Catherine Kellner | Through the Shattered Lens

Sorry for keeping this short. Just before I sat down to write this yesterday, I became so dizzy that I collapsed. I am going to try and stay in bed all day. Luckily, there isn’t much to say that I haven’t already in my posts for Dog Police by Dog Police and Old Timer by That Dog.

You have a music video that uses similar dog makeup and themes from Dog Police, but without the humor. It is played straight. You have Spike Jonze collaborator and drummer for That Dog–Tony Maxwell–playing Charles. Charles comes to the big city obviously different from everyone else because he is a dog person–much like someone moving from the country or suburbs to the big city. That makes him in the process of trying to adapt to a new place. He also has the physical handicap of a broken leg that that doesn’t really come into play except to complement the mental handicap that the radio represents. We see that not only does it have a sentimental tie to his youth as shown by the picture with his dad, but we also see that he literally can’t turn it off because of the missing buttons. He does run into an old friend and would be able to follow her on the bus were it not for the radio he can’t turn off yet and the bus doesn’t allow radios. It also means he will have a tough time getting people to accept him in much the same way that the band did to get to this music video that included a review of a pre-Daft-Punk album by Melody Maker that called the music they made as “a dafty punk thrash.” There’s more you can read in the “history” section on Wikipedia that ties into this video as well.

It all sounds quite depressing. However, we know throughout, and at the ending, that the short time we have spent with him is only a rough patch–he’ll make it through. I guess you could look at the ending as him going out into the street as a suicide attempt. I don’t see it that way. I see tough times ahead for Charles. Tough times that Charles will be able to overcome as we can see that he has a strong spirit despite the barriers to entry that the big city throws at him.

A stylistic choice that is interesting here is that it is shot on the streets rather than the studio music videos people are typically familiar with even from Spike Jonze.

Enjoy!

“And then all this happened…”

Nurse Evelyn Johnson (Kate Beckinsale) in Pearl Harbor (2001)

The “this” that Evelyn Johnson is referring to is the Japanese attack on Pearl Harbor. You know, the date will live in infamy. The attack that caused the United States to enter World War II and, as a result, eventually led to collapse of the Axis Powers. The attack that left over 2,000 men died and 1,178 wounded. That attack.

In the 2001 film Pearl Harbor, that attack is just one of the many complications in the romance between Danny (Ben Affleck), his best friend Rafe (Josh Hartnett), and Evelyn (Kate Beckinsale). The other complications include Danny briefly being listed as dead, Danny being dyslexic before anyone knew what dyslexia was (and yet, later, he’s still seen reading and writing letters with absolutely no trouble, almost as if the filmmakers forgot they had made such a big deal about him not being able to do so), and the fact that Rafe really, really likes Evelyn. Of course, the main complication to their romance is that this is a Michael Bay film and he won’t stop moving the camera long enough for anyone to have a genuine emotion.

I imagine that Pearl Harbor was an attempt to duplicate the success of Titanic, by setting an extremely predictable love story against the backdrop of a real-life historical tragedy. Say what you will about Titanic (and there are certain lines in that film that, when I rehear them today, make me cringe), Leonardo DiCaprio and Kate Winslet had genuine chemistry. None of that chemistry is present in Pearl Harbor. You don’t believe, for a second, that Ben Affleck and Josh Hartnett are lifelong friends. You don’t believe that Kate Beckinsale is torn between the two of them. Instead, you just feel like you’re watching three actors who are struggling to give a performance when they’re being directed by a director who is more interested in blowing people up than in getting to know them.

Continuing the Titanic comparison, Pearl Harbor‘s script absolutely sucks. Along with that line about “all this” happening, there’s also a scene where Franklin D. Roosevelt (Jon Voight) reacts to his cabinet’s skepticism by rising to his feet and announcing that if he, a man famously crippled by polio and confined to a wheelchair, can stand up, then America can win a war.

I’ve actually been to Pearl Harbor in Hawaii. I have gone to the USS Arizona Memorial. I have stood and stared down at the remains of the ship resting below the surface of the ocean. It’s an awe-inspiring and humbling site, one that leaves you very aware that over a thousand men lost their lives when the Arizona sank.

I have also seen the wall which lists the name of everyone who was killed during the attack on Pearl Harbor and until you’ve actually been there and you’ve seen it with your own eyes, you really can’t understand just how overwhelming it all is. The picture below was taken by my sister, Erin.

If you want to pay tribute to those who lost their lives at Pearl Harbor, going to the Arizona Memorial is a good start. But avoid Michael Bay’s Pearl Harbor at all costs.