Horror Book Review: Into the Dark by R.L. Stine


First published in 1997, Into the Dark tells the story of Paulette Fox.  Paulette has been blind since birth but she hasn’t let that stand in her away.  She’s one of the most popular students at Shadyside High.  She has two best friends, Jonathan and Cindy, who are devoted to her.  She enjoys eating the pizza at Pete’s Pizza, watching silly slasher films with her friends, and taking piano lessons at the Music Academy.  And, assuming that she can get her overprotective parents to sign off on it, she’s looking forward to taking self-defense classes.

Best of all, she’s got a boyfriend!  Brad has just moved to Shadyside.  Like Paulette, Brad loves music and wants to make it his life.  Unfortunately, Brad does not come from a rich family so he has to work as a janitor at the Music Academy.  Brad seems to be sweet and considerate and he treats Paulette like an adult.  Paulette touches his face and discovers that not only is he very handsome but he also a scar on his eyebrow.  Scars are sexy!

However, no sooner has Paulette started hanging out with Brad than strange things start to happen to her.  Twice, she is nearly run over by a car despite the fact that Paulette is always careful while crossing the street.  (The second time, Paulette is convinced that someone pushed her, even though everyone tells her that they didn’t see it happen.)  She starts to get weird phone calls.  According to Cindy, someone has broken into Paulette’s bedroom and painted all sorts of threatening messages on the wall.  Even worse, Brad starts to act strange.  Sometimes, he’s the considerate and nice Brad that she wants to date.  Other times, he acts possessive and creepy.  Her friends tell her that she needs to stay away from Brad, especially after he’s accused of robbing Pete’s Pizza!  But Paulette remains convinced that only she can figure out what is truly happening with Brad….

This is an R.L Stine novel so there’s really no way that you won’t guess what the big twist is.  In fact, if I remember correctly, it’s a twist that Stine has used in quite a few of his other books.  Because I’m a nice reviewer, I will not spoil what the twist is but …. I mean, seriously, you figured it out while reading the previous paragraph, right?

Obviously, Into The Dark won’t win any points for originality but still, as far as the Fear Street books are concerned, Into the Dark is an entertaining and quick read and Paulette is a likable and relatable heroine.  Indeed, Stine actually appears to have done some research for this book and the passages where he describes how Paulette navigates every-day life without being able to see ring true.  Paulette may be blind but she’s also a typical teenager.  It’s easy to roll your eyes when she repeatedly refuses to call the police despite the number of weird things that happen to her but seriously, what teenager wants to call the police for anything?  When I was 17, I was woken up by what I thought was the sound of someone breaking into my house and, even though I had a phone and could have easily called the police, I instead grabbed a golf club and walked around the house in my t-shirt and underwear, searching for the thieves.  When you’re 17, you think you’re immortal and, even more importantly, you don’t want to have to deal with any authority figures.

(Incidentally, there were no thieves and it was all just my imagination.  Yay!)

Finally, who couldn’t relate to Paulette’s confusion about Brad?  Sometimes, Brad is extremely nice and caring.  Sometimes, Brad is cold and kind of a jerk.  That sounds like every guy I knew when I was in high school.  Like the best of Stine’s book, Into the Dark works because the reader can relate to it, even if they’ve never lived on Fear Street or been threatened by …. well, I won’t spoil it.  But you already figured it out, right?

Into the Dark, “Down”, Dir. Daniel Stamm, Review By Case Wright


Down

Happy Horrorthon!!!!

Should some people embrace their creative mediocrity? YES! Yes, they should.  I don’t mean that what they write or direct is bad. It’s simply unoriginal, predictable, with characters who make obviously bad decisions REPEATEDLY, and still are amazingly fun! I never thought I’d get into Lifetime movies until Lisa got me into them. I discovered how fun Hallmark movies are these past few years.  Law & Order embraced its predictability so much that their main sponsor Listerine would break the show down in the Commercials: Body discovery, Wisecrack, Investigation and Arrest, Prosecution, and Verdict. Law & Order lasted 19 years.  Case, what’s your point?  My point is that mediocrity can be fun…a LOT of fun.

Hulu’s “Into the Dark” series is the fun trash that is great to watch and nothing more (accept for the episodes that are hamfisted, political, and preachy) ; it’s like the Jack in the Box Munchie Meals…yeah, they’ll give you a bit of diarrhea, but come on, sometimes you just gotta have a Sriracha Curly Fry Burger.  That’s just science!

“Down” is awesomely bad.  The actors mug, the character decisions are stupid, and it’s great for the elliptical or exercise bike and probably safer to watch as you’re burning those last Lbs.  The plot is simple and doesn’t try to go into a supernatural direction. It’s fun because it never tries.  Jennifer Robbins ( Natalie Martinez) is trapped in an elevator on a holiday weekend with Guy (Matt Luria), BUT is Guy hiding something sinister? Yes…yes, he is and you can tell because he mugs A LOT!

If Lifetime went down the horror route, this would be the premiere.  Guy is in fact Jennifer’s stalker and manipulates her into having sex like the Lifetime movies with the Single Moms and the Predator Next Door.  Lifetime movies are better than “Down” because with Lifetime movies once the heroine realizes she has to fight; it’s to the death.  Here, when Jennifer realizes Guy is a Psycho Killer she doesn’t Run….Run…Away.  In fact, he tries to kill her a lot and then she gets the upper hand, but does she finish him off? Nooooope.  She fails to deliver the Coup de Gras not once, not twice…no, we’re talking six times here when she could’ve finished the movie and literally had a smoke after the 45 minute mark, but 45 minutes of filler was fine for my physical therapy time.

I know that this reads harsh, but these movies have their place; they’re fun.  If the pacing and plot points matched with a Lifetime MOW, it would’ve been that much better, but you can’t have everything, nor should you! Will I review a bunch more of these Into the Dark quasi-episodes? YES, Yes I will!

Happy Horrorthon!

Film Review: Into the Dark (dir by Lukas Hassel)


Into the Dark

“Congratulations!  You just destroyed government property!” —

33963 (Lee Tergesen) in Into the Dark (2014)

The quote above comes from a 14-minute short film that I was recently fortunate enough to have the opportunity to view.  If you’ve read my previous reviews on this site, then you probably know that I’m not a huge fan of government property in general so, as you can imagine, that line made me smile.  Within the context of the film, it also provided a brief moment of triumph for two men who have both reached a point where they have to be happy for whatever temporary victory they may happen to achieve.

Into the Dark opens with a haunting image of an urban skyline.  The moon hangs over the city and, as we watch, we briefly see that something has been launched into the night sky.  That object is a small capsule that includes two men who have been strapped in back-to-back.  The two men are identified not by name but by number.  58257 (Lukas Hassel, who also wrote and directed Into the Dark) is angry and shouts at the unseen people who are watching him.  Meanwhile, 33963 (voiced by Lee Tergesen) gives him advise on how to turn off a strobing blue light and tells him that, no matter how loudly he shouts, nobody watching can hear a word that he’s saying.  No one on Earth is interested in what these two men have to say for themselves.  Instead, the audience simply wants the catharsis of seeing what happens to them.

As we listen, it becomes apparent that these two men have broken the law and this space ride is a part of their punishment.  33963 was a political revolutionary while 58257’s crimes are a bit more ambiguous.  Every few seconds, a condescending computerized voice tells them to think about what they’ve done.  As their punishment approaches, 33963 begs 58257 to just talk to him and to allow him to experience some sort of human interaction…

Into the Dark may take place in the future but it deals with a very modern reality: we live in a very bloodthirsty time and that’s especially true in the way that we treat those who have been convicted of breaking the law.  At a time when people feel like they have less and less control over their own fates, there’s a need to punish those who break “the rules,” never mind the fact that some rules make more sense than others.  At any given times, you can turn on the television and watch reality shows about cops arresting lawbreakers, attorneys prosecuting the accused, and guards watching the convicted.  These shows presents us with a world where the is no difference between a murderer and some guy who happened to have a little bit of weed in his car and where the only thing that matters is that people are being held responsible for breaking the rules that it’s assumed the viewer automatically and unquestioningly obeys.  These shows allow an insecure society to feel superior.

That’s one reason why Into the Dark is so memorable.  The final twist, the truth of why Hassel and Tergesen are in that capsule together, is totally plausible.  It’s something that we, as an audience, know is probably going to end up happening some day.  When the plausibility of that twist is mixed with the emotional power of the performances of Tergesen and Hassel, the end result is a thought-provoking look at crime, punishment, and the manufacturing of televised reality.

Another thing that makes Into The Dark so memorable is that the end credits mention that the majority of this film was shot in “Lukas Hassel’s apartment.”  You wouldn’t know that from watching the film, which takes wonderful advantage of the production’s low-budget.  The inside of the capsule is claustrophobic and cramped in the way that you would expect an intergalactic jail cell to be small and cramped.  Despite almost entirely taking place in one small set, Hassel and cinematographer Henry Lee never allow the action to get stagey. Instead, it’s a fully cinematic experience and the fact that it was shot in someone’s apartment should give hope to aspiring independent filmmakers every where.

Into the Dark is currently playing on the festival circuit.  You can find out more about the film here.  And you can also check out it’s Facebook page.  Or, if you’re at the Queens World Film Festival on March 18th or the Maryland Film Festival on March 28th, you can check it out there as well!