Tag Archives: Horror

Horror Film Review: The Little Girl Who Lives Down The Lane (dir by Nicolas Gessner)

Posted on by Lisa Marie Bowman

First released in 1976, The Little Girl Who Lives Down The Lane tells the story of Ryann Jacobs (played by Jodie Foster, who was thirteen years old when she made this film).

Rynn lives in a small New England town, in a house that her father has leased for three years.  It’s been a while since anyone has seen Rynn’s father.  Rynn always tells everyone that he’s either out of town or that he’s busy in his study and can’t be disturbed.  When the friendly local policeman (Mort Schuman) expresses some doubt about Rynn’s claim that her father is working, Rynn says that her father is a drug addict, like all of the great poets.

Rynn’s main problem is with the Halletts.  Cora Hallett (Alexis Smith) owns the house in which Rynn is living.  Cora drops by regularly, haughtily demanding to see Rynn’s father.  Her creepy son, Frank (Martin Sheen), also makes a habit of visiting.  He’s not interested in Cora’s father.  Instead, he’s interested in Cora.  Everyone in the town knows that Frank is a perv but no one is willing to do anything about it.  He’s protected by his mother’s money.

One day, when Cora drops by, she insists on going into the basement.  She says she has something down there that she needs to retrieve.  Rynn tells her not to go down there but Cora refuses to listen, which turns out to be a huge mistake.  Cora screams at what she sees down there and then falls to her death.  With the help of her only friend, Mario (Scott Jacoby) an aspiring magician who walks with a limp, Rynn covers up the murder.

Mario turns out to be a very good friend, indeed.  Not only does he tell people that he’s seen Rynn’s father but he even stands up to Frank when he shows up at the house, searching for his mother.  However, as it soon becomes clear, Frank isn’t one to give up so easily….

The Little Girl Who Lives Down The Lane is an interesting hybrid of a film.  It definitely does have elements of horror.  The running theme throughout the film is that Rynn might kill people but it’s all the adults in her life who are truly monstrous.  Frank is truly a monster and Martin Sheen gives a remarkably intense and creepy performance in the role.  Frank is the type who will say that worst things imaginable and then smirk afterward, confident that he’ll never have to face any sort of justice for his crimes.

At the same time, the film is also a coming-of-age-story and a teen romance.  Rynn and Mario are two outsiders who find each other.  You like both of them and you want things to work out for them, even though you spend almost the entire film worried that Rynn might end up poisoning Mario.  Foster and Jacoby share some genuinely sweet scenes.  Things would be just fine, the film seems to be saying, if all of these stupid adults would just mind their own business.

The Little Girl Who Lives Down The Lane is an effectively creepy and sometimes even sweet little film about a girl who occasionally has to kill people.  Keep an eye out for it!

Horror on the Lens: Bride of the Gorilla (dir by Curt Siodmak)

Posted on by Lisa Marie Bowman

In the 1951 film, Bride of the Gorilla, Raymond Burr plays a plantation manager who commits a murder.  Unfortunately, for him, the murder is observed by a witch who promptly puts a curse of Burr.  Now, every time the sun goes down, Burr transforms into a gorilla and goes wild in the jungle.

Basically, it’s kind of like The Wolf Man, just with a less sympathetic protagonist and a gorilla instead of a werewolf. Just in case we missed the similarities, Lon Chaney, Jr. plays the film’s nominal hero, a police commissioner who suspects that something weird might be happening with Burr.  Apparently, the plan was originally for Chaney to play the gorilla and for Burr to play the policeman but, because Chaney was dealing with a serious alcohol problem at the time, the roles were reversed.

Also in the cast, playing the role of Dina, is Barbara Payton, the tragic actress who is best known for being at the center of a love triangle involving actors Tom Neal and Franchot Tone.  In 195000, Neal attacked Tone and beat him so severely that Tone spent 18 hours in a coma.  Tone was notably shaky onscreen for the rest of his film career while Neal spent a few years in prison.  After the incident between Tone and Neal, Payton could only get roles in B-movies like this one.  Tragically, she would pass away, in 1967, of heart and live failure.  She was only 39 years old.

Music Video of the Day: Locked In by Judas Priest (1986, directed by Wayne Isham)

Posted on by Jedadiah Leland

Is it Mad Max or is it Judas Priest?

This video was directed by Wayne Isham, who was another one of directors who did videos for almost everyone.  You weren’t a real rock star unless both Wayne Isham and Nigel Dick directed a video for you.

This song appeared on Judas Priest’s 1986 album, Turbo.  The album was full of songs designed to annoy Tipper Gore.

Enjoy!

Horror on TV: Ghost Story 1.12 “Creature of the Canyon” (dir by Walter Doniger)

Posted on by Lisa Marie Bowman

On tonight’s episode of Ghost Story, Angie Dickinson plays a widow who is haunted by the ghost of her late husband’s Doberman.  Agck!  I’m scared enough of real Dobermans without having to deal with one that is undead!

This episode originally aired on December 15th, 1972.

The TSL’s Horror Grindhouse: Revealer (dir by Luke Boyce)

Posted on by Lisa Marie Bowman

Taking place in 1980s Chicago, Revealer tells the story of two seemingly different women.

Angie (Caito Aase) is a stripper who spend most of her day in an incredibly sleazy peep show booth.  The men that she dances for are a collection of grotesque pervs.  (Keep an eye out and you’ll notice a sign warning that “wet dollar bills” will not be accepted.  Ewww!)  Angie is under no illusions about where she’s working or who is paying to watch her but she needs the money.  She’s putting up with a lot of crap in order to giver her nephew the type of stable life that she’s never had and, understandably, she doesn’t have much patience for anyone who would judge her for it.

Sally (Shaina Schrooten) is someone who spends almost all of her time judging.  For weeks, she has been leading protests in front of Angie’s place of employment.  As soon as Angie shows up for an extra shift, she is confronted by Sally.  Sally claims that Angie is “a harlot” who is leading people down the path of sin and damnation.  Angie says that Sally is just jealous because she’s never truly live her life.

Together …. they solve crimes!

No, actually, they don’t.  Instead, they find themselves forced to deal with some theological issues when a horned demon unleashes an army of snakes on the world.  Angie is trapped in her peep show booth, with no way to get out.  Sally, fleeing from the demons, ends up outside the same booth.  Sally is convinced that the apocalypse has begun.  Angie just wants to get back to her nephew.  Despite their differing views and their initially antagonistic relationship, Angie and Sally are going to have to work together in order to survive.  Along the way, hidden truths are revealed.  Angie and Sally learn that they’re not so different and they even start to become friends.  But does that matter, considering that the world apparently ended in 1987?

I had a mixed reaction to Revealer.  On the one hand, there’s something wonderfully subversive about setting a film about the end of the world in the distant past.  If nothing else, it keeps the viewer off-balance.  (I was reminded a bit of how 2001’s Donnie Darko predicted that the world would end in 1988.)  As well, the two leads both did a good job with their characters, adding depth and nuance to two roles that could have easily become clichés.  In the role of Sally, Shaina Schrooten gave an especially good performance.  I wasn’t particularly shocked when Sally revealed her big secret but Schrooten’s performance still made the scene effective.

On the negative side, the snakes were frightening but the demon who controlled them obviously fell prey to the film’s low budget and looked a bit less impressive.  As well, the script itself was often overwritten.  Sally and Angie’s constant debate over religion felt more than a little heavy-handed.  (I mean, it’s easy to win an argument when the screenwriter is on your side.)  Even more importantly, they tended to disrupt the flow of the film.  Too many scenes stopped dead in their tracks so that Sally could quote the Bible and Angie could get upset about it.  Since neither had anything to say about their beliefs that hadn’t already been said in a hundred other movies, their arguments were occasionally a bit dull, despite the best efforts of Caito Aase and Shaina Schrooten.

Revealer was uneven, though the ending was certainly effective and both of the lead actresses did a good job bringing their characters to life.  Watching the film, I wondered if maybe the world did end in 1987 and the rest of us just haven’t noticed yet.

The Fear (1995, directed by Vincent Robert)

Posted on by Jedadiah Leland

Psychology student Richard (Eddie Bowz) wants to conduct a study.  After getting permission from the head of his department, Dr. Arnold (Wes Craven!), Richard gathers together a group of students and takes them to his family’s cottage.  He introduces the group to “Morty,” a life-sized wooden dummy who Richard has had ever since he was a child.  Morty, Richard explains, was carved by a Native American shaman and was then stolen by Richard’s grandfather.  Each member of the group is told to confess their greatest fear to “Morty.”  Even Richard takes part, confessing that he was scared of Morty when he was growing up.

File this one under “it seemed like a good idea at the time,” because the weekend quickly heads south.  Richard’s uncle (Vince Edwards) shows up unannounced with his new girlfriend, Tanya (Anna Karin).  Members of the group start to disappear and one of them is assaulted at a Christmas carnival, leading the group to suspect that one of them might be the rapist who has been attacking women on campus.  Morty starts to show up in an unexpected rooms in cottage and it appears that everyone’s fears are starting to come true!

The Fear is one of those films that used to show up on late Cinemax but I mostly remember it because it was one of those movies that always seemed to be on display at our local Blockbuster.  The VHS cover featured Morty giving someone the side-eye and looking dangerous.  Morty is the best thing about the movie.  Just looking at him is unsettling.  Why would Richard be stupid enough to tell people to confess their fears to Morty?

Morty is creepy but the movie doesn’t seem to know what to do with him.  Sometimes, Morty is evil and can move on his own and even seems to be capable of possessing someone.  Other times, the movie seems to suggests that everything that’s happening is just in Richard’s head and Morty is just a wooden dummy.  The story becomes impossible to follow as every member of the group is revealed to have a secret and Richard is finally forced to admit that there is something that he’s even more scared of than Morty.  (If, as the film suggests, Morty is mostly after Richard, why does Morty first waste so much time on the other members of the group?)  The Fear is not without ambition.  It takes the therapy scenes seriously and Eddie Bowz does seem like he’s trying to give a believable performance as Richard.  It seems like the people involved wanted to make a good movie.  But once everyone’s fears start to come true and the movie moves into a ridiculous subplot about Richard and his stepsister, the movie is too disjointed to work.  It doesn’t help that most of the fears are too mundane to really translate into an imaginative death scene.  By the end of it all, not even Morty’s that scary anymore.

Game Review: Chase The Sun (2022, Frankie Kavakich)

Posted on by Jedadiah Leland

Something has gone wrong with the world.  For six days straight, the sun has not set and there are reports of a storm circling the globe and flooding everywhere that it hits.  Europe and Asia are gone.  You are driving down a road in Pennsylvania.  You’ve been driving for three days and, during the entire time, the sun has been right ahead of you.

Your choices are simple.  Do you keep chasing the sun?  Do you listen to the radio?  Do you think about your family and the situation that you fled when it became obvious that something had gone wrong with the world?  Do you stop for gas or do you ignore the warning light?  Simple the choices may be but they will determine how you spend your last few days on Earth.

Chase The Sun is one of the many recent games to deal with the end of the world.  One thing that almost all of these games have in common is a fatalistic view of the end.  In almost all of them, the end is inevitable and it’s just a question of whether you can go out on your own terms or not.  Chase the Sun is no different but what sets this game apart from so many other games is that your choices actually do make a difference.  This is not one of those games where all of your choices all circle back until each game reaches the same conclusion.  Instead, there are multiple endings, depending on what you choose to focus on.  You have the chance to find some happiness before the world ends but it’s going to require making some smart decisions.  Make the wrong decision and your ending will be far less pleasant.  

The game’s descriptions are vivid and, most importantly, it’s not a game that wastes any time.  It’s a game that can be played and finished within 15 minutes but, because it has so many possible endings and branching storylines, it’s also a game that reward replaying.

Play Chase The Sun.

Horror Scenes I Love: The End of The Original Dawn of the Dead

Posted on by Lisa Marie Bowman

The original Dawn of the Dead, which was released in 1978 and directed by George Romero, is not only one of the most influential horror films of all time.  (Even more so than Night of the Living Dead, Dawn was responsible for inspiring the Italian zombie boom.)  It’s also a rather dark satire of humanity and commercialism.  With the world ending, both humans and zombies head to the mall.  Briefly, the humans manage to form their own peaceful society but, inevitably, they end up screwing it all up.  The Dead may be slow and not particularly intelligent but, as poor old Steve discovered in that elevator, they’re absolutely determined to get what they want.

Dawn of the Dead ends with an apocalytpic combination of bikers, zombies, and one helicopter that has next to no fuel.  Our two remaining survivors head off in search of some place safe but we all know that helicopter isn’t going to stay in the sky for long.  In its way, the ending of Dawn of the Dead is even more bleak than the end of Night of the Living Dead.  The characters in Night of the Living Dead were dealing with a menace no one understood and their inability to work together was largely the result of shock and panic.  In Dawn of the Dead, everyone knows that the Dead are returning to life and everyone knows how to stop them but people still cannot set aside their differences long enough to do so.  Even with the world ending, Peter gets some joy out of shooting one of the (living) bikers.  His smirk suggests that one doesn’t need to be a zombie in order to sacrifice their humanity.

With the end of this film, Romero’s message is clear.  Society gets what it deserves.

 

Book Review: The Sleepwalker by R.L. Stine

Posted on by Lisa Marie Bowman

With the last R.L. Stine book that I read, I was really upset when a cat was killed in the service of the plot.  In fact, I was so turned off that I pretty much just skimmed the book after the death of Mr. Jinx.

So, when I started reading 1991’s The Sleepwalker, I was understandably concerned with a black cat named Hazel made an appearance and started hissing at the main character.  “Oh no,” I said, “not again!”  Fortunately, Hazel not only survived the entire book but turned out to be a total badass!  Hazel is exactly the type of cat that you want on your side.  Not only will Hazel hiss at anyone who tries to go through your stuff but Hazel is also willing to use her claws if anyone gets out of line.  Go, Hazel, go!

As for the rest of the story, Mayra is a teenager who is totally in love with Walker, who is this weird kid who is into magic.  Unfortunately, Marya has a creepy ex-boyfriend named Link, who is also totally into magic.  (Link, I should mention, has a sister named Stephanie who is — get this — totally into magic!)  With Walker on vacation and Link acting all whiny, Marya gets a job working as a homecare assistant to old Mrs. Cottler.  Mayra’s mom once worked for Mrs. Cottler and apparently, it’s good to keep these jobs in the family.

Mayra, however, soon comes to suspect that Mrs. Cottler is a witch!  Afterall, Mrs. Cottler has a lot of strange occult-themed books and she also owns a black cat.  (Yay, Hazel!)  After one of Mrs. Cottler’s neighbors complains about her peach tree encroaching on his property, he suffers a broken hip.  Soon, Mayra is having dreams about walking into the middle of a lake and, when she wakes up, she discovers that she has been sleepwalking!  Could it be because Mrs. Cottler put a spell on her and is now trying to destroy her for some weird reason?

(Actually, considering that Mayra has dated two guys who are both into magic tricks and also how quickly Mayra jumps to the  conclusion that Mrs. Cottler must be a witch, I think it’s far more probable that Mayra herself is using her interest in the paranormal as a way to deal with past trauma.  I mean, it’s kind of remarkable that it never seems to occur to her that there might be a non-magic answer to all of her problems.  I get the feeling that her belief in magic is her way of avoiding having to confront anything.  That’s just my theory.  For the record, I don’t believe in magic but I do enjoy reading about it.)

Anyway, even by Stine standards, this is a silly story.  No one turns out to be who we originally believed them to be and it all links up to a mysterious death that occurred years before.  This is one of those things where almost every issue in the book could have been resolved by people just not being stupid.  But, and this is the most important thing …. HAZEL SURVIVES!

YAY HAZEL!