Miniseries Review: Death by Lightning (dir by Matt Ross)


Death by Lightning, a four-episode miniseries that recently dropped on Netflix, tells the story of two “forgotten men,” as the show itself puts it.

Michael Shannon plays James A. Garfield, the Ohio farmer and former Congressman who, despite attending the 1880 Republican convention solely to give the nominating speech for Secretary of Treasury John Sherman (Alistair Petrie), found himself nominated for President after the convention found itself deadlocked between supporters of Former President Grant (Wayne Brett) and Senator James Blaine (Bradley Whitford).  Garfield did not want to run for President and he certainly did not want to run with Chester A. Arthur (Nick Offerman), an associate of New York political boss, Roscoe Conkling (Shea Whigham).  However, in November of 1880, James Garfield was narrowly elected the 20th President of the United States.

Matthew MacFayden plays Charles J. Guiteau, a failed lawyer and self-proclaimed newspaper publisher who felt that a stump speech he had given at a small rally was responsible for Garfield’s victory.  Guiteau expected to be appointed to a position in the Garfield administration, perhaps as Consul to France.  In those days of no Secret Service protection and an open White House, Guiteau was one of the many random office seekers who managed to get a face-to-face meeting with Garfield.  What Guiteau did not get was a job.  While Guiteau may have deluded himself into thinking that he was an inside player, everyone else viewed him as being a pesky and disreputable character.  On July 2nd, 1881, Guiteau shot Garfield in the back.  After Garfield died in September, Guiteau was convinced that he would be pardoned by the newly sworn-in President Arthur.  Instead, Guiteau was hanged on June 30th, 1882.

(It’s now generally agreed that Guiteau was such a bad shot that Garfield would have survived his wounds if not for the incompetence of his doctors, who probed his wounds with their bare hands in an effort to extract the bullet.  Garfield died as a result of multiple infections caused by his medical treatment.)

Again, Death by Lightning describes Garfield and Guiteau as both being forgotten men.  That’s not quite true.  I knew who both of them were before I watched the miniseries but then again, I’m also a history nerd.  As much as I don’t want to admit it, it is true that the majority of today’s Americans don’t know either Garfield or Guiteau.  And yet, in 1881, America revolved around them and their fate.  Everyone checked every day for news on Garfield’s health and Guiteau’s trial was heavily covered by the press.  That’s something to remember whenever you hear people talking about how “history will remember” whatever may be happening in the news today.  History may remember but people are quick to forget.

As for Death by Lightning, it does a good job of telling not only the stories of Garfield and Guiteau but also Chester Arthur as well.  The miniseries takes place at a time when political machines dominated American politics and also at a time when the Spoils system and the widespread corruption that it engendered were both accepted as immutable political realities.  Guiteau, having spent his life seeing other people receive jobs for supporting the right candidate, felt that he was naturally entitled to whatever position he requested.  Guiteau’s actions actually did lead to reformation of the Spoils system, with President Arthur emerging an unlikely reformer.  Never again would a random office seeker by allowed through the front doors of the White House and never again would a President casually walk around Washington D.C. without some sort of guard.  With a smart script, good performances, and even a few moments of unexpected cringe humor, Death by Lighting recreates that moment in American history and it pays tribute to James A. Garfield, who was universally described by his contemporaries as being a decent man who was struck down before he could reach his full potential.

How historically accurate is Death by Lightning?  That’s a fair question.  Death by Lightning sticks to the established facts about Garfield and Guiteau but a scene in which Garfield’s daughter argues with him about immigration is undoubtedly meant to be more of a commentary on 2025 than 1880.  I think it can be argued that no film or series can be 100% historically accurate because those who actually witnessed the events in question are no longer with us.  Inevitably, the past is always viewed and recreated through the filter of the present.  And indeed, it is tempting to compares Garfield and Guiteau to our modern-day politicians and activists.  Guiteau, with his constant excuses for his own dumb decisions and his ranting and raving about how he speaks for the people, was a particularly familiar character.  As for the modest and honest Garfield, it’s sadly difficult to think of any modern-day politicians from the same mold.

As a final note, my favorite part of this miniseries occurred during the first episode.  The recreation of the 1880 Republican Convention is wonderfully entertaining.  It’s amazing to think that, in the days before television coverage required political conventions to become carefully choreographed and tightly controlled, there actually was legitimate suspense about who would end up being nominated.  Sadly, those days seem to be over.

Film Review: Allied (dir by Robert Zemeckis)


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Earlier today, after deciding to take a break from watching the Lifetime films that have been steadily accumulating on my DVR, I went down to the Alamo Drafthouse with my BFF Evelyn and we watched the new World War II romantic adventure film, Allied.

Now, you should understand that I’m an Alamo Victory member and one of the benefits of my membership is that I get a free movie for my birthday!  (My birthday was on November 9th.  The offer’s good for up to a month after the big day.  Pretty nice, no?)  I have to admit that there’s a reason why I wanted to see Allied for free.  I knew that, since this big movie with big stars and a big director was being released at the start of Oscar season, I would have to see it eventually.  Add to that, Allied is current somewhat infamous for being the movie that contributed to the divorce of Brad Pitt and Angelina Jolie.  Apparently, Brad had an affair with Marion Cotillard while making this movie.  I knew I had to see Allied but I didn’t want to pay for it because, quite frankly, I wasn’t expecting it to be very good.

I mean, the trailer looked awful!  The trailer was a collection of war film clichés and, as happy as I was to see Brad without that raggedyass beard that he tends to have whenever he’s trying to be a serious actor, it was still hard to ignore that he essentially looked like a wax figure.  Then you had Marion Cotillard, looking as if she’d rather be playing Lady MacBeth.  Judging from the trailer, Allied just didn’t look very good.

Having now seen Allied, I can say that the trailer does the film a great disservice.  Not only is Allied far more entertaining than the trailer suggests but the trailer also gives away the film’s big twist!  Seriously, this twist occurs about 75 minutes into a 120 minute film and, if it was sprung on you without warning, it would totally blow you away.  It would leave you reeling and reconsidering everything that you had previously seen.  But since the twist is highlighted in the trailer, you instead spend the first half of the movie impatiently waiting for it.

You probably already know the twist.  But I’m still not going to reveal it because maybe there’s one or two of you out there who have managed to avoid the trailer.  Instead, I’ll tell you that Allied is a World War II romance.  It opens in Casablanca, with Canadian secret agent Max Batan (Brad Pitt) working with Marianne Beausojour (Marion Cotillard).  Marianne is a legendary member of the French Resistance.  It doesn’t take long for Max and Marianne to fall in love and soon, they’re having sex in the middle of the desert, making love in a car while a sandstorm rages all around them.  Max eventually marries Marianne and they have a daughter.  But around them, the war continues and both of them find themselves struggling to determine who they can and cannot trust.

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As directed by Robert Zemeckis, Allied is a big movie, one that is frequently entertaining and yet occasionally and frustratingly uneven.  Allied feels like its less about recreating history and more about paying homage to the World War II and espionage films that Zemeckis watched when he was growing up.  It’s a technical marvel, featuring not only sandstorm sex but crashing airplanes and a painstaking recreation of Europe in the 1940s.   The film is full of seemingly random details, many of which don’t add much to the narrative but they do contribute to Allied‘s oddly dreamlike feel.  This is the type of film where espionage is discreetly discussed at a party while Gershwin plays on the soundtrack and British airmen casually snort cocaine in the background.  When Marianne gives birth to Anna, she does it outside while bombs explode around her.  When the baby is finally delivered, a group of nurses applaud.  It’s all wonderfully over the top but, occasionally, the narrative lags.  Zemeckis sometimes seems to be torn as to whether or not he’s paying homage to or deconstructing the genre.  As a result, some scenes work better than others.  (There’s a lengthy sequence involving a note containing false information.  It’s obvious that Zemeckis is trying to pay homage to Hitchcock’s Notorious but he never quite manages to pull it off.)

Despite what I previously assumed as a result of seeing the trailer, both Brad Pitt and Marion Cotillard are well-cast.  Cotillard is one of the few actresses who feels at home in a throwback film like this one and she does a good job keeping the audience guessing.  (Of course, if we accept that Allied is essentially Zemeckis’s cinematic dream of World War II, Cotillard serves to remind us of Inception and its multiple layers of dream logic.)  Brad Pitt, meanwhile, should consider playing more roles without his beard.  After watching Daniel Craig sulk through four James Bond films, it’s nice to be reminded that, occasionally, an actor can actually have fun while playing a secret agent.

Allied is uneven but entertaining.  Don’t let the trailer fool you.

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