4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
111 years ago today, the director J. Lee Thompson was born in Bristol, England. Though he never quite got the respect that he deserved while he was alive (though he did receive an Oscar nomination for TheGuns of Navarone and later won fame as one of the few directors that Charles Bronson actually liked), J. Lee Thompson has since been recognized as a master of genre filmmaking and as someone who was not afraid to add a little subversive subtext to his films. From TheGuns of Navarone to the later sequels of Planet of the Apes to working with Charles Bronson and Robert Mitchum, Thompson was one of the best.
In honor of the man and his legacy, here are….
4 Shots From 4 J. Lee Thompson Films
Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)
Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)
Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)
10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
109 years ago today, the director J. Lee Thompson was born in Bristol, England. Though he never quite got the respect that he deserved while he was alive (though he did receive an Oscar nomination for TheGuns of Navarone and later won fame as one of the few directors that Charles Bronson actually liked), J. Lee Thompson has since been recognized as a master of genre filmmaking and as someone who was not afraid to add a little subversive subtext to his films. From TheGuns of Navarone to the later sequels of Planet of the Apes to working with Charles Bronson and Robert Mitchum, Thompson was one of the best.
In honor of the man and his legacy, here are….
4 Shots From 4 J. Lee Thompson Films
Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)
Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)
Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)
10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
108 years ago today, the director J. Lee Thompson was born in Bristol, England. Thompson started his career making social realist films before he moved into making genre pictures. He was nominated for Best Director for his work on 1961’s The Guns of Navarone. That said, during his lifetime, Thompson was never exactly a critical favorite. When they were first released, critics were dismissive of his entries in the original Planet of the Apes franchise and they were downright hostile to his work with Charles Bronson. However, all of those films were better appreciated by audiences and they remain cult classics to this day. Conquest of the Planet of the Apes, with its themes of protest and revolution, has especially been the subject of much recent critical reevaluation. Thompson may have been a genre director but that didn’t mean that his film were devoid of subtext. If anything, Thompson was a master of sneaking subversive themes into the least likely of works.
Thompson was a filmmaker who knew how to tell a story and who always did the best with whatever he had to work with. To be honest, many aspiring and working directors could learn a lot from spending a weekend watching some of Thompson’s films.
In honor of the man and his legacy, here are….
4 Shots From 4 J. Lee Thompson Films
Cape Fear (1962, dir by J. Lee Thompson, DP: Sam Leavitt)
Conquest of the Planet of the Apes (1972, dir by J. Lee Thompson, DP: Bruce Surtees)
Happy Birthday To Me (1981, dir by J. Lee Thompson, DP: Miklos Lente)
10 To Midnight (1983, dir by J. Lee Thompson, DP: Adam Greenberg)
“John will never eat shish kebab again!” announces the poster for the 1981 Canadian slasher film, Happy Birthday To Me.
Happy Birthday To Me is famous for three things. One of those things is the poster above, which was apparently so controversial that it actually led to the film being banned in some countries. That said, it’s a brilliant poster, one that probably belongs in the Film Poster Hall of Fame. If I had been alive and old enough to sneak into the movies in 1981, that poster would have drawn me into the theater.
The other interesting thing about the poster is that no one in the movie is named John. There is a shish kebab scene, of course. But it happens to a guy named Steven, not to anyone named John. Of course, the poster also says that Steven likes to ride a motorcycle but, in the movie, the motorcycle rider is a pervy French-Canadian named Etienne. Maybe the film’s producers feared that American audiences would not be willing to watch a movie featuring a character named Etienne. (They were probably right, by the way. Happy Birthday To Me came out decades before Degrassi: The Next Generation taught America that it has nothing to fear from the Canadians.)
As for what else Happy Birthday To Me is famous for — well, first of all, there’s the actual shish kebab scene itself. As cringe-inducing as it may appear to be on the poster, it’s even more disturbing in the actual film. Interestingly enough, there’s not a lot of blood in the scene. In fact, it’s one of the few scenes in Happy Birthday To Me to not be drenched in blood. However, there is a lot of gagging and gurgling and the sounds are all the more disturbing because they’re taking place off-camera. Making it even more unsettling is that Steven (played by Matt Craven, who has since become a distinguished character actor) is one of the few likable characters in the movie. In a movie full of snobs, pervs, and weirdos, Steven is the guy who is always encouraging people to stop fighting, make love, and gamble.
Finally, Happy Birthday To Me is famous for not making a damn bit of sense.
Actually, to be fair, the movie does make sense up until the final ten minutes or so. Up until that point, it’s simply been a well-made slasher film, albeit an above average example of the genre. There’s a killer on the loose, killing students at Crawford Academy. All of the victims are members of the Top Ten, an exclusive clique of rich and spoiled teens. (Interestingly enough, not every member of the Top Ten is killed. In fact, some of the people who you are sure are due to be killed somehow manage to survive.) One member of the Top Ten, Ginny (Melissa Sue Anderson), should be excited about her upcoming birthday party but instead, she is haunted by flashbacks to a car accident and the brain surgery that she was forced to undergo afterward. (Footage of actual brain surgery was used in the film.) Her father (Lawrence Dane) is clueless. Her therapist (Glenn Ford) insists that Ginny needs to move on with her life. But Ginny can’t escape the feeling that something is not right, especially when all of her friends start to disappear.
As I said, it all makes sense up until the final ten minutes or so of the film. That’s when the film produces a twist that is so out-of-nowhere and nonsensical that you cannot help but admire the film’s audacity. I’m not going to spoil the twist, other than to say that it makes no sense and I absolutely loved it. From what I’ve read, it appears that the twist ending was almost literally made up on the spot and it’s just so weird that it elevates the entire movie.
Of the many slasher films that came out in the early 1980s, Happy Birthday To Me is one of the best. It’s a classic that need not ever be remade. (I doubt any remake could match the audacity of the original’s finale.) Nicely acted, intelligently directed, and batshit insane when it needed to be, Happy Birthday To Me is an October essential!
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
4 Shots From 4 Films
Messiah of Evil (1973, directed by Willard Huyck and Gloria Katz)
Burial Ground (1981, directed by Andrea Bianchi)
Happy Birthday To Me (1981, directed by J. Lee Thompson)
This latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers was meant to have a theme. I was only going to include trailers of films that have been reviewed on the Hysteria Lives! website. Unfortunately, I ran in to some trouble with the New Year’s Evil trailer and I ended up going with a different trailer of a movie that hasn’t been reviewed on the site. So, yes, the theme kinda falls apart at the end. But anyway, let’s get things started…
Sergio Martino doesn’t get as much attention as Dario Argento, Lucio Fulci, and Mario Bava but he made some giallo classics and this is one of them. Yes, the trailer’s in Italian but stick with it anyway. Also, the person who uploaded this to Youtube, included another trailer — this one for Lucio Fulci’s Lizard In A Woman’s Skin— after the end of the Mrs. Wardh trailer.
You can tell that this trailer from 1981 isn’t messing around because the birthday cake gets it! I saw this movie on TV a few years ago. The brain surgery scenes really freaked me out. Another thing that freaked me out was a scene where all the high school snobs decided to spend their night at a special showing of High Noon. Why couldn’t I have gone to high school with a bunch of film snobs? Seriously, life sucks.
All together now: “Don’t. Don’t. Don’t. Don’t. Don’t…” With all due respect to the very hot Eli Roth, that was my favorite of the fake trailers from Grindhouse. Anyway, Don’t is not a real film but Don’t Open The Door is. Exploitation film of the 70s and the 80s were always trying to tell us how to live our lives. Don’t stand by the window, don’t look in the basement, don’t go in the house, don’t go into the woods…alone, and now, apparently we can’t even open the freaking door. This actually reminds me of this time that we were visiting my grandma and I was up in the attic exploring and I heard my sisters downstairs calling out my name because they couldn’t find me so I tried to open the attic door and I accidentally yanked off the door knob. Agck! That was scary. But I survived and here’s the trailer…
4) Body Count (1987)
I haven’t seen this one so all of my information on it comes from what I’ve read online. Apparently, this was Italian director Ruggero Deodato’s attempt to make an American-style slasher film so, of course, it takes place at a summer camp. David Hess is in this one and apparently, he’s not playing the killer for once. Former Russ Meyer star Charles Napier is in this one too. As for why I love this trailer, just listen to narrator at the end of the trailer when he starts tossing out various taglines. It’s as if the film’s producers were arguing about which tagline to use and finally someone said, “Fuck it, just toss them all in there! Now, shut up and behave! It’s time for dinner!”
Horror will surround you … and we’re not just talking about the acting. I love it when trailers dare you to actually sit through the entire movie. (And, I should add, that I own Scalps on DVD and, bad acting aside, it’s actually a surprisingly effective little horror movie.)
I wanted to include the trailer for a film called New Year’s Evil here but the only one I could find had this huge advertising logo across the bottom of it. But while I searched, I came across the trailer for another New Year’s horror film, Bloody New Year. And you know what? I’ve seen New Year’s Evil and it sucks and it had a really nasty sort of sadism to it that makes you feel dirty after you watch it. So, fuck New Year’s Evil. Now, let’s all have a Bloody New Year!
Finally, since that Lizard in a Woman’s Skin extra actually means that there were 7 trailers in this edition as opposed to 6, I’m going to add one more bonus trailer so that we can end things on an even number. There’s no way I couldn’t take the opportunity to include Edgar Wright’s brilliant fake trailer, Don’t.