The Films of 2024: Sixty Minutes (dir by Oliver Kienle)


Octavio Bergmann (Emilio Sakraya) has a problem.

A German MMA fighter is just minutes away from fighting a leading contender when he gets a call from his ex-wife.  It is his daughter’s birthday and Octavio is told that if he doesn’t make it to her birthday party within an hour, Octavio’s ex-wife is going to demand full custody of her.  Octavio runs from the match, hoping that he can somehow make it from one end of Berlin to the next in just 60 minutes.

What Octavio doesn’t know is that the fight was fixed.  Octavio’s opponent agreed to take a dive so a bunch of gamblers put down a lot of money on Octavio winning the fight.  If Octavio forfeits, they’ll lose all of their money.  Soon, Octavio finds himself being pursued by motely collection of Serbian mobsters, bikers, and cops.  Meanwhile, Octavio just wants to pick up a cake and his daughter’s birthday gift (an adorable kitten named Onion) and make it to the party in time.

That’s not a bad premise for an action film and Sixty Minutes features a lot of exciting fight scenes as Octavio battles his way to his ex-wife’s house.  Unfortunately, it soon becomes obvious that the film is cheating a bit with the time frame.  When Octavio takes off running, a stopwatch lets us know that he has 59 minutes and 59 seconds left.  About ten minutes later, the stopwatch reappears and tries to convince us that only four minutes have passed.  Octavio has to face a lot of obstacles on his way to that birthday party but it’s hard to create any suspense when the audience knows that the movie isn’t going to be honest about how much time has passed.  If any film cries out for a “real time” approach, it’s this movie.

(Personally, I would have changed the title to 80 Minutes.  It would still be a stretch to claim that the majority of the movie’s action could have taken place over such a compressed time frame but it would still be more believable than 60.)

On the plus side, the action scenes are exciting.  Emilio Sakraya is not the most expressive of actors but, as a former Full-Contact Karate champion, he’s totally convincing in the fight scenes.  Wisely, the film does not try to convince us that Octavio is some sort of genius.  He is often his own worst enemy.  (If you had to get across Berlin in a narrowly-allotted amount of time, would you be stupid enough to stop to argue with the cops?)  And there definitely is something rather sweet about Octavio’s determination to make sure that his daughter gets her birthday present.  (And fear not, animal lovers — the cat survives the film.)  Finally, the soundtrack was heavy on EDM, which I definitely appreciated.

With all of the scenes of Octavio running through Berlin and checking his watch to see how much time he had left, the film feels a bit like a direct descendant of Run, Lola, Run.  Unfortunately, Sixty Minutes is nowhere near as exciting, witty, or thoughtful as Tom Tykwer’s classic film.  Still, Sixty Minutes is entertaining when taken on its own terms.  Just don’t make the mistake of trying to count the minutes.

Scenes That I Love: Nicky Katt vs Adam Goldberg in Dazed and Confused


Today, the Shattered Lens wishes a happy birthday to one of my favorite character actors, Nicky Katt!

In 1993’s Dazed and Confused, Katt had a small but pivotal role as Clint.  Clint is the guy who loves his car, drinking beer, smoking weed, and beating up people.  Mike (played by Adam Goldberg) runs afoul of Nick at the end of the year party and later decides that he has no choice but to fight back.  Needless to say, Clint is the better fighter of the two but at least Mike got one good punch in!

(For a while, there was talk of a Dazed and Confused sequel, in which Clint would have turned his life around and become both a born again Christian, and a respected member of the community while Mike would still be obsessing about their brief fight in 1976,)

Live Tweet Alert: Watch The War of the Worlds With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1953’s The War of the Worlds!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

The Films of 2024: Bob Marley: One Love (dir by Reinaldo Marcus Green)


Bob Marley: One Love opens in 1976.  With Jamaica torn by political violence, Reggae superstar and devout Rastafari Bob Marley (Kingsley Ben-Adir) announces that he will be holding a concert for peace.  When Marley, his wife Rita (Lashana Lynch), and several members of the band are shot in a home invasion, a disillusioned Marley sends his wife and children to stay with his mother in Delaware and then heads to London with his band.

The majority of Bob Marley: One Love centers around the years that Marley spent outside of Jamaica.  In London, Marley struggles to come up with a concept his new album, finally finding inspiration in the soundtrack for Otto Preminger’s Exodus.  Marley explains his philosophy and Rastafari beliefs to journalists and listeners, many of whom are shocked by Marley’s claim to not care about money.  With more and more countries declaring their independence and freeing themselves from colonialism, Marley makes plans to perform in Africa and to spread his message of love and freedom.  Rita, who eventually rejoins Bob when he tells her that he cannot create his music without her presence, tells Bob that he needs to return to Jamaica and perform his peace concert.  Bob remains stubborn but when he’s diagnosed with a rare-form of cancer, he realizes that it’s time for him to return to his home and not just preach about peace and forgiveness but to extend it as well.

Musical biopics have been all the rage since the release of Bohemian Rhapsody and Bob Marley: One Love features enough of Marley’s music that it’s not surprising that the film was a crowd-pleaser when it was released in February.  The film was clearly made by people who loved Marley’s music.  Kingsley Ben-Adir has a strong screen presence and gives a charismatic performance as Bob but, for whatever reason, Bob Marley remains something of a distant figure throughout the film.  We learn a bit about what motivated Bob Marley as a musician and as an activist but we still don’t really feel that we get to know him as a person.  (Nor does the film delve too deeply into the details of Marley’s Rastafari beliefs, presenting it as being more about good vibes than a belief in the divinity of Ethiopia’s emperor, Haile Selassie I.)  The film hits all of the expected biopic plot points like clockwork.  It’s almost too efficient for its own good, lacking any of the spontaneity that makes real life so memorable.  It leaves the viewer very much aware that they’re watching a well-made film.

But, one might be justified in dismissing that as just being nit-picking.  The film is full of Marley’s music and it ends with a good deal of archival footage that allows the viewer to see both Bob Marley’s real-life charisma and the joy that he took in performing.  As I said, the film is a crowd pleaser.  While it doesn’t quite provide the insight into Marley’s life that Rocketman did for Elton John, it’s still a better-made and less cynical production than Bohemian Rhapsody.  Even if the film is a bit too conventional for its own good, the love of the music still comes through.

Scene That I Love: Fred Astaire Dances With A Hat Rack In Royal Wedding


Fred Astaire was born 125 years ago, on this date, in Omaha, Nebraska.

Today’s scene that I love comes from 1951’s Royal Wedding.  Just consider that Astaire was in his fifties when he performed this scene.

4 Shots From 4 Films: Special David MacKenzie Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to Scottish director, David MacKenzie!  It’s time for….

4 Shots From 4 David MacKenzie Films

Young Adam (2003, dir by David MacKenzie, DP: Giles Nuttgens)

Starred Up (2014, dir by David MacKenzie, DP; Michael McDonough)

Hell or High Water (2016, dir by David MacKenzie, DP: Giles Nuttgens)

Outlaw King (2018, dir by David MacKenzie, DP: Barry Ackroyd)

Live Tweet Alert: Join #FridayNightFlix For Double Trouble!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, we’ve got 1992’s Double Trouble, starring David Carradine, Roddy McDowall and The Barbarian Brothers!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Double Trouble is available on Prime and Tubi!  See you there!

The Films of 2024: The Beautiful Game (dir by Thea Sharrock)


When we first see Vinny (Michael Ward), he is watching a group of children play soccer.  (Yes, I know that both this movie and the rest of the world calls it football.  I grew up calling it soccer.)  He looks at the jerseys of the players and provides a running commentary as they play.  “We’ve got David Beckham, we’ve got a big Messi, we’ve got a little Messi, we’ve got a classic Brazilian Messi….”  Finally, Vinny runs out onto the field and kicks the ball himself until the parents of the children tell him to go away.

Watching Vinny is a legendary scout named Mal Bradley (Bill Nighy).  Mal approaches Vinny and convinces to come meet his “dream team,” a collection of homeless men who all play soccer.  Mal explains that the men are going to be representing England at the annual Homeless World Cup tournament in Rome.  Teams made up of homeless from all over the world will be competing.  Mal explains that it’s not all about winning.  It’s about giving the players a chance to prove something to themselves.  Mal reveals that he wants Vinny to join the team.  Vinny announces that he’s not homeless.  He has a job.  He has a family.  Vinny then goes to the car in which he is currently living.

Eventually, Vinny changes his mind and agrees to accompany the team to Rome.  The team is welcoming but Vinny still struggles to open up to them.  Some of it is due to his pride.  Unlike his teammates, Vinny actually did once play professional soccer, though not for long.  Some of it is due to Vinny being in denial about his status as a homeless person.  When a teammate opens up about being a recovering heroin addict, Vinny leaves the room.  When one player reveals that he’s a compulsive gambler and another talks about his own failures as a father, Vinny tries to change the subject.  What Vinny doesn’t know is that he and Mal have a past connection, one that has left Mal wracked with guilt.

There’s a lot going on in The Beautiful Game.  The film focuses on Vinny, Mal, and England’s team but it also finds room for subplots involving the Italian team, the South African team, the American team, and the Japanese team.  Adlar (Robin Nazari), a Kurdish refugee who plays for England, has to decide whether to play against a team led by a player who was on the opposite side of the Syrian Civil War.  Sister Protasia (Susan Wokoma), coach of the South African team, struggles to get a visa for one of her players.  Rosita (Christina Rodlo) of the American team hopes to play well enough to receive a college scholarship.  Mika (Aoi Okuyama), the young coach of the Japanese team, struggles to inspire her older players.  It can sometimes be difficult to keep track of it all but, at the same time, it does capture the idea of the Homeless World Cup being a truly international event, one that gives hope and opportunity to people across the world.  For Rosita and Vinny, the competition is a way to change the direction of their lives.  For the Japanese team, the competition is way to see the world and enjoy themselves.  And for Mal, the competition is a chance to give something back to the game that he loves.

The Beautiful Game is overlong and a bit overstuffed but it still occasionally brought tears to my mismatched eyes.  It’s a film with a big heart but enough of an edge that it avoids the trap of being overly sentimental.  It’s a well-acted film, especially by Michael Ward and Bill Nighy.  In the end, I think my favorite performances came from Aoi Okuyama and the members of the Japanese team.  Early on, they say that all they want to do is score one goal against another team.  When they do, their joy is infectious.  One might even say it’s beautiful.

Concert Film Review: Pink Floyd: Live in Venice (dir by Wayne Isham and Egbert van Hees)


I’m actually a bit embarrassed to say that Venice is my favorite city in Italy.

I mean, it’s such a cliché, isn’t it?  Tourists always fall in love with Venice, even though the majority of us really don’t know much about the city beyond the canals and the gondolas.  I spent a summer in Italy and Venice was definitely the city that had the most American visitors.  Sadly, the majority of them didn’t do a very good job representing the U.S. in Europe.  I’ll never forget the drunk frat boys who approached me one night, all wearing University of Texas t-shirts.  One of them asked, “Are you from Texas?”

“No, sweetie, ah’m from up north.” I lied.

“You sound like you’re from Texas!” his friend said.

“No, ah’m not from Texas,” I said, “Sorry, y’all.”

I mean, that’s not something that would have happened in Florence or even Naples!  In Rome, handsome men on motor scooters gave me flowers.  In Venice, on the other hand, I had to deal with the same jerks that I dealt with back home!

That said, I still fell in love with Venice.  And yes, it did happen while I was riding in a gondola.  At that moment, I felt like I was living in a work of art.  I can still remember looking over the side of the gondola and watching as a small crab ran across someone’s front porch.  That’s when I realized that, by its very existence, Venice proved that anything was possible.

I’ve often heard that Venice is slowly sinking.  That Venice has a reputation as being a dying city would probably have come to a surprise to the drunk Americans who were just looking for a girl from Texas that summer.  And it would certainly come as a surprise to anyone who watched the 1989 concert film, Pink Floyd Live In Venice.

Just as with last week’s Pink Floyd concert in Pompeii, this was something that I watched more because of where it took place than who was performing.  There are some very good Pink Floyd songs and there are others that are just silly and overly portentous.  As well, I’ll always have mixed feelings about Pink Floyd due to the fact that — bleh! — Roger Waters was a founding member.  Whenever I hear any of their songs, I automatically find myself looking for coded moments of anti-Semitism.  Fortunately, by the time the band played in Venice, Waters had left the group.  As a result, I didn’t feel quite as conflicted over watching the Venice concert as I did the Pompeii concert.

As for the show, the band performed while floating on a barge while some members of the audience sat in gondolas.  It was a lovely sight that captured the otherworldly romance of Venice.  The concert itself was a bit uneven, with the first half in particular dominated by songs that just seemed to go on and on and which often exposed the limits of lead singer David Gilmour’s vocal range.  The second half was a greatest hits collection and it was a notable improvement.  If Gilmour’s raspy vocals seemed limited during the first half of the concert, they were perfect for songs like Comfortably Numb and Money.  The highlight of the concert and the film was undoubtedly the performance of The Great Gig In The Sky, which created a feeling of the heavens descending upon Venice.

In the end, Venice was the true star of the concert.  For a dying city, it looked beautiful and vibrant.  I can’t wait to return.

Scenes That I Love: Albert Finney Hates People In Scrooge


Today would have been the 88th birthday of the great British actor, Albert Finney!

And today’s scene that I love features Albert Finney in the role of history’s most famous miser.  In 1970’s Scrooge, Finney played the title role and, early on, his worldview was perfectly captured by a song called I Hate People.  Finny was only 34 when he played Ebenezer Scrooge but he does a wonderful job of bringing the character to life and he’s just as convincing when he’s being good as he is when he’s being bad.  Finney is the main reason why Scrooge is my personal favorite of all of the versions of A Christmas Carol.