Horror Film Review: The Godsend (dir by Gabrielle Beaumont)


In The Godsend, a married couple, Alan and Kate Marlowe (played by Malcolm Stoddard and Cyd Hayman), have a chance meeting with a pregnant stranger (Angela Pleasence).  While Alan suspects that there is something wrong with the mysterious woman, Kate insists on allowing her to come have dinner with them.  At their rural home, the Stranger spends most of her time glaring at Alan and, when she’s left alone, she cuts the phone line.  When the Stranger goes into labor, Alan and Kate deliver her daughter.  The next morning, the Stranger has disappeared and Alan and Kate end up taking the baby — now named Bonnie — into their household.

Alan and Kate already have four other children but that soon starts to change.  First, baby Matthew is found dead in his crib.  As Bonnie grows up, the other children die.  Little Davey drowns in a creek and Bonnie is found with scratches on her hands.  Davey’s brother Sam says that he is scared to be left alone with Bonnie.  Alan and Kate tell him that he’s being silly.  Later, Sam is found dead in the barn.

With their neighbors flat-out accusing Alan and Kate of murdering their children and Bonnie doing strange things like attempting to give her father the mumps, Kate starts to have a nervous breakdown.  Meanwhile, Alan comes to fear that Bonnie may be the one responsible for the death of the other children and that she may now be targeting that last remaining child, Lucy (Angela Deamer).

First released in 1980 and based on a novel by Bernard Taylor, The Godsend is a British horror film that moves at its own deliberate pace.  The action unfolds slowly, with an emphasis on atmosphere and ambiguity.  While it certainly seems that Bonnie is responsible for the death of the other children, the first half of the film leaves room for doubt.  The viewer is left to wonder whether it’s possible that Alan himself is just being paranoid.  As the film progresses, one becomes aware that Bonnie is not only evil but she also has far greater powers than even Alan realizes.  The film ends on a properly dark note.  There really is no future in England’s dreaming.

The Godsend was a bit too slow.  As is so often the case with British horror films from the early 80s, the film was so determined to prove that it was better than the old Hammer bodice rippers that it allowed itself to get a bit too self-serious and stately.  That said, The Godsend is also undeniably creepy.  Viewers have been conditioned to believe that, no matter what else happens in a film, the children will survive.  Even though the children might very well be traumatized for life, it’s still generally accepted that they will somehow manage to make it to the end of the film.  The Godsend breaks that unofficial rule and it actually gets a bit depressing to watch.  Alan and Kate are going through the worst experience that a parent can can suffer.  Alan blames Bonnie while Kate clings to her as being one of the few things that she still has left.  It’s a sad movie that captures a very primal fear.

For the most part, the cast does a good if not spectacular job with the material.  The best performance comes from Angela Pleasence in the role of The Stranger.  Angela Pleasence was the daughter of Donald Pleasence, an actor who will always be best-remembered for playing Dr. Sam Loomis in the original Halloween films.  Dr. Loomis would have identified Bonnie as being evil from the start.  Unfortunately, no one would have listened to him until it was too late.

Retro Television Review: Miami Vice 3.24 “Heroes of the Revolution”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, season 3 comes to a close with a threat from the past!

Episode 3.24 “Heroes of the Revolution”

(Dir by Gabrielle Beaumont, originally aired on May 8th, 1987)

The Vice Squad is investigating Orrestes Pedrosa (Shawn Elliott), a former Fidel Castro henchman who has since come to Miami and is now trying to set himself up a major drug supplier.  There’s also a mysterious German named Klaus Herzog (Jeroen Krabbe) who appears to be following Pedrosa around Miami.

After getting wounded in a nearly-successful drive-by shooting, Herzog breaks into Gina’s apartment and introduces himself as the ex-boyfriend of Gina’s mother.  He goes to explain that Pedrosa was also in love with Gina’s mother and that he killed her when Gina was just a baby.  Pedrosa is still obsessed with Gina’s mother so Herzog suggests that Gina should get a job singing at a club.  Pedrosa will come out of hiding to see her and Herzog will get his chance for revenge.

Gina agrees, even though it means violating every rule in the Vice book.  The end result is that we get a lot of scenes of Saundra Santiago singing and eventually, she shoots Pedrosa dead when he attempts to shoot Herzog.

It’s an interesting choice for a season finale.  Crockett and Tubbs are barely present in this episode, allowing Gina to finally have center stage.  (Interestingly enough, the third season opened with a Gina episode as well.)  Saundra Santiago was often underused by the show so it’s always good to see her getting a chance to do something other than telling Sonny that he got a call.  She and the wonderful Jeroen Krabbe have an interesting chemistry in this episode.  Pedrosa isn’t the only one who is still in love with Gina’s mother.

On the one hand, I was happy that Miami Vice finally featured a villainous communist.  Politically, Miami Vice tends to be so left-wing that it sometimes verges on parody so a villainous Castroite was a change of pace.  But then Krabbe’s character introduced himself by saying, “I am a communist.”  It was as if the show had to make sure we understood that it was still on the side of Marx.  It felt kind of silly, to be honest.

Anyway, the third season ended on a fairly good note.  Neither Don Johnson nor Philip Michael Thomas really seemed that invested in their characters for much of the third season so it’s been nice to see Michael Talbott, Saundra Santiago, and Olivia Brown each get an opportunity to show off what they could do when given the opportunity.  This was an uneven season but it had its share of good episodes.  I’m still struggling to deal with the death of Larry Zito.

Next week, we begin season 4!

Retro Television Review: Miami Vice 3.19 “Red Tape”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. has Tubbs turned evil?

Episode 3.19 “Red Tape”

(Dir by Gabrielle Beaumont, originally aired on March 13th, 1987)

There’s a turncoat in the Vice Department.  Someone is leaking information about search warrants to the bad guys and, as a result, cops are walking straight into booby traps.  When a routine search for a low-level thief leads to an explosion that kills one cop (Viggo Mortensen) and leaves Tubbs covered in the man’s blood, Tubbs announces that he’s fed up with all of this and he refuses to take another assignment until the leaker has been caught.  Castillo tells Tubbs he can either accept his new assignment or quit.  Tubbs says he’s done.

The problem is that all of Tubbs’s money is wrapped up with the department’s credit union and Tubbs can’t withdraw it quickly enough to get back to New York.  The usually cool and collected Tubbs throws a fit, getting himself arrested when he starts threatening people at the credit union.  Crockett gets him out of jail and Tubbs says their partnership is done.  Switek tries to open up about his feelings after Zito’s death.  Tubbs says he doesn’t care.  What’s going on with Tubbs?  He’s acting like a total jerk and he’s also loudly letting everyone know that he’s desperate to get out of Miami and that he needs money quickly….

If you guessed Tubbs was working undercover, you are correct!  It’s all an elaborate ruse to get crooked Detective McIntyre (Scott Plank) to approach Tubbs with an offer.  (McIntyre’s girlfriend is played by a young actress named Annette Bening)  Unfortunately, only Tubbs and Castillo know that Tubbs is still one of the good guys,  A hot-headed young detective named Bobby Diaz (Lou Diamond Phillips) thinks that Tubbs really is crooked.  Diaz already lost one partner to the leaker.  He’s looking for revenge and even while Tubbs and Castillo are planning to take down McIntyre, Bobby is planning to take down Tubbs.  In typical Miami Vice fashion, it all leads to shoot out that leaves the bad guys dead but which also leaves Diaz mortally wounded and cursing Tubbs with his dying breath.  Tubbs goes from pretending to hate his job to actually hating it.

Seriously, were there ever any unambiguously happy endings on Miami Vice?  It seems like nearly every episode ended with Crockett and Tubbs realizing that their latest victory — assuming they were lucky enough to even have one — would prove to pyrrhic. There would always be a new drug boss ready to replace anyone that they took out of the game.  There would aways be a new cop willing to betray his colleagues.  And there would always be a mountain of red tape, waiting to keep them from making a difference.  This episode was dark!

This season seems like it’s been more Tubbs-centric than previous seasons and, as dark as thing got, it was still a little fun to watch Phillip Michael Thomas go totally over the top as the angry Tubbs.  The scene in the credit union was one that I’m sure would be enjoyed by anyone who has ever had to deal with red tape.  One could argue that Tubbs go so far overboard that the bad guys should have been able to see through his ruse.  But, still, this episode was effectively moody and dark.  Watching it, it was hard not to feel that Thomas deserved more storylines than he got.

Next week: Crockett falls in love with Melanie Griffith!