Horror Film Review: Tormented (dir by Bert I. Gordon)


“Tom Stewart killed me!” shouts the spirit of Vi Mason (Juli Reding).

Technically, it’s debatable whether or not Tom Stewart (Richard Carlson) actually killed Vi.  As is seen during the opening moments of 1960’s Tormented, Vi actually slipped and was clinging onto the lighthouse’s balcony for dear life before she fell to her death on the rocks below.  Tom didn’t push her and he didn’t force her to fall.  However, Tom did refuse to pull her up.  After she fell, he ran into the ocean and thought he had dragged back to safety.  But then it turned out that he was just dragging around a bunch of seaweed.

To a certain extent, Tom is glad to be done with Vi.  Vi was his ex-girlfriend and she was determined to keep Tom from marrying the rich and innocent, Meg (Lugene Sanders).  Meg’s father (Harry Fleer) already hates Tom because he’s not only a pianist but he’s also a jazz pianist!  Still, Meg loves Tom and, in a somewhat disturbing way, Meg’s little sister, Sandy (Susan Gordon), seems to be kind of obsessed with Tom as well.  “Why can’t I get married!?” Sandy demands.  BECAUSE YOU’RE LIKE TEN, YOU LITTLE BRAT!

Still, it’s not helping Tom that he keeps hearing Vi’s voice and seeing her ghost.  Everyone in the village think that Tom is acting strangely but they dismiss it as pre-wedding jitters.  (And, of course, his future father-in-law just assumes that Tom is being weird because he’s one of those jazz pianists.)   If it wasn’t bad enough that Tom is having to deal with Vi’s ghost, he’s also got a hepcat blackmailer named Nick (Joe Turkel).  Nick was hired to take Vi out to the island where Tom lives.  When Vi doesn’t return to pay him, Nick goes to Tom for the money.  When Nick overhears that Tom is about to marry a rich woman, Nick decides that he needs even more money.

Joe Turkel was one of the great character actors.  A favorite of Stanley Kubrick’s, he appeared in Paths of Glory and later played Lloyd the Bartender in The Shining,  Turkel also played Eldon Tyrrell in Blade Runner, in which he made the mistake of talking down to Rutger Hauer’s Roy.  In the role of Nick, Tukel is the best thing to be found in Tormented.  Turkel delivers all of his dialogue with a wonderfully insolent attitude.  He’s the type of character who, in the style of Robert Mitchum in Cape Fear, refers to everyone he meets as “Dad.”  He’s a lowlife and criminal but he’s got the spirit of Kerouac and Cassady in him and it doesn’t take him long to see straight through Tom.

Tormented was directed by Bert I. Gordon, who was best-known for his movies about giant monsters.  There aren’t any monsters in Tormented but there is a really shrill ghost and a truly unlikable protagonist.  There’s a lot flaws to be found in this film but Joe Turkel makes up for a lot of them.  And the scene where Vi’s ghost objects to Tom’s wedding is a lot creepier than it really has any right to be.  This is probably the best film that Bert I. Gordon ever directed, which does not necessarily mean its a good film.  Bert I. Gordon was still Bert I. Gordon.  But Tormented is definitely entertaining.

30 Days of Noir #5: The Hoodlum (dir by Max Nosseck)


He’s a bad seed, that Vincent Lubeck!

At the start of the 1951 film, The Hoodlum, Vincent (played by the legendary Lawrence Tierney) is rotting away in prison.  Even though the parole board is considering whether or not to release him, things aren’t looking good for Vincent.  The warden (Gene Roth) has taken it upon himself to attend the parole hearing and remind them of Vincent’s long criminal record.  Vincent’s been in trouble for as long as he’s been alive.  The warden says that allowing Vincent to walk the streets will just make the streets even more unsafe.

However, Vincent’s mother (Lisa Golm) swears that she’ll keep an eye on Vincent.  She will give Vincent a place to live and she’s even arranged for Vincent to get a job at the family gas station, where he’ll be working under his brother, Johnny (played Lawrence’s younger brother, Edward Tienery).  Moved by a mother’s tears, the board grants Vincent parole.

Big mistake.  As soon as Vincent’s out of prison, he starts making plans to return to his old life.  He has no interest in working in a gas station and he resents Johnny’s success.  Vincent is the type of bum that steals his brother’s girlfriend, gets her pregnant, and doesn’t feel the least bit guilty when she jumps off a roof to her death.

Vincent’s also the type who always has a scheme going.  For instance, it turns out that his brother’s gas station is right across the street from both the town mortuary and the bank!  Soon, Vincent is hanging out with his old gang and plotting to rob an armored car.  Vincent’s not going to let anyone stand in his way.  Not the police.  Not his lover.  Not even his own brother.  The only person that Vincent seems to care about is his sickly mother and, even then, Vincent doesn’t actually care enough to stay out of trouble.

The Hoodlum is a low-budget gangster noir.  It’s only an hour long so it doesn’t waste any time.  Instead, it jumps straight into its often sordid story.  From the minute that Vincent gets out of prison, he’s greedily watching that bank and telling off anyone who looks at him funny.  What makes Vincent an especially despicable character is that he’s not even good at what he does.  If Vincent was some sort of criminal mastermind, you could at least get some sort of guilty pleasure out of watching him rob that armored car.  Instead, Vincent’s an idiot who not only messes up everything that he does but who isn’t even smart enough to understand that he’s screwed up.

Fortunately, Vincent is played by Lawrence Tierney.  Tierney was a veteran tough guy, an actor who played killers onscreen and who spent a good deal of his offscreen time sitting in jail.  (Tierney had a bad habit of getting into bar brawls.)  In the role of Vincent, Tierney is a force of pure, uninhibited destructive energy.  When he glares at his brother, you feel the resentment.  When he rushes at a security guard while holding a gun, you never doubt that he’s capable of using it.  Tierney gives such a raw and angry performance that you can’t stop watching him.  Vincent quickly overstays his welcome but Tierney remains a fascinating actor.

The Hoodlum is a short and brutal little movie, one that works best as a showcase for the intimidating talent of Lawrence Tierney.

Horror on TV: Twilight Zone 2.26 “Shadow Play”


 

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This is one of my favorite episodes of The Twilight Zone! In Shadow Play, a man (Dennis Weaver) is curiously unconcerned about being on death row. According to him, it’s all just a recurring dream and everyone around him — the other prisoners, the District Attorney, the judge, the jury, and everyone else — is just a part of his dream. As the other characters start to realize that Weaver could be telling the truth, they’re forced to consider what will happen when he either wakes up or starts the dream over…

I love this one. It’s just a lot of fun and not quite as heavy-handed as some of The Twilight Zone‘s other attempts at social commentary.

This was originally broadcast on May 5th, 1961. It was directed by John Brahm and written by Charles Beaumont.