Film Review: Broken Arrow (dir by Delmer Daves)


The 1950 film, Broken Arrow, takes place in the years following the Civil War.

Having survived the war, frontier scout Tom Jeffords (James Stewart) just wants to get away from his fellow countrymen for a while.  During the Civil War, Jeffords saw the worst that humanity had to offer and the experience has left him cynical about the idea of bringing civilization to the American frontier.  Tom just wants to be left alone.  Still, when he comes across a 14 year-old Apache who has been shot in the back, Tom stops to help.  Though wounded, the Apache still tries to attack him.  He’s learned not to trust the white man.  Broken Arrow is a film that suggests that he has good reason not to.  Indeed, Broken Arrow was one of the first major Hollywood productions to attempt to treat the American Indians with sympathy and fairness.

Tom saves the Apache’s life and reunites him with his tribe.  When the Apaches attack and kill a group of nearby gold prospectors, they allow Tom to live but they warn him to stay out of their territory.  However, circumstances make it impossible for Tom to do that.  When Tom arrives in Tucson, the citizens are incredulous that he allowed the Apache child to live.  When Tom learns the Apache language and customs and marries an Apache woman named Sonseeahry (Debra Paget), it causes the other whites to distrust him even more.  However, it is Tom’s eventual friendship with the Apache chief Cochise (Jeff Chandler) that eventually lands Tom in the middle of the conflict between the Apaches who want to preserve their way of life and the white men who want their land.

Broken Arrow is a well-intentioned film, in the way that mildly liberal films from the 50s tended to be.  The U.S. government and its citizens are criticized for breaking their promises and their treaties to the Apache but the film’s ultimate message is one of compromise and understanding.  The bigoted whites may be the villains but then again, so is Geronimo (Jay Silverheels) for refusing to accept Cochise’s desire for peace.  Cochise is the film’s hero specifically because he calls for setting aside differences and living in peace with the white man, despite his own distrust of their leaders.  The majority of the extras were Apache, though Neither Jeff Chandler nor Debra Paget were of Native descent.  Both of them give good performances that largely avoid the stereotypes of the time.  Chandler received his only Oscar nomination, for Best Supporting Actor, for his performance in this film.

That said, the unnominated Jimmy Stewart dominates the film and that’s not really surprising.  (It should be noted that, while Stewart was not nominated for this film, he was nominated for his performance in Harvey, that same year.)  Stewart may have first found fame as the happy and go-lucky face of Middle America but his experiences in World War II left a definite mark on him.  He returned from the war a much more serious figure and every character that he played (even the lovable Elwood in Harvey) had more than a hint of melancholy to him.  Stewart plays Tom as being a troubled soul, someone who is still struggling to come to terms with the destruction and cruelty that he saw during the Civil War.  There’s an authenticity to Stewart’s performance, leaving little doubt that he understood exactly what Tom was going through.  Broken Arrow ends on a note of compromise and racial harmony but it’s a sad film because we know what waits in the future for Cochise and his people.  Tom Jeffords fights to bring peace to the frontier but it’s a peace that won’t last.  And, as played by Stewart, Tom seems to understand that better than anyone.

Rest in Peace, Joe Don Baker


I knew this day was going to come, due to his advanced age and the fact that it had been a while since he had appeared in a film (his final appearance was a wonderful supporting role in Jeff Nichols’s Mud), but it’s still pains me to say goodbye to Joe Don Baker.

As a fan of grindhouse cinema, as a fan of the classic Bond films, as a fan of Texas actors, and as a fellow graduate of UNT who used to enjoy eating at that Denton Whataburger that had his picture painted on the wall, I will have a special place in my heart for Joe Don Baker and the entertaining, if often ridiculous, films that he made.

He was 89 years old when he was passed away on May 7th.  They don’t make ’em like Joe Don anymore.

Here he is in 1973’s Walking Tall, enforcing justice with a big stick.

Rest in peace.  I’ll be watching Mitchell in your memory.

The Hong Kong Film Corner – FULL CONTACT (1992) – Ringo Lam & Chow Yun-Fat get extreme! 


Chow Yun-Fat is most often mentioned in the same breath as director John Woo when discussing Hong Kong action films, and for good reason when you consider the classic films they made together. However, Chow also worked with director Ringo Lam on five different occasions during his Hong Kong heyday. They first worked together in CITY ON FIRE (1987), before moving on to PRISON ON FIRE (1987), WILD SEARCH (1989), and PRISON ON FIRE II (1991). They would work together for the last time in 1992’s FULL CONTACT, which is my personal favorite of their five films. 

In FULL CONTACT, Chow plays Jeff, a bouncer at a bar in Thailand, where his girlfriend Mona (Ann Bridgewater) performs nightly interpretive dance / stripper routines. When Jeff’s best friend Sam (Anthony Wong) gets in trouble with a local loan shark, Jeff rides his big motorcycle over and collects Sam, kicks the collective asses of the loan shark and his goons, and even finds the time to slice and dice some wrists with his butterfly knife. The problem is solved for the night, but Jeff, Sam, and their buddy Chung (Chris Li) know that they’re going to have to come up with some cash to satisfy Hung sooner or later. So, Jeff sends Mona back to Hong Kong, while they team up with Sam’s flamboyantly gay, psychopathic cousin Judge (Simon Yam), and his crew made up of Deano (Frankie Chan) and Virgin (Bonnie Fu), to steal a shipment of arms. Unfortunately for Jeff, Judge has made a deal with loan shark Hung to use them for the arms heist, but then kill them once it’s over. After they pull off the job, Judge shoots Chung in the face and tries to kill Jeff, but instead the two men find themselves in an exciting car chase that ends when they both crash outside of an innocent family’s personal residence. They then engage in an epic fight, with a severely injured Jeff escaping into the home as the homeowner’s are brutally gunned down. Judge forces a freaked out, whining, whimpering Sam at gunpoint to go in the house and shoot his friend Jeff, which he does. After Sam walks out of the house, Judge and Deano blow the place all to hell with Jeff managing to get out of the house in just the nick of time with the family’s dog. Shot full of holes and missing a couple of fingers, Jeff must heal and plot his revenge on the friend who betrayed him and stole his girl, as well as the gay psycho who wanted to make love to him before trying his best to kill him!

I love the movie FULL CONTACT, but it must be noted that it’s quite different from any of Chow Yun-Fat’s prior action films. First, his character Jeff is quite different than the flawed, but heroic characters he had been playing. In this film, he’s still a major badass as he’s riding his Kawasaki motorcycle and twirling his butterfly knife, but there’s not much that’s heroic about his character. Instead, he’ll do pretty much anything for money, and when he’s betrayed, his motivation is little more than cold, hard vengeance. I say “little more” because he does take care of a funny looking dog, and he does try to get some money to help the young girl that was horrifically scarred for life when her house blew up. These specific actions make him better than the psychos surrounding him. Second, Ringo Lam ramps up the violence to extreme levels. This is one of those films that love blades, and when the blades come out, hands are impaled, skin is sliced, and digits are sure to go flying! The film also likes its guns, and the bullets don’t just make a little red spot when they hit. Rather, there’s a good chance blood is going to graphically splatter everywhere. It’s somewhat nihilistic in its approach to violence. And finally, the characters themselves are so extreme that they don’t seem to exist in the real world, which is quite different from Ringo Lam’s usually more gritty work. Aside from Chow’s extreme badass, Yam is completely over the top as the gay psychopath Judge, Frankie Chan’s Deano is nothing more than a dumb brute, Bonnie Fu’s “Virgin” is a sex obsessed, psycho slut, and Anthony Wong’s Sam swings wildly from a whining wuss to a vicious, remorseless killer. Only Ann Bridgewater’s stripper / girlfriend seems to occupy a place on planet earth. I don’t say any of the above items as a criticism of the film. The things I like most about FULL CONTACT is the different type of action character for Chow, and the extreme action sequences. What this film lacks in style, it makes up for in sheer madness and ultra violence. 

The cast and crew of FULL CONTACT is top notch. Chow Yun-Fat and Anthony Wong are both three-time winners of the prestigious Hong Kong Film Award for Best Actor, and Simon Yam has won one himself. Chow and Yam are the real standouts here. While he’s effective in his role, this is not the best example of Anthony Wong’s greatness. For that, I recommend the film BEAST COPS (1998). Director Ringo Lam made incredible films in Hong Kong prior to his death in 2018, winning the Hong Kong Film Award as Best Director for his prior collaboration with Chow Yun-Fat, CITY ON FIRE. It’s so good that Quentin Tarantino paid clear homage to it in RESERVOIR DOGS. Lam would also make several films with Jean Claude Van-Damme of varying quality, but I highly recommend his 1997 film FULL ALERT, with Hong Kong super actor Lau Ching-Wan. It’s incredible. The final person I want to mention is composer Teddy Robin Kwan. From the very opening shot, FULL CONTACT’s rocking soundtrack perfectly matches the action on the screen. There’s a revenge training sequence in the film that plays out to guitar riffs, beating drums, and vocals that get you completely pumped up for revenge. It’s not a surprise that Kwan is also a multiple Hong Kong Film Award winner for Best Original Film Score over the years. 

Overall, I easily recommend FULL CONTACT knowing full well that it won’t appeal to everyone. The truth is that Hong Kong audiences of the time were not eager to see Chow Yun-Fat in this different type of role and the film is not one of his bigger hits. With that said, FULL CONTACT has a very solid cult following, with its big stars, great director and extreme action. Anyone interested in Hong Kong films of the 80’s and 90’s has to see this one. 

4 Shots From 4 Films: Special Sofia Coppola Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is the birthday of one of my favorite American directors, the one and only Sofia Coppola!  In honor of this day, here are….

4 Shots From 4 Sofia Coppola Films

The Virgin Suicides (1999, dir by Sofia Coppola, DP: Edward Lachman)

Lost In Translation (2003, dir by Sofia Coppola, DP: Lance Acord)

Marie Antoinette (2006, dir by Sofia Coppola, DP: Lance Acord)

The Bling Ring (2013, dir by Sofia Coppola, DP: Harry Savides and Christopher Blauvelt)

Scenes That I Love: Michael J. Fox Invents Rock and Roll in Back To The Future


Today, the Shattered Lens wishes a very happy birthday to the great Robert Zemeckis.  Today’s scene that I love comes from Zemeckis’s 1985 film, Back to the Future.

Did you know that rock and roll was invented by a time traveler?  Well, let’s not overthink things.  Let’s just enjoy the scene.

Brad’s “Scene of the Day” – The revenge training sequence from FULL CONTACT (1992), starring Chow Yun-Fat!


One of my favorite Chow Yun-Fat action films is Ringo Lam’s FULL CONTACT. Up until FULL CONTACT, Chow Yun-Fat was mostly the suave hitman or tough cop in his action films. Here, he’s a man content with operating on the wrong side of the law to try to get ahead. Unfortunately, he is betrayed by his best friend and criminal cohorts and left for dead in a foreign country. This rock-fueled montage sequence shows him healing up and then preparing to take his revenge, while his best friend / betrayer tries to “be there” for his girlfriend who thinks he’s dead. It’s a badass, multi-fingerless, Chow Yun-Fat who wears bandanas, rides a motorcycle, hangs with a cute dog, and ultimately takes no prisoners. My guess is this scene will make you want to watch FULL CONTACT!

(Note: The video is frozen for the first 8 seconds. After that, the fun begins)

4 Shots From 4 Films: Special Harvey Keitel Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is Harvey Keitel’s 86th birthday! Harvey Keitel is one of the great, fearless actors of our time (BAD LIEUTENANT, anyone). He has been working hard since 1965, and he’s still going strong today, adding up to a career that spans 60 years and counting. His work for great directors like Scorsese and Tarantino has been vital to the quality and success of those films. I really came to appreciate Keitel when he had somewhat of a career resurgence in the early 90’s when I was in my late teens. He’s just a great actor who makes everything he appears in better.

Today, in honor of Harvey Keitel’s 86th birthday, here are 4 Shots from 4 Films!

MEAN STREETS (1973)

FINGERS (1978)

RESERVOIR DOGS (1992)

FROM DUSK TILL DAWN (1996)

#MondayMuggers presents STRATEGIC COMMAND (1997) starring Michael Dudikoff!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday May 12th, we are showing STRATEGIC COMMAND (1997) starring Michael Dudikoff, Paul Winfield, Richard Norton, Amanda Wyss, Bryan Cranston, and Michael Cavanaugh.

This movie focuses on Rick Harding (Michael Dudikoff), a former Marines officer, who’s now working in the FBI as a chemical weapons designer. While packing up one night, a group of armed soldiers break into the FBI research lab. Interestingly, these soldiers are led by a man named Carlos Gruber (Richard Norton).

So, join us tonight for #MondayMuggers and watch STRATEGIC COMMAND! It’s on Amazon Prime. The trailer is included below:

Monday Live Tweet Alert: Join Us for Eve of Destruction


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1991’s Eve of Destruction!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Eve of Destruction on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

Scenes That I Love: Katharine Hepburn and James Stewart in The Philadelphia Story


On this date, 118 years ago, Katharine Hepburn was born in Hartford, Connecticut.  She would go one to become a cultural icon, a performer who survived being labeled box office to poison to eventually become one of our most acclaimed actresses.  Hepburn was a total of four acting Oscars over the course of her career, a record that has yet to be topped.

Today’s scene that I love comes from 1940’s The Philadelphia Story and it features Katharine Hepburn acting opposite another one of my favorite performers, the great James Stewart.