Horror On The Lens: Mazes and Monsters (dir by Steven Hilliard Stern)

Posted on October 1, 2025 by Lisa Marie Bowman

Hi there and welcome to October! This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon! For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music. That’s a tradition that I’m looking forward to helping to continue this year!

Let’s get things started with 1982’s Mazes and Monsters!

Based on a best-seller by Rona Jaffe, Mazes and Monsters tell the story of some college students who enjoy playing a game called Mazes and Monsters. Now, I realize that Mazes and Monsters may sound a lot like Dungeons and Dragons but they are actually two separate games. One game takes place in a dungeon. The other takes place in maze, got it?

When the players decide to play the game in some nearby caves, it causes the newest member of the group (Tom Hanks — yes, Tom Hanks) to snap and become his character. Convinced that he’s living in a world full of monsters and wizard, Hanks runs away to New York. How does that go? During a moment of clarity, Hanks calls his friends and wails, “There’s blood on my knife!”

It’s all fairly silly. There was a moral panic going on about role playing games when this film was made and this film definitely leans into the panic. But, in its own over-the-top way, it works. If you’ve ever wanted to see Tom Hanks battle a big green lizard, this is the film for you. And I defy anyone not to tear up a little during the final scene!

From 1982, here is Mazes and Monsters! Happy Horrorthon!

Late Night Retro Television Review: Friday the 13th: The Series 3.20 “The Charnel Pit”

Posted on July 18, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, we say goodbye to Friday the 13th.

Episode 3.20 “The Charnel Pit”

(Dir by Armand Mastroianni, originally aired on May 14th, 1990)

All things come to an end and that includes the adventures of Micki, Jack, and Johnny.

Friday the 13th: The Series ends with an episode about a professor (Vlasta Vrana) who owns a two-sided painting that he can use to send people into the past. He sends female victims back to the time of the Marquis de Sade (Neil Munro) and the Marquis sends the professor his unpublished works. If you’ve ever seen an episode of this show, you will not be surprised to learn that eventually Micki is sent back to the Marquis and briefly finds herself fascinated by the man for whom sadism is named. Micki gets to dress up in a cleavage-baring costume and Neil Munro plays another villain. All the bad guys end up dead and the painting is tossed in the Curious Goods vault. It’s Friday the 13th!

It might not seem like much of a finale. Unfortunately, the cast and crew were not informed that the series wouldn’t be returning for a fourth season until they were almost finished filming this episode. As a result, Friday the 13th did not get a proper send-off. The series ended with many of the cursed antiques still out there and Jack, Micki, and Johnny apparently destined to spend the rest of their lives searching for them.

On the one hand, I enjoyed this series and I regret that it didn’t get a proper ending. Micki, Jack, and even Johnny suffered so much that it seemed like they deserved to end things with some sort of triumph. At the same time, it does feel appropriate that — after a season that featured some ill-thought experimentation with the show’s format — Friday the 13th went out with a traditional episode. This show was always at its best when it focused on antiques and creepy villains. That’s certainly the way that I’ll remember the show.

I enjoyed watching and reviewing Friday the 13th. Was it uneven? Sure. It was a low-budget, syndicated show. A certain uneveness is a part of the package. At its best, though, it was a genuinely creepy show that was blessed with some wonderful chemistry between Chris Wiggins, Robey, and John D. LeMay. (The show never really recovered from LeMay’s exit.) On the whole, the good definitely outweighed the bad, even during the final season. And who knows? Perhaps, if there had been a fourth season, the writers would have finally figured out a way to make Johnny into a compelling character.

I’ll miss reviewing this series.

Next week, something new will premiere in this time slot. What will it be? You’ll find out next week!

Late Night Retro Television Review: Friday the 13th 3.19 “The Tree of Life”

Posted on July 11, 2025 by Lisa Marie Bowman

This week, it’s Johnny vs the Druids.

Episode 3.19 “The Tree of Life”

(Dir by William Fruet, originally aired on May 7th, 1990)

Johnny randomly runs into a distraught woman who claims that, years ago, her daughter was abducted and her husband murdered by obstetrician Dr. Sybil Oakwood (Gale Garnett). When Jack and Micki doubt the woman’s story, Johnny investigates on his own and discovers that Dr. Oakwood is kidnapping newborn girls and raising them in her fertility clinic. It turns out that Dr. Oakwood is a druid and she’s trying to breed future Druidic priestesses.

(Don’t yell at me, this is the show’s interpretation of druidism.)

This was the next-to-the-last episode of Friday the 13th and it just feels like the writers were tired and uninspired. Suddenly, for the first time in three years, Jack and Micki are skeptical about reports of the paranormal. Johnny is back to being impulsive and, if we’re to be honest, kind of stupid. He tells the distraught mother that her daughter is being held prisoner at the fertility clinic and then is shocked when the mother runs off to the clinic without waiting for Johnny to accompany her. Once again, it all leads to a cult and an underground cavern. This entire episode feels like it was recycled from previous episodes.

I’m not an expert on paganism so I’m not going to get into whether or not this episode accurately portrayed druidic beliefs. I will say that the druids in this episode acted like every other cult that’s ever appeared on this show. They’re just like the Satanic cult that showed up at the end of season 2. Making them druids is probably one of those things that sounded good when the episode was pitched. The word “druid” brings to mind Stonehenge and all the rest of that good stuff. But, narratively, there was nothing gained nor lost by making them druids. The show treated them like any other self-destructive cult.

This episode was a bit dull. It felt like the show was taking one last shot at getting audiences to replace Johnny as Ryan’s replacement. The whole thing just felt uninspired. It certainly left your brave reviewer bereft of inspiration.

Next week, we come to the conclusion of Friday the 13th: The Series.

Late Night Retro Television Review: Friday the 13th: The Series 3.18 “Spirit of Television”

Posted on July 4, 2025 by Lisa Marie Bowman

This week, people are dying and somehow television is to blame.

Episode 3.18 “Spirit of Television”

(Dir by Jorge Montesi, originally aired on April 30, 1990)

Ilsa (Marj Dusay) claims to be a medium. She uses a television set to summon the spirits of the dead for her rich clients and then, later on, the spirits kill her customers and Ilsa, who has a degenerative disease, gets another ten days added to her life. If she doesn’t continually kill, her skin starts to look like rubber and her fingernails fall off. Agck!

This was largely a Jack episode. Jack is the one who, with his years of experience as a magician, assumes that Ilsa is a fake. He’s also the one who recruits an old friend named Robert Jandini (Paul Bettis) to go undercover and check Ilsa out. And when Robert is inevitably killed as a result, Jack is the one who has to live with the guilt. One thing that I’ve always appreciated about Friday the 13th is that it doesn’t shy away from showing what a lifetime of battling the supernatural would do to someone’s psyche. At the end of this episode, Jack is about as depressed as I’ve ever seen him. The great Chris Wiggins was always Friday the 13th’s not-so secret weapon and he gives another stand-out performance here.

In fact, this episode is so focused on Jack, Jandini, and Ilsa that Micki and Johnny largely feel like bystanders. There’s nothing wrong with that, to be honest. Micki and Johnny just don’t have the same sort of enjoyable chemistry that Micki and Ryan had. Still, watching Johnny in the background, it’s hard not to consider that the third season’s writers never really figured out who the character was meant to be or what they really wanted to do with him. I have sympathy for Steve Monarque because he doesn’t come across as being a bad actor. Instead, he comes across as being an actor who was saddled with an extremely inconsistent character.

As for this episode, it was nice to finally get an episode that was just about a cursed antique and that didn’t feel the need to try to reinvent the show’s format. That said, the television seems likes a really bulky object to curse. How did Ilsa even figure the curse out? What if the television had been purchased by someone who wasn’t terminally ill? Can Ilsa watch regular programming on the television or is it always a portal to Hell? These questions go unanswered.

Still, it’s an atmospheric episode and Chris Wiggins gives a strong performance. For a season 3 episode, this wasn’t bad. It’s also the the third-to-late episode of Friday the 13th. Only two more left to go.

I’m going to miss this show.

Late Night Retro Television Review: Friday the 13th: The Series 3.17 “Jack-In-The-Box”

Posted on June 27, 2025 by Lisa Marie Bowman

This week’s episode is a sad one.

Episode 3.17 “Jack-In-The-Box”

(Dir by David Winning, originally aired on April 23rd, 1990)

After her lifeguard father drowns, a young girl named Megan (Marsha Moreau) uses a cursed jack-in-the-box to get revenge of those who she blames for his death. Seeing the jack in the box when it opens leads to people drowning. A janitor drowns in a pool. One guy drowns in a car wash. The deaths are grisly but it brings back the spirit of Megan’s death father. Or, at least, that’s what Megan thinks. Personally, I think the spirt was a demon in disguise because some of the things he suggested were really out there.

This was a really sad episode. In an amazing coincidence, Micki knew the lifeguard’s family and she spent most of this episode on the verge of tears. Meanwhile, Megan’s mother dealt with her sadness by becoming an alcoholic and Megan killed a number of people just so she could spend some time with her “father.” This episode was well-acted and well-written and really not the right sort of thing for me to watch at a time when the one-year anniversary of my Dad’s passing is quickly approaching. This was an episode that not only left Micki in tears but it left me in tears as well.

Okay, enough sadness! This was a good episode. The third season has been uneven and I still miss Ryan’s character but this episode showed that Friday the 13th was still capable of being effective even as the show came to a close.

Late Night Retro Television Review: Friday the 13th: The Series 3.16 “My Wife As A Dog”

Posted on June 20, 2025 by Lisa Marie Bowman

This week, it’s all about a man and his dog.

Episode 3.16 “My Wife As A Dog”

(Dir by Armando Mastroianni, originally aired on February 19th, 1990)

I knew I was going to dislike this episode as soon as I saw the title.

While Johnny and Micki spend their time trying to get the store up to code so that it can pass a fire inspection (and good luck doing that when there’s a literal portal to Hell located in the basement), Jack searches for a cursed leash. Jack has no idea what the leash does. He just knows that it’s cursed. However, the leash’s owner — fireman Aubry Ross (Denis Forest, making his fourth appearance on the show) — has figured out that, by using the leash to strangle people, he can transport the mind of his dying dog into the body of his estranged (but not dying) wife.

Or something like that. To be honest, I had a hard time following the particulars of this curse. Fortunately, so did Jack. This is the first episode that I can think of where Jack admits that he has no idea how a cursed objects works. Even when he retrieves the leash at the end of the episode, he admits that he’s still not sure what Aubry actually did with it. Jack being confused made me feel a little bit less dumb so I was happy with that. The episode ends with Aubry in jail, being visited his panting wife. She brings him his slippers because she’s now a dog in a human body.

Ugh. This was an attempt to do a light-hearted episode and I respect the show for trying to do something different. At the same time, it also featured four murders and a woman, who simply wanted to get a divorce from her creepy husband, being transformed into a dog. Our regulars were barely in this episode and, when they did appear, we had to suffer through some awkward flirting between Johnny and Micki. Denis Forest did a good job as Aubry but otherwise, this was an episode that I could just as soon forget.

Late Night Retro Television Review: Friday the 13th: The Series 3.13 “Midnight Riders”

Posted on May 16, 2025 by Lisa Marie Bowman

This week, the show attempts a change of pace!

Episode 3.13 “Midnight Riders”

(Dir by Allan Eastman, originally aired on January 29th, 1990)

An odd episode, this one.

Jack, Micki, and Johnny head out to a small town so that Jack can look up into the night sky and see a once-in-a-lifetime convergence of the stars. However, possibly as a result of the convergence (it’s never really made clear), a bunch of dead motorcycle riders are resurrected and they rumble into town, seeking vengeance on everyone who took part in the death of their leader. If the bikers can kill every one of them, their leader will be resurrected. Finally, the ghost of Jack’s father (Dennis Thatcher) shows up and works with Jack to stop the bikers. It turns out that Jack and his father had a difficult relationship. Ryan had a difficult relationship with his father. Johnny was falsely accused of murdering his father. We’ve never met Micki’s father but he’s probably a jerk too.

The weird thing about this episode is that it didn’t feature a cursed antique. Instead, Jack and the crew went to a small town and supernatural stuff started happening shortly after they arrived. That’s okay, I guess. In theory, there’s nothing wrong with trying something new. But, at the same time, the cursed antiques were what set this show apart from all of the other supernaturally-themed television series out there. Personally, even when the antique’s curse makes no sense, I still enjoy seeing what the show comes up with.

This episode had a lot of atmosphere and a typically good performance from Chris Wiggins. The ghost bikers were never quite as intimidating as they should have been, despite all of the murders. If anything, they reminded me a bit too much of Sometime They Come Back. This episode was a change of pace and, as if often the case with things like this, it didn’t quite work. Here’s hoping next week will have a cursed antique!

Late Night Retro Television Review: Friday the 13th: The Series 3.12 “Epitaph For A Lonely Heart”

Posted on May 9, 2025 by Lisa Marie Bowman

This week, it’s just Jack and Micki!

Episode 3.12 “Epitaph For A Lonely Heart”

(Dir by Allan Kroeker, originally aired on January 22nd, 1990)

Eli Leonard (Neil Munro) is a mortician who uses a cursed embalming needle to bring the dead back to life. Of course, he has to kill someone for the needle to work. Eli has fallen in love with the corpse of a young woman and …. EEK!

The dead woman’s fiancé is Steve Wells (Barclay Hope), a friend of Micki’s who let’s her know that he thinks something strange is happening at the funeral home before he himself is killed by Eli. Micki and Jack investigate! It all ends with a big and convenient fire, which not only kills Eli but also the two women who he has recently brought back to life.

Johnny Ventura was not in this episode and, as much as I’ve complained about the character, he actually is missed. Having Micki just working solely with Jack threw off the show’s balance a little. Jack is so much older than Micki that, in this episode, it felt as if Micki was Jack’s apprentice as opposed to being an equal partner in the search for the cursed items. As a character, Micki works best when she has an impulsive guy like Ryan or Johnny to play off of. Both she and Jack tend be cautious so this episode just felt a bit off.

(That said, there was an enjoyable scene of Jack and Micki having to host a gathering of all the other local antique dealers, none of whom knew that Jack and Micki spend all of their time fighting the Devil.)

The mortician was one of the least sympathetic villains that this show has ever featured. He was lonely but he also an obsessive creeper with no people skills. Friday the 13th has often featured villains who were tragically misguided or seduced by the cursed antique. The mortician was just a creep. Neil Munro did a good job playing him, making him into a villain who you couldn’t wait to see meet his fate.

In the end, though, this episode just felt off. I guess this show really does need Johnny screwing up and accidentally giving away the cursed antiques. Who would have guessed?

Late Night Retro Television Review: Friday the 13th: The Series 3.11 “Year of the Monkey”

Posted on May 2, 2025 by Lisa Marie Bowman

This week, Friday the 13th features an international adventure!

Episode 3.11 “Year of the Monkey”

(Dir by Rodney Charters, originally aired on January 15th, 1990)

Mushashi (John Fujioka) is a modern-day samurai who owns a cursed tea kettle. When Jack, Micki, and Johnny come by his dojo in search of the kettle, Mushashi says that he will give it to them if they can prove that they are “honorable” by retrieving three cursed monkey statues that are currently in the possession an elderly businessman named Tanaka (Robert Ito).

Tanaka, however, has given the three wise monkey statues (“See No Evil,” “Hear No Evil,” and “Speak No Evil”) to his three children, Michiko (Tia Carrere), Koji (Leonard Chow), and Hitoshi (Von Flores). Tanaka explains that each statue will challenge it’s owner. Those who react in an honorable way will inherit Tanaka’s fortune. Those who are dishonorable will get nothing.

Jack, Micki, and Johnny split up to retrieve the monkeys. Johnny goes to New Yok to get Hear No Evil from Hitoshi. Micki goes to Hong Kong to retrieve See No Evil from Koji. Jack gets to stay in Canada (or Chicago or wherever this show is supposed to be taking place) so that he can retrieve Speak No Evil from Michiko. What they don’t know is that Tanaka is several hundred years old. Every time one of his children fails a monkey test, Tanaka gets a little bit younger.

It’s all about honor and dishonor and the code of the samurai in this week’s episode. To be honest, it’s a bit of a mess. First off, the title refers to the Chinese Zodiac but, other than our three regulars, all of the characters are meant to be Japanese. Secondly, it’s never really clear how the cursed monkeys decide what is honorable and what is dishonorable. Hitoshi uses his monkey to hear the thoughts of those around him and to take advantage of them. That’s definitely dishonorable. But then Koji is declared to be dishonorable even though his monkey did something on its own, without Koji telling it to. Michiko refuses to use her monkey to her own advantage and is judged to be honorable. She is told that it is now her duty to kill her father but instead, she commits suicide because killing her father would be dishonorable. Then, Tanaka is eventually judged to be dishonorable because he stabs Musashi while Mushasi is not holding a weapon but that’s just because Mushashi dropped his sword at the very least minute. It seems like Mushashi should be the dishonarable one for going out of his way to trick Tanaka.

My point is that this was a confusing episode. The monkey were actually kind of cute but their powers made no sense. I’m also not sure why experienced world traveler Jack decided to send Micki to Hong Kong instead of going himself. In the end, this episode was pretty silly, despite the cool monkeys and the samurai-themed finale.

Late Night Retro Television Review: Friday the 13th: The Series 3.10 “Mightier Than The Sword”

Posted on April 25, 2025 by Lisa Marie Bowman

Another Friday, another cursed antique….

Episode 3.10 “Mightier Than The Sword”

(Dir by Armand Mastroianni, originally aired on January 8th, 1990)

Micki’s been possessed again!

This time, it’s the result of a writer named Alex Dent (Colm Feore, who appeared in quite a few episodes of this show, always as a different villain) using his cursed pen to write about Micki becoming a serial killer. That’s how Alex makes his money. He writes about people becoming serial killers and then, when they do exactly what he has written, Alex publishes a true crime book about them.

Johnny is a huge fan of Alex’s books. Micki says that she’s seen enough death in real life without having to read about it. Johnny doesn’t seem to take her seriously, which is odd. Sometimes, Johnny seems to forget that he and Micki spend all of their time dealing with cursed antiques and battling the Devil. I mean, has Johnny forgotten about the time that he spent in prison after he was wrongly convicted of murdering his father? Johnny seems to go from being streetwise to naive rather abruptly, all depending on what the episode’s story requires of him. It’s also a bit of an odd coincidence that Johnny would just happen to be a fan of someone who has one of the cursed antiques but, then again, this wasn’t the first time this happened on Friday the 13th and I imagine it will happen a few more times as well.

This episode had an interesting premise, though I do have to wonder how Alex found out about the curse in the first place. It doesn’t seem like the most practical of curses. Alex must write, sell, and publish his books in record time. Micki always seems to be getting possessed, which usually leads to her posing in a doorway and delivering her lines like a 40s noir heroine. (In this episode, she also takes up smoking.) Fortunately, Robey always did a good job pulling off the whole suddenly possessed thing. I imagine it must have been pretty traumatic for Micki but at least Johnny learned a lesson about reading trashy true crime paperbacks.

As for this episode, Colm Feore was a good villain, there was plenty of noirish atmosphere, and the episode didn’t take itself particularly seriously. It kept me entertained! Really, what more can you ask from a show?