Undercover Boss: An Orwellian Sham


I’m not ashamed to admit it.  I love reality TV.  Survivor, Big Brother, Real World, The Amazing Race, Project Runway, the Bachelor(ette) – I could watch these shows forever.  To me, Paradise Hotel (remember that one?) was one of the most brilliant television events in history.  It’s traditional for culture snobs to hate reality television and to spend hours crying about how it represents the decline of civilization and blah blah blah. 

Well, strangely enough, this year has seen the premiere of a reality show that has made me start to say “Blah blah blah.”  What’s worse is that this show has become something of a populist hit, a show that has been embraced by the very people who should hate it.  That show is Undercover Boss.

In Undercover Boss, a CEO goes undercover as an entry level worker in his own company.  The experience is meant to humble him and bring him back down to Earth.  Of course, what’s not mentioned is that each show basically works as a 60-minute commercial for whatever company is being featured on each episode.  For that reason, we hear that the CEO of 7-11 knows that he needs to know how to improve his company’s image.  However, at no point do we say anyone informing the CEO that he might end up getting shot if he works the late shift.

One of the reasons why Undercover Boss has become so popular is that every episode pretty much follows the exact same format.  There’s never anything unexpected hiding in the shadows.  This means that viewers can not only turn off the majority of their brain and still follow what’s going on but that they also get to pat themselves on the back for being able to predict what’s going to happen before it actually does.  The show makes the audience feel smart by making them more stupid.  George Orwell would be proud.

Each episode plays out as follows:

First, we get an overview of whatever company we’ll be investigating tonight.  For the most part, these are companies that we’ve heard of but we rarely give much thought to.  They are also companies that are successful enough that it really doesn’t matter whether the CEO goes undercover or not.

We then meet the CEO.  If the 1st season is any indication, a CEO is a boring white guy who was either given his job by his father or else graduated from an Ivy League college.  Apparently, this is one of those no-girls allowed type of jobs.  I guess we’re just too emotional to handle the responsibility.  We get to see our masculine CEO with his perfect family (which usually consists of a nameless wife and two or three kids just to make sure we know that our male CEO is a real man).  The manly CEO will often make a point of telling us that he loves motorcycles or skydiving or something else that he thinks will make him less inherently boring than he actually is.  The really pathetic CEOs are the ones who insist on being filmed while surfing.  “See, I am too a normal guy!  I own a surf board and wear a wet suit.”

However, the CEO tells us that he feels like he needs to go and get his hands dirty.  He has to know what’s going on in his company.

The CEO then holds a meeting with his “corporate board.”  His corporate board is usually a group of people who are somehow even more boring than the CEO.  For the most part, this corporate board is equally male, white, and bald.  Most of them could also seem to have that unfortunate thing where it’s impossible to tell where the chin ends and the neck begins.  Strangely, a lot of these guys respond to this condition by trying to grow a beard which basically just makes them look a 100 times worse.  Another thing I always notice about these corporate types is that they’re almost always wearing a suit but not a tie.  Instead, they just leave their collar unbuttoned and show off a small fraction of their sweat-stained undershirt.  I’m assuming they’re trying to say that they haven’t become corporate, that they’re still Jenny From The Block no matter how money they’re making.  However, they just look like they forgot to finish getting dressed in the morning.  Seriously, guys, fuck you.

For the sake of diversity, there are usually one or two women on the board.  For the most part, the women are white and their lipstick is bleeding into the wrinkles surrounding their mouth.  There’s usually a black guy on the board too.  Usually, he’s wearing a nametag that reads “Token.”

One odd thing about this show is that every CEO seems to have the same board of directors.  I don’t just mean that all the boards are made up of bald white guys.  I mean, that they seem to be made up by the exact same bald white guys.  Honestly, I’m one of those bohemian artist girls.  I don’t know much about Corporate America.  Maybe there’s a traveling board of directors that goes from company to company.  I’ll have to give the show the benefit of the doubt.

Anyway, the CEO says, “I’m going undercover.  I’m going to pretend to be a very verbose blue collar worker with an Ivy League education.  I’m going to lie to people to get them to tell me the truth.  I’ll be in the trenches, working.  Kinda sorta.”

What’s hilarious here is that, while he’s speaking, the camera will always find the one kissass board member who actually starts taking notes.  I always want to know what they are actually writing down.  Maybe something like: I am the Angel of Death.  My time is now while the boss is out…

Another member of the board will then say, “Do you think you can hack it?  I mean, those are silk boxers you’re wearing there.”

Everyone laughs nervously.  The CEO glares and then says, “That’s what I’m going to find out, you smug asshole.”

The CEO goes undercover.  This means that he either stops shaving or he does shave if he’s one of those insecure men who thinks a beard will somehow make him impressive.  He takes off his tie.  He puts on a baseball cap.  BAM, suddenly he’s just your average articulate, well-spoken 57 year-old laid off construction worker.  He tells us that if he’s going to undercover, he’s going to have to live like a poor person.  This apparently means getting a room at some otherwise deserted motel where he promptly proceeds to snort a line of cocaine off the nightstand.  Staring at the camera, he rubs his red nose and says, “Don’t film this, okay?  God, my life is such a fucking lie!”

(I’m still waiting for one of the undercover CEOs to get stabbed to death in the shower…)

The Undercover CEO explains that he’ll be using a fake name.  He also says that the camera crew will be explained away as a crew that’s making a TV show about entry level jobs.  Oddly enough, apparently this story actually works.  Nobody ever says, “Hey, articulate, educated, old white blue collar guy, why are there a bunch of TV cameras following you around?”  Me, I have to wonder why anybody would want to watch a TV show about entry level jobs when they could be watching one about clueless undercover CEOs fucking up in their own companies.

Speaking of which –

The first job that Undercover CEO takes almost always seems to involve a lot of physical activity and speed.  He shows up for the job looking all unshaven and laid off-like.  He meets his new supervisor.  Undercover CEO grins like an idiot and goes, “I’m here to work.”  The new supervisor says, “I give a fuck, kid.”  Again, nobody mentions the camera crew.

Anyway, the supervisor assigns Undercover CEO to do the most demanding, difficult, and demeaning job possible.  The Undercover CEO is assigned to work with either a jovial black man or a fat woman.  The Undercover CEO is really, really impressed by his new co-workers.  “Why they’re just the type of poor people I was hoping I’d meet!” he says. 

They get to work.  Undercover CEO does a terrible job.  He can’t keep up.  The Supervisor comes by and says, several times, “Jesus Christ, strangely soft-spoken blue collar worker, you sure do suck.”  Undercover CEO tells the camera, “This is hard work!”

I think part of the CEO’s problem here is that he simply won’t shut up and do his job.  Instead, he’s spending the whole time asking everyone around him questions like, “How long have you worked here?” and “Do you enjoy your job?” and “How do you work here and take care of your children?”  His coworkers – who need their jobs much more than Undercover CEO – answer every single one of his questions.  Does nobody find it weird that this stranger wants to know about everyone’s children?

Anyway, at the end of his first shift, Undercover CEO is told that he can’t cut it.  “We don’t need you back,” the supervisor says.  Dejected, Undercover CEO goes out, picks up a male prostitute, and goes back to his hotel where he allows his date for the night to tie him down to the bed and drip hot candle wax on his genitals.  (Okay, maybe that was just Michael Rubin, who was probably the most clueless asshole of the 1st season’s CEOs.)

The next day, a properly sore and chastised Undercover CEO goes to work in the “service” part of his company.  He’s either a short order cook or a cashier or something like that.  Again, he’s assigned someone to train him.  This time, the Undercover CEO does his job adequately despite the fact that he still won’t stop harassing his new co-workers with a bunch of inappropriate questions.  He asks, “Do you like working here?” and “What do you think this company could do better?”  Amazingly enough, people still answer him even though there’s a camera crew there filming them.  Does it never occur to these people that there’s something weird about some stranger with a camera crew wanting to know every intimate detail of their lives within minutes of first meeting them? 

Amazingly, Undercover CEOs always end up getting trained by the one person in the company who either needs an organ transplant or who has a child on dialysis.  Undercover CEO is moved to tears.  During his break, he tells the camera, “I wish all my employees were like her.”  Which I guess means that he’s wishing all of his employees were terminally ill and unable to pay for adequate medical coverage.

Undercover CEO returns to his motel.  He’s got a lot to think about now.  He sighs.  “Did you know,” he tells the camera, “that before I became a CEO, I was just another dirty little boy who liked to touch himself?  Somehow, I have to get back in touch with that little boy.  Hold me.”

Day 3, Undercover CEO is forced to deal with the dark underbelly of his corporation.  This was the day that the CEO of 7-11 discovered that one of his stores did not have working lights.  Shrimpy little Michael Rubin had to work with a rude woman in customer service on Day 3.  (“I nearly went off on her,” Michael informs us.  What-evuh, Michael.  Go fuck yourself.)  Most notoriously, the Hooters CEO met a manager who forced his waitresses to play “reindeer games.”  Amazingly, these people engage in their bad behavior even though there’s a camera crew about two feet away from their face.

Undercover CEO’s mad now.  “Yes,” Undercover CEO says, “my company may not be perfect but dammit, that’s just not the way we do things at Hooters! ” Undercover CEO sneaks outside.  He yanks out his cell phone.  He calls someone at the corporate office.  He says, “This is your CEO speaking.  We’ve got bad juju going down.”  The person at corporate probably says, “I’ll get right on that, sir,” in a tone of contempt and seething hatred.  Undercover CEO says, “Get on it, stat!”  He hangs up his phone.  He looks at the camera.  “That’s not the way we do things!” he repeats as saliva forms at the edge of his mouth. 

A few minutes later, a van pulls up in front of Hooters.  Undercover CEO watches as Jack Bauer gets out of the van and runs into Hooters.  For a few seconds, silence.  Then a barrage of gunfire erupts.  Bauer runs out of Hooters and jumps back in the van.  As the van speeds off, the offending Hooters blows up.  Undercover CEO looks at the camera and nods.  “Sometimes,” he says, “it’s about doing what’s right.”

Back at the motel, Undercover CEO grins as he tells the cameraman, “That’s not the first time I’ve had to do that.  What’s funny is that I’m not even the CEO of Hooters.”  Undercover CEO starts to giggle.  “I’ve been a baaaaad wittle boy, mommy,” he says.

Cut to commercial.

The next day, Undercover CEO has his final assignment.  Inevitably, there’s someone at this last job who knows who Undercover CEO actually is.  So Undercover CEO has to have a meeting where he goes, “Hey, I’m all undercover and stuff.  You blow my cover and I’ll have your family killed and fed to a bunch of pigs.”  Everyone agrees to keep Undercover CEO’s identity a secret.  The audience sighs a sigh of relief because the audience is made up of a bunch of total dumgfugs.

Anyway, during the final assignment, Undercover CEO ends up working with an inspiring member of a minority who reaffirms the Undercover CEOs faith in humanity.  Undercover CEO tells the camera, “That guy could be really valuable in this company, even though he’s black/Mexican/Indian/actually a woman.”  Undercover CEO does his final job well.  For some reason, everyone tells him every detail about their lives.  Undercover CEO is moved.

However, Undercover CEO isn’t moved enough to actually give them any of his money.  Instead, he just checks out of the Bates Motel and returns to his corporate office.

He has a meeting with his board of directors.

A member of the board goes, “I heard everyone hated you and you really suck.”

Undercover CEO says, “I’ve seen the light!  We’re going to change how we do things at this company!”

The kissass board member continues to take notes.

Undercover CEO either starts to shave again or else grows his beard back.  He puts on a suit.  He says, “Thank God, I’m rich again.  What are those fucking cameras still doing here?  Oh yeah, I’ve got to let everyone know that I spent a whole day lying to them.”

Everyone that Undercover CEO has worked with is invited to the corporate office.  They’re interviewed as they’re driven to the office.  They say, “I’m scared.  I hope I’m not getting fired.”  None of them seem to connect the current TV cameras to the last group of TV cameras that they saw. 

They meet the CEO.  The CEO says, “You remember me?  I actually run this company!”

“Bullshit!” the former co-worker replies.

“No, it’s true!”

“What-evuh, freak.  Go fuck yourself.”

Most of this is edited out in post-production but you know it happens.

Undercover CEO tells everyone what a great job they’re doing.  And he tells them that he’s going to reward them for being sick or not being able to take care of their children.  (Never mind everyone else in his company who is in a similar situation.) 

The co-worker smiles, probably hoping to hear that he’s getting a raise.

Undercover CEO says, “I was really touched by how your son is about to die if he doesn’t get a kidney transplant.  So, I made a $1,000 dollar contribution to the Stop Global Warming fund.”

“Oh,” the co-worker says, “I guess that’s good.  Considering that I had to do a lot of extra work to cover for your middle-aged ass…”

“Now, get the fuck out of my office and make sure you cut your overtime,” Undercover CEO says.

Finally, everyone who works for Undercover CEO gathers in a conference room where they watch clips of him fucking up.  They all laugh and go, “See, I told you the boss is an idiot!”

Undercover CEO then addresses his employees.  “See,” he says, “I am too a great guy.”

And life goes on.

That so many Americans have apparently been seduced by this obviously manufactured piece of mainstream propaganda is just sad.

The most common adjective that I hear to describe this show is “positive.”  Supposedly, it celebrates the workers of America.  It makes people feel better about their own largely pointless lives.  And to all that, I say “Bullshit.”  Yes, the CEO gets to be poor for a week but he does it secure in the knowledge that it’s only going to be for a week and that he’s not going to lose his job.  The CEO is less an undercover investigator and more of a pampered tourist who looks at poverty all around him, says, “How awful,” and then promptly gets on the next plane home.

Review: Ticket to Heaven (dir. by Ralph L. Thomas)


 

At the start of 1980’s Ticket To Heaven, we’re introduced to David (Nick Mancuso), a normal young man from an upper middle class background.  David is likable enough but, when we first meet him, is still feeling depressed after breaking up with his longtime girlfriend.  He handles his loneliness by meeting up with Karl, a friend from college.  Karl, who is accompanied by an almost unbelievably positive young woman (played by a very young Kim Cattrall), invites David to come spend the weekend at a religious “retreat.”  For reasons that have more to do with Cattrall than with any interest in religion, David agrees.

The retreat turn out to be a camp where everyone is extremely friendly and extremely positive.  From the minute David arrives, everyone is smiling at him and telling him how thrilled they are to meet him.  It’s such a positive experience that David doesn’t even complain when he’s given little to eat, allowed very little sleep, and forced to endure hours of talk about the great spiritual leader who set up the camp.  When David does eventually decide that he’d like to leave, all of his friendly campmates are so wounded by his rejection that he changes his mind.  Who wouldn’t?  After all, they’re so nice and idealistic and positive.

Needless to say, David never leaves the camp.  When his best friend (played by Saul Rubinek)  happens to run into David on the street, he’s shocked to discover that David has become a blank-eyed zombie whose life now revolves around selling flowers in the street and making money for his new friends.  However, David’s old friends aren’t quite ready to give him up and the rest of the film details the battle between the two groups for David’s mind and soul.

Ticket to Heaven is a genuinely unsettling film.  As directed by Ralph Thomas, the entire film seem to ooze a very real creepiness that stays with you even after the end credits have rolled.  The film is at its best when it shows, in painfully believable detail, just how easy it is for someone to become brainwashed and to set aside everything that makes them unique in the name of a “greater good.”

The film’s cast is made up of a talented group of mostly Canadian character actors and, down to the smallest role, they’re all disturbingly believable.  Kim Cattrall is probably the most recognizable face in the cast, though Michael Wincott (he of the sexy, gravelly voice) also shows up in a tiny role.  Nick Mancuso and Saul Rubinek are believable as best friends and Mancuso is such a likeable presence that it makes his transformation into soulless zombie all the more disturbing.  Meg Foster — who looks like a thin, somewhat stable version of Kirstie Alley — gives an excellent and chilling performance as one of the cult’s leaders.

However, for me, the film’s best performance was given by an actor named R.H. Thomson.  Playing a cult deprogrammer named Linc Strunc (what a great name), Thomson is only in a handful of scenes but he dominates every one of them.  Speaking through clenched teeth and giving off an attitude of weary cynicism, Thomson takes a role that could have been a stereotype and makes it instead very compelling.  If I choose to believe Wikipedia, Thomson is still active as an actor and, after seeing his work in Ticket to Heaven, I may have to track down his other films.

Despite having won a Genie (the Canadian version of the Oscar), Ticket to Heaven is something of an obscure film.  I have to admit that I bought the DVD on something of a whim and that was mostly because I was intrigued by the words “In 1979, David joined a cult…” on the DVD’s cover.  I’ve long been fascinated by cults and just how easily some people can surrender everything the makes them a unique and individual human being.

During my first semester away at college, there used to be a small handful of students who, every night, would gather together outside the student union.  Since I’ve always been a night person, I’d often find myself walking by their little group and I always felt a little bit anxious whenever I saw them.  They all looked perfectly normal but there was still something off about them.  As my roommate Kim put it, they all looked like they had wandered out of a toothpaste commercial.  There was also the fact that they obviously considered themselves to be a part of an exclusive club that the rest of us had not been invited to join.

One night, Kim and I went down to the student union to check our mail.  As we were heading back to our dorm, we passed this little group and I noticed that one of them appeared to be holding a microphone.  I guess he saw me looking because he held the microphone up to his lips and said, his voice booming, “HEY YOU, DO YOU KNOW THE LORD!?”  At the time, Kim and I both considered ourselves to be decadent Pagans so we answered by sharing a long kiss in front of them and then laughing at the dead glares that greeted our response before we then ran, hand-in-hand, back to the dorms.   In retrospect, I guess that was my invitation to join the club and I’m glad I was too busy trying to be worldly to accept it. 

 A few nights later, I found myself suffering from the insomnia that’s plagued me for as long as I can remember.  Around 3:00 a.m., I was sitting down in the dorm’s lobby, trying to write angsty poetry.  On the other side of the lobby was this guy that we’ll call “Rich.”  You’ve probably known someone like Rich.  He’s one of those guys who was always smiling a little bit too much, who was always almost desperately friendly.  Rich was someone who, for whatever reason, was obviously lost and looking at him, you got the sense that he’d never been truly happy a day in his life.  I always felt sorry for Rich but I was also a little scared of him.

That night, I was happy that he wasn’t trying to talk to me.  Instead, he was just quietly sitting in a corner with a blank stare.  Suddenly, he was approached by three men who greeted him by name and, visibly shaking, Rich stood up to greet them.  It took me a few minutes but then I recognized that two of the guys were from that same group that always gathered outside the union.  Standing in between them was a balding, bearded man who I’d never seen before or since.

The four of them sat down and they were soon leaning forward in huddled conversation.  I found myself straining to hear what they were saying but I could only pick up a few words.  I could see that Rich was still shaking and that he had started to cry.

Suddenly, the bearded man spoke in a voice that snapped through the entire lobby.  “You little shit,” he said, “You pathetic motherfucker!”

As the two others sat there impassively, the bearded man leaned forward until his face was inches in front of Rich’s.  From where I was sitting, it looked almost as if Rich’s face was being eclipsed by the back of the man’s head.  The man continued to speak but now his voice was low and I couldn’t make out the exact words.  But I could tell from his body language and his gestures that he was giving Rich more of the same.

After about an hour of this, Rich started nodding and, tears flowing down his face, he started to say, “Praise God!  Praise God!  Thank you!  Praise God!”

The four of them stood up and, as I watched in disbelief, they stood there hugging each other as Rich continued with his “Praise God!”  The three guys then headed out and Rich, smiling even though his face was still slick with tears, skipped out of the lobby.

Rich graduated at the end of that semester.  A few years later, when I was about to graduate, I heard someone say that Rich had recently committed suicide.  I don’t know if that’s true and it’s almost too obvious an ending to his story. 

I thought a good deal about Rich and that night after I finished watching Ticket to Heaven.

Admittedly, Ticket to Heaven is not a “perfect film.”  Strong as Mancuso’s performance is, David is still something of a sketchy character.  The film does a good job showing the techniques that the cult uses to brainwash David but it’s never quite clear why David was so susceptible to those techniques to begin with.  There are hints, of course.  David is shown to be upset over breaking up with his girlfriend and there are hints that his safely middle class existence has left with him with little sense of having an individual existence of his own.  That doesn’t change the fact that David ultimately comes across as less of a real person and more as a way for the film to preach its anti-cult message.

Indeed, the film’s biggest flaw is that it is essentially a message film.  As well-acted and intelligently scripted as it often is, the movie exists to deliver a message.  Fortunately, it’s a good message but that doesn’t stop the film from sometimes rather heavy-handed.  This is most obvious in the movie’s final scene in which things are tied up just a little bit too neatly. 

Still, flaws aside and despite having been made 30 years ago, Ticket to Heaven remains a relevent film.  We live in a world that, for the most part, is made up of brainwashed people and, watching the movie, I had to wonder how much difference there really was between the overbearingly positive cultist played by Kim Cattrall and the grim-faced jihadists that currently haunt our nightmares.  When you consider just how much evil is justified, on a daily basis, in the name of the greater good, its becomes obvious that the movie’s warning against becoming a living zombie is just as important today as when the film was made.

The film’s cult is based on an actual, real-life group that was apparently very active in the late 70s and who are still around today, the Unification Church.  I vaguely remember them being in the news back in 2004 when the head of the church was declared to be “the prince of peace” at a ceremony that was attended by a few congressmen.  Type “Unification Church” into google and you’ll end up with links to a lot of stories that would seem to suggest that the real cult is even more creepy than the fictionalized version in Ticket to Heaven.