Retro Television Review: Miami Vice 2.16 “Little Miss Dangerous”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

The power has returned, my mood is better, and my wrist has healed.  It’s time to get back to the reviews!

Episode 2.16 “Little Miss Dangerous”

(Dir by Leon Ichaso, originally aired on January 31st, 1986)

There’s a serial killer stalking the red light district of Miami, haunting cheap motels, dark alleys, and neon-lit sex clubs.  Men are turning up dead all over the place, brutally stabbed and then set on fire.  Occasionally, a crude drawing is left behind.  Castillo announces that every member of the Squad will be working a 12-hour shift until the killer is brought to justice.  He says that they may be looking for a pimp or a prostitute who is looking for revenge.

Of course, every prostitute knows and likes Sonny Crockett.  And again, this leads to the question of how exactly Sonny is able to work undercover when everyone in Miami knows who he is.  For that matter, all of the prostitutes also seem to know that Gina and Trudy are working Vice as well, despite the fact that Gina and Trudy’s regular gig to go undercover as high-priced escorts.  How do these people ever succeed at going undercover?  Everyone knows them!  I guess that’s to be expected, though, when you’ve only got 6 detectives working Vice in a city as big as Miami.

Tubbs meets a Jackie (played by singer Fiona), a young runaway who swears that she’s 18 and who says that she’s happy working as a prostitute because her body is just a commodity.  Tubbs becomes obsessed with protecting the spacey but seemingly innocent Jackie, especially after he becomes convinced that Jackie’s pimp, Cat (Larry Joshua), is the murderer.  Except, of course, Cat isn’t the killer.  Jackie is!  When Tubbs takes Jackie to a safehouse (which, of course, is also an art deco mansion), she snaps.  As Crockett tries to break down the locked front door and Cat crashes into the house on his motorcycle, Jackie starts a fire and approaches Tubbs.  But, instead of killing the only man who hasn’t tried to use her body, Jackie instead holds a gun to her head.  This is another episode that ends with an off-screen gunshot.  Interestingly, we never see Crockett actually get into the safehouse to rescue Tubbs from the fire.  Instead, the ending is abrupt and the viewer, while having no doubt that Tubbs will escape the fire, knows that Tubbs will now carry Jackie’s scars as his own.

What an unsettling episode.  This was Miami Vice at its most surreal and dream-like, with almost all of the action taking place at night and both Fiona and Larry Joshua giving edgy performances as two self-destructive people who live in the shadows of a wealthy American city.  For once, the entire Vice Squad gets in on the action, though Tubbs is clearly the one at the center of the story.  This episode reminds us that Tubbs is not quite as cynical and emotionally closed-off as Crockett but maybe, for the sake of his sanity, he should be.  Little Miss Dangerous is a journey into the heart of Miami darkness.