Retro Television Review: Decoy 1.1 “Stranglehold”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Decoy, which aired in Syndication in 1957 and 1958.  The show can be viewed on Tubi!

This week, we start a look at Decoy, a show that will hopefully be a considerable improvement on Malibu CA!

Episode 1.1 “Stranglehold”

(Dir by Don Medford, originally aired on October 17th, 1957)

“There are 249 of us in the Department. We carry two things in common wherever we go – the shield, called a “pottsy”, and a .32 revolver. We’re New York’s finest …. we’re police women.”

Those are the words that end the first episode of Decoy and they’re delivered by Casey Jones (Beverly Garland), a former ballet dancer who now works undercover as a member of the NYPD’s Department of Policewomen.  Casey holds up her revolver for the audience to see, leaving them no doubt that she’s telling the truth.  A woman who know how to handle a gun!?  Audiences in 1957 were no doubt stunned.

Of course, the audience had also just spent 25 minutes watching Casey work undercover.  After a merchant seaman is murdered and a woman named Molly Orchid (Joanne Linville) is caught with some of his jewelry, Casey is sent to live across the hall from Molly.  (Casey is also living in the dead man’s apartment.  Casey, a true New Yorker, comments that she’ll do anything to get a good apartment.)  After hiding her gun in a lighting fixture and hiding her badge under her blouse, Casey befriends Molly and tries to meet George, the mysterious boyfriend that Molly says gave her the jewelry.

Molly loves to talk about George but George never seems to be around.  Molly says that George is a musician and that he’s often out of town.  Casey comes to feel sorry for Molly, feeling that the emotionally vulnerable woman is being manipulated by George.  Whereas the male cops would just as soon shoot Molly than try to negotiate with her (this entire show is from the pre-Miranda era), Casey does her best to reason with Molly.  That is the difference between a policewoman and a policeman.

Of course, as you probably already guessed, there is no George.  Casey eventually figures it out after she realizes that Molly has been going to the movies alone as opposed to meeting up with George.  Molly, spotting Casey’s gun, grabs it and finally admits the truth.  The merchant seaman tried to assault her and Molly strangled him in self-defense.  George is a figment of her imagination, someone who she made up as a way to deal with her guilt.  A policeman barges into the apartment and points his gun at Molly but Casey steps in front of him and then manages to talk Molly down.

The first episode of Decoy was distinguished by some on-location shooting in New York City and the performances of Joanne Linville and especially Beverly Garland.  Garland’s empathetic but strong-willed performance dominates the show and it leaves us with little doubt that Casey Jones is the best at what she does.  Meanwhile, Linville, in the role of Molly, may be dangerous but she’s also sympathetic.  Her crime was initially one of self-defense and George was someone she created as her way of surviving in a world where no one was willing to look out for her.

Next week: Casey searches for a missing artist.

Horror on TV: One Step Beyond 3.19 “The Gift” (dir by John Newland)


On tonight’s episode, a fake fortune teller appears to develop actual psychic abilities, just in time to see her son committing an unspeakable crime in the future.

This one has an interesting cast.  Mario is played by Scott Marlowe, who was Italian despite his name and who was apparently a major contender for the role of Michael Corleone in The Godfather, back when the film was still envisioned as being a low-budget B-crime film.  Also keep an eye out for Joe Turkel as Mario’s friend.  Turkel later played both Lloyd the Bartender in The Shining and Eldon Tyrrell in Blade Runner.

The episode originally aired on January 31st, 1961.

Rage in the Cage: CAGED (Warner Brothers 1950)


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“In this cage, you get tough or you get killed” – Kitty Stark (played by Betty Garde) in CAGED

 

The Grandmother of all “Women in Prison” films, CAGED still packs a wallop, nearly seventy years after it’s release. This stark, brutal look at life inside a women’s penitentiary was pretty bold for its time, with its savage sadism and heavy lesbian overtones, and matches up well with BRUTE FORCE as an example of film noir prison flicks. Everything about this film clicks, from its taut direction by John Cromwell to the use of sound to create mood by Stanley Jones, plus a powerhouse mostly female cast led by Eleanor Parker .

The 28-year-old Parker convincingly plays 19-year-old Marie Allen, given a one-to-fifteen year sentence for accessory to an armed robbery during which her husband was killed. The mousey Marie is indoctrinated, given a number (Prisoner #93850), and poked and…

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Horror on TV: The Twilight Zone 2.18 “The Odyssey of Flight 33”


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Remember how this morning’s movie — Robot Monster — featured dinosaurs?

Well so does tonight’s episode of The Twilight Zone!  In The Odyssey of Flight 33, a commercial airline flight somehow flies straight into the past, where they see …. dinosaurs!  Now, I’ll be honest here.  These are not dinosaurs like the dinosaurs in Jurassic World.  But I imagine for 1961, those dinosaurs were pretty impressive!

And this episode holds up as well.  I especially love the ambiguous ending.

The Odyssey of Flight 33 originally aired on February 24th, 1961.

Horror on TV: Twilight Zone 3.10 “The Midnight Sun”


 

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In this episode of The Twilight Zone, the Earth has somehow gotten off of orbit is now being drawn closer and closer to the sun. With humanity on the verge of extinction, two women (Lois Nettleton and Betty Garde) struggle to survive as the heat keeps rising.

Full of haunting images of a deserted and sun-baked city, The Midnight Sun is one of the few episodes of The Twilight Zone that has ever given me nightmares. For some reason, the melting painting always gets to me.

This episode was written by Rod Serling and directed by Anton Leader. It was originally broadcast on November 17th, 1961.