October Hacks: Intruder (dir by Scott Spiegel)


The 1989 film, Intruder, is often advertised as being a Bruce Campbell film but Bruce only appears in the final few minutes.  I’m pointing this out because Bruce himself has criticized, in the past, the way that some distributors have used his name to promote Intruder and to fool potential viewers into thinking that Intruder features Ash or takes place S-Mart.  Bruce Campbell’s chin-tastic profile is put to good use as a police officer who shows up at the scene of a very bloody crime but Intruder is hardly a Bruce Campbell movie.

What is Bruce doing in Intruder?  It probably has something to do with the fact that Intruder was the directorial debut of Scott Spiegel, who co-wrote the script for Evil Dead II and who was a good friend of Sam Raimi’s.  (That probably also explains the presence of Ted Raimi in a tiny role and Sam Raimi himself in a bigger role.)

That said, if you’re looking for a good and suspenseful slasher film to watch as Halloween approaches, you could certainly do worse than Intruder.  Bruce Campbell may only appear in a cameo but the film itself is good enough that you’ll enjoy it while waiting for Bruce to make his appearance.

The film takes over the course of the night shift at a large but financially struggling grocery store.  When cashier Jennifer Ross (Elizabeth Cox) is harassed by her ex-con boyfriend, Craig (David Byrnes), the entire night crew comes together to protect her and to chase Craig out of the store.  The police are called but, when they finally do arrive at the store, they reveal that there’s not much they can do.  With Craig still making angry phone calls to the store, the crew prepares for the next day of business.  The store’s owners hold a store meeting and, after announcing how proud they are of the way the night crew handled the Craig situation, they announce that the store will be closing and soon, everyone will be out of a job.

No one is happy about that, with co-owner Bill (Dan Hicks) rather pathetically saying that the store was his entire life.  That said, it doesn’t seem like anyone at the store is going to have much of a life left because someone is determined to kill the entire night crew before the sun comes up.  Soon, the employees are dying in various bloody ways (and I do mean bloody!) and the storeroom is full of body parts.  Has Craig returned?  Could it be the butcher, played by Sam Raimi?  Could it be one the owners?  Or could it be some random intruder?  Watch the film to find out.

Intruder is an effective slasher film, one that is fortunate to have an above average cast (with Elizabeth Cox especially giving a good performance), memorable characters who have a bit more depth than the jocks and cheerleaders who usually populate films like this, and an interesting location in the form of the dark and shadow-filled grocery store.  Intruder also had a lot of very graphic horror.  The gore effects were provided by the same people who would later work on The Walking Dead and I have to say that even I, being the Italian horror fan that I am, was a bit shocked by just how much blood ended up flowing down the aisles.  If you’re scared of trash compactors, this film isn’t going to do anything to make you feel better about them.

Intruder is a superior slasher film.  And hey …. Bruce Campbell’s in it for a minute!

Playing Catch-Up: The Hateful Eight (dir by Quentin Tarantino)


The_Hateful_Eight

Remember how I said that it was intimidating to admit that The Big Short didn’t do much for me as a viewer?  Well, it’s even more intimidating for me to admit that I felt much the same way about The Hateful Eight as well.

Nearly everyone I know loves The Hateful Eight and, going into it, I really wanted to love it as well.  After all, this is — as the opening credits remind us — Quentin Tarantino’s 8th film!  Tarantino is one of my favorite directors.  I thought his last film, Django Unchained, was a masterpiece and one of the most important films ever made about slavery.  Like many of you, I’ve followed all the details of the making of The Hateful Eight, from the initial script leak to the controversy over Tarantino’s comments on the police.  I was excited because the cast looked great and was full of veteran actors — like Kurt Russell, Jennifer Jason Leigh, and Bruce Dern — who all seemed likely to benefit from the Tarantino touch.  (Say what you will about Quentin Tarantino, it cannot be denied that he’s given good roles to talented actors who are rarely given the opportunities that they deserve.)  When I heard that Ennio Morricone was going to be providing the score, I got even more excited.  Morricone and Tarantino; it seemed like the perfect combination for greatness.

Well, Morricone’s score is spectacular.  There’s talk that Morricone might finally win an Oscar for his work on The Hateful Eight and I certainly don’t have a problem with that.  (Hopefully, Morricone will have learned a lesson from the Golden Globes and, if he is nominated, he will either come to the ceremony himself or arrange for someone other than Tarantino to accept for him.)  And Jennifer Jason Leigh takes full advantage of her role, giving a truly ferocious performance.

But otherwise, The Hateful Eight just didn’t do much for me.  It’s not that I disliked the film.  There was a lot that worked but, for whatever reason, The Hateful Eight never enthralled me the way that past Tarantino films have.  The Hateful Eight left me saying, “Is that it?”

A lot of my reaction to The Hateful Eight has to do with the film’s length.  Taking place, for the most part, in only one location and structured more like a play than a film, The Hateful Eight would be a great 90 minute murder mystery.  Instead, it lasts nearly 3 hours and, at times, the film drags interminably.  As usual, Tarantino plays with time and, at one point, stops the action so that we can see what happened earlier in the day.  Unfortunately, as opposed to other Tarantino films, we don’t really learn anything new from this flashback and you get the feeling that it was included most because flaskbacks are a Tarantino trademark and because he wanted to find a way to work a somewhat pointless Zoe Bell cameo into the film.

As for Tarantino’s widely acclaimed script, I have to admit that I got kind of bored with this talky film.  Yes, the actors were all good and it’s always fun to listen to Samuel L. Jackson be a badass but the dialogue itself was largely repetitive and occasionally, the film itself threatened to turn into Tarantino-on-autopilot.

(Interestingly enough, Tarantino’s script features several creative euphemisms for oral sex and the characters come up with a handful of different ways to point out that Jackson is black but, when it comes to Jennifer Jason Leigh’s character, nobody can come up with anything more imaginative than repeatedly calling her a bitch.  While, unlike some critics, I don’t think The Hateful Eight is a misogynistic movie, I do have to admit that I was rolling my eyes around the fifth time that Leigh’s character was called a bitch and kept rolling them for the entire movie.  For a writer well-known for his ability to come up with colorful and memorable insults, Tarantino’s refusal to come up with anything more imaginative than “bitch” just felt lazy.)

What can I say?  The Hateful Eight just didn’t do much for me.  However, I do think that the film looked great and I certainly hope that Morricone and Leigh are at least nominated for their excellent work.  I look forward to Tarantino’s next film but I doubt I’ll be revisiting The Hateful Eight any time soon.

http://www.youtube.com/watch?v=gnRbXn4-Yis

(By the way, with this review, I am now officially caught up on reviewing the films of 2015!)