Retro Television Review: Homicide: Life On The Street 4.13 “I’ve Got A Secret”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

Ring ring.  “Homicide.”

Episode 4.13 “I’ve Got A Secret”

(Dir by Gwen Arner, originally aired on February 2nd, 1996)

This week, almost everyone has a secret.

For example, when Pembleton and Bayliss are called in about a man found dead in his car, they discover that, earlier in the day, he went to a local ER after being shot.  The gunshot wound, which was accidental, didn’t kill him.  Instead, it was the internal bleeding that the doctor either missed or intentionally ignored.  Dr. Kate Wystan (Mimi Kennedy) may come across as being a selfless doctor who has dedicated her life to helping the residents of Baltimore’s most crime-ridden neighborhood but Pembleton and eventually Bayliss come to suspect that her secret is that, because the victim was black and a known criminal, she didn’t give him the same standard of care that she gives to her other patients.  Pembleton considers this to be murder, though it sounds more like a case of malpractice than anything else.

Munch spots Kay kissing a man outside of police headquarters and he becomes obsessed with trying to figure out who the man is.  He’s always believed that Kay is happy being single and alone.  (Uhm, hello?  Munch?  Remember when she dated Ed Danvers?)  Kay’s secret is that apparently she has a life outside of Homicide.

Finally, Lewis and Kellerman spend the entre episode chasing a burly man who is wanted for killing both of his parents.  At first, this entire storyline feels almost like a parody of NBC’s request that the series start featuring more action.  Lewis and Kellerman spend the entire first half of the episode chasing this guy through allies and pool halls and every time, they fail to catch him.  There’s none of the badass heroics that we’ve come to expect from cop shows.  Eventually, Lewis reveals that his brother is in a mental institution.  When Lewis tries to visit his brother, he’s just turned away.  Lewis’s secret is that he actually cares about his brother.

This was an okay episode.  By this point in the series, Homicide had reached the point where it could do an episode where the true enjoyment came less from the storyline and more from just listening to the characters talk to each other.  I really didn’t care much about the crimes that they were investigating.  Instead, I just enjoyed listening to Pembleton and Bayliss talk and bounce ideas off of each other.  They’ve come along way since the day that Bayliss objected to Pembleton’s interrogation technique and Pembleton shouted that he would never have a partner.  By the same token, Kellerman and Lewis have their own unique chemistry that is fun to experience.  They’re like the sensitive frat cops.  As for Munch and Kay, they should just hook up already.  It’s obvious to everyone that they’re in love!

Maybe that’s their secret?

Aftershock (1990, directed by Frank Harris)


It’s the future and society has collapsed.  America is now controlled by the evil Commander Eastern (Richard Lynch) who, with the help of a propagandist known as Big Sister and a paramilitary leader named Oliver Queen (John Saxon), rules with an iron hand.  Colonel Slater (Christopher Mitchum) is the leader of the revolution that threaten to overthrow Eastern’s regime.

Two revolutionaries, Wille (Jay Roberts, Jr.) and Danny (Chuck Jeffreys), are stuck in one of Eastern’s prison.  Every day, they fight for their lives and they wait for a chance to escape.  That chances come in the form of Sabrina (the beautiful Elizabeth Kaitan), an alien who lands on our planet under the mistaken assumption that Earth is an utopia.

When Sabrina, Willie, and Danny finally manage to escape, they have to make it to Slater’s headquarters while avoiding the bounty hunter (Chris DeRose) who Queen has been sent to capture them.

A fairly standard rip-off of the Mad Max films, the most interesting thing about Aftershock is the cast.  I already mentioned Mitchum, Saxon, Lynch, and Elizabeth Kaitan but there are also appearances from Russ Tamblyn, Michael Berryman, Matthias Hues, and Deanna Oliver.  For a movie that looks cheap and doesn’t really bring anything new to the postapocalyptic genre, there are a lot of very talented people in this movie.  (Even talented people have to pay the bills.)  Most of them are only on for a few minutes.  The instantly forgettable Jay Roberts, Jr. and Chuck Jeffreys are the actual stars here.  Jeffreys was a stunt man who was famous for his resemblance to Eddie Murphy.  He looks good in the action scenes but otherwise, he and Roberts don’t make much of an impression.

At least Elizabeth Kaitan gets a decent amount of screentime.  Kaitan appeared in a lot of movies in the 80s and 90s.  None of the movies were very good.  She got stuck with roles like the girlfriend in Silent Night Deadly Night Part 2 and a victim in Friday The 13th Part VII.  Kaitan got roles primarily because she was beautiful but she had a likable screen presence and more than a little talent.  In Aftershock, she gives a convincing performance as a stranger in a strange land, one who has her own eccentric way of viewing things.  Her performance is the best thing about Aftershock and the main reason to watch.