Live Tweet Alert: Watch The First Power With #ScarySocial!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1990’s The First Power!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy!

 

Scenes I Love: Julie Christie Visits Nashville


In this scene from Robert Altman’s 1975 masterpiece, Nashville, Julie Christie plays herself as a famous visitor to the city for which the film is named.  She is introduced to Haven Hamilton (Henry Gibson), Haven’s lawyer, Delbert Reese (Ned Beatty), political advance man John Triplette (Michael Murphy), and country music star Connie White (Karen Black).  Julie Christie may be a star in Hollywood but Connie is the star of Nashville.

Karen Black improvised her dismissive line about Julie Christine not even being able to comb her hair.  It was a moment that reportedly shocked the rest of the cast and the crew but it was also a line that perfectly summed up both Connie as a character and Altman’s version of Nashville.

Song of the Day: I’m Easy by Keith Carradine


Since today would have been Robert Altman’s 101st birthday, it only seems right that today’s song of the day should come from his best film.  In this scene from 1975’s Nashville, Keith Carradine sings I’m Easy as Altman’s camera finds each of his lovers in the audience, all convinced that Carradine is singing expressly to them.

This song won Nashville it’s only Oscar.  It also made Keith, who wrote the song, the only Oscar winner amongst the fabled Carradine family.

 

Live Tweet Alert: Join #FridayNightFlix for Hell Comes To Frogtown!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  Hell Comes To Frogtown!

If you want to join us this Friday, just hop onto twitter, find Hell Comes To Frogtown on Prime or Tubi, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

See you there!

4 Shots From 4 Films: Special Robert Altman Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate what would have been the 101st birthday of the great director, Robert Altman!  It’s time for….

4 Shots From 4 Robert Altman Films

MASH (1970, dir by Robert Altman, DP: Harold E. Stine)

The Long Goodbye (1973, dir by Robert Altman, DP: Vilmos Zsigmond)

Nashville (1975, dir by Robert Altman, DP: Paul Lohmann)

Short Cuts (1993, dir by Robert Altman, DP: Walt Lloyd)

Scenes That I Love: Lee Marvin on Point Blank


102 years ago today, Lee Marvin was born in New York City.  One of the great screen tough guys, Lee Marvin played stoic and determined men who you didn’t want to upset.

That was certainly true of his role as Walker in 1967’s Point Blank.  A thief who was double crossed by his partner and the organization to which his partner was in debt, Walker is determined to get back the money that he stole from someone else.  Relentlessly, Walker moves from one mob boss to another and repeatedly, those bosses make the mistake of thinking that they can double cross him again.

Point Blank (1967, directed by John Boorman)

In this scene, which was reportedly considered to be shockingly violent by 1967 standards, Carter (Lloyd Bochner) attempts to fool Walker, just to discover that Walker is smarter and far more ruthless than anyone realizes.

4 Shots From 4 Films: Special John Frankenheimer Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

John Frankenheimer was born 96 years ago today, in New York City.  He got his start working in live television and went on to become one of the best directors of thrillers around.  After getting off to a strong start in the 60s, directing several classic films (many of which had a political subtext), Frankenheimer struggled in the 70s (though even that decade saw him directing the classic Black Sunday) before making a comeback in the 90s.  (1998’s Ronin is regularly cited as having one of the best car chases ever captured on film.)  He was also one of the first film directors to make the transition to regularly working for cable channels like TNT and HBO.  Indeed, the films that he made for HBO played no small part in establishing HBO’s reputation as being a “prestige” network.

It’s time for….

4 Shots From 4 John Frankenheimer Films

The Manchurian Candidate (1962, dir by John Frankenheimer, DP: Lionel Lindon)

Seconds (1966, dir by John Frankenheimer, DP: James Wong Howe)

Black Sunday (1977, dir by John Frankenheimer, DP: John A. Alonzo)

52 Pick-Up (dir by John Frankenheimer, DP: Jost Vocana)

Scenes That I Love: The Opening Credits of Saturday Night Fever


Saturday Night Fever (1977, dir. John Badham)

Today is John Travolta’s birthday!

In honor of this day, here’s a scene that I love, the opening credits of Saturday Night Fever.  Watch as John Travolta, playing the role of Tony Manero, walks down the streets of Brooklyn, not letting the fact that he’s carrying two cans of paint do anything to lessen his strut.  Watch as Tony puts a down payment on a pair of shoes!  Thrill as Tony buys two slices of pizza!  Cringe as Tony bothers a woman who wants absolutely nothing to do with him!

This is one of the greatest introductions in film history.  Not only does it set Tony up as an exemplar of cool but it also subverts our expectations by revealing just how little being an exemplar of cool really means.  I always relate to the woman who gets annoyed with Tony and tells him to go away.  I know exactly how she feels, as does any woman who has ever been stopped in the middle of the street by some guy who thinks she has an obligation to talk him.  It doesn’t matter how handsome he is or how much time he obviously spent working on his hair.  He’s still just some guy carrying two buckets of paint and acting like she should be flattered that he spent half a minute staring at her ass before chasing after her.  For all of his carefully constructed attitude, Tony comes across as being a rather ludicrous figure in this introduction.  He carries those cans of paint like he’s going to war and you secretly get the feeling that he knows how silly he looks carrying them but he’s not going to allow anything to get in the way of his strut.  And yet, as ridiculous as Tony sometimes seems and as bad as behavior does get, you can’t help but want the best for him.  That’s the power of Travolta’s performance.  He shows us who Tony could be if he only had the courage.

Happy birthday to John Travolta!  And here is today’s scene that I love:

4 Shots From 4 Films: Special John Hughes Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Director John Hughes would have been 76 years old today.  It’s time for….

4 Shots From 4 John Hughes Movies

Sixteen Candles (1984, dir by John Hughes, DP: Bobby Byrne)

The Breakfast Club (1985, dir by John Hughes, DP: Thomas Del Ruth)

Ferris Bueller’s Day Off (1986, dir by John Hughes, DP: Tak Fujimoto)

Planes, Trains, and Automobiles (1987, dir by John Hughes, DP: Donald Peterman)

 

Celebrate Mardi Gras With The Easy Rider Gang


Happy Mardi Gras!

Here is the Mardi Gras sequence from 1969’s Easy Rider.  Featuring Peter Fonda, Dennis Hopper, Karen Black, and Toni Basil walking through the streets of New Orleans, this scene was actually filmed during Mardi Gras.  Those are real Mardi Gras floats and real Mardi Gras participants staring at the camera.  That’s an actual citizen of New Orleans with whom Dennis Hopper appears to have nearly gotten into a fight.  Personally, I relate to Toni Basil in this scene.  She is having a good time no matter what!

I just love how Toni Basil can’t help but dance, no matter what.