Late Night Retro Television Reviews: Friday the 13th 1.17 “The Electrocutioner”


Welcome to Late Night Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The show can be found on YouTube!

There’s nothing scarier than going to the dentist!  Especially when he has a cursed electric chair!

(As a sidenote, I was planning on reviewing this last week but I was not feeling well so I held off until this week.  I apologize for the delay in the writing and posting this review!  These things do happen and I’ve recently been told that I need to start getting more rest and looking after my health so it may happen more than once.)

Episode 1.17 “The Electrocutioner”

(Dir by Rob Hedden, originally aired on April 18th, 1988)

In 1978, Eli Pittman (Angelo Rizacos) was sitting on death row, an innocent man who had been wrongly convicted of murder.  Sentenced to die in the electric chair, Eli’s cries of innocence fell on deaf ears.  The warden of the prison didn’t care.  The judge didn’t care.  The prosecuting attorney didn’t care.  Miraculously, Eli survived the first attempt to electrocute him.  And, fortunately, his death sentence was overturned before he could be shocked a second time.

Ten years later, Eli is working as a dentist at a school for runaways.  Though he presents himself as being a charitable doctor who just wants to help the less fortunate, Eli is actually a deeply bitter man.  He wants revenge on everyone who sent him to prison.  Eli has purchased the electric chair in which he was meant to die.  He’s disguised it as a dentist chair.  When his teenage patients sit in the chair, they are reduced to ash.  Eli is then able to generate electricity through his body.  He uses this power to get his revenge.

Can Ryan, Micki, and Jack stop him?

After a really good opening scene (which is filmed in black-and-white and makes use of a handheld camera to generate a genuinely nightmarish atmosphere), this becomes one of the sillier episodes that I’ve watched so far.  Angelo Rizacos is good in the flashback scenes and he makes you feel a good deal of sympathy for Eli.  But, in the modern day scenes, he overacts to an extent that Eli goes from being a victimized man driven by revenge to a rather broadly-drawn supervillain.  He’s like a character from a B-comic book movie, the sort of villain that would expect Venom or Morbius to battle in a pre-credits sequence.

Add to that …. an antique electric chair?  This show is at its best when the antiques are stuff that you could imagine actually stumbling across in an antique store.  The idea of that big, bulky chair being in the store (and subsequently being disguised as a dentist chair) was just silly.

But you know what?  Friday the 13th is a fun show, even when it’s silly.  Chris Wiggins, John D. LeMay, and Robey made for a good team of investigators and, if nothing else, it was fun watching them interact in this episode.  This was a silly episode but at least it was silly in an entertaining way.

Retro Television Reviews: T and T 1.5 “The Drop” and 1.6 “Something In The Air”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, Mr. T takes on drug dealers and mad bombers!

Episode 1.5 “The Drop”

(Dir by Allan Kroeker, originally aired on February 8th, 1988)

“In this episode,” Mr. T tells us, “a kid’s life is shattered when he’s arrested for dealing drugs.  Amy and I try to pick the pieces, with some unexpected help from Renee!”

This episode begins with one of my favorite cop show clichés.  A suspected drug courier is grabbed by two cops.  They open the envelope that he was carrying and discover a white powder.  One of the cops puts some of the power on her fingers and then sticks her fingers in her mouth.

“High grade crack!” she announced.

Hey, just be happy it wasn’t anthrax!

In this case, the accused courier is a 14 year-old named Norm (Gerry Musgrave), who says that he has no idea what was in the envelopes and he was only carrying them because he answered a classified ad asking for delivery people.  However, the prosecution is determined to send a message by trying Norm as an adult!  Fortunately, Norm is friends with T.S.’s goddaughter, Renee (Rachael Crawford).  Renee brings T.S. and Amy onto the case.

“Loosen up, brother, you already convinced us,” T.S. tells Norm, “Now we just got to the convince the court.”

Norm moves into T.S.’s home, where he is looked after by the gospel-singing Aunt Martha (Jackie Robinson).  While Jackie helps Norm get settled in, Renee approaches T.S. and says, “I’ve seen the ads on crack.  I know what it does.”

“And you want to help Norm,” T.S. says, “Don’t get involved!  People dealing drugs are very dangerous!”

Renee does not take T.S.’s advice and instead, approaches the school drug dealer, Bob Douglas (Jeremy Ratchford).  She compliments Bob on his red trans am and Bob invites her to meet up with him at a local disco.  Renee’s friends tell her that she might be making a mistake but Renee snaps that she can’t look the other way like everyone else at school.

While Renee skips class so she can meet up with Bob at the most depressing nightclub I’ve ever seen (seriously, there’s just one very sad disco ball hanging over the dance floor), T.S. meets with Fat Sam, who is not fat and who is played by future television director Clark Johnson!  (As an actor, Johnson is probably best-known for playing Meldrick Lewis on Homicide and later Gus Johnson on The Wire.)

“Fat Sam,” T.S. says, “you’re the coolest dude I know!”

“As long as the dice keep rolling my way,” Fat Sam replies, “Rumor on the street has it that you’re looking for a specific crack dealer.”

“Be honest with you, Fat Sam,” T.S. replies, “I want to bust all the crack dealers but I want this one first.”

Fat Sam makes some phone calls and tells T.S. that the crack dealer he’s looking for is …. BOB DOUGLAS!

“Thanks, Fat Sam, I owe you one,” T.S. replies.

Meanwhile, Bob Douglas has taken Renee to his loft apartment!  When Bob discovers the Renee has been searching his apartment while he was distracted, Bob has a paranoid breakdown, accuses Renee of being a narc, and makes a run for it.  Fortunately, T.S. and Amy show up in time to catch him and clear Norm’s name!  Yay!

This episode suffered a bit because, for all the build-up, it turned out that all Amy and T.S. needed to do to prove Norm’s innocence was to get Fat Sam to make one phone call.  It felt a bit anticlimactic, to say the least.  This is a case where the limits of that 30-minute running time really worked against the story the show was trying to tell.  That said, Mr. T growling against crack is always enjoyable to watch.

Episode 1.6 “Something In The Air”

(Dir by Allan A. Goldstein, originally aired on February 15th, 1988)

“In this episode,” Mr. T tell us, “a radio DJ is the target of an angry phone caller.  While Amy fights to keep the D.J. on the air, I get to make a few calls of my own.”

After radio DJ PJ Reynolds (Lee Curreri) encourages his listeners to “take it to the streets,” one of his listeners blows up a mailbox.  The district attorney wants to take Reynolds off the air!  Fortunately, Reynold is a client of Amy Taler’s!  When Louney (Neil Munro), the smarmy D.A. tries to convince Amy and T.S. to deliver a court summons to the DJ, T.S. replies, “Sorry, brother.  We ain’t a delivery service!”

Because there’s only one explosives dealer in all of Canada, Turner confronts his friend Whisperer (Martin Donlevy) and demands to know who he has been selling to.  Whisperer says that he sold a timer to a man who said that he wanted to take down Reynolds.  “He sounded like someone who was used to getting what he wants.”  Somehow, T.S. figures that this means Louney is behind the bombings.  Turner needs Louney to call the show again but Reynolds has voluntarily taken himself off the air.

“Let’s talk responsibility,” Turner snaps at the DJ, “That’s the big talk!”

Convined that he has a responsibility, Reynolds goes back on the air and Louney can’t help but call him.  Though Louney hangs up before the police can trace the call, T.S. is staking out Louney’s house and, as soon as Louney steps outside with a briefcase bomb, Turner goes after him.  It leads to a car chase that ends with T.S. capturing Louney and forcing to Louney to defuse his latest bomb right before it detonates.

A grateful PJ promises that, from now on, he’s going to be “Mr. Mellow” on the air.  When Amy says she doesn’t think it’ll happen, PJ says, “You’ll have to tune in and see.”

“Not me, brother,” T.S. replies, “I’m going to stick to my TV …. it’s my favorite medium!”

I liked this episode because it stood up for free speech.  Any show that exposes a power-crazed bureaucrat, I’m going to enjoy.

Next week, Amy and T.S. search for …. THE SILVER ANGEL!