Late Night Retro Television Review: Highway to Heaven 5.12 “It’s A Dog’s Life”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week’s episode is a strange one.

Episode 5.12 “It’s A Dog’s Life”

(Dir by Michael Landon, originally aired on July 28th, 1989)

One night, after Jonathan foils a mugging by using “the stuff” to turn the mugger’s gun into a water pistol, Mark sits down on a curb, lies down in the grass, and bemoans that he never gets to do anything on his own.  He never gets “the stuff.”  He has to worry about his health while Jonathan, already being dead, cannot be hurt again.  Why, he wonders aloud, does he always have to be “Jonathan’s dog?”

When Mark opens his eyes, Jonathan is gone.  However, there is a dog sitting next to him.  Convinced that the Boss has 1) turned Jonathan into a dog and 2) given Mark “the stuff,” Mark proceeds to reunite a runaway with his family and he also thwarts a convenience store robbery.  When the dog indicates that it wants to live with the runaway and his family, Mark sadly returns to the shabby hotel where he and Jonathan were staying.  He sees a man standing out on a ledge, threatening to jump.

“My first solo assignment!” Mark says.

Mark runs upstairs and climbs out onto the ledge.  He tells the suicidal man that he has no fear of falling because he has the stuff.  Suddenly, Jonathan appears and tells Mark to get back inside before he falls.  Jonathan reveals that Mark never  had the stuff and that Jonathan was never a dog.  Instead, Jonathan was just off on another assignment.

Mark falls off the ledge.

Oh no, Mark’s dead!

No, actually Mark is dreaming.  Mark wakes up in his hotel room and realizes that Jonathan is gone.  But the dog is taking a bath….

And the episode ends!

The second-to-last episode of Highway to Heaven is an odd one.  With Jonathan gone for the majority of the episode, Victor French gets the opportunity to carry a story on his own.  Sadly, French himself would die before this episode aired.  Unfortunately, while French is fine in this episode, the story itself is presented in the rather cartoonish style that Highway to Heaven always used whenever it featured a comedic episode.  The runaway’s mother is portrayed as being such a loon that’s hard not to think that the kid would be better off on his own.  As well — is Jonathan a dog or not!?  The episode’s refusal to answer this question is a bit annoying.

Next week, we will finish up Highway to Heaven with the show’s final episode.

So, I Watched Perry Mason: The Case of the Glass Coffin (1991, Dir. by Christian I. Nyby II)


World famous magician David Katz (Peter Scolari) is accused of murdering his assistant (Nancy Lee Grahn) while performing a trick at a charity show.  The prosecution says that David killed her to cover-up a pregnancy that was the result of a drunken, one-night stand.  However, Perry Mason (Raymond Burr) and Ken Malansky (William R. Moses) discover that there were many people who might have a motive for killing the victim.

After the previous emotionally-charged Perry Mason movie, this entry felt pretty bland.  I liked Peter Scolari as the accused magician but otherwise, this was a little boring.  I guessed who would be playing the murderer as soon as I saw their name during the opening credits.  I did find it amusing that Perry and the prosecutor (played by Bob Gunton) seemed to sincerely dislike each other.  That added some bite to the courtroom scenes but I really do miss David Ogden Stiers’s as Perry’s regular courtroom opponent.

At the end of the movie, Perry took the jury to the theater where the murder occurred and then cross-examined the witnesses in the theater.  I guess the movie’s producers were trying to do something new but it just didn’t feel right for Perry to get his confession anywhere other than in a courtroom.

Horror Film Review: Stir of Echoes (dir by David Koepp)


It’s blue collar horror!

As the 1999 film Stir of Echoes shows, ghost don’t only haunt the rich and famous.  Sometimes, they haunt ordinary guys who live paycheck to paycheck and just want to be able to take some pride in having a home that’s free of secrets and evil spirits.  “Ghosts, they’re a real pain the ass sometimes, y’know what I’m saying?”

For instance, in Stir of Echoes, Kevin Bacon plays Tom Witzky.  Tom is a phone lineman who lives in Chicago.  Tom wishes that he could have been something more than a phone lineman.  He wishes that his band could have taken off and he could have been a rock star.  But, now Tom’s reached his 40s, he’s got a wife named Maggie (Kathryn Erbe), a son named Jake (Zachary David Kope), and another child on the way.  So, he works hard and then he comes home and he has a beer and sometimes, he might go to a high school football game.  It’s not a glamorous life but at least it’s something with which Tom can be happy.

Of course, then Tom makes the mistake of going to a party that’s being given by his friend, Frank (Kevin Dunn).  When Maggie’s sister-in-law, Lisa (Illeana Douglas), says that she knows how to hypnotize people, Tom scoffs and challenges her to hypnotize him.  Lisa does so and, the next thing that Tom knows, he’s sitting there with tears in his eyes and everyone laughing at him.  Even though it was only a few seconds to Tom, he was apparently under hypnosis for quite a while.  He talked about being bullied as a child.  He stuck a safety pin through his hand.  He even accepted Lisa’s suggestion that he “try to be more open-minded.”  Upset over being revealed to be vulnerable, Tom leaves the party.

Tom soon learns what it means, in his case, to be more open-minded.  Soon, Tom is hearing voices and seeing what appears to be the ghost of a teenage girl in his house.  He starts to have disturbing and violent visions.  When Tom tries to pretend that nothing’s wrong, Jake tells him that it’s okay because he can see the ghost as well.

Growing obsessed with his visions, Tom is soon tearing his own house apart in an attempt to discover what the spirits are trying to tell him.  Is Tom truly seeing ghosts or, as so many in the neighborhood suspect, is he losing his mind?

When I first started rewatching Stir of Echoes for this review, I have to admit that I was a little bit concerned.  Kevin Bacon is one of the most likable actors on the planet and this film is usually cited as featuring one of his best performances but, in the first few scenes, he seemed to be almost going a little overboard with the whole “I’m just a working class guy” routine.  But, as the film progressed, I actually came to realize that Kevin Bacon was giving a brilliant performance.  The fact that he played Tom as being so rational and almost boring during the first half of the movie made it all the more effective when he started tearing his house apart during the second.  During those scenes, Bacon plays Tom as not only someone obsessed with discovering the truth but also as someone who just wants his life to be normal again.  If he has to destroy his life to get it back, that’s what he’s going to do.

(That said, my favorite character in the film was Lisa, mostly because we share the same name and she was played by the brilliant Illeana Douglas.  The thing I loved about Lisa is that, when she was informed that she had messed up Tom’s mind, she was both sorry and proud of herself at the same time.)

Stir of Echoes is still a frightening film, one with plenty of jump scares and a subtext of paranoia as it’s revealed that both the neighborhood and Tom’s friends are full of secrets.  Because they both came out in 1999, it often gets compared to The Sixth Sense.  I like The Sixth Sense but I actually prefer Stir of Echoes, just because it’s not quite as self-important as M. Night Shyamalan’s film.  The makers of Stir of Echoes didn’t set out to change the world.  They just wanted to make a scary ghost story and they succeeded.