Don King | Through the Shattered Lens

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989. The entire show can be purchased on Prime!

This week, Miami Vice says goodbye to a friend.

Episode 3.12 “Down For The Count: Part One”

(Dir by Richard Compton, originally aired on January 9th, 1987)

Larry Zito finally gets his own episode!

Played by John Diehl, Larry Zito was a part of the show from the very beginning. Occasionally, it’s easy to forget that Diehl was a part of the ensemble because his character was rarely given anything to do and we rarely learned that much about Zito. He was Switek’s partner and he seemed to have a quirky sense of humor. Occasionally, he had long hair and a beard and he seemed to enjoy wearing elaborate disguises while working undercover. That said, Zito was always a bit of an enigma. Even the rare episodes that centered on the Switek/Zito partnership seemed to feature Zito mostly in the background.

In this episode, though, we finally learn a bit about Zito. We learn that he has a background as a boxer and he’s good at training other fighters. We learn that he takes it seriously whenever he hears about a crooked promoter manipulating a boxer. We learn that Zito is a recovering alcoholic. In this episode, we learn that Zito is more than just goofy comic relief. He’s got a heart as gold. When the Vice Squad investigates a crooked promoter named Guzman (Pepe Serna), Zito takes it upon himself to train an up-and-coming boxer named Bobby Sykes (Mark Breland). Bobby’s previous trainer (played by Randall “Tex” Cobb) was a friend of Zito’s and was murdered by Guzman. For Zito, this case is personal. He even helps Bobby win a championship. Yay, Zito! That’s not bad for a supporting character!

Unfortunately, this also leads to Zito dying. After the fight, Zito is confronted by Guzman and his men. Switek later finds Zito’s body in the gym with a hypodermic needle sticking out of his arm. Guzman gave Zito a fatal overdose of heroin.

This really depressed me! I mean, Zito finally gets a chance to handle a serious case and, even more importantly, John Diehl finally gets a chance to show off the fact that he’s a very good actor and then, at the end of the episode, Zito’s dead! Poor Zito!

(From what I’ve read, John Diehl wanted off the show because he felt his role was underwritten and he also preferred doing theater to weekly television. That’s understandable. At least he got one turn in the spotlight before he was written off the show.)

Needless to say, this episode is dominated by the death of Zito. The scene with a tearful Switek cradling Zito’s dead body makes such an impression that it’s easy to forget that this episode also featured the odd spectacle of Don King playing Mr. Cash, an ex-con turned honest fight promoter who disapproves of Guzman’s tactics. Somehow, Don King being the voice of integrity makes sense in the topsy-turvy world of Miami Vice. King says that Guzman is in Miami because it’s a brand new territory and a place where anyone can make it rich. That’s been one of the recurring themes of this show since it began. Anything can happen in Miami. Including Larry Zito dying….

Give me a moment to wipe away the tears. Seriously, the end of this episode really depressed me!

Next week, Switek is out for revenge. I hope he gets it!

Don King: Only In America is an HBO biopic of the controversial boxing promoter, Don King. It’s a good movie but it will probably always be overshadowed by what happened when the Hollywood Foreign Press Association voted to give Ving Rhames the Golden Globe for Best Actor in a TV-Movie or Miniseries. When Rhames won, he called fellow nominee Jack Lemmon to the stage and gave him the award, saying “I feel that being an artist is about giving, and I’d like to give this to you.” Lemmon, who had been nominated for his work in 12 Angry Men, accepted the statue while the audience gave Rhames a standing ovation. The HFPA later sent Rhames a second statue and Spike Lee satirized the entire incident in Bamboozled when he had Damon Wayans give away an award he had won to Matthew Modine.

Ving Rhames plays the title role in Don King: Only in America and he definitely deserved every nomination and award that he received as a result. The episodic film starts in the 50s, with a young King being sentenced to prison and then shows how King went on to become one of the wealthiest and most powerful men in America. It’s not always a flattering portrait. The movie fully documents how King cheated the boxers that he managed and the damage that he ultimately did to the image of boxing, a sport that didn’t have a particularly good reputation to begin with. At the same time, Rhames is such a force of nature that it’s hard not to sometimes admire King’s chutzpah as he deals with and outwits everyone from the Mob to the IRS to racist fight promoters to greedy dictators. As played by Rhames, King makes himself a success by the virtue of his own hard work and utter ruthlessness. He’s a flamboyant showman who knows how to play hardball behind the scenes and who refuses to take no for an answer. He ruins the lives of too many people to ever become a sympathetic figure but he remains a fascinating one.

The film features Rhames, as King, standing in a boxing ring, telling us his story and occasionally interrupting the flashbacks whenever he thinks that they’re reflecting too negatively on him. (When the film shows Muhammad Ali, played by Darius McCrary, incapacitated by Parkinson’s, King stops the film and angrily tells us that he had nothing to do with that.) The real Don King supposedly hated the way this film portrayed him and threatened to stop doing business with HBO after it aired but he should have appreciated Ving Rhames’s performance. Don King is fond of saying that he could have become a millionaire “only in America,” and Rhames’s flamboyant, charismatic, and no holds barred performance convinces us that he’s right.