A Movie A Day #171: The Program (1993, directed by David S. Ward)


There’s not a single sports cliché that goes untouched in The Program.

A veteran college football coach who, after two disappointing seasons, is now being told that he must get wins at any cost?  Check!

A cocky senior quarterback who is trying to live up to his father’s expectations?  Check!

A cocky freshman who matures during the season?  Check!

A cocky NFL prospect who suffers a career ending injury?  Check!

Corrupt rich backers?  Check!

Beer?  Check!

Steroids?  Check!

Hazing?  Check!

Football groupies?  Check!

Halle Berry wasted in a one-note role?  Check!

Kristy Swanson as the one girl on campus who is not impressed by football?  Check!  Check!  Check!

The Program has its good points.  James Caan does a good job as the coach and Andrew Bryniarski, playing a player who is always on the verge of flying into roid rage, dominates every scene in which he appears.  Kristy Swanson looks good in a tennis outfit, so it’s not all bad.  But Craig Sheffer is neither credible nor likable as the star quarterback and there is not a single scene that won’t be seen coming.

When The Program came out in 1993, it included a scene where the team bonded by laying down in the middle of a busy street, while cars zoomed by on either side of them.  Things turned out alright for the people in the movie but, for the idiots who tried to imitate the stunt in real life, it was a different story.  It turns out that, in real life, drivers don’t always stay in their lane and, if you lay down in the middle of the street, there is a good chance that you are going to get run over.  After several deaths, the scene was taken out of the film.  If you’re going to die for a movie, do it for a movie better than The Program.

The Fabulous Forties #15: The Adventures of Tartu (dir by Harold S. Bucquet)


The_Adventures_of_Tartu_FilmPoster

The 15th film in Mill Creek’s Fabulous Forties box set was The Adventures of Tartu, a British film from 1943.

The Adventures of Tartu opens during the Blitz and follows Captain Terrence Stevenson (Robert Donat), a British explosives expert, as he defuses an unexploded German bomb in the ruins of London.  He does it without breaking a sweat or showing the least bit of hesitation.  With his clipped accent and his perfectly trimmed mustache, he’s a British hero through and through.  He’s so perfectly British that you expect him to start singing the entire score of H.M.S. Pinafore.  He’s the epitome of unflappable resilience.

And he’ll need all of that resilience to survive his next mission!  It turns out that, as British as he may seem, Captain Stevenson was originally born in Romania and is still fluent in both his native language and German.  Because of this, MI6 recruits him to parachute back into Romania, which is now under the control of the Nazis.  Stevenson will assume the identity of a recently assassinated Nazi chemist, Jan Tartu.  As Tartu, he will then make his way to Czechoslovakia where a member of the resistance will arrange for Stevenson to get a job at a secret Nazi chemical factory.  Stevenson will destroy the factory from within.

Unfortunately, Stevenson’s contact is arrested before he can arrange for job to be assigned to Stevenson.  When Stevenson (now pretending to be Tartu) arrives in Czechoslovakia, he is instead assigned to work in a munitions factory.  In order to eventually win assignment to the chemical factory, Stevenson now has to win the trust of the Nazis without losing the trust of the resistance.  That turns out to be more than a little difficult because, as Stevenson quickly discovers, he is now living in a world where no one can be trusted and everyone is paranoid.

(In one of the film’s best sequences, Stevenson is captured by a group of men and struggles to figure out whether he is now a prisoner of the resistance or a prisoner of the Gestapo.)

I’m not going to go into too many other details, beyond saying that The Adventures of Tartu is an effective and twist-filled work of wartime propaganda.  What’s interesting is that when the film starts, it almost feels a bit comedic.  Stevenson is so extremely British and the initial Nazis that he meets are so extremely buffoonish that it’s hard to take them seriously.  But, as the film progresses, it gets more and more serious.  In order to accomplish his mission, Stevenson is forced to make some difficult decisions and likable characters suffer as a result.  As Stevenson himself spends more time with the Nazis, both he and the viewer discover just how evil they truly are.  (Technically, the viewer should already know that the Nazis were evil but it must be remembered that The Adventures of Tartu was made during World War II, at a time when it was still difficult to get accurate information about what was happening in Nazi-occupied Europe.)  By the end of the movie, the Nazis are still buffoons but it’s impossible to laugh at them.

I imagine that wartime audiences left The Adventures of Tartu feeling even more committed to destroying the Nazi regime.  Meanwhile, modern audiences will watch The Adventures of Tartu and, once again, be reminded of how fortunate we are that the Allies won the war.

You can watch The Adventures of Tartu below!