“Sometimes dead is better.”
— Stephen King, “Pet Sematary”
This video has a decadent feel to it, one that makes it perfect for the scary season. It may not be about vampires but perhaps it should be.
Enjoy!
Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!
This week, Micki’s in even more danger than usual as a desperate doctor uses a magic syringe to try to find a cure for his daughter. This is also our final episode of Friday the 13th for October. Can you believe Halloween is right around the corner?
Episode 2.15 “Better Off Dead”
(Dir by Armand Mastroianni, originally aired on February 13th, 1989)
John Cusack plays Lane Meyer, an artistic high school student who is stunned with he is dumped by….
Oh wait, sorry. Wrong Better Off Dead.
This Better Off Dead tells the story of Dr. Warren Voss (Neil Munro), who lives in an isolated mansion with his pre-adolescent daughter, Amanda (Tara Meyer). Amanda has a disease that makes her violent and dangerous. She attacks almost anyone who comes near her, including her own father. Dr. Voss believes that he has finally found a cure for her condition and, if he’s right, he’s convinced that he can cure all violent behavior.
Unfortunately, the cure is a bit extreme. Dr. Voss starts out by bringing prostitutes to his mansion and then using a silver syringe to extract their brain fluid, which he then injects into his daughter. This temporarily calms down his daughter but it turns Voss’s unwilling donors into violent maniacs. Voss claims that he’s doing all of this for the greater good and he’s only using donors who would be better off dead. But, as the episode unfolds, it becomes clear that Voss’s good intentions can’t hide his own sadistic streak.
The syringe once belonged to Jack the Ripper and, as you definitely already guessed, it’s a cursed object. After a friend of Micki’s becomes one of Voss’s victims, Micki is herself kidnapped and becomes Voss’s latest donor. When Jack and Ryan show up to save the day, they not only have to battle Voss. They also find themselves attacked by Micki. And Micki, due to the experiments and perhaps also due to the resentment that anyone would feel over having to put their lives on hold to search for cursed antiques, proves to be a fierce opponent.
Fear not, of course. Things are resolved. Micki is saved and, at the end of the episode, she is slowly recovering from her trauma. Voss is attacked and killed by his own daughter. Ryan wonders about whether or not Voss could have eliminated violent behavior if he had been allowed to continue his experiments. Jack says that it’s not worth wondering about. I agree. Leave Micki alone! Better the whole world suffer than one redhead be inconvenienced, say this proud redhead.
Director by Armand Mastroianni, this was a really good episode. Both Neil Munro and Tara Meyer gave good performances as the doctor and his daughter and Robey, who has often felt underused on this show so far, got a chance to show off her own dramatic abilities. As for the question at the heart of the episode, I agree with Jack. The cost outweighs the benefits. Friday the 13th deserves a lot credit, though, for seriously considering the issue. This was an episode that was both creepy and intelligent.
In tonight’s episode of One Step Beyond, an important historical figure is consumed with self-doubt. Fortunately, a spirit guide appears to give him the strength to keep fighting, even though victory will eventually lead to an even greater war.
Who knew George Washington was so neurotic?
CAN YOU PROVE IT DIDN’T HAPPEN!?
This episode aired on February 21st, 1961.
Today’s horror scene that I love comes from one of my favorite films, 1953’s Creature From The Black Lagoon. In this scene, Julia Adams goes for a swim. Little does she realize that, under the water, the Creature is following her every move. Wonderfully directed by Jack Arnold, this creepy yet oddly lovely scene is one of the best of the 50s.
(By the way, I’m happy to say that I will be viewing this wonderful movie on the big screen this weekend! I can’t wait!)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today, we honor the one and only Jack Arnold, who was responsible for some of the best sci-fi/horror films of the 1950s.
4 Shots From 4 Jack Arnold Films
“Tom Stewart killed me!” shouts the spirit of Vi Mason (Juli Reding).
Technically, it’s debatable whether or not Tom Stewart (Richard Carlson) actually killed Vi. As is seen during the opening moments of 1960’s Tormented, Vi actually slipped and was clinging onto the lighthouse’s balcony for dear life before she fell to her death on the rocks below. Tom didn’t push her and he didn’t force her to fall. However, Tom did refuse to pull her up. After she fell, he ran into the ocean and thought he had dragged back to safety. But then it turned out that he was just dragging around a bunch of seaweed.
To a certain extent, Tom is glad to be done with Vi. Vi was his ex-girlfriend and she was determined to keep Tom from marrying the rich and innocent, Meg (Lugene Sanders). Meg’s father (Harry Fleer) already hates Tom because he’s not only a pianist but he’s also a jazz pianist! Still, Meg loves Tom and, in a somewhat disturbing way, Meg’s little sister, Sandy (Susan Gordon), seems to be kind of obsessed with Tom as well. “Why can’t I get married!?” Sandy demands. BECAUSE YOU’RE LIKE TEN, YOU LITTLE BRAT!
Still, it’s not helping Tom that he keeps hearing Vi’s voice and seeing her ghost. Everyone in the village think that Tom is acting strangely but they dismiss it as pre-wedding jitters. (And, of course, his future father-in-law just assumes that Tom is being weird because he’s one of those jazz pianists.) If it wasn’t bad enough that Tom is having to deal with Vi’s ghost, he’s also got a hepcat blackmailer named Nick (Joe Turkel). Nick was hired to take Vi out to the island where Tom lives. When Vi doesn’t return to pay him, Nick goes to Tom for the money. When Nick overhears that Tom is about to marry a rich woman, Nick decides that he needs even more money.
Joe Turkel was one of the great character actors. A favorite of Stanley Kubrick’s, he appeared in Paths of Glory and later played Lloyd the Bartender in The Shining, Turkel also played Eldon Tyrrell in Blade Runner, in which he made the mistake of talking down to Rutger Hauer’s Roy. In the role of Nick, Tukel is the best thing to be found in Tormented. Turkel delivers all of his dialogue with a wonderfully insolent attitude. He’s the type of character who, in the style of Robert Mitchum in Cape Fear, refers to everyone he meets as “Dad.” He’s a lowlife and criminal but he’s got the spirit of Kerouac and Cassady in him and it doesn’t take him long to see straight through Tom.
Tormented was directed by Bert I. Gordon, who was best-known for his movies about giant monsters. There aren’t any monsters in Tormented but there is a really shrill ghost and a truly unlikable protagonist. There’s a lot flaws to be found in this film but Joe Turkel makes up for a lot of them. And the scene where Vi’s ghost objects to Tom’s wedding is a lot creepier than it really has any right to be. This is probably the best film that Bert I. Gordon ever directed, which does not necessarily mean its a good film. Bert I. Gordon was still Bert I. Gordon. But Tormented is definitely entertaining.
Well, there’s less than a week to go until Halloween and, traditionally, this is when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.
Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!
Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why. The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures. This dream-like film was independently produced and distributed. At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.
This was director Herk Harvey’s only feature film. Before and after making this film, he specialized in making educational and industrial shorts (some of which we’ve watched on this very site), the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted. Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.
Enjoy Carnival of Souls!
And remember, don’t stop for any hitchhikers!
Today’s horror song of the day comes from the great John Carpenter!
Here is the main theme from his criminally underrated 1987 film, The Prince of Darkness. Carpenter is really fortunate in that he not only has a vision but he also has the talent to create the music to go along with that vision.