6 Trailers In Search Of a Title


Without further delay, here’s the latest edition of Lisa’s favorite grindhouse and exploitation trailers.

1) Something Weird (1967)

I just had to start out with this because it represents everything that I love about these old school exploitation trailers.  It’s just so shameless and cheerful about it all.  This film is from Herschell Gordon Lewis and it features ESP, a really kinda scary witch, and a random LSD trip.  The title of this film also inspired the name of one of my favorite companies, Something Weird Video.  (I make it a point to buy something from Something Weird every chance I get.  My most recent Something Weird video is a film from the 60s called Sinderella and the Golden Bra.  Haven’t gotten a chance to watch it yet but with a title like that, how could it be bad?)

2) Fade to Black (1980)

This is actually a really, really bad movie and I think the trailer goes on for a bit too long but it does have a few vaguely effective moments — i.e., when Dennis Christopher stares at the camera with half of his face painted.  Plus, you can catch a young Mickey Rourke acting a lot like Michael Madsen. 

3) Monster Shark (1984)  

Now you may think that since this Italian film was directed by Lamberto Bava (credited here as John Old, Jr. because his father, Mario, was occasionally credited as John Old, Sr.) and has the word “shark” in the title that it’s yet another rip-off of Jaws.  Well, joke’s on you because, as they state repeatedly in the trailer, “It’s not a shark!”  Even if you didn’t know this was an Italian film before watching the trailer, it wouldn’t be hard to guess.  First off, there’s the dubbing.  Then there’s the scene of the film’s main character wandering around aimlessly.  (Most Italian horror trailers feature at least one scene of someone just walking around.)  And finally, there’s the fact that this is yet another trailer that uses a sped-up version of Goblin’s Beyond The Darkness soundtrack for its background music.  While I haven’t seen this film yet, I plan to just to find out who Bob is.

 4) Van Nuys Boulevard (1979)

Originally, I was planning on including the trailer for a Ted V. Mikels’ film called The Worm Eaters right here but I reconsidered because, quite frankly, The Worm Eaters is one of the most disgusting, stomach-churning things I’ve ever seen.  I’m going to wait until I find five other equally disgusting trailers to feature it with and then I’m going to put them all up under the heading: 6 Trailers To Inspire Vomit.  Until then, enjoy a far more pleasant trailer — Van Nuys Blvd.  This trailer rhymes!  I’m tempted to say that I could have written it but then again, I only write free verse poetry.  Anyway, where was I?  Oh yeah, Van Nuys Blvd.

5) Vice Squad (1982)

However, there was a darker side to Van Nuys Blvd. and here it is: Vice Squad, starring Wings Hauser.  Eventually, I’ll review this film but until I do, check out our new friend Trash Film Guru’s review.

6) Crosstalk (1982)

We’ll conclude with the only thing scarier than Wings Hauser in Vice Squad — a computer that has not only witnessed a murder but enjoyed it!

A Quickie With Lisa Marie: Buio Omega (performed by Goblin)


One of my favorite movies of all time is Joe D’Amato’s haunting 1979 romance Beyond The Darkness.  Not only is it one of the best Italian films ever (and the best film ever directed by D’Amato) but I think it’s also one of the best films ever made.

One reason the film is so effective is because of its soundtrack, which was composed and performed by  (who else?) Goblin.  The music will be familiar to any Italian horror fan, largely because it was reused by about a thousand other movies that came out in the years after Beyond The Darkness.  (Director Bruno Mattei, in particular, was fond of it.)

Song of the Day: The Man Comes Around (by Johnny Cash)


We’ve now reached the final day of what has been a week-long horror-themed “Song of the Day” feature for the site. It’s quite appropriate that this final day also lands on Halloween and I’m sure many will approve of this final choice to cap off the week.

A week which has seen Italian film composers and prog-rock bands chosen for creating and contributing some of the best and most memorable themes to horror films which will stand the march of time. We’ve seen an epic song from a Montreal band whose music has the apocalyptic sound to it. There’s also two entries from films created by a master of the horror genre in John Carpenter.

The week began with Goblin’s main title theme for George A. Romero’s original Dawn of the Dead. With Halloween night the premiere of the long-awaited and heavily-hyped tv adaptation of Robert Kirkman’s The Walking Dead comic book series (by none other than Frank Darabont himself) I thought what better way to bookend Goblin’s theme for the Romero zombie epic than by picking Johnny Cash’s song “The Man Comes Around”. One of the last songs penned and sang by The Man In Black himself and properly used by filmmaker Zack Snyder to  be the intro music for his remake of Dawn of the Dead.

This song with its gospel-like (though not as hopeful as most) sound and it’s apocalyptic and Biblical lyrics just speaks of the apocalypse like no other song from this past week has done. It comes off almost like a prophecy come down and spoken by one of God’s main dudes. This song when paired with the scenes of the zombie apocalypse crashing down on an unsuspecting world in Snyder’s film instantly made it a favorite with all zombie fans everywhere and introduced The Man In Black to a whole new set of fans.

I would like to think that when the zombie apocalypse does arrive it would be to this song as I and those who share my belief in how to survive such an event ready ourselves for whatever may come.

The Man Comes Around

And I heard as it were the noise of thunder
One of the four beasts saying come and see and I saw
And behold a white horse

There’s a man going around taking names
And he decides who to free and who to blame
Everybody won’t be treated all the same
There’ll be a golden ladder reaching down
When the Man comes around

The hairs on your arm will stand up
At the terror in each sip and in each sup
Will you partake of that last offered cup?
Or disappear into the potter’s ground
When the Man comes around

Hear the trumpets, hear the pipers
One hundred million angels singing
Multitudes are marching to the big kettledrum
Voices calling, voices crying
Some are born and some are dying
It’s Alpha and Omega’s kingdom come

And the whirlwind is in the thorn tree
The virgins are all trimming their wicks
The whirlwind is in the thorn tree
It’s hard for thee to kick against the pricks

Till Armageddon no shalam, no shalom
Then the father hen will call his chickens home
The wise man will bow down before the throne
And at His feet they’ll cast their golden crowns
When the Man comes around

Whoever is unjust let him be unjust still
Whoever is righteous let him be righteous still
Whoever is filthy let him be filthy still
Listen to the words long written down
When the Man comes around

Hear the trumpets, hear the pipers
One hundred million angels singing
Multitudes are marching to the big kettledrum
Voices calling and voices crying
Some are born and some are dying
It’s Alpha and Omega’s kingdom come

And the whirlwind is in the thorn tree
The virgins are all trimming their wicks
The whirlwind is in the thorn tree
It’s hard for thee to kick against the pricks

In measured hundredweight and penneypound
When the Man comes around.

Close (Spoken part)
And I heard a voice in the midst of the four beasts
And I looked and behold, a pale horse
And his name that sat on him was Death
And Hell followed with him.

Song of the Day: L’alba Dei Morti Viventi (by Goblin)


Halloween is less than a week away and for the next few days there’ll be more song of the day choices and this time around it will all be centered on horror. To start things off I chose the theme from George A. Romero’s Dawn of the Dead which was composed by the Italian prog-rock band Goblin.

The theme’s titled “L’alba Dei Morti Viventi” and it definitely creates a dissonant tone which just creeps along and makes one feel more than just a bit uncomfortable. Goblin used a lot of their electronic music background to make this such a signature and iconic horror theme. Anyone who has seen the original Dawn of the Dead will automatically recognize this theme and the feeling it brings up. A feeling of dread and of creeping horror which perfectly describes the zombies from Romero’s grand opus.

Horror fans everywhere have Italian horror maestro Dario Argento for having gotten Goblin to create the score for Romero’s film (Argento was one of the key producers for the film and even re-cut it for the European market). Goblin had already worked with Argento on previous films with their best early work with the filmmaker being the score for Profondo Rosso (known as Deep Red in the US and English market). But no matter how many other Italian horror scores the band has made since Dawn of the Dead (and the ones after have been great in their own right) it will be their score for that film which will indelibly link the band in film music history.

PS: as an added bonus below is the band’s theme for Argento’s Profondo Rosso.

Scenes I Love: Tenebrae


While the goth ballerina side of me will always have a special place in my heart for Suspiria and its two sequels, I think that 1982’s Tenebrae may very well be director Dario Argento’s best film.  Certainly, it was (to date) his last truly great film before he entered the current, frustratingly uneven stage of his career.

Tenebrae was a return to Argento’s giallo roots after the supernatural-themed horror of Suspiria, Zombi, and Inferno.  It was also the work of an audaciously confident director.  That confidence is fully on display in the scene below in which the film’s killer menaces a journalist and her lover.  Featuring a truly impressive tracking shot in which the camera appears to literally swoop in, out, and over a journalists house without a single cut, the scene ends with one of Argento’s more memorable murders.

The music, by the way, is from Goblin.