Doing a major 180 degrees the latest Song of the Day come from the Land of the Rising Sun. This song was first introduced to me by site music writer necromoonyeti and from the first time the song began to it’s final note it became one of my favorite songs. My last.fm profile will attest to this as I’ve played it a couple hundred times since hearing it for the first time.
I speak of Naki Kyoku by the Japanese power trio, Boris.
It’s difficult to describe the band Boris. They’re definitely s rock band, but other than that simplistic description they’re not a band to be pegged into any particular genre of rock. Their albums have ranged from early hardcore punk and crust. They’ve dabbled in drone metal, sludge metal and ambient. The song Naki Kyoku comes from their 2003 full-lenght album, Akuma no Uta (means “The Devil’s Song”). This particular album and, especially, this song brings to mind an eclectic blending of stoner rock with its cousin, psychedelic and noise rock.
Just like the band which birthed the song, Naki Kyoku can’t be labeled under any particular subgenre of rock as it seems to sound differently for each listener. Don’t know exactly who and what Boris is as a band and especially this particular song of theirs, but I know what I like and this song is one I definitely fell in love with at first listen.
Having seen 263 different bands live, and a good many of those more than once, I offer you a top 10 list based on ample experience. Oh there might be better live bands out there, but mark my words, these guys are among the very best.
10. Sunn O)))
1 time: 20090917
Recommended album: Black One, or their collaboration with Boris: Altar
Sunn O))) is what happens when an ancient mystery cult encounters electricity. This is probably the closest you can get in this day and age to a true pagan spiritual experience. This is amplifier worship in the literal sense.
9. The Mountain Goats
1 time: 20061029 No Children off of Tallahassee
Recommended album: All Hail West Texas
A funny looking man picks up an acoustic guitar and starts singing you a story about two young lads named Jeff and Cyrus. As the painfully awkward lyrics inform you of their botched efforts to form a metal band, accusing society’s lack of tolerance for holding their dreams at bay, you really start to wonder whether you should cheer the guy on or steal his lunch money. Then the story reaches its conclusion with a chorus of “Hail Satan! Hail Satan tonight!”, everyone in the audience is singing along, and you at last realize that it doesn’t really matter whether you understand the guy or not. This is delightful. If you bother to dig around a little, read more of the lyrics, catch the references here and there, you’ll come to find that John Darnielle absolutely “gets it”. The joke was on you. But it was a clever innocent joke, because everything this guy writes is just as honest as it is intentionally comical. Show up, sing along, listen to his stories, walk away smiling.
8. Týr
2 times: 20080516, 20080517 Hail to the Hammer off of various albums
Recommended album: Eric the Red
“Viking metal” is as much an ethos as a musical style. Indeed, I hesitate to label any but the most undeniable bands “viking”, as opposed to “folk” or “pagan”. But in Týr we find the true third generation of the genre, following Bathory and Falkenbach, with whom they share little stylistically save a knack for writing anthemic heavy metal pagan hymns. I never got into Týr much until I saw them live, but was impressed by their great vocal harmonies, trance-like song progressions, and most notably the confidence with which they could hold the stage even when singing a cappella. By the end of the night I was making arrangements to drive three hours away to see them again.
7. Cracker
3 times: 20060614, 20071031, 20090527 St. Cajetan off of Cracker
Recommended album: Garage D’Or best of compilation
Cracker are the most underrated band of the last 20 years. I’ve been a fan since Teen Angst (What the World Needs Now) and Low were radio staples in the early 90s, but when I finally saw them live for the first time in 2006, I was blown away by their energetic stage presence. Johnny Hickman is a rock guitar guru, blending the established melodies with bluesy improvisations that at no point feel forced. David Lowery, nearly 50, rocks out harder than most younger musicians today. You’ll show up with limited hopes of tapping your feet to a few old familiar songs and discover a band that ranges from head-banging rock to slow tongue-in-cheek ballads to plodding blues-worship masterpieces.
6. Explosions in the Sky
1 time: 20070429 Your Hand in Mine off of The Earth is Not a Cold Dead Place
Recommended album: The Earth is Not a Cold Dead Place
The name says it all. Granted I saw them main stage at Coachella on a sound system set to support Rage Against the Machine’s first gig in nearly a decade, I have to imagine their music completely encompasses any venue. Explosions in the Sky write songs so compelling that you will completely forget you’re at a gig. The music penetrates everything in its vicinity and thrusts itself into you so forcefully that no amount of distractions will diminish the experience.
5. The Decemberists
4 times: 20040627, 20040628, 20061024, 20090814
excerpt from The Hazards of Love
Recommended album: The Crane Wife
The Decemberists have evolved from a thoroughly entertaining sideshow into a complex, operatic experience, without losing track of their original nature. Last time I saw them they performed the Hazards of Love rock opera in its hour long entirety without breaks, then returned for a good half hour of interactive fun. Audience participation is required, but hard to resist when they’re marching up and down the aisles in parade, awkwardly yanking people out of their seats to perform weird skits set to their older songs.
4. Boris
3 times: 20070316, 20071019, 20080629 Farewell off of Pink
Recommended album: Akuma No Uta
A youtube comment for this video described Farewell as “probably the greatest sludge ballad of all time”. Remember that feeling of disintegrating into the world that you got the first time you listened to Converge’s “Jane Doe” or Explosions in the Sky’s “The Birth and Death of Day”? A video of Boris can’t possibly do them justice. The shear volume of sound is their most distinguishable characteristic. On songs like “Farewell” it will disolve you. On songs like “My Neighbor Satan” it will implode you. On songs like “Naki Kyoku” it will chill you out in a mellow bliss.
3. GWAR
5 times: 20060723, 20061124, 20070707, 20071006, 20090923 Womb with a View off of War Party
Recommended album: Beyond Hell
Ever seen a man in a pig suit get a spear jammed up his ass and split out the top of his spine? Ever get soaked in the blood and puss launching forth from the gaping wound, while a monster with a three foot dick sings about raping your girlfriend and feeding her to bears? …What, that doesn’t sound fun? Everyone should see GWAR live at least once. You will either become a cult follower or start going to church more.
2. Dropkick Murphys
3 times: 20070913, 20080307, 20090629 Kiss Me, I’m Shitfaced off of Blackout
Recommended album: The Meanest of Times
If you’ve ever drank a beer and liked it, you are a Dropkick Murphys fan. Their gigs are more like giant parties… Well, parties with bagpipes and Guinness.
1. Blind Guardian
2 times: 20061210, 20061211 Mirror Mirror off of Nightfall in Middle-Earth
Recommended album: NiME or A Night at the Opera
Hansi Kursch is the King of the Nerds, and we must give our worthy sage the rightful placement he deserves. What happens when you combine Iron Maiden stage presence with the most epic melodies ever written and lyrics about the Dark Lord Sauron? Click and see my friend. Click and see.
I got pretty excited when asked to write an article on Boris. After all, 2009 was their best year since Flood. I’m not kidding. In fact, it wouldn’t even be fair for me to describe their new material. I’d just be spoiling it. Instead let me help you piece it all together. Boris revealed 10 new songs last year, totaling 62 minutes and spread out over six different releases. Four of them were to some extent intended to be pieced together into one. The other two are just too good to exclude. Here’s what to look for:
split w/9dw – Golden Dance Classics (2009 Catune)
split w/Torche – Chapter Ahead Being Fake (2009 Daymare)
Japanese Heavy Rock Hits v1 7″ (2009 Southern Lord Records)
Japanese Heavy Rock Hits v2 7″ (2009 Southern Lord Records)
Japanese Heavy Rock Hits v3 7″ (2009 Southern Lord Records)
Japanese Heavy Rock Hits v4 7″ (2009 Southern Lord Records)
The first two are available on cd, but don’t ask me where. The Heavy Rock collection has to the best of my knowledge only been marketed on vinyl. Volume 4 is only available in a limited edition when you order 1-3 as a package from Southern Lord, and consists of a cover of some 1970 single by a band called Earth & Fire. Volume 4 and Chapter Ahead Being Fake both contain one Boris song, and the rest have two. Now go get all of them. If you’re downloading, note that Luna ends abruptly and Tokyo Wonder Land begins abruptly. While I’m not convinced that the former is by design, I have yet to hear of a version that contains the last few seconds of the song.
As for the order you should experience them in, the Heavy Rock Hits follow a logical progression (with the last track of 1 and the first of 2 being the only real downers out of all 10.) The 9dw split was released first, but Tokyo Wonder Land is definitely not an intro track. The abrupt ending and beginning I mentioned make for a logical transition between the very different styles of the two splits, and the monolithic mindfuck that is Luna would make Golden Dance Classics a downer of an outro, so I suggest Chapter Ahead Being Fake – Golden Dance Classics – Heavy Rock Hits as the most logical order to listen in. At least that’s how I queue them up.
Like I said, I don’t want to go into detail about the songs, because they’re really something to experience, not describe. Suffice to say I consider Boris’s 2009 collection as a whole second only to Flood as the best hour of music they’ve yet recorded. Expect to be blown away, beaten into a pulp, chilled back out, then taken on a roller coaster through the extremities of Boris’s present potential, all the while wondering if it’s one big joke. Enjoy what would have easily topped my year-end list could I call it a singular album. And check out the rest of the splits eventually. 9dw and Torche contribute some nice tunes.
For whatever it’s worth, my favorite tracks are Luna, 8, and Black Original. Tokyo Wonder Land comes close.
While I’m not as well-versed with all sorts of music genres like some friends of mine I do have a well-rounded taste when it comes to music. Growing up during the 80’s it was hard not to get into the hair-metal which dominated the scene. Yes, I fully admit to being a Motley Crue fan and even listened to the random Poison track here and there. In addition to hair-metal I also got into rap and hip-hop during the 80’s and early 90’s which I still consider the Golden Age of the genre.
Young people nowadays can have their Lil’ Wayne or Soulja Boy (but why would they want to) and the Dirty South crew and all that. I say I’ll take giants of the genre like Eric B. and Rakim, EPMD, Wu-Tang Clan, Afrika Bambaataa, Paris, N.W.A, Ice-T and Ice Cube over these new youngbloods any day of the week and Sundays included. While rap and hip-hop have become too much about commercialization I do like current acts like Mos Def and Talib Kweli of Black Star, Common, OutKast, Mobb Deep and Goodie Mobb.
As I’ve gotten older I’ve branched out from those two genres and embraced all types of music (though folk music still escapes me most of the time). It doesn’t matter now whether the artist/band plays some subgenre of metal like Norwegian Black, Viking, Pagan or combinations in-between. Or if they’re more classical genres like baroque, chamber and symphony. If they sounded good and I got into them I couldn’t care less what sort of genre they went under.
2009 was a good year for me in terms of discovering some new bands and artists. These were not new in the way that they’ve just been making music recently. All five I’m about to mention have been making music for at least a decade or decades for a couple.
1. Altan Urag
Altan Urag is a folk-rock band from Mongolia who have combined traditional Mongolian folk music, Western rock stylings and traditional Tuvan/Mongolian “karkhiraa” throat singing. It’s just very difficult to try and explain Altan Urag who has never heard of throat singers and folk music from the region. I’ve pretty much scoured every music store in my area, the net and other shadowy options to find their music. To say that I fell in love with this band would be one of the major understatement of the year.
2. Bathory
Bathory is one band I’ve heard of in the past but never really bothered to try. I was still very leery of the subgenres of metal that went by labels such as Norwegian Black, Pagan, Viking, etc. I was very much still a child of the NWOBHM movement of the lat 70’s and early 80’s and the rise of trash/speed metal of the 80’s. But the last two years I’ve branched out to try more types of metal and in 2009 I finally gave Bathory a chance and was instantly hooked. I’ve wondered since why I never gave them a chance. My favorite track of theirs has to be “Hammerheart” from their “Twilight of the Gods” album. It’s a much more subdued Bathory, but every time I listen to it I feel like I should be at a pub or some Viking hall downing a few pints of ale or horns of mead with my buddies before going off to battle. I definitely feel like Odin is watching over me when I listen to Bathory.
3. Blind Guardian
What is there to say about Blind Guardian that its most ardent fans haven’t already said ad infinitum about this greatest of all power metal bands. Power metal have been a genre I’ve dabbled in here and there in years past but never really paid them much attention as they truly deserve. Blind Guardian changed all that for me in 2009 and I now count Power Metal as one of my favorite type of music. Blind Guardian’s epic and quite operatic 2002 album, “A Night at the Opera”, was my first introduction to this power metal band of all power metal. While I’ve come to love all the other albums of their pre- and post-Opera I found this album of theirs the most accomplished and musically complete. Even people who are not typically fans of metal would find this album as something they would enjoy listening to. My favorite track is also the longest and most complex in the album, “…And Then There Was Silence.” It is an epic 14-minute track that tells the story of the Trojan War. If there’s a song more epic than this one I haven’t heard it.
4. Boris
Whenever I used to think of Japanese popular music and rock I always thought of J-Pop and it’s rock equivalent. I’m not wrong in that assumption as those type of music coming out of Japan have become quite popular due to the rise in the popularity of anime in the West. So, color me surprised when the same friend who introduced me to Blind Guardian and Altan Urag told me to check out Boris. The band is the power trio of Atsuo (vocals/drums), Wata (lead guitar) and Takeshi (bass guitar/vocals) out of Tokyo who simply cannot be hobbled by any particular genre of rock. One album may be stoner rock while the next all about doom and drudge metal. They’ve even released ambient rock and noise rock albums where one would think the music was just amps feedbacking back on themselves. I’ve come to call Boris the mad scientists of rock and their albums attest to that. My favorite track of theirs come from their 2003 album, “Akuma no Uta.” The song in question is called “Naki Kyoku” and one just has to listen to this song just what sort of musical geniuses the trio of Boris really are.
5. Tom Waits
Tom Waits. There’s just nothing much I can say about my love for Tom Waits other than people who have never heard him should just listen to “Pasties and a G-String” and be amazed. To try and describe Tom Waits would be an exercise in failure. One either loves The Waits or just don’t get him. There’s no middle-ground when it comes to The Waits.
So that makes the 5 bands and artists I fell in love with in 2009. Honorable mentions must go to these others: Mastodon, Turisas, Isis, Otis Taylor, Mantic Ritual, The Black Keys, Mirrorthrone and Nightwish just to name a few.