho!  Or, if it did, it would be followed by the interviewee being admonished and then kicked out of the office.  But Gung Ho! was made in 1943, at the height of World War II and in the shadow of Peal Harbor.  As uncomfortable as it may make us today, “I just don’t like Japs,” was probably Gung Ho‘s big applause line when it was originally released.

And really, that’s the main value of a film like Gung Ho!  It’s a well-made but predictable war film but ultimately, it’s most important as a time capsule.  If you want to know the truth about an era’s culture, as opposed to what you may want the truth to be, look at the art.  Read the books.  Watch the movies.  You may not always like what you find but you owe it to yourself to do so.

Anyway, as far the rest of Gung Ho!, it plays out exactly as you would expect.  Under the eye of Lt. Commander Thornwald (Randolph Scott), the men train for combat.  They visit Pearl Harbor and see the sunken remains of ships that are still smoking after being bombed.  And finally, the men fight the Japanese on an island.  Some survive.  Many more of them die.  And the fight continues.

Gung Ho! will probably be best appreciated by fans of war films, which admittedly I am not.  That said, it is an interesting time capsule of 1943 America.  Plus, it features Robert Mitchum!  Admittedly, it’s a small role but he does get two great scenes and … well, he’s Robert Mitchum!  How can you not enjoy watching Robert Mitchum?

And guess what?  You can watch Gung Ho! below!

http://www.youtube.com/watch?v=WwOFTAzW30E

Happy Birthday, Jean Harlow: THE BEAST OF THE CITY (MGM 1932)


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In honor of Jean Harlow’s birthday (born March 3, 1911), TCM ran a Harlow marathon today. Since I was at work, I recorded a few of them. I couldn’t wait to get home and view THE BEAST OF THE CITY for three reasons: 1) Harlow, of course, 2) it’s a Pre-Code film I’ve never seen, and 3) it was directed by Charles Brabin, who gave us the devilishly decadent THE MASK OF FU MANCHU. I’d heard a lot about this movie and its violent ending, and though not nearly as gruesome as today’s films, it’s vigilante justice packs a punch that must’ve been pretty shocking in 1932.

The movie starts off with a forward from President Hoover (that’s Herbert, kids, not J. Edgar) decrying the glorification of gangsters in films, and saying we should be glorifying the police instead. We then get into the story, as we find Captain Jim Fitzgerald (aka “Fighting…

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