6 More Chilling Classics: Jesse James Meets Frankenstein’s Daughter, Scream Bloody Murder, Silent Night Bloody Night, Sisters of Death, War of the Robots, and Werewolf in a Girl’s Dormitory


For the past few months, I’ve been attempting to watch and review every film to be found in Mill Creek’s 50 Chilling Classics box set.  Here’s are 6 quick reviews of the latest few “chilling classics” that I’ve found the time to watch.

1) Jesse James Meets Frankenstein’s Daughter (Dir by William Beaudine)

This 1966 western/horror hybrid is just about as stupid as you think it is but it’s also a lot of fun if you’re in the right mood.  Notorious outlaw Jesse James (John Lupton) attempts to hold up a stagecoach but, in the process, his hulking partner Hank (Cal Bolder) is serious wounded.  Some helpful peasants direct Jesse and Hank to the mysterious German doctor who happens to live in a nearby dark and scary house.  That doctor is Maria Frankenstein (Narda Onyx) and she’s been conducting experiments to bring dead Mexicans back to life.  Imagine her joy when the nearly dead Hank shows up at her laboratory.  Anyway, Maria performs a brain transplant on Hank and once Hank comes back to life, she informs him that his new name is “Igor.”  Yes, she does.  That plot description pretty much tells you everything you need to know about the movie but I vaguely enjoyed vaguely paying attention to it.  Maria’s German accent is hilariously overdone, the Frankenstein laboratory is full of pointless electrical things, and a character dies halfway through the film just to later show up again with no explanation.  It’s that type of movie.

2) Scream Bloody Murder (dir. by Marc Ray)

So Matthew (played by Fred Holbert) is a disturbed young man who murders his father with a tractor and loses a hand in the process.  He’s sent off to a mental asylum for a few years and while there, he’s given a sharp and potentially deadly hook as a replacement for his hand.  Seriously, why would you give a weapon like that to a mental disturbed person who has just murdered his own father?  That’s just one of the many mysteries that goes unexplored in 1973’s Scream Bloody Murder, an occasionally watchable slice of entertainment that is ultimately too slow and predictable to really be effective.  Once Matthew is released from the asylum, he goes on the expected murder spree and goes all Collector-like on a prostitute named Vera (played by Leigh Mitchell, who also plays Matthew’s doomed mother in a clever bit of Oedipal casting).  Mitchell and Holbert both give surprisingly good performances and director Marc Ray comes up with a few visually inventive scenes of mayhem but, for the most part, this film never quite lives up to the excessive promise of its premise.

3) Silent Night Bloody Night (dir. by Theodore Gershuny)

Filmed in 1972 and subsequently released in 1974, Silent Night Bloody Night is a real treat, an atmospheric thriller that has a wonderfully complicated plot that will keep you guessing.  On Christmas Eve, Jeff Butler (James Patterson) comes to an isolated town to arrange the sell of his grandfather’s home.  As we discover through some wonderfully dream-like flashbacks, Jeff’s grandfather died nearly 40 years ago when he was set on fire in his own home.  With the help of local girl Diane (Mary Woronov), Jeff investigates his grandfather’s death and discovers that the town is full of secrets and people who are willing to kill to maintain them.  Director Theodore Gershuny uses the low budget to his advantage and the sepia-toned flashbacks are truly disturbing and haunting.  Ultimately, Silent Night Bloody Night feels like a dream itself and the mystery’s solution is less important than the journey taken to reach it.

4) Sisters of Death (dir. by Joseph Mazzuca)

Technically, this isn’t the best film to be found in the Chilling Classics box set but it’s still one of my personal favorites.  The 1977 film opens with a very baroque sorority initiation that ends with one of the sisters being killed in a game of Russian Roulette.  A few years later, the surviving sisters are invited to an isolated and lavish estate where it turns out that the dead girl’s father (well-played by Arthur Franz) is looking for revenge.  This film is predictable and a lot of the plot depends on people refusing to use any common sense but Sisters of Death is such a fun little melodrama that I can’t complain too much.  The film plays out like a surprisingly violent Lifetime movie and it all ends on a wonderfully cynical note.

5) War of the Robots (dir. by Alfonso Brescia)

Whatever you do, don’t watch War of the Robots alone.  Seriously, you need somebody there — preferably several people — so you can take turns making snarky comments and rude jokes.  Otherwise, you’ll just be stuck watching this amazingly bad science fiction film from 1978 and wondering how much more of it you can take.  Set in the generic future, War of the Robots tells the story of what happens when two human scientists are kidnapped by a bunch of robots.  Capt. John Boyd (Antonio Sabato) is sent to get the scientists back and the end result?  A war of the robots.  Or something like that.  This is one of those films where it’s difficult to really pay that much attention to what’s happening on-screen.  However, it’s worth seeing just for the chance to spot the wires that are enabling the model spaceship to hang over the “alien” landscapes.  Naturally, since this film was made in the 70s, everyone wears space suits with really wide lapels.

6) Werewolf in a Girls Dormitory (dir. by Paolo Heusch)

First released in 1961, Werewolf in a Girls Dormitory is an Italian/Austrian co-production.  It was originally titled Lycanthropus and while Werewolf In A Girls Dormitory is a lot more memorable, it also makes this film sound like a lot more fun than it actually is.  This slow and oddly somber film tells the story about a series of murders that occur at a school for delinquent girls.  The school’s newest teacher is the obvious suspect but then again, the killer might just be a werewolf.  I liked the look of this film — the film is lit to emphasize shadows and it gives the whole thing a very noir-like feel — but, much like Scream Bloody Murder, this movie was just too slow to really be effective.

So, out of this batch of 6, I would definitely recommend that you track down and see Silent Night Bloody Night and Sisters of Death.  I would also definitely suggest that you do your best to avoid War of the Robots.  As for the other 3, they’re all better than The Wicker Tree.

6 Trailers For A Doomed Society


Hi there and welcome to yet another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!

1) Damnation Alley (1977)

This movie was actually on the Fox Movie Channel last night.  The trailer’s better.

2) The Tenement (1985)

As this trailer makes clear, this film is also known as Slaughter In The South Bronx.

3) Enter The Ninja (1981)

It’s Franco Nero!

4) Eat My Dust (1976)

It’s Ron Howard!

5) Beatrice Cenci (1969)

Before Lucio Fulci devoted himself to making zombie films, he made this one.  It tells the true story of Beatrice Cenci, an Italian noblewoman who, in 1599, conspired to murder her abusive father.  Fulci considered it to be his second best film.  I’ve never seen it but I hope to do so someday soon.

6) The Slams (1973)

Finally, let’s conclude this edition with Jim Brown in … The Slams!

6 Trailers For Mother’s Day


Hi there!  If you’re a mom, Happy Mother’s Day.  And if you’re not, you better go do something nice for your mom or else run the risk of being given back to the gypsies that she got you from.  (Incidentally, there’s no shame in being a gypsy adoptee.  According to my sisters, I was left in the backyard by a wandering gypsy band and just look at me now…) 

Here’s the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film Trailers for you to watch and maybe (or maybe not) enjoy on this temperate Sunday….

1) Teenage Mother (1967)

I’ve featured this trailer before but I figured that since it’s Mother’s Day…

2) The Bloody Brood (1959)

Yes, this is the same Bloody Brood that I reviewed on this website a few days ago.

3) Operation Kid Brother (1967)

Come October, we’re going to be reviewing every single James Bond film ever made here at the Shattered Lens.  Until then, why not enjoy this trailer featuring Sean Connery’s kid brother Neil?

4) Lightning Bolt (1966)

Much like Operation Kid Brother, this appears to be another Italian attempt to make a Bond-style film.  Apparently, Neil Connery is not featured in this one.

5) Avenging Angel (1985)

Awwww…this movie was released the year I was born. 🙂

And finally, let’s close things out with a film that’s become such a classic and is so influential that film snobs tend to forget that it’s essentially a very well-made grindhouse film…

6) Psycho (1960)

Poll: Which Films Are You Most Looking Forward To Seeing June?


On the last day of each month, we ask you which films you’re most looking forward to seeing in the months ahead.  According to our last poll, for most of you, the month of May will be all about seeing The Avengers and Moonrise Kingdom.  Thank you to everyone who voted.

So, which films are you most excited about seeing in June?  As usual, you can vote for up to four films.

In Conclusion: 10 Final Thoughts on The Friday the 13th Franchise


Over the previous two weeks, I reviewed all 11 films in the Friday the 13th franchise.  I reviewed the final film, appropriately enough, on Friday the 13th.  Now that I’ve sat through all 11 of these films, I’d like to provide just ten thoughts in conclusion:

1) Have you seen Cabin In The Woods yet?  While that brilliant film is obviously influenced by a lot of films, the Friday the 13th influence was especially obvious, right down to the crazy old man trying to let everyone know that they were doomed.

2) As for the Friday the 13th franchise itself, what is left to be said?  I think my interest in these films comes from the fact that even though their critically reviled and utterly dismissed by many, they’ve managed to survive and they’re still being watched by viewers (like me) who weren’t even born and/or weren’t old enough to see the majority of them when they were first released in theaters.  Like it or not — and again, this is a point that should be obvious to anyone who truly appreciated Cabin In The Woods — these films appeal to something primal in human nature.

3) The most frequent complaint made against the Friday the 13th franchise is that the films are anti-female.  I don’t agree.  I think that, unfortunately, a lot of people who watch these films are anti-female but I don’t think that the same can be said of the films themselves.  Quite frankly, if I was ever cast in Friday the 13th, I would rather play a victim than a survivor because the victims are the ones that are remembered afterwards.

4) Instead of seeing the Friday the 13th films as some sort of attempt to punish women, I see them as simply being updated bits of American folklore.  Those famous urban legends — the escaped mental patient with the hook hand, the vanishing hitchhiker — are about as close as America can get to having its own mythology and the Friday the 13th franchise (and similar horror films) are a reflection of that mythology.

5) Much like the scary story told at slumber party or around a campfire (not that I’ve been near a campfire though I have been to a few thousand slumber parties), Friday the 13th is meant to be a communal experience.  It’s a chance to admit that we’re all scared of the dark.  We scream and jump because, ultimately, it’s fun to do that in the safety of a theater or your own home.

6) Friday the 13th, as a franchise, was at its best when it kept things simple.  As you may have noticed from my reviews, I struggled more with the gimmicky later films in the series than I did with the originals.

7) The first two Friday the 13th scenes are both excellent examples of how to use a low budget and a largely unknown cast to your best advantage.  There is a lesson there for all aspiring filmmakers.

8) Having now rewatched the 11 films in the franchise, I have to say that I think that Part 4 is the best, followed by Part 2Part 3 remains the worst while Jason Takes Manhattan is perhaps the most pointless.  Ted White was the best Jason but Kane Hodder is a close second.

9) When I was reviewing these films, Peter M. Bracke’s book Crystal Lake Memories proved to be an invaluable resource.  I highly recommend it to anyone who is interested in film, horror, or both.

10) Finally, did you all enjoy me devoting two weeks to reviewing one film franchise or were you thinking to yourself, “Oh my God, Lisa, give it a rest already!”  I enjoyed writing them but, to be honest, I’m really in the mood for a romantic comedy now.

Well, that does it for Friday the 13th.  Again, I hope everyone enjoyed revisiting this franchise with me and I hope that everyone will enjoy revisiting the James Bond films with me in October.  As always, stay supple!

6 Trailers To Keep Things Cheerful


After spending two weeks researching the career of Jason Voorhees, I am in the mood for some movies that feature absolutely no one getting brutally murdered. That’s why this edition of Lisa Marie’s Favorite Grindhouse and Exploitation Trailers is dedicated to some of the most light-weight comedies ever made. 

(Yes, I realize that these films aren’t exactly grindhouse films but they’re close enough.)

1) Making the Grade (1984)

This trailer almost feels like a parody, doesn’t it?  In fact, it very well could be.  Has anyone ever actually seen this Making the Grade movie?

2) White Water Summer (1987)

This is a weird movie that, for some reason, tends to pop up on TV every few months or so.  Kevin Bacon is a nature guide who appears to be sociopath and Sean Astin is the kid that he bullies nonstop.  Eventually, Bacon breaks his leg and Astin saves his life or something like that.  The whole movie just has a really weird feel to it.

3) Private Lessons (1981)

These next three trailers form a trilogy of sorts.  We start off with Private Lessons, which — let’s be honest — is a pretty creepy trailer.

4) Private School (1983)

The 2nd part of the private trilogy was directed by Noel Black who also directed one of the best films of the 60s, Pretty Poison.

5) Private Resort (1985)

And then we come to this…Private Resort.  Much like White Water Summer, Private Resort used to always show up on Sunday afternoon TV and I’ve never really understood why.  That said, I watched it a few times because I’ll watch Johnny Depp in anything.

6) Fraternity Vacation (1985)

And finally, let’s wrap things up with Fraternity Vacation, starring future Oscar winner Tim Robbins.

What Lisa Marie Watched Last Night: The Cloning of Clifford Swimmer (dir. by Lela Swift)


Last night, I watched an obscure science fiction film, 1974’s The Cloning of Clifford Swimmer.

Why Was I Watching It?

It was nearly four in the morning and I couldn’t sleep.  So, I turned on the TV, checked the guide, and I saw that something called The Cloning of Clifford Swimmer was about to start on the Fox Movie Channel.  Pushing the info button on my remote control, revealed only that the film was made in 1974 and that “No cast information is available.”  Well, after seeing that, how couldn’t I have curled up on the couch and watched?

What Was It About?

Clifford Swimmer (Peter Haskell) is perhaps the least likable human being ever.  He’s an angry alcoholic who abuses his wife (Sheree North) and son (Lance Kerwin) and who has somehow managed to get into debt to the local loan shark (played by William Bassett, who is better known for playing the Sheriff in House of a 1,000 Corpses and doing the voice overs for those annoying Whataburger commercials).  Clifford hates his life and dreams of running off with his mistress and living on a boat.  If only he were free of his “responsibilities…”

Fortunately, he just happens to know the local mad scientist (Keene Curtis) who clones Clifford, using cells taken from Clifford’s tongue.  Once the clone takes his place at home and word, Clifford runs off with his mistress.  Fortunately, the Clone turns out to be the nicest, most gentle guy in the world and both his wife and son are overjoyed at the sudden change in personality that appear to have occurred within “Clifford.”  The real Clifford Swimmer, however, soon becomes disillusioned with life on a boat and decides to return to his old life.  Unfortunately, his old life doesn’t really want him back.  It all leads to violence, several murders, and a surprise twist at the end.

What Worked?

I was surprised by how much I enjoyed The Cloning of Clifford Swimmer.  Smartly written (and as melodramatic as any film called The Cloning of Clifford Swimmer should have been), this was a surprisingly thought-provoking little film and the “surprise” ending was executed very well and even came close to bringing tears to my sleep-deprived eyes.

Considering the film’s origins (which are discussed down below), this was a surprisingly well-acted film that is dominated by an excellent performance from Peter Haskell as Clifford Swimmer and this clone.  After I watched the film, I checked with imdb and I discovered that Peter Haskell (who passed away in 2010) was apparently a pretty busy television actor and he definitely had the looks of someone you would expect to find playing a doctor in a soap opera.  On the basis of his performance here, he was also apparently a pretty versatile actor.

What Did Not Work?

According to imdb, The Cloning of Clifford Swimmer was originally an episode of something called The Wide World Of Mystery which used to air on ABC back in the 70s.  However, even if I hadn’t done that bit of research, the film was obviously made for television.  By that, I mean that it has the flat, stagey look of a three camera sitcom.  As well, the fact that every climatic scene fades to black (for a commercial break) definitely disrupts the rhythm of the show.

That said, I have to also say that — last night at least — these “flaws” actually added to the film’s charm.

“Oh my God!  Just like me!” Moments

If I were ever the type to be a home wrecker, I hope I’d be as stylish a one as Clifford’s mistress, Madeline Rivera (played by Sharon Farrell, who is also in one of my favorite movies of all time, Out of the Blue).  Seriously, her clothes were to die for.  That said, I would also hope that I would have better taste in men.

Lessons Learned

Sometimes, it’s not a bad idea to just stay up late and just watch whatever happens to come on.

Poll: Which Films Are You Most Looking Forward To Seeing In May?


For last month’s poll results, click here.

Below, you’ll find the poll for May.  As always, you can vote for up to four films and write-in votes are accepted and welcomed.  Vote once, vote often!

Scenes I Love: The Eyptian Feast Conversation From Blood Feast


So, last week, our newest contributor here at the Shattered Lens, The Trash Film Guru, posted his wonderful review of Herschell Gordon Lewis’s The Gruesome Twosome.  Reading that review got me thinking about the unique cinematic vision of Mr. Lewis.  Though I’ll be reviewing Scum of the Earth and Something Weird later on this week, I would like to first share with you one of my favorite scenes from the work of Herschell Gordon Lewis.

Below, in all it’s glory, is the famous Egyptian feast conversation from Lewis’s 1963 epic, Blood Feast.  The caterer here is played by Mal Arnold, who appeared in several of Lewis’s films.

6 Trailers For Hard Men And The Women Who Have To Put Up With Them


Hi there and welcome to another edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers!  Today, we bring you 6 trailers specifically made to appeal to audiences made up of hard men and the women who have to put up with them.

1) Phantom Soldiers (1988)

Let’s start things off with this trailer from the Philippines.  I never thought I’d see a trailer as violent as the trailer for Massacre Mafia Style but then I came across this one for Phantom Soldiers.  “You’re a hard man…but the answer is no.”

2) Megaforce (1982)

This appears to be the family friendly version of Phantom Soldiers.  I always love how these trailers for obviously terrible movies always claim to be bringing “the greatest spectacle ever” to audiences.  Myself, I want to find and slap whoever thought it was a good idea for the bearded guy to wear a powder blue headband while talking about how the good guys always win “…even in the 80s!”

3) The Junkman (1982)

I guess if families weren’t watching the bearded man in the skin-tight outfit and the blindingly blue headband, they were witnessing the “chase thriller for the 80s…JUNKMAN!”

4) Terror in the Midnight Sun (1959)

I’ve never seen this film nor had I ever heard of it until I came across this trailer on YouTube.  But I think that our readers who happen to be creature movie fans will enjoy this one.

5) The One-Armed Executioner (1983)

All this exposure to grindhouse and exploitation films must be getting to me because I kept expecting someone to go, “That’s not my arm, baby,” as I watched this trailer.  Agck!

6) She-Devils On Wheels (1968)

After all that, it’s time for some girl power, don’t you think? From director Herschell Gordon Lewis, who also directed the Gruesome Twosome.  “This picture is not for children…”