Back to the Beach: MUSCLE BEACH PARTY (AIP 1964)


gary loggins's avatarcracked rear viewer

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The “Beach Party ” gang’s back and so’s the familiar formula in MUSCLE BEACH PARTY, second in the American-International series. It’s Easter vacation and Frankie Avalon is still horny, Annette Funicello’s still waiting for marriage, and a beautiful foreign woman is again coming between them. This time it’s Lucianna Paluzzi as Countess Julie, a rich heiress who wants to make Frankie a singing star and her personal property.

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Eric Von Zipper and his Rats aren’t around this time, replaced by a bunch of bodybuilders led by trainer Jack Fanny (the inimitable Don Rickles). Julie first sets her sights on “Mr. Galaxy” Flex Martian, but dumps him when she spies Frankie. This leads to war between the surfers and the musclemen, with the inevitable slapstick melee. Flex is played by Rock Stevens, a real-life bodybuilder who muscled his way through a few Italian peplum films before reverting to his real name of Peter Lupus and…

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Back to School Part II #10: Grease (dir by Randal Kleiser)


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When it comes to reviewing Grease on this site, the film and I have a long and twisted history.  There have been several times when I was tempted to review Grease but one thing has always stopped me:

I absolutely hate this film.

Grease is one of my least favorite films and, to be honest, just thinking about it causes me pain.  Just about everyone that I know loves Grease.  They love the songs.  They love the music.  They love the performances.  They want to see it on stage.  They want to see it on the big screen.  They watch every time it pops up on AMC.

Growing up as a theater nerd means being surrounded by people who love Grease.  I cannot begin to count the number of times that I forced to watch this movie in school.  So many theater teachers seemed to feel that showing Grease in class was some sort of reward but, for me, it was pure torture.  And the fact that I was usually the only one who disliked the film made the experience all the more unbearable.

Back in 2014, when I was doing the first set of Back To School reviews, I was planning on reviewing Grease.  But I just could not bring myself to voluntarily relive the film.  Instead of putting myself through that misery, I decided to watch and review Rock ‘n’ Roll High School instead.  It was the right decision and I stand by it.

Jump forward two years and here I am doing Back to School again.  And again, for some reason, I had put Grease down as a film to review.  It’s just a movie, right?  And yet, after I finished writing my excellent review of Animal House, I again found myself dreading the idea of having to even think about Grease.

So, I said, “Fuck this,” and I promptly erased Grease from the list and I replaced it with Skatetown USA.  Then I watched Skatetown and I’m glad that I did because that was an experience that I can’t wait to write about!  And yet, I still had this nagging voice in the back of my mind.

“You’re going to have to review Grease at some point,” it said, “If not now, when?”

The voice had a point.  However, I was soon reminded that there was an even more important reason to review Grease.  A little further down on my list of Back to School films to review was a little film called Grease 2.  How could I possibly review Grease 2 if I hadn’t already reviewed Grease?  My OCD would not allow it!

And so, here I am, reviewing Grease.

Grease, of course, is a musical about teenagers in 1958.  Danny (John Travolta) is in love with Sandy (Olivia Newton-John) and Sandy is in love with Danny.  But Danny’s a greaser and Sandy’s Australian!  Will they be able to work it out, despite coming from different worlds?  Of course they will!  Danny’s willing to dress up like a jock in order to impress Sandy while Sandy’s willing to wear black leather to impress Danny!  Yay!  They go together!  And they’ve got a flying car, too!  YAY!

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And then Satan arrived…

Of course, there’s other subplots as well.  For instance, Frenchy (Didi Conn) nearly drops out of school but she’s visited by Satan (Frankie Avalon) and he manages to change her mind.  And Rizzo (Stockard Channing) might be pregnant because Kenickie (Jeff Conaway) hasn’t bought any new condoms since the 8th grade.  Comparing the sensitive way that teen pregnancy was handled on a show like Degrassi: The Next Generation with the way it’s handled in Grease is enough to make you want to sing “O Canada” every day for the rest of your life.

Here’s what I do like about Grease: Stockard Channing is great as Rizzo, though it’s hard not to feel that she deserves better than a doofus boyfriend like Kenickie and a boring bestie like Sandy.  I also like You’re The One That I Want.  That’s a fun song.

But as for the rest of the movie … BLEH!  I mean, it is so BORING!  It takes them forever to get to You’re The One That I Want.  Olivia Newton-John is so wholesome that she literally makes you want to tear your hair out while John Travolta pretty much acts on auto pilot.  As for the supporting cast, most of them appeared in the stage production of Grease and they still seem to be giving stage performances as opposed to film performances.  They’re still projecting their lines to the back of the house.  Worst of all, it’s obvious that director Randal Kleiser had no idea how to film a musical because the dance numbers are so ineptly staged and framed that, half the time, you can’t even see what anyone’s doing with their feet.  If you can’t see the feet, it defeats the whole purpose of having an elaborate dance number in the first place!

So, no, I don’t like Grease.

Sorry, everyone.

However, I’m sure I’ll enjoy Grease 2….

Love you, Canada!

Love you, Canada!

Rockin’ in the Film World #3: BEACH PARTY (AIP 1963)


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Finally! The weather here in New England has begun to break, and we’re heading into summer. I even managed to get some beach time in today. TCM beat me to the punch when they aired BEACH PARTY as part of their month-long salute to American International Pictures, a blast from the past filled with sand, surf, teenage sex, and plenty of good ol’ rock’n’roll! BEACH PARTY spawned a series of films and a whole slew of imitators , but AIP did ’em first and best.

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Teen idol Frankie Avalon and ex-Mouseketeer Annette Funicello starred in most of the AIP’s, using the same plot over and over. Frankie wants sex, but Annette wants to wait for marriage. They fight, and try to make each other jealous by dating someone new, but wind up together by film’s end. Simple, and rehashed using gimmicks like bodybuilding, drag racing, sky diving, and skiing to make things seem fresh…

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Life Is A Beach #1: Beach Party (dir by William Asher)


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It seems a little bit strange that today was, for many people, the first day of Spring Break.

First off, it was cold and rainy today and, whenever I found myself glancing out a window and being confronted by the gray weather, it was very hard for me to imagine having any fun on a beach.

Secondly, for reasons that I never quite understood, the University of North Texas’s Spring Break was always a week after everyone else’s.  As a result, I’ve been conditioned to think of Spring Break as starting during the third week of March.

I always looked forward to Spring Break, despite the fact that we always got out a week late.  In fact, it was kind of nice to know that, when my friends and I got down to that year’s beach, the most obnoxious of the alcoholic frat boys would already be back in Oklahoma.  I’ve always loved the beach, which is odd because I’m scared of drowning.  Fortunately, you don’t have to swim to look good in a bikini.

Now, of course, I’m an adult and I don’t get a Spring Break.  But that doesn’t mean that I can’t relive the fun of it all by spending the next few days watching and reviewing beach movies!

For instance, earlier today, I discovered that the 1963 film Beach Party was available on Netflix.   I watched the first 40 minutes during my lunch and then, as the day progressed, I watched the rest of it in bits and pieces until finally, nearly 8 hours after starting the film, I finished it.  Needless to say, this is absolutely the worst way to watch a film like Beach Party.  Beach Party was designed to be a film to be enjoyed but not thought about.  It’s the cinematic equivalent of fast food.  Watching Beach Party in increments of 2 or 3 minutes at a time is a bit like buying a Wendy’s bacon cheeseburger and not eating it until the next day.

(Or so I assume.  I would never do that because, seriously, Wendy’s makes the best bacon cheeseburgers!)

It feels kind of silly to try to describe the plot of something like Beach Party but here goes: Frankie (Frankie Avalon) and Delores (Annette Funicello) are two teenagers in love.  Or, at the very least, Delores is in love.  Frankie, however, has a hard time saying it.  Frankie and Delores are planning on spending the weekend at a beach house where, Frankie tells her, it will be just like they’re married.  Though it’s never explicitly stated (like many films from the early 60s, Beach Party is all about the euphemisms), Frankie is obviously expecting that he and Delores will finally be having sex in that beach house.  However, Delores had the same idea so she invited all of their friends to stay at the beach house as well, specifically to keep her from giving in during a moment of weakness.

Meanwhile, Prof. Robert Sutwell (Robert Cummings) is also hanging out on the beach.  He’s an anthropologist who has a rather prominent beard.  He’s studying the sex lives of teenagers.  Since they’re adults, Robert and his assistant Marianne (Dorothy Malone) are actually allowed to say the word “sex.”

Speaking of which, that’s one thing that nobody on the beach seems to be doing.  Robert is too obsessed with his work, Marianne is too frustrated with his lack of interest, Frankie is too busy surfing and singing, and Delores says she’s not interesting in “being a woman” until she’s married.  There’s constant flirting going on, of course but, for the most part, these teenagers make the spring breakers from From Justin To Kelly look wild.  (One can only guess what would happen if any of them ever ran into the spring breakers from Spring Breakers….)

That said, I do think that I did spot Frankie and his friends passing around a joint during one scene.  According to some comments at the imdb, it was probably meant to be a cigarette that Frankie was sharing with his friends Ken (John Ashley) and Deadhead (Jody McCrea) but it sure looked like a joint to me.  Plus, Frankie was listening to beatnik poetry at the time and we all know those crazy kids loved the poetry and loved the marijuana.

Oh!  And did I mention that there’s a motorcycle gang in this film?  Because there so totally is.  The Rat Pack is led by a guy named Erich Von Zipper (Harvey Lembeck) and they pretty much show up whenever the film starts to run out of ideas…

Now, it may sound like I’m being pretty critical of Beach Party but actually, I thought it was fun in a time capsule sort of way.  This is one of those films that is so obviously a product of the time in which it was made that watching it is a bit like getting to take a ride in a time machine.  Everything about this film — from the dialogue to the cultural attitudes to the clean-cut teenagers to the music to the bizarrely modest bikinis — practically screams 1963.  As a secret history nerd, I loved the part of Beach Party.

Add to that, Vincent Price has a cameo!  That’s always fun.

Anyway, Beach Party is currently available to be watched on Netflix and Hulu.  If you can’t get to the beach this year, you can always watch Frankie Avalon getting high in Beach Party.

http://www.youtube.com/watch?v=nkhGmZPJIHY

What Lisa Watched Last Night #100: How To Stuff A Wild Bikini (dir by William Asher)


Last night, I watched the 1965 beach film, How To Stuff A Wild Bikini.

Why Was It Watching It?

Last night, I was in a motel room in San Antonio.  Now, as I’m sure we all know, one of the great things about staying in a motel is that you get a chance to discover all sorts of strange television stations that you otherwise may not have known existed.  It was while flipping through these odd  stations that I came across the final ten minutes of Dr. Goldfoot And The Girl Bombs.  Dr. Goldfoot was followed by How To Stuff A Wild Bikini.

What Was It About?

Oh Lord, where to begin?

Okay, so Frankie (Frankie Avalon) is serving in the U.S. Navy and has been assigned to Tahiti.  However, he’s worried that his girlfriend Dee Dee (Annette Funicello) might not stay true to him while he’s gone.  Why he thinks that is a good question because, seriously, Dee Dee really doesn’t seem to be the type to cheat.

Frankie goes to the local witch doctor (played by Buster Keaton) who casts a spell that causes a magic bikini to appear on the beaches in California.  “Man,” one surfer says, “dig that wild bikini!”  “A bikini ain’t nothing without the stuffing!” his girlfriend replies.  Suddenly, Cassandra (Beverly Adams) appears, providing the “stuffing” for the magic bikini.  Cassandra has been sent to the beach to keep an advertising executive (Dwayne Hickman) from stealing Dee Dee from Frankie.

Oh!  And the witch doctor also turns Frankie into a pelican so Frankie can fly back to the beach to keep an eye on Dee Dee.

And Mickey Rooney is in this movie!

And there’s a motorcycle gang!

And … it’s a musical!

What Worked?

This was exactly the type of mid-1960s youth film that I like almost despite myself.  Plotwise, it was pretty incoherent.  Acting-wise, it was nothing special.  The songs were not memorable.  The attitudes were sexist.  The entire film felt cheap.  And yet, it was so weird and energetic and sincerely silly that there was no way I couldn’t like it.  If nothing else, watching this film is probably as close as I’ll ever get to experiencing 1965.

What Did Not Work?

After having seen several of his silent films on TCM, it was a bit sad to see how Buster Keaton ended his career.

“Oh my God!  Just like me!” Moments

Cassandra had red hair, just like me!  Redheads unite!

Plus, I’ve been told that I look good in a wild bikini.

Lessons Learned

A bikini ain’t nothing … without the stuffing!