Film Review: The Black-Eyed Children (dir by Jozsef Gallai)

Posted on March 26, 2025 by Lisa Marie Bowman

I’ve never been much for camping.

I’ve probably mentioned this before. I’ve certainly reviewed enough films about deadly campgrounds and fatal walks through the woods that there’s no way that I haven’t talk about camping in the past. It’s just not for me. Even though I grew up largely in the country and I tend to think of myself today as being a country girl in the city, I have to admit that staying out in the wilderness has never appealed to me. I don’t like bugs. I don’t like the threat of wild animals suddenly appearing out of nowhere. I’ve seen enough horror movies to know that I should run if I ever see a guy walking through the woods while wearing a hockey mask. (Not that it would do any good, of course. I’m such a klutz that there’s no way I wouldn’t trip over a stick or something.) The fact of the matter is that I find the wilderness to be very creepy. The dark shadows, the feeling of being surrounded by trees that tower of above me, the isolation of it all …. nope, not for me!

The Black-Eyed Children, an upcoming horror from from director Jozsef Gallai, does a very good job of capturing just how creepy being alone in the wilderness can be. Kata Kuna stars as Claire, a young psychology major who is totally excited to have gotten a job as a counselor at St. Beatrice, a camp for children with special needs. Claire wants to make the world a better place and this seems like a wonderful opportunity to do so. (Honestly, I hate camping but if you told me that doing so would make life better for a child who hasn’t been given much in the world, I would be the first to head down to the sporting goods store and buy a tent.) However, when Claire enters the woods and finds herself at St. Beatrice, it’s not at all what she was expecting to find.

The camp appears to be totally deserted. The children who were supposed to be there are gone. The other counselors who were presumably employed there have disappeared. Claire walks through the camp, checking cabins and searching for an explanation. Finding the files on the kids who were supposed to be at camp, Claire starts dialing phone numbers and what she discovers shocks her. And no, I’m not going to tell you what she discovers. The Black-Eyed Children is scheduled for a late 2025 release so you can watch it then and find out the secret of St. Beatrice.

The Black-Eyed Children is a found footage film. Luckily, Jozsef Gallai is one of the best when it comes to working with the found footage genre and the film is full of creepy and atmospheric imagery. St. Beatrice and the woods surrounding it all give off a vibe of steady menace, leaving the viewer frightened about what might jump out of the shadows. Kata Kuna does a great job as Claire and what she discovers at St. Beatrice will leave you feeling uneasy, especially if you know about the urban legend that gives this film its name. Clocking in at 70 minutes, The Black-Eyed Children is an effective and creepy horror film. It’ll definitely keep you out of the woods.

Film Review: A Stranger In The Woods (dir by József Gallai)

Posted on January 23, 2024 by Lisa Marie Bowman

“My humor is a bit abstract.”

— Victor Browning (Bill Oberst, Jr.)

“He’s a very strange guy.”

— Edith (Laura Ellen Wilson)

A Stranger In The Woods opens with a car driving into the woods. The skies are cloudy. The road is isolated. It’s unsettling because, other than the driver of the car, there aren’t any other people around. Other than the road, there are no signs of civilization. It’s the type of image that causes the viewer to consider just how much we take for granted the idea of interacting with other people and living in a world where our needs are taken care of. Today, we view anyone who would separate themselves from civilization as being an eccentric. In the past, though, that was how most people lived. They lived alone in home that they built for themselves and visitors and strangers were viewed with suspicion. It’s a way of life that many people had forced upon them from 2020 to 2021 and it led to the anger and societal anxiety that is still shaking the world today. Living in isolation is not easy for most people in the modern world, which is perhaps why we are so fascinated with people who can actually handle it.

Driving the car is Edith (Laura Ellen Wilson), a 20-something film student who has been given a tip by one of her professors. There is a man named Victor Browning (Bill Oberst, Jr.) who lives by himself in the woods. He’s known for being a bit off-key but he is considered to be generally harmless. He lives in a cabin, spending his time in what appears to be self-imposed exile from the world. He only occasionally leaves his cabin so he can get supplies. Victor has agreed to be interviewed by Edith for a student documentary.

The first meeting with Victor is a bit awkward but he soon starts to open up to Edith. Victor seems to be friendly and polite, even if he does appear to be a bit haunted by things that happened in the past. Then again, Edith has things in her past that haunt her as well. However, as Edith’s stay with Victor continues, she starts to notice some odd and eventually disturbing things about Victor and his isolated existence….

A Stranger In The Woods is a found footage film, playing out as a combination of the footage that Edith shot for her documentary and audio recordings of phone calls that she placed to various people. As a result, we learn about Victor’s secrets along with Edith. Like Edith, we start the film liking Victor for his shy manners and his seemingly gentle sense of humor and, just like Edith, we are shocked to witness his sudden changes in mood and his seeming reluctance to discuss certain aspects of his life. Bill Oberst, Jr. gives a performance that keeps you guessing about just who Victor is and what he’s doing out in the woods. Oberst is sometimes likable and sometimes frightening and he always keeps the audience from getting too complacent while watching the story unfold. Victor Browning’s name brings to mind such Universal horror icons as Victor Frankenstein and director Tod Browning and, like the characters who appeared in those classic horror films, he is compelling even when we’re not sure what’s going on inside his head.

A Stranger In The Woods is an atmospheric film, one that understands that there’s nothing scarier than being alone in the middle of nowhere in the dark. Victor is a fascinating character and fans of 70s horror will want to watch for Lynn Lowry’s cameo during the second half of the film. A Stranger In The Woods is an effectively creepy portrait of a very strange guy.

The Eric Roberts Horror Collection: Bleach (dir by Michael Edmonds)

Posted on October 30, 2023 by Lisa Marie Bowman

The 2022 film, Bleach, tells the story of Jonah Paxton (Mark Justice).

Born in Nevada, Jonah never knew his mother. He was raised in a trailer by his abusive father (Lorenzo Lamas), a degenerate gambler who molested Jonah and forced him to wear dresses in an attempt to shame him into “being a man.” When the mob threatened to come after Jonah because of his debts, he sold Jonah to his uncle, a drug dealer named Matthew (Eric Roberts).

In the mid-80s, grown-up Jonah has some issues. That’s not surprising. He’s haunted by his past and has hallucinations in which the devil is raping him from behind. (Yikes!) He also has visions of selling his soul to a mysterious woman (Mindy Robinson) who throws money at him. In what might be the real world, Jonah is hired by El Jefe (Robert LaSardo), who explains that he loves horror films but that the whole trope of the final girl upsets him. He gives Jonah a million dollars to film an actual snuff film. He tells Jonah that he wants high production values. He wants to watch Jonah become a monster. Jonah takes the money and films himself murdering two women who picked up at a bar and one woman who unfortunately entered the room at the wrong time.

While El Jefe waits for Jonah to bring him the tape, Jonah finds himself having even more violent hallucinations. He sees demons. He sees the devil. After he crashes his car in the desert, he has a vision of a woman (Tara Reid) who claims to be his mother and who encourages Jonah to commit suicide. While the police investigate Jonah’s crimes, Jonah is haunted by the ghosts of his victims and his already tenuous grip on reality continues to loosen. Soon, Jonah is drinking bleach and trying to purify himself with fire….

Bleach is a mess of a film, one that is occasionally surreal but which is more often just boring. The film’s tone is all over the place and certain scenes are so drawn out that they go from being disturbing to being dull. The moments of dark comedy fail to land but the glimpses inside Jonah’s mind are appropriately twisted and bizarre. By the end of the movie, Jonah’s scarred and blistered body is an undeniably shocking sight. Physically, he’s come to reflect the monster that he truly is. But, in the end, the film is too unevenly paced to be really effective and it ends with a shoot-out that is so clumsily choreographed that it’ll probably lead to more laughs than pathos.

Eric Roberts is memorably sleazy as the faux friendly Matthew. One gets the feeling that both and Lorenzo Lamas were only on set for a day or two but both of them make the most of their screen time. Both of them offer a glimpse into how to make a monster.

Previous Eric Roberts Films That We Have Reviewed:

Shattered Politics #91: Abraham Lincoln vs. Zombies (dir by Richard Schenkman)

Posted on February 11, 2015 by Lisa Marie Bowman

Well, here we are! Last month, I started the process of watching and reviewing 94 movies about politics and politicians. I started Shattered Politics with D.W. Griffith’s 1930 film Abraham Lincoln and now, three weeks later, we’ve reached the final day of Shattered Politics. We have four more films to review and what better way to start things off than by taking a look at yet another films about Abraham Lincoln.

Now, I’ve previously reviewed three films about Abraham Lincoln. I’ve reviewed D.W. Griffith’s creaky 1930 version. I’ve reviewed Henry Fonda as Young Mr. Lincoln. And, of course, I’ve reviewed Daniel Day-Lewis in Steven Spielberg’s Lincoln. And, on the very site, reviews of Abraham Lincoln: Vampire Hunter have been posted by both Arleigh and Ryan The Trash Film Guru. (For the record, I’ve also reviewed The Lincoln Lawyer and The Conspirator. So there.) That’s a lot of films about Abraham Lincoln and why not? He’s our greatest President. He freed the slaves, he won the Civil War, and, ultimately, he was the first President to be martyred by assassination.

However, when one considers all of those films about Abraham Lincoln, it’s hard not to notice that none of them featured zombies. And, considering how much we love zombies here at the Shattered Lens, that has always struck me as being a major oversight.

So, thank God that, in 2012, the Asylum released a film called Abraham Lincoln vs. Zombies.

For that matter, thank God for the Asylum. Mainstream critics and snarky blogger types love to criticize Asylum-produced films but you know what? Nobody makes films quite like the Asylum. Quite frankly, people who attack an Asylum film for having a low-budget or for being over the top are missing the point. Asylum films are supposed to be fun. They’re the type of films that are meant to be watched with a group of your closest and funniest friends. At their best, Asylum films are movies that you laugh with as opposed to laughing at.

As far Abraham Lincoln vs. Zombies is concerned, everything you need to know about the film is right there in the title. The film opens with young Abe Lincoln decapitating his zombified mother and then jumps forward several decades. Abe Lincoln (played, with a lot of gravity and melancholy by the excellent Bill Oberst, Jr.) is now President. When he discovers that a zombie outbreak has occurred at Fort Pulaski, Lincoln takes a break from writing the Gettysburg Address and leads a group of secret service men down to the fort. With the help of Gen. Stonewall Jackson (Don McGraw), young Teddy Roosevelt (Canon Kuipers), future lawman Pat Garrett (Christopher Marrone), and a handsome, alcoholic Southern actor who is using the name John Wilkinson (Jason Vail), Lincoln kills a lot of zombies and even reunites with a former lover (Rhianna Van Helton).

And, seriously, you have to love a film that features Abraham Lincoln using a scythe to chop off the heads of the undead. If you’re watching a film like this and you’re worrying about narrative logic or historical accuracy, then you may be taking life a little bit too seriously. The title promises Abraham Lincoln and zombies. And the film totally delivers.

And how can you not appreciate that?