Holiday Film Review: Broadcasting Christmas (dir by Peter Sullivan)


In 2016’s Broadcasting Christmas, Melissa Joan Hart (who will always be Sabrina to me) plays Emily Morgan.

Emily is a television news journalist in Connecticut.  She specializes in doing human interest stories.  Years ago, Emily was up for a job with a station in New York but she lost out to her then-boyfriend, Charlie Fisher (Dean Cain).  Charlie went to New York and Emily has never really forgiven him.  As the Christmas season approaches, Emily finds herself reporting about the fact that America’s top morning show, Rise & Shine, is looking for a new co-host.  Being considered are a basketball player, a reality TV star, and …. CHARLIE!  Emily has a meltdown on air and says that she feels that she should be the new cohost of Rise and Shine.  Emily’s rant goes viral and, soon enough, she’s invited to come audition for the spot.

Emily, Charlie, Abby (Krista Braun), and Jimmy Eubanks (Todd Litzinger) will be auditioning over the holiday season.  They’ll take turns co-hosting with Veronika Daniels (Jackee Harry) and they will also be expected to come up with human interest stories.  Emily and Charlie immediately start working hard, trying to make a good impression while also trying to resist the fact that they’re clearly both still in love with each other.  Jimmy Eubanks doesn’t work at all.  And Abby — well, Abby knows that she’s going to get the job and the auditions are all just for show.

Except, Abby doesn’t get the job.  She gets a chance to plan a celebrity wedding and abandons the show.  Now, it’s just between Emily and Charlie.  Will they be able to balance falling in love with competing for the same job?  Will Emily find her confidence?  Will Charlie make peace with the fact that his famous father was instrumental in getting New York to select him over Emily?  And how does a hundred year-old fruitcake fit into it all?

Okay, I know what you’re thinking.  Yes, it’s a Hallmark holiday film and, as soon as you see their names in the credits, you immediately know that Melissa Joan Hart and Dean Cain are going to end up back together.  It’s the type of film where New York is safe and beautiful and the snow falls constantly without anyone ever getting a red nose or a scratchy throat.  The film’s portrayal of the behind-the-scenes shenanigans at a network show feel especially false.  One doesn’t necessarily watch a film like this expecting to see anything reflecting reality but the whole idea that Veronika would have four people on her show without fully knowing what they’re planning on doing when they appear requires a huge suspension of disbelief.

That said, it’s a sweet-natured movie.  Melissa Joan Hart and Dean Cain make for a cute couple and I have to say that, between her Hallmark films and her Lifetime films, Hart has shown herself to be one of the stronger performers appearing in these type of films.  That’s the holiday spirit for you.  Any other time of the year, I would probably roll my eyes at this film.  But, watching it in December, I was just happy that Emily and Charlie realized that they still loved each other.

Awwwww!

Death Warrant (1990, directed by Deran Sarafian)


A series of murders have occurred at Harrison State Prison in California.  What better way to investigate the crimes and catch the guilty than to send in an undercover cop?  Who can enter a California prison and investigate the crime without drawing too much attention to himself?  It would have to be someone who could blend in with the population without seeming out of place.

How about Jean-Claude Van Damme?

Van Damme, in one of his early films, stars as Louis Burke, a Canadian with a Belgian accent who comes to Los Angeles to track down a serial killer known as the Sandman (Patrick Kilpatrick, who was last seen running for governor of California in 2021) and then just sticks around.  Burke enters the prison and somehow, he is not immediately tagged as being a B-movie star who is working for the police.  I guess California prisons are full of Belgian kickboxers.

A realistic portrait of prison and police work, this is not.  But it is Van Damme at his most berserk, flexing his muscles and shouting at his enemies and getting hit in the head by a flying wrench at one point.  To the surprise of no one, the Sandman eventually ends up in the prison with Burke and it leads to an epic showdown that takes place in the middle of a prison riot.  The fight is exciting because Van Damme and Kilpatrick were two tough actors who, at that point in their careers, had nothing to lose by going all out on screen.

(Of the three major B-action stars of the 90s, Dolph Lundgren was the one you watched because he could actually act.  Steven Seagal was the one you watched because you hoped someone would beat him up.  Jean-Claude Van Damme was the one you watched because he could actually do everything he did in the movies in real life as well.)

There are many good actors to be found in Death Warrant, playing paper-thin characters.  Robert Guillaume is the one-eyed clerk who takes Burke under his wing.  Larry Hankin is the biggest weasel in the prison.  Art LaFleuer is the prison guard from Hell.  George Dickerson is the obviously corrupt official.  Abdul Salaam El-Razzac is the voodoo priest who watches over the prison.  Cynthia Gibb is the attorney who pays Burke a conjugal visit.  It’s good to see them all.

Death Warrant is a dumb and entertaining B-movie that doesn’t take itself too seriously.  It’s not Van Damme’s best but it’s not his worst either.  It’s Damme fun.

A Movie A Day #282: Jack’s Back (1988, directed by Rowdy Herrington)


When med student Rick Westford (James Spader) is found hung at the free clinic where he worked, the police say that he committed suicide.  Rick’s estranged twin brother, John (James Spader), does not agree and launches an investigation of his own.  With the help of Rick’s co-worker, Chris (Cynthia Gibb), John discovers that Rick may have learned the identity of a serial killer who has been copying the crimes of Jack the Ripper and murdering prostitutes in Los Angeles.  However, the killer knows that John is getting close to discovering his identity so the killer sets out to frame John not only for the prostitute murders but for the murder of his brother as well.

Jack’s Back is a movie that deserves to be better known than it is.  James Spader gives two great performances, as both Rick and John.  He and Cynthia Gibb make a good team and Jack’s Back actually does some unexpected things with their relationship.  Jack’s Back was directed by Rowdy Herrington, who is best known for Roadhouse and Gladiator.  Jack’s Back is part murder mystery, part action thriller, and part horror movie and Herrington does a good job of switching back and forth through Jack’s Back constantly shifting tone.  Because this is a low-budget movie with a small cast, there really are not enough suspects to make the murderer’s identity a surprise but Spader, Herrington, and Gibb always keep things interesting.

This is a film that really does deserve to be better known.

A Movie A Day #169: Malone (1987, directed by Harley Cokeliss)


It’s Burt Reynolds vs. Cliff Robertson.  Cliff has got the money but Burt’s got the mustache and the toupee.

Robertson plays Charles Delaney, a wealthy businessman who, with the help of a mercenary army, has bought nearly all the land in a small Oregon town.  Only the owner of a local gas station, Paul Barlow (Scott Wilson), has refused to sell.  Delaney and his men think that they can intimidate Paul into selling but what they do not realize is that Paul has a houseguest.  Richard Malone (Burt Reynolds) was driving through town when his car broke down.  While waiting for it to get fixed, he has been staying with Paul and his teenage daughter, Jo (Cynthia Gibb).  What no one knows is that Malone used to be an assassin for the CIA.

If ever there was a film that demanded the talents of Charles Bronson, it is Malone.  The tough and ruthless title character would have been a perfect Bronson role, especially if Malone had been made twenty years earlier.  Instead, the role went to Burt Reynolds, who was on the downside of his career as an action hero.  Sometimes, Burt tries to play the role as serious and emotionally guarded.  Then, in other scenes, Burt will suddenly smile and wink at the camera as he briefly turns back into the Bandit.  This is not one of Burt’s better performances.  He gets good support from the entire cast, including Lauren Hutton as his CIA handler, but, in most of his scenes, Burt comes across as being tired and his toupee makes him look like The Brady Bunch‘s Robert Reed.  Burt was 51 when he made Malone and he looked like he was at least ten years older, making the scenes where Jo comes onto him even more improbable.

Where Malone succeeds is in the action scenes.  Along with Burt’s final assault on Delaney’s compound, there is also a classic showdown in a barbershop.  Malone had a budget of ten million dollars.  How many blood squibs did that buy?  Pay close attention to the scene where two hitmen attempt to surprise Malone in his room and find out.

Malone is may not feature Burt at his best but it is still a damn sight better than some of the other films that awaited Burt once his starpower started to diminish.  Mad Dog Time, anyone?

Film Review: Stalker’s Prey (dir by Colin Theys)


Before I really get into writing about tonight’s Lifetime premier movie, there’s something that I need to point out.  The movie that premiered on Lifetime was called Stalker’s Prey.  As often happens with Lifetime movies, it actually has more than one title.  Lifetime will often change the title of movies, either to make them fit into the one of the Lifetime “franchises,” (like the Perfect films or the … At 17 films) or just to make them sound more lifetime-y.  According to the imdb, Stalker’s Prey is also known as Hunter’s Cove.  Personally, I think Hunter’s Cove is a better title but Stalker’s Prey does have more of a Lifetime feel to it.

Well, whatever you call the movie, it was a lot of fun.

Stalker’s Prey opens with a real “Oh my God!  Just like me!” moment, with teenager Laura (Sharbino Saxon) getting caught staying out too late and making out with her boyfriend, Nick (Luke Slattery).  Now, Nick seems to be a nice guy but Laura’s mother, Sandy (Cynthia Gibb), doesn’t like him.  Sandy and Laura have a strained relationship.  Ever since her parents got divorced, Laura has been rebellious (though her rebellion seems rather mild compared to what some angry teenagers have done in previous Lifetime movies).   Sandy feels that Nick is a bad influence on Laura and that Laura is a bad influence on her younger sister, Chloe (Alexis Lariviere).

(While I did relate to Laura, I was also fortunate enough to be the youngest, so I never had to worry about being a bad influence on anyone.)

Sandy forbids Laura from going out so, the next morning, Laura sneaks out.  She and Nick sail out to an isolated spot.  They relax on the water.  They go for a swim.  They ignore Sandy trying to call them.  And then, of course, a shark comes along and eats Nick.  If not for Bruce Kane (Mason Dye), it would have eaten Sandy as well.

Bruce is the handsome, charming, and kind of odd son of the Mayor.  He just happened to be in the area when he saw Laura being attacked.  He saved Laura from certain death.  Soon, Bruce is a local hero.  He appears on the news nearly every night, assuring everyone that he is going to catch the shark and prove himself worthy of his famous last name.  Meanwhile, Laura has been totally traumatized, which makes sense.  Not only is Nick dead but, thanks to that shark, she’s probably going to have a permanent scar as well.

Remember how I said that Bruce just happened to be in the area?  Well, that’s kind of Bruce’s thing.  Any time that Laura goes anywhere, Bruce just happens to be right there.  He drops by her hospital room.  He drops by her house.  When Laura goes shopping, Bruce shows up in the parking lot.  When Laura stops by the police station, Bruce happens to be walking by.  When she goes back to school, Bruce just happens to be her new substitute teacher.  When she comes home, Bruce is babysitting Chloe.  When she goes to the beach, Bruce shows up with flowers.

Bruce considers Laura to be his girlfriend, despite the fact that she only gave him one pity date and only slept with him because he took advantage of her emotionally fragile state.  Laura wants nothing to do with Bruce but Bruce will not accept that.  Bruce has issues.  Bruce also has a mannequin on his boat but you’ll have to watch the movie to see what that’s all about.

Meanwhile, it appears that the most dangerous thing that you can do in Hunter’s Cove is be a friend of Laura’s.  Not only does Nick get eaten by a shark but her friend Parker (Camrus Johnson) gets beaten up by a baseball-wielding assailant.  Another friend get run over by a car while out jogging.

And, of course, that shark is still swimming around the ocean, like it owns the place…

It makes sense that, after taking over the SyFy network, the sharks would eventually move over to Lifetime.  That said, Stalker’s Prey is an enjoyable melodrama, one that is quite likable in its cheerfully willingness to go over the top to get a reaction.  Mason Dye is memorably creepy as Bruce, who I assume was named after the mechanical shark from Jaws.  What I liked best about the film was the relationship between Laura and her mother.  The mother-daughter interactions between Cynthia Gibb and Saxon Sharbino felt very real and their relationship reminded me of my relationship with my own mom.  It definitely gave the film an extra layer of effectiveness.

Whether you call it Stalker’s Prey or Hunter’s Cove, it was a lot of fun and very entertaining.

Horror On TV: Tales From The Crypt 2.13 “Korman’s Kalamity”


Believe it or not, I was planning on sharing more than just episodes from Tales From The Crypt this October but seriously, these old shows are just so much fun!

For instance, consider tonight’s episode!  In Korman’s Kalamity, Jim Korman (Harry Anderson) is an artist who works on the popular and famous comic book … Tales From The Crypt!  (Needless to say, his name should also make you think of Roger Corman, as well.)  After his wife (Colleen Camp) orders him to take an experimental fertility pill, his drawings suddenly start to come to life!

Since Korman specializes in drawing monsters, you see how this could be a problem…

Korman’s Kalamity is a self-referential delight.  Needless to say, it’s all played for laughs and sentiment so be sure to sit back and enjoy!

This episode was directed by Rowdy Herrington (who also directed that cable mainstay, Road House) and originally aired on June 26th, 1990.

 

Film Review: Accused at 17 (2009, dir. Doug Campbell)


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I know Lisa would normally be the one to tackle these movies, but she just finished writing 40 reviews in about the span of a month. I think it goes without saying that she probably looks like this right now.

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I also think it goes without saying that shot doesn’t exist in this movie.

Before the title card appears, we are treated to credits over shots that make us think we are about to watch a crime TV Show. I wish. Something might actually happen if that were the case.

Now we cut to five days earlier where we can tell things are going well because the captions tell us so.

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We see some kids at school before we are introduced briefly to Cynthia Gibb at her job. Not sure what she does, and like most things in this movie, I don’t care. We then go back to the school to be introduced to obviously bad girl (Janet Montgomery) and low-rent Miriam McDonald (Stella Maeve) before cutting back to Gibb.

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Some guy shows up to remind us he exists in the movie, but not to me. The school returns so we can meet Chad (Reiley McClendon) and obviously good girl who will be “accused”, even though that barely has anything to do with the movie.

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Chad is here to tell her that she needs to cancel her plans and come to the best party of the year. I know this not only because the movie says so, but because when have you ever watched a movie where it isn’t supposed to be the greatest party of the year?

The guy who decided to exist for a bit brought along a pair of earrings so we can learn that the good girl is named Bianca (Nicole Gale Anderson). Already this movie is full of lies. Nicole Gale Anderson was 18 when she did this movie. She had long passed the age of 17 when you could be accused, stalked, betrayed, missing, pregnant, and become a fugitive all in the same year. It’s a long tradition going back at least as far as 1931 when Marian Marsh was in Under 18. She actually made that one when she was 17-18 years-old. When you turn 18, life just becomes one long snooze fest.

Bad girl shows up to make sure we know she’s very comfortable lying about people or animals dying before we can go to the party. That, and that her mother will totally back her lies up later in the movie. Fortunately, Bianca doesn’t make it to the party so Chad and another girl can have sex in a bathroom.

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The one whose hands those belong to is Dory (Lindsay Taylor). She’s named that because the movie isn’t very well written. Also, her last name in the movie is Holland which goes right along with Cynthia Gibb’s character’s first name Jacqui to create the name of porn/B-Movie star Jacqui Holland. I’ve reviewed several of her films on this site.

All you need to know now is that things don’t go well for Bianca in several ways. Bianca and her friends sit next to a pool in bikinis to talk about boys because they aren’t guys. Otherwise, they would be doing this same scene while playing basketball. We get to see Bianca leave a nice little voicemail for Chad.

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However, that’s not really what sets her off. This is what gets her riled up.

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45 minutes? Chad’s a 10 minute man, 15 at the most. That’s why the girls decide to pick up Dory to take her to where “the hottest frat guys ever” are located.

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Of course by that, they mean the set of Mojave (2015).

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Sadly, Oscar Isaac is not there to greet them dressed as Antonio das Mortes. This makes Dory think something is up. She’s right. Dory punches Bianca to make sure she has a bruise on her forehead before she leaves the scene. Then obviously bad girl bashes Dory’s head in with a rock. That’s one Dead Dory.

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I did forget one thing. On the way over, Dory made sure to leave a hair clip in the car to be used later in the movie.

In between Bianca leaving and Dory’s head getting hit by a rock, Bianca made sure to stop by a gas station so that someone will have seen her. It matters greatly to the plot, and by that I mean next to nothing. A plot I guarantee won’t matter to you if you watch Accused at 17. Things, stuff, and then we are introduced to our buddy cops.

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They are clearly the best because they pay attention to every detail. In 2009, nobody was saying “Mackin'” anymore. That’s why they have a discussion as to whether they say “cuttin'”, “tappin’ it”, “hittin’ it”,  or “hookin’ up”. They question Chad and we find out they actually aren’t the best cops around.

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Officers, come on? Chad doesn’t seem like the type of guy who goes out to a Saturday Night Fish Fry.

However, I do believe that Chad is the kind of guy who takes Louis Jordan’s advice and when Bianca calls to ask if he’s alone, he tells her “no, I got three girls with me.”

Now they turn their attention to Bianca because the stuff in between the interrogations is really boring, so we need to keep moving along. There is a lot of padding in this movie. However, I have to give Janet Montgomery credit. She does a pretty good job of playing the evil girl. I also have to give the movie credit for how funny it was to see Bianca drive back to the scene of the head bashing the next day and call out Dory’s name as if she is just hiding somewhere. Just when the cop may actually be getting to something with his line of questioning, Cynthia Gibb interrupts to remind him that they still have about half a movie left to go so he better leave.

Now a couple of extras they gave hiking equipment find the body. Blah, blah, blah, and confrontation with evil girl’s mom.

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The gist of it is that Barbara Niven can play a lesbian in one movie, a nice mom in a Hallmark murder mystery series, and do roles like this. She’s very versatile. Nothing really of consequence happens here except evil girl and evil mom lie because otherwise how are they going to get away with calling this movie “Accused at 17.”

Well, finally the trip to the gas station earlier and the hair clip left in the car pay off when the cops notice there are only about 30 minutes left in the movie.

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They arrest her, so they can finally say with confidence that the title isn’t false advertising. More things happen, but it all amounts to Gibb and Bianca trying to prove her innocence till it’s time for bad girl to confront that other girl who only exists to be killed off.

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She apparently needs an inhaler, so evil girl takes it away and sprays all the puffs out of it. No big loss. Again, more stuff happens that is of no real consequence until bad girl pulls a gun on her father.

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Dad stops her, and everything is good again. That is except for Dory having had her head smashed in and that other girl having suffocated to death. None of that matters because Bianca puts on the earrings I mentioned earlier. The point of that is the guy who barely existed at the beginning of the film is Gibb’s new boyfriend/dad for Bianca so putting them on means she has accepted him.

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This movie was terrible. I’m pretty sure more happened in Superdragon vs. Superman. The movies Stalked at 17 and and Betrayed at 17 arrived today. I’m so grateful that Lisa already reviewed Betrayed at 17 back in 2011. That means I only have to watch it, and not attempt to write about it.

Hallmark Review: Christmas Land (2015, dir. Sam Irvin)


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I’m going to go ahead and quote The Cinema Snob review of Ghosts Can’t Do It (1989): Wow! Wow! Wow! Wow! Wibble Wobble Wazzle Woodle What The Fuck?

Oh, this is bad.

The movie opens up by showing us some Christmas decorations before cutting to the front of a private residence. Inside there are six kids sitting at a table when a woman played by Maureen McCormick of Brady Bunch fame walks in with a picture of herself looking down on everyone from the background.

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She circles around them before saying to one of the kids that the ornament she is holding isn’t quite right. The little girl says she’s right because it’s missing something to this woman she identifies as her grandma. Grandma tells the kid to add glitter. The little girl says, “You were right! Now it’s beautiful.” Here is the shot of Grandma’s face as she says it.

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Grandma responds with, “Just like you.” Then she gets up to say, “Children my name is Glinda Stanwyck, and I love Christmas so much that I created this entire holiday village for you and your families to come and enjoy. But it’s getting late, and you don’t wanna miss the Christmas tree lighting ceremony, do you?” Where are their families? Parents maybe? Cut to the outside and apparently we are in some place called Christmas Land.

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A white carriage starts going down the center of town. Then this happens.

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The kid says, “I love you, Grandma!” They get out of the sleigh and Grandma Glinda goes to a podium to say Merry Christmas. Everyone follows with Merry Christmas. They light a tree and after Glinda says to the little girl she’ll, “never forget you”, it cuts to New York City 25 Years Later.

Yes, it all comes across as creepy as I hope I got across to you with the screenshots and dialogue quotes. Why? Why was it necessary to have it start with Maureen McCormick coming across this way? Oh, and that’s just the beginning. There’s more to come. Even my Dad who loves watching these Hallmark movies and cries at every one of them thought these opening scenes were creepy. I’m just gonna say it. She comes across as a pedophile. No joke. It’s really weird.

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Next we are introduced to that little girl as an adult. Her name is Jules Cooper played by Nikki Deloach. She has started a business campaign called “Wear Red. Go Green” for a coffee store chain. This is when Ms. Nickerson played by Cynthia Gibb comes up to her and thanks her for her work on the campaign for her business. I wouldn’t bother introducing her character, but she is one of the things that makes this movie weirder in the one additional scene after this in which she appears.

After her boss thanks her for her work and offers her a promotion, we are introduced to Jules’ boyfriend (Jason-Shane Scott). Better known as guy who will add another really odd thing to this movie. I would mention her ugly top that looks like it was designed by Jason Voorhees and his machete, but who cares when there’s so much more to talk about. He starts looking through the mail and there’s a special piece of it. Turns out she has inherited Good Witch Grandma Glinda’s Christmas Land. Cut to modern day Christmas Land.

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This is when we are introduced to a guy who is every small town attorney/doctor/big city, but living in a small town profession person. In this case, his name is Tucker Barnes (Luke Macfarlane). He remembers her and Grandma Glinda. She thought she just inherited the Christmas tree lot, the house, and the buildings around them, but he tells her she now owns “everything the eye can see from here…” Considering they are walking down main street and can only see the buildings she already mentioned, I am not sure what he is referring to, but later we will be told 200 acres in a contract and 206 acres by another character. She’s been in town for only a few minutes and has been treated well. That’s why we meet Uncle Frank (Wes Wright)!

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He initially acts weird thinking she has come to take up her Grandma’s throne for no logical reason whatsoever and when she tells him she is considering selling the place he all but calls her a bitch before storming off. No joke. She has just shown up in town, doesn’t show an immediate desire to run a theme park, so he treats her like garbage. Think he is going to actually apologize for this. Nope! He will issue an empty and meaningless “apology” only because she said she might have changed her mind. The only slight excuse here is that Tucker may have said that she might be coming back to reopen the place. In other words, he is part of the jumping to conclusions thing, but is far more down to Earth and realistic about it.

Now Tucker talks to Jules and shows a great deal of enthusiasm and love for the place. We will also find out later that he just genuinely likes living there. Think that would lead her to not sell the place, but give him control of it seeing as she thinks it’s a special place, doesn’t have what a place like this needs, doesn’t have a deep connection to it, and isn’t the person the film tells you right here should obviously run the place to touch the lives in the wonderful way her grandmother did? Of course not! The rest of the movie will be convoluted BS where characters act irrationally to push this film towards a conclusion that makes no sense.

Now she is introduced to two more ladies who tell her how much they are glad she is going to reopen the place even though they have no reason to believe that. After she tells them that she doesn’t plan to reopen the place, they also treat her like garbage. Well, to be fair to them. Cue ball Uncle Frank pops in to take a dump on Jules again, then the ladies also turn on her. One of them even asks, “then what is she doing here then?” Hmmm… maybe to take a look at the place she inherited out of the blue from a woman she presumedly hasn’t seen in 25 years. But yeah, that means she’s an evil woman who has come to mislead them and needs to be demonized. After Jules dares to say that she doesn’t live there and that she has a job and an apartment in New York she receives this line from this woman before the lady storms out of the room.

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Tucker has her look at some papers and say that Glinda had buyers over the years who she ignored because they had their own ideas about the place. Won’t say what those ideas are, but it’s assumed they are evil. Jules decides to take a look around the place. Probably because she is worried they will crucify her if she doesn’t. Then a little girl is marched in front of her to guilt her some more so she lies that she is going reopen Christmas Land. I might too considering I’m surrounded by crazy people who seem like they are on the brink of attacking me.

Now Jules calls her boyfriend up to tell him she is reopening Christmas Land. She talks about brining the place back to it’s former glory in order to sell it. In other words, make sure the place is in pristine condition so that whoever she sells it to will see it in all it’s beauty rather than a rundown 200 acres. Evil! Of course as soon as she mentions that it’s 200 acres, her boyfriend gets really happy before telling her he will find her a buyer. At least he seems like he’s legitimately shady. Oh, and we are only 25 minutes into this thing. There’s more!

Now Tucker tells her that Uncle Frank and the nice ladies she met are getting Glinda’s house ready for her to move in. You know, the guy who came up to her and barely stopped from calling her a bitch, and the ladies who came in and treated her in a similar manner. Those people!

Cut to the house and she says that she is not thinking about moving in, but getting the place up and running since apparently to be treated like a human being in Christmas Land means you have to spell out everything to people or they will jump to baseless conclusions and treat you like crap when you don’t meet their unfounded expectations. Then Tucker guilts her under the guise of telling her why he likes living in this small town. Now her boyfriend calls up to drop another weird element into this movie.

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Turns out jerk off boyfriend knows Tucker from law school and that “he had a reputation.” Think they will explain that? Nope! It cuts to the outside of the house to show Tucker getting into a car before cutting back to their conversation. Later he will allude to that this reputation has to do with barns. In other words, bestiality. Wow! Let’s keep going.

The next morning Frank is making pancakes so he can say he’s sorry. And by sorry I mean I’m sorry because you appear to be doing what I wanted you to do in the first place: “Jules, I wanted to apologize about yesterday and how harsh I was. Tucker said that you’re gonna be opening up the old place again.” Hmmm… was it too hard to have this character we are supposed to like simply say, “I’m sorry”? Even Gloria Steinem’s apology for her, and other feminists of her era, comments about people like myself (trans woman) for being self-mutilators sounded more genuine. Anyways, that’s human rights and we are here to discuss what the fuck.

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Jules discovers Glinda’s Santa costume, which she will wear for numerous scenes in the movie. Yeah, that makes sense. After everyone in town jumped to wild conclusions without any basis, let’s parade around in this to…fuck with them??? She even tells the lawyer she still intends on selling the place. This is when she says to the lawyer that she intends to find a buyer who will keep the place open. She could just continue to own it and give it to Tucker to run on a day to day basis. Never mind. Realistic solutions and actual compromise are for the Hallmark movie Lead With Your Heart. A much better movie. She even says, “Keep everyone’s spirits up. Seem’s like you’re the one who does that anyways.” 38 minutes into this now.

Now we see that the carriage she rode in as a kid could use some fixing up before visiting the tree lot. If you go to IMDb at the time of writing this, the plot summary will say that she inherits a Christmas tree lot. No mention that she has actually inherited a mini-Christmas themed Disneyland sans rides. Then she says the typical Hallmark I’m out of touch because I actually have intelligent business ideas lines.

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Now in case we forgot how creepy the opening of this movie is, it’s time to recreate it with Jules. The difference is we have had setup, there are other adults in the room, there’s context, and Jules doesn’t act weird. Next we visit the store…

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and meet Harry Belafonte…I mean George. Belafonte is who I immediately thought of when I saw him. George is actually nice to her. Isn’t that amazing. He even has useful things to say. You’d think there’d be mention of how Christmas Land touched people’s lives and that that’s whats important rather than her replacing her Grandma, but George is the only one to really bring that up. He talks about how Christmas Land helped to save the local businesses and thus the community. But enough of reasonable people. We need to get back to the crazy. Now we get a montage of fixing up the town.

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Then we cut to Frank at the Christmas tree lot. He has actually embraced Jules’ ideas and gives the customer 25% off christmas decorations or lights because he is buying a tree. I’m just going to assume Frank fell off a ladder during the montage and hasn’t recovered yet from the blow to his head. Either that or this is an example of characters who are all over the place as the screenwriters command to force this plot to come to fruition. We need more weird. Where’s that boyfriend?

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He comes in the barn and recognizes Tucker. He tells Jules she looks like a hobo, but “it’s great to see you.” He says to Tucker, “‘Though I’m not surprised to find you in a barn.” What is this reputation they mentioned earlier, and is that what this barn comment has to do with? Somebody explain this to me. Then the boyfriend once again brings up the barn.

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Later it turns out that Tucker graduated top of their law class. I would simply have written this barn stuff off as him insulting Tucker for being so smart, but retreating to a nowhere town. However, after his comments the last time he was in the movie about a “reputation”, I have to think he means something else other than a fondness of his hometown. And we have reached the one hour mark. Cynthia Gibb still hasn’t returned for her weird addition to this film.

Good luck for Jules though, because the boyfriend has a buyer lined up, and he even knows about Christmas Land. Oh, and here’s a picture of Tucker looking like he wants to crack the boyfriend’s nuts like the statue next to him cause apparently I snapped it and it would be a shame to let it go to waste.

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Now we get a scene to remind us that Jules is getting into the role because her wearing the costume didn’t already tell us that. This is followed by Tucker bitching about having to lie to the people of the town. Now she goes back to Chicago to meet the buyer. It’s Richard Karn!

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Oh, but before they meet him, Tucker reminds us of the barn again. Can’t let us forget that movie, can you?

He says he has a fondness for Christmas Land and took his family there years ago. Then after handing her a check for $1,700,000, she just blindly signs his contract. She tells him it’s her Grandma’s legacy and that she doesn’t want to see it tarnished, but apparently that doesn’t mean bothering to read the contract. If she acted like she had a brain, then how are we going to have a third act?

And literally two minutes later in the movie…

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this guy shows up and says he is going to bulldoze the place and chop it up into lots. Oh, my God! It’s like the guy who bought the land wants to do with it as he pleases. I had no idea that selling someone something meant they can do with it as they please…said no one watching this movie. And certainly not someone who is supposed to have the business experience she has at the beginning of this movie. After finding out her boyfriend is a douche. We are in the last 30 minutes or so of this movie. How is she going to get out of this?

She goes to Karn to complain. Karn actually is remarkably reasonable. He tells her that he’s okay flipping it back to her for a profit. It’s reasonable. He sees she cares about the place and it doesn’t make him evil that he wants to make a profit from his investment. She has a check from him for 1.7 million. He wants 3 million. That means she needs 1.3 million dollars by Christmas, and he’ll rip up the contract to give her back the property.

After she watches that creepy video her Grandma shot of her in the carriage, she places a phone call to Cynthia Gibb. At this point, I honestly didn’t expect to see her again in the movie.

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She tells Jules that she will provide $850,000 dollars if they will give her the exclusive right to serve Nickerson’s Coffee at Christmas Land. She does this all while acting like that’s a prostitute sitting next to her. Actually, I believe he is a guy named Tim that was in barely a few seconds at the beginning of the film and is a photographer. But seriously, this scene makes it look like he’s a prostitute. I’m sorry, it does.

Anyhow! This means she needs $450,000. I said to my Dad how is she going to get that money? He said she’ll probably find it somewhere on the property. Not too far off. Remember Frank?

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He has a huge wad of cash just sitting in a can. You know, as people living in a small town with no apparent income, life, or any kind of existence whatsoever are known to have. And it’s not just him.

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The town is able to raise $450,000. And by the whole town, I mean it appears to be the three other people other than Frank that we have met. Yep, this town apparently is loaded. Now Christmas Land is saved with Jules taking over as the people who treated her like shit when she showed up wanted her to.

Wow! So let’s summarize here. We had Maureen McCormick looking like a pedophile. People treating the lead like crap. People acting in ways that don’t make sense when there’s an obvious compromise right in front of their face. Signing contracts without reading them because the plot desperately needed a final speed bump. A character that comes across as a prostitute. Oh, and the numerous allusions that Tucker likes to have sex with animals in a barn. God, I hope I didn’t miss something.

The saddest part here is that I actually liked Nikki Deloach and Jason-Shane Scott in the leads. If this hadn’t been absolutely insane, but an actual movie, then I could have enjoyed it. As it is, it’s the worst Hallmark Christmas movie I’ve seen…so far. Also, one of the worst Hallmark movies I’ve seen in general. That’s out of the 141 I’ve seen at the time of writing this review.

Film Review: Youngblood (dir by Peter Markle)


As I mentioned in my review of Diary of a Hitman, I’ve been trying to watch as many obscure and forgotten films as possible.  For that reason, earlier tonight, I watched, via Movieplex OnDemand, a 1986 film called Youngblood.

Youngblood is one of those films that is so unbelievably predictable that I’m dreading having to detail the film’s plot because there is seriously no way to make it sound interesting.

Okay, let’s give it a shot.

Dean Youngblood (Rob Lowe) is a 17 year-old farmhand in upstate New York who also happens to be one of the state’s best hockey players.  He’s also lucky enough to have a plot-specific last name.  Just imagine if his name had been Dean Bloodthinner or Dean Oldboy.  You’d have a much different movie.  But anyway — Youngblood dreams of playing in the National Hockey League.  His father tells Youngblood to forget about his dreams.  His brother says, “Go for your dreams!”  Perhaps not surprisingly, Youngblood decides to go for his dreams because, otherwise, there wouldn’t be a movie.

Youngblood ends up playing in the Canadian Junior League.  (I should mention that the only reason I even know that there is a Canadian Junior League is because I watch Degrassi.)  After being taken under the wing of fellow player Derek Sutton (Patrick Swayze), Youngblood becomes one of the best players on the team.  However, he’s not comfortable beating up the opposing players, which leads his coach (Ed Lauter) to wonder if Youngblood lacks the killer instinct needed for professional hockey.  Youngblood also happens to be dating the coach’s daughter (Cynthia Gibb).  Anyway, as you can probably guess, the film concludes with a big game and a lot of shots of people shouting, “GO, YOUNGBLOOD!”

Youngblood is not a very good movie but its memorable for being perhaps the most aggressively male movie ever made.  Youngblood, for instance, has no mother.  He just has an older brother to learn from and a father to impress.  Indeed, to judge from Youngblood, upstate New York is apparently a female-free zone.  As opposed to New York, there are women in Canada and, in the world of this film, they all exist for one and only one reason: to validate the existence of Dean Youngblood.  The coach’s daughter does it by assuring him that he’s worthy of being loved.  All the other female characters — from his landlady to two groupies that he meets in a bar — do so by being sexually available.  When Youngblood has sex with his landlady, they’re watched by two other hockey players (one of whom is played by Keanu Reeves and says, “She do me last year.”).  After Youngblood has sex with the coach’s daughter, the first thing he does is track down Derek so he can tell him all about it.

Make no mistake about it.  Youngblood is a love story but it’s about the love between Youngblood and his teammates.  When Youngblood first makes the team, Derek holds him down and proceeds to shave his testicles with a dull razor.  When Youngblood finally starts fighting on the ice (and, in the process, becomes a man or something), he does it to defend his fellow teammates.  Poor Cynthia Gibb can only watch from the stands and cheer.  She’s finally realized that, by encouraging Youngblood to embrace peace over violence, she was holding him back from embracing his destiny.  Or something.

On a positive note, Rob Lowe looks as good in this film as he did earlier in Class and later in Parks and Recreation.  For that matter, a young and athletic Patrick Swayze looked pretty good in this film too.  However, the characters that they’re playing are so hyper-masculine that they quickly go from being sexy to just being obnoxious.  I’ll admit that, unlike the TSL’s own Leonard Wilson, I do not know much about hockey.  But I do know that if I ever have to suggest a hockey film to a friend, I will always suggest that they see Goon and forget about Youngblood.