Documentary Review: I’m Chevy Chase And You’re Not (dir by Marina Zenovich)


In 2024’s Saturday Night, there’s a scene where the president of NBC (played by Willem DaFoe) tells a young and arrogant Chevy Chase (Cory Michael Smith) that, if he plays his cards right, he might someday replace Johnny Carson as America’s most popular talk show host.  When Chase brags about this to one of the writers of Saturday Night Live, the writer — who is portrayed as being a weary industry veteran — tells Chase that he will never replace Johnny Carson.  In exacting detail, he predicts that Chase will start strong.  He’ll be one of the early stars of Saturday Night Live but then he’ll let the adulation go to his head and his arrogance will alienate everyone who once believed in him and, in the end, Chevy Chase will end up a faded, nearly forgotten star.

The film obviously meant for this scene to be a crowd-pleaser.  Personally, I found it to be gratuitously cruel.  While watching Saturday Night, we all know what the future holds for Chevy Chase but having a fictional character show up for just one scene so that he can say it to Chase’s face feels excessive.  It’s not only a bit too on-the-nose but it’s also not necessary.  However, the scene does speak to a larger truth.  It’s socially acceptable to hate Chevy Chase.

The stories of Chase’s bad behavior are legendary.  People have heard the stories about him being difficult to work with on the set of Community.  They’ve heard about him suggesting a skit in which Terry Sweeney, the first openly gay member of the Saturday Night Live cast, would announce that he had AIDS.  Everyone can visualize the famous brawl that occurred between Bill Murry and Chase when the latter first returned to host SNL and I think nearly everyone agrees that they’d rather have Bill Murray crash their wedding than Chevy.  Chase is famous for being rude and for snapping at people in interviews.  It’s not only socially acceptable to hate Chevy Chase but it’s kind of expected, especially if you’re an extremely online comedy nerd.

Myself, I have to admit that I wonder why Chase’s personality is the business of anyone other than the people who have work with him.  Does the fact that he’s not lovable in real life somehow make Christmas Vacation less entertaining to watch in December and if so, why?  One might be tempted to wonder if some grace can be given to an 82 year-old man who is obviously in frail health and whose ideas about comedy were developed in a time very different from today.

That many people would answer that question with a resounding “no,” is evidence of just how bad of a reputation Chevy Chase has.  Marina Zenovich, the director of I’m Chevy Chase And You’re Not, described Chevy Chase as being the “rudest” person that she has ever interviewed and you can see more than a little of that while watching the documentary.  He replies to one question with, “You b*tch.”  (I gave up cursing for Lent and I’m not going back on my word just to quote Chevy Chase.)  Another question leads to him telling the interviewer that she’s stupid.  When asked about Terry Sweeney, Chase’s first reaction is to laugh and his second reaction is to say that he had heard Sweeney was dead.  (Sweeney is alive and, like many of the people who have worked with Chase in the past, declined to be interviewed for the documentary.  We can probably learn more from so many of them not wanting to talk about working Chase than we could from any of their interviews.)

And yet, there are scenes where you can see evidence of the aging and very human person hiding underneath all of the rudeness and the bluster.  When Zenovich mentions that a lot of people dislike Chase, the pain in his eyes will take you by surprise.  When he meets a fan in a diner, he seems to be genuinely touched.  Chase’s love for his family comes through, as does their love for him.  His daughter talks about a time when Chase nearly died and the viewer is reminded that, regardless of all the stories, he’s still a father and a husband.  There’s a moment where Chase seems to forget the name of his first wife.  Is he being a jerk or is he an 80-something man with memory issues?  It’s far too easy to make assumptions, both good and bad, about famous people who we don’t actually know.

The first fourth of the documentary discusses the early days of Chase’s career while the second fourth deals with his declining stardom and his reputation for being difficult.  Performers like Dan Aykroyd, Beverly D’Angelo, and Goldie Hawn all appear to defend him while others are a bit less charitable.  And yet, the most important part of the documentary comes towards the end, when Chase attends a showing a Christmas Vacation and takes questions from people in the audience.  Even then, Chase is a profane smart-aleck and the audience loves it.

And, for at least a little while, Chevy Chase seems to love it too.

The Films of 2026: Return To Silent Hill (dir by Chrstophe Gans)


Alcoholic painter James Sunderland (Jeremy Irvine) is consumed with bad memories.  He remembers the time that he met Mary Crane (Hannah Emily Anderson) at a bus stop on a mountain that overlooked the idyllic town of Silent Hill.  He remembers falling in love with Mary.  He remembers living in Silent Hill with her.  And he remembers the circumstances that led to him leaving the town without her.  Now, James spends him time in bars and dodges meetings with his therapist (Nicola Alexis).

Then, from seemingly out of nowhere, James receives a letter from Mary, asking him to return to Silent Hill and to save her.  He heads into a town that is far different from the place that he remembers.  A permanent mist now fills the streets of Silent Hill and ash continually falls from the sky.  Every time static is heard on a radio, it means that something dangerous is nearby.  Monsters emerge from the darkness.  James meets a variety of people, from the slovenly Eddie (Pearse Egan) to Maria (Hannah Emily Anderson), who looks enough like Mary that they could be sisters.  (And, as you already noticed, both Mary and Maria are played by the same actress.)

It’s a deadly and dangerous town.  Myself, if I had been lucky enough to get out of Silent Hill the first time, I would probably never return.  However, James has his own guilt and personal demons to confront….

Return to Silent Hill is based on a video game, Silent Hill 2.  Now, before I say anything else, I should make clear that I have not played Silent Hill 2.  I’ve been told that the film sticks to the basics of the game’s plot while changing some very important details.  The biggest change appears to be that Return to Silent Hill features the cult from the earlier Silent Hill game (and film) whereas Silent Hill 2 did not.  From what I’ve read, that’s actually a pretty big change and it actually alters the way that some of James’s actions are interpreted.  I don’t want to spoil the film but I will say that I can understand why fans of the game were not particularly happy with the movie.

As for the movie itself, it has some effective moments.  The Silent Hill imagery is undeniably creepy.  After watching the movie, I took a nap and I actually had a nightmare about a killer with a pyramid head.  I have Return to Silent Hill to thank for that.  (Thanks a lot, movie!)  But, my goodness, is this ever a slow film!  If any movie needed to be a 70-minute animated film, it was Return to Silent Hill.  Instead, excluding the end credits, it’s a 94-minute live action film that feels considerably longer.  Hannah Emily Anderson is boring as Mary but considerably better as Maria.  Jeremy Irvine delivers his lines with a bland blankness.  The faceless, acid-bleeding zombie thing had more personality.

A lot of effort was obviously made to capture the look of the video game while shooting Return to Silent Hill.  I actually appreciated the filmmakers dedication to the film’s visual style.  That said, the end result was that watching the film felt a lot like watching someone else play a video game.  It’s slightly interesting at first but eventually, you just want to grab the controller and steal a car of your own.

Lifetime Film Review: Teenage Bank Heist (dir by Doug Campbell)


It’s just another day at the bank….

Cassie Aveson (Abbie Cobb) is a directionless teenager whose life has been going nowhere since high school.  Her mother, Joyce (Maeve Quinlan), encourages Cassie to at least consider going to junior college but Cassie says that she’s not even sure that she ever wants to go to college at all.  (I tried that same argument on my mom after I graduated high school.  I didn’t get very far.)  Wanting to spend more time with her daughter, single mother Joyce arranges for Cassie to get a job at the same bank where Joyce works.

So far so good, right?  Unfortunately, when three masked robbers using voice distortion devices rob the bank, one of them grabs Cassie and takes her as a hostage.  Another one of the robbers shoots a security guard.  After the robbers take off with Cassie and $600,000 in stolen money, Joyce is shocked to discover that FBI Agent Mendoza (Rosa Blaasi) suspects that Cassie was in on the robbery.

“Do you have children?” Joyce asks Mendoza..

After hesitating, Mendoza admits that she does not.  Well, that’s all we need to know about her!  Unless you have children, you have no right to suspect that anyone’s child might be involved in a crime.  So, I guess, maybe don’t join the FBI if that’s the case because your job is going to be super-difficult.

As for Cassie, she is innocent as far as the bank robbery is concerned.  However, she does know the three people under the masks.  She went to high school with them.  Grace Miller (Davida Williams) is the concerned and responsible friend who is planning on going to law school, even if she’s currently serving as a get away driver.  Marie (Augie Duke) is the bad girl who has a heavily tattooed boyfriend named Nick (James Ferris) and who was probably voted Most Likely To Shoot A Security Guard.  And finally, Abbie (Cassi Thomson) is the apologetic outcast who Cassie was once suspended for defending.

It’s a teenage bank heist!

Released in 2012, Teenage Bank Heist is one of the best of the old school Lifetime films.  It not only embraces the melodrama but it holds on tight and demands even more.  Grace and Abbi have a reason for robbing the bank that goes beyond simple thrills but to reveal all of the details would not be fair to those who have yet to see the film.  One of the joys of Teenage Bank Heist is that it’s a film that continually leaves you shocked as to how far it takes things.  Teenage Bank Heist is totally over-the-top, ludicrous, and just a ton of fun.  Watching this film, you will believe that a bunch of teenage girls can rob a bank and get involved in an international incident.  You will also believe that a suburban movie can pick up a gun and become an ice cold vigilante when she needs to.  It’s Lifetime at its best.

Early on in the film, there’s a beautiful shot of a bunch of loose bills floating in the air.  It’s the type of shot that reminds us that we’re watching a film by Doug Campbell, who was responsible for the best Lifetime films.  Teenage Bank Heist is currently streaming on Prime and Tubi and you should watch it immediately.  Do it for every teenager who has ever literally had no choice but to rob a bank.  It happens more often than you may think.

Scenes That I Love: Lord Humongous Arrives in Mad Max 2


Today, we wish filmmaker George Miller a happy birthday!

Today’s scene that I love comes from 1983’s Mad Max 2 (a.k.a. The Road Warrior).  In the scene, Lord Humongous and his followers arrive at a compound.  Humongous and his followers are both ludicrous and menacing at the same time.  While watching this scene, Miller makes sure that the viewer knows that, even if Humongous’s followers are a little bit daft, Humongous himself is truly dangerous.

4 Shots From 4 Films: Special George Miller Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today the Shattered Lens wishes a happy birthday to one of our favorite people, George Miller!  The doctor-turned-director began his cinematic career with 1979’s Mad Max and he’s gone on to become one of the most influential and important filmmakers out there.  In honor of George Miller’s birthday, here are….

4 Shots From 4 George Miller Films

The Road Warrior (1981, dir by George Miller, DP: Dean Semler)

The Witches of Eastwick (1987, dir by George Miller, DP: Vilmos Zsigmond)

Babe: Pig In The City (1998, dir by George Miller, DP: Andrew Lesnie)

Mad Max: Fury Road (2015, dir. by George Miller, DP: John Seale)

Sinners Wins At The Actor Awards


 

It was a good night for Sinners.  Victories at both the Actor Awards and the Eddie Awards would seem to indicate that the film has a shot at pulling off an upset.  Still, One Battle After Another won with both the DGA and PGA and it probably still has to be considered front runner.

Here are the winners, listed in bold.  I slept through the ceremony because I took some pain killers for my ankle.

OUTSTANDING PERFORMANCE BY A CAST IN A MOTION PICTURE
Frankenstein
Hamnet
Marty Supreme
One Battle After Another
Sinners

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A LEADING ROLE
Timothée Chalamet – Marty Supreme
Leonardo DiCaprio – One Battle After Another
Ethan Hawke – Blue Moon
Michael B. Jordan – Sinners
Jesse Plemons – Bugonia

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A LEADING ROLE
Jessie Buckley – Hamnet
Rose Byrne – If I Had Legs I’d Kick You
Kate Hudson – Song Sung Blue
Chase Infiniti – One Battle After Another
Emma Stone – Bugonia

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A SUPPORTING ROLE
Odessa A’zion – Marty Supreme
Ariana Grande – Wicked: For Good
Amy Madigan – Weapons
Wunmi Mosaku – Sinners
Teyana Taylor – One Battle After Another

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A SUPPORTING ROLE
Miles Caton – Sinners
Benicio del Toro – One Battle After Another
Jacob Elordi – Frankenstein
Paul Mescal – Hamnet
Sean Penn – One Battle After Another

OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A DRAMA SERIES
The Diplomat
Landman
The Pitt
Severance
The White Lotus

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
Jason Bateman – Black Rabbit
Owen Cooper – Adolescence
Stephen Graham- Adolescence
Charlie Hunnam – Monster: The Ed Gein Story
Matthew Rhys – The Beast In Me

OUTSTANDING PERFORMANCE BY AN ENSEMBLE IN A COMEDY SERIES
Abbott Elementary
The Bear
Hacks
Only Murders in the Building
The Studio

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A DRAMA SERIES
Sterling K. Brown – Paradise
Billy Crudup – The Morning Show
Walton Goggins – The White Lotus
Gary Oldman – Slow Horses
Noah Wyle – The Pitt

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A COMEDY SERIES
Kathryn Hahn – The Studio
Catherine O’Hara – The Studio
Jenna Ortega – Wednesday 
Jean Smart – Hacks
Kristen Wiig – Palm Royale

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A TELEVISION MOVIE OR LIMITED SERIES
Claire Danes – The Beast In Me
Erin Doherty – Adolescence
Sarah Snook – All Her Fault
Christine Tremarco – Adolescence
Michelle Williams – Dying For Sex

OUTSTANDING PERFORMANCE BY A MALE ACTOR IN A COMEDY SERIES
Ike Barinholtz – The Studio
Adam Brody – Nobody Wants This
Ted Danson – A Man On The Inside
Seth Rogen – The Studio
Martin Short – Only Murders in the Building

OUTSTANDING PERFORMANCE BY A FEMALE ACTOR IN A DRAMA SERIES
Britt Lower – Severance
Parker Posey – The White Lotus
Keri Russell – The Diplomat
Rhea Seehorn – Pluribus
Aimee Lou Wood – The White Lotus

OUTSTANDING STUNT ENSEMBLE IN A MOTION PICTURE
F1
Frankenstein
Mission: Impossible — The Final Reckoning
One Battle After Another
Sinners

OUTSTANDING STUNT ENSEMBLE IN A TELEVISION SERIES
Andor
Landman
The Last of Us
Squid Game
Stranger Things

Join #MondayMania For Teenage Bank Heist!


Hi, everyone!  Tonight, on twitter, I will be hosting one of my favorite films for #MondayMania!  Join us for 2012’s Teenage Bank Heist!

You can find the movie on Prime and Tubi and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Song of the Day: Reach Out (I’ll Be There) by The Four Tops


A friend of mine recently watched Cooley High for the first time.  We both agreed that the film ends on two powerful musical notes, first with It’s So Hard To Say Goodbye playing over the scenes of Cochise’s funeral and then with today’s song of the day playing over the scenes of Preach literally running towards his future.

Here is Reach Out (I’ll Be There) by The Four Tops.

Scenes That I Love: “YOU CAN LIVE!” from Logan’s Run


I always enjoy it when good actors go totally over-the-top and that is certainly the case with today’s scene that I love.  In 1976’s Logan’s Run, the normally very reserved Michael York tries to let the people of the City know that “you can live!  LIIIIIIIIIIIIIVE!”

Actually, as much as I enjoy York’s performance here, what truly makes the scene memorable is the way that everyone just ignores him and shuffles off to “renewal,” despite Logan’s attempts to convince them that they “don’t have to DIE!”  Logan’s Run is often dismissed as being a campy but enjoyable sci-fi film but, in this scene, we get a good portrayal of what a brainwashed populace truly looks like.

4 Shots From 4 Films: Special Martin Ritt Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

On this day, 112 years ago, Martin Ritt was born in New York City.  Like many of the Hollywood directors who came to prominence in the 1950s, he started his directorial career in the theater before moving over to live TV.  In 1952, his television career was derailed when he was accused of being a communist.  Blacklisted, it would be five years before Ritt could get another directing job.  When he did start to work again, he moved from television into the movies, starting with 1957’s Edge of the City.  Perhaps due to his own experiences, his films always had a social conscience and always defended the individual against corrupt corporations and governments.  In 1976, he directed one of the first films about the Hollywood blacklist, The Front.

As a director, Ritt was known for his skill with actors.  More than anyone, he played a huge role in making stars out of both Paul Newman and Sally Field.  He was also one of the few directors to understand how to harness Richard Burton’s self-destructive tendencies and, as a result, Burton gave one of his best performances in Ritt’s adaptation of The Spy Who Came In From The Cold.  

It’s time for….

4 Shots From 4 Martin Ritt Films

Edge of the City (1957, dir by Martin Ritt, DP: Joseph Brun)

Paris Blues (1961, dir by Martin Ritt, DP: Christian Matras)

Hud (1963, dir by Martin Ritt, DP: James Wong Howe)

The Spy Who Came In From The Cold (1965, dir by Martin Ritt, DP: Oswald Morris)