4 Shots From 4 Films: Special Bob Gale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screenwriter Bob Gale!  It’s time for….

4 Shots From 4 Films Written By Bob Gale

I Wanna Hold Your Hand (1978, dir by Robert Zemeckis, DP: Donald M. Morgan)

1941 (directed by Steven Spielberg, DP: William A. Fraker)

Used Cars (1980, dir by Robert Zemeckis, DP: Donald M. Morgan)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)

Scenes That I Love: Michael J. Fox Invents Rock and Roll in Back To The Future


Today, the Shattered Lens wishes a very happy birthday to the great Robert Zemeckis.  Today’s scene that I love comes from Zemeckis’s 1985 film, Back to the Future.

Did you know that rock and roll was invented by a time traveler?  Well, let’s not overthink things.  Let’s just enjoy the scene.

4 Shots From 4 Films: Special Time Travel Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

*tick tick tick*  TIME!

4 Shots From 4 Time Travel Films

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)

12 Monkeys (1995, dir by Terry Gilliam, DP: Roger Pratt)

Primer (2004, dir by Shane Carruth)

Song of the Day: The Power of Love by Huey Lewis and the News


Since we’re in a Back to the Future sort of mood at the site today, today’s song of the day is an obvious one.  Here is The Power of Love, by Huey Lewis and the News!

The power of love is a curious thing
Make a one man weep, make another man sing
Change a hawk to a little white dove
More than a feeling, that’s the power of love

Tougher than diamonds, rich like cream
Stronger and harder than a bad girl’s dream
Make a bad one good, mm, make a wrong one right
Power of love that keep you home at night

You don’t need money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, and it’s cruel sometimes
But it might just save your life
That’s the power of love
That’s the power of love

First time you feel it, it might make you sad
Next time you feel it, it might make you mad
But you’ll be glad, baby, when you’ve found
That’s the power makes the world go ’round

And it don’t take money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden, it can be cruel sometimes
But it might just save your life

They say that all in love is fair
Yeah, but you don’t care (ooh)
But you know what to do (what to do)
When it gets hold of you
And with a little help from above
You feel the power of love
You feel the power of love
Can you feel it?
Hm-hm

It don’t take money, and it don’t take fame
Don’t need no credit card to ride this train
Tougher than diamonds and stronger than steel
But you won’t feel nothin’ ’til you feel

You feel the power, just feel the power of love
That’s the power, mm, that’s the power of love
You feel the power of love
You feel the power of love
Feel the power of love

Songwriters: Huey Lewis / John Victor Colla / Christopher John Hayes

4 Shots From 4 Films: Special Bob Gale Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, the Shattered Lens wishes a happy birthday to screenwriter Bob Gale!  It’s time for….

4 Shots From 4 Films Written By Bob Gale

I Wanna Hold Your Hand (1978, dir by Robert Zemeckis, DP: Donald M. Morgan)

1941 (directed by Steven Spielberg, DP: William A. Fraker)

Used Cars (1980, dir by Robert Zemeckis, DP: Donald M. Morgan)

Back to the Future (1986, dir by Robert Zemeckis, DP: Dean Cundey)

Song of the Day: Johnny B. Goode (by Chuck Berry)


ChuckBerry

No list of great guitar riffs would be taken seriously if it didn’t include one of the greatest rock and roll songs (for some, THE greatest) with one of the most recognizable opening guitar riffs. It is this song which makes the next on the latest “Song of the Day” series focusing on great guitar riffs.

Chuck Berry’s “Johnny B. Goode” was released in 1958 by Chess Records and it quickly rose up the charts. This was the early days of rock and roll. As musicians and bands began to combine the rhythm of blues to the tempo of gospel music, more and more people began to discover what will become rock and roll. It helped that starts such as Elvis Presley would push this so-called “rebellious music” right up the mainstream public whether the moral authority accepted it or not.

One artist who would pave the way for this growing musical trend was Chuck Berry and he would never get a hit as influential and as popular as “Johnny B. Goode”. This song and it’s riff would become his signature song right up to his death and would influence countless others artists right up to this day.

The song itself would become part of another iconic pop culture event when it became a major plot device for Robert Zemeckis’ first Back to the Future. So many different musicians and bands from all corners of the musical landscape that one would be hard-pressed to find someone who didn’t know the song “Johnny B. Goode” in one for or another.

Johnny B. Goode

Deep down Louisiana close to New Orleans,
Way back up in the woods among the evergreens
There stood a log cabin made of earth and wood,
Where lived a country boy named of Johnny B. Goode
Who never ever learned to read or write so well,
But he could play the guitar like ringing a bell.

[Chorus:]
Go Go
Go Johnny Go
Go Go
Johnny B. Goode

He use to carry his guitar in a gunny sack
Or sit beneath the trees by the railroad track.
Oh, the engineers used to see him sitting in the shade,
Strumming with the rhythm that the drivers made.
The People passing by, they would stop and say
Oh my that little country boy could play

[Chorus]

His mother told him someday you will be a man,
And you would be the leader of a big old band.
Many people coming from miles around
To hear you play your music when the sun go down
Maybe someday your name will be in lights
Saying Johnny B. Goode tonight.

Great Guitar Riffs Series

Great Guitar Solos Series

Song of the Day: The Power of Love (by Huey Lewis and the News)


bttf001

I had no choice in the matter. The moment Lisa Marie posted her review of Back to the Future as part of her “Back to School” review series I had no choice but to post the latest “Song of the Day” in honor of her latest review.

The latest featured song is none other than the best-selling single from the Back to the Future soundtrack (one I owned and treasured growing up to the point I wore out that vinyl) by the S.F.-based rock band Huey Lewis and the News. The song is “The Power of Love” and I must admit that I pretty much know this song by heart and can belt it out pretty well. Give me enough alcohol and I’m more than likely request it as the next karaoke song and I’ll grab that mic stand and channel my inner Huey Lewis.

This song may not be metal, but it definitely was a sound of the 80’s and I’d be hard pressed to find anyone who lived during the 1980’s and not have heard this song.

The Power of Love

The power of love is a curious thing
make a one man weep, make another man sing
Change a hawk to a little white dove
more than a feeling, that’s the power of love

Tougher than diamonds, rich like cream
Stronger and harder than a bad girl’s dream
make a bad one good make a wrong one right
power of love that keeps you home at night

Chorus 1 :
You don’t need money, don’t take fame
Don’t need no credit card to ride this train
It’s strong and it’s sudden and it’s cruel sometimes
but it might just save your life
That’s the power of love
That’s the power of love

First time you feel it, it might make you sad
Next time you feel it it might make you mad
But you’ll be glad baby when you’ve found
that’s the power makes the world go’round

Chorus 2 :
And it don’t take money, don’t take fame
don’t need no credit card to ride this train
It’s strong and it’s sudden it can be cruel sometimes
but it might just save your life

They say that all in love is fair
yeah, but you don’t care
But you know what to do
when it gets hold of you
and with a little help from above
you feel the power of love
you feel the power of love
Can you feel it ?
Hmmm

Chorus 3 :
It don’t take money and it don’t take fame
don’t need no credit card to ride this train
Tougher than diamonds and stronger than steel
you won’t feel nothin’ till you feel
you feel the power, just FEEL the power of love
That’s the power, that’s the power of love
You feel the power of love
you feel the power of love
feel the power of love

Back to School #37: Back to the Future (dir by Robert Zemeckis)


back-to-the-future

Well, this is certainly intimidating.

Earlier today, I was sitting at my day job and I happened to glance down at my to-do list to see what I was scheduled to review next in my Back To School series and there, listed at #37, was a somewhat popular film from 1985.  The name of the film was Back To The Future and…

Oh, you’ve heard of it?  And you already know what the movie’s about because literally everyone on the planet has either seen Back to The Future or knows someone who has seen Back To The Future and loves it so much that they can tell you every little detail about the adventures of Marty McFly, Doc Brown, and that time-traveling DeLorean?

Well, just be quiet and bear with me.  I always like to give a plot synposis in my reviews.  For one thing, it’s a good way to let you know who plays who in the film.

mcfly

So, Marty McFly (Michael J. Fox) is, despite his somewhat embarrassing last name, a perfectly normal American teenager.  He lives in a nice, small town.  He has a pretty girlfriend (Claudia Wells).  He likes to ride his skateboard.  He likes to play guitar (though he’s deemed to be “too loud” by at least one of his teachers).  The high school’s principal (James Tolkan) often gives him a hard time for being late but other than that, Marty seems to be a pretty regular guy…

Except his family has some major issues.  His mother Lorraine (Lea Thompson) is an alcoholic who won’t stop talking about how she first met her husband George (Crispin Glover) after her father hit him with his car. George, meanwhile, is a total wimp who is continually bullied by his boss, Biff (Thomas F. Wilson).  Marty’s older siblings (Marc McClure and Wendie Jo Sperber) are both living directionless lives and Marty has every reason to fear that he might end up following them.

49663309_michaeljfox1

Fortunately, Marty has a best friend named Doc Brown (Christopher Lloyd) who has built a time machine inside of a luxury vehicle.  Late one night, Doc recruits Marty to help him test out the machine but what Doc didn’t mention is that in order to power his time machine, he had still plutonium from a group of terrorists.  Those terrorists show up and kill Doc.  Marty flees in the car and soon finds himself trapped in 1955.

Marty manages to track down the younger version of Doc Brown and the two of them start trying to work out how to get Marty back to the future.  (We have a title!)  Marty, of course, wants to warn Doc about what’s going to happen in 1985 but Doc insists that Marty tell him nothing about the future.  Doc also tells Marty that he has to be very careful, while in the past, not to change the future.

McFly!

Too late!  Marty has already met teenage Lorraine.  See, Marty happened to spot George up in a tree, peeping on Lorraine as she undressed.  (“He’s a pervert!” Marty exclaims.)  When George falls out of the tree and lands in the street, Marty pushes him out of the way of an approaching car.  Marty gets hit by the car, which is being driven by his own grandfather.  So now, Marty has essentially prevented his parents from meeting and, as a result, the McFly children are slowly fading from existence.

So, before Marty can go back to 1985, he has to get George and Lorraine back together.  The main problem, of course, is that Lorraine now has a crush on her own son…

michael-j-fox-back-to-the-future-screenshot

Wow, that’s a lot of plot there.  There’s a lot going on in Back to the Future and there are times when it almost feels like a dozen different films in one.  It’s a science fiction film, with Doc and Marty spending a lot of time trying to figure out how to make a time machine work with 1955 technology and weather.  It’s an action film, with Marty fleeing terrorists in 1985 and Biff in 1955.  It’s a romance, with the always endearingly weird Crispin Glover and Lea Thompson making for an odd but cute couple.  (Thought it’s wrong on so many levels, Thompson and Fox also have a lot of chemistry and are cute together, as long as you ignore the fact that they are playing mother and son!)  It’s a frequently hilarious comedy, with the entire cast giving heartfelt performances.  It’s an anthropological study, comparing the 50s and the 80s.  It’s a satirical look at how teenager’s tend to view their parents, with Marty discovering that everything that he’s assumed at his mom was basically incorrect.  And finally, it’s a surprisingly subversive film, with Marty and Lorraine’s 1955 relationship constantly running the risk of turning into an Oedipal nightmare.

And yet the entire film flows together so perfectly that you’re never aware of just how busy it all really is.  Between director Robert Zemeckis’s sure-handed direction, the clever script by Zemeckis and Bob Gale, and a uniformly excellent cast, Back to the Future is one of those films that verges on being flawless.

And, for that reason, it can be very intimidating to review.

I just don’t know how I’m going to do it…

550w_movies_dsma_back_to_the_future_03

Let’s Second Guess The Academy: Best Picture 1985


Jonathan Pryce in Brazil

Last week, we reconsidered whether or not The Hurt Locker deserved the title of Best Picture of 2009.

This week, let’s go back to the year of my birth, 1985.  According to the Motion Picture Academy, the five best films of the year were:

1) Steven Spielberg’s controversial adaptation of Alice Walker’s The Color Purple,

2) Witness, a film about a tough cop (Harrison Ford) who hides out with the Amish,

3) Kiss of the Spider Woman, one of the first independent films to ever be nominated for best picture,

4) Prizzi’s Honor, a darker than dark Mafia comedy from John Huston that starred Jack Nicholson,

and finally,

5) Out of the Africa, the film that was eventually named best picture of 1985.

Despite its victory at the Oscars, Out of Africa hasn’t aged well.  If any year seems to be worthy of a little second guessing, it would certainly be 1985.  If you were a member of the Academy in 1985, which nominee would you have voted for?  Personally, I would have voted for Witness.  How about you?

Now, here comes the fun part.  Let’s say that Out of Africa wasn’t released in 1985.  Let’s say that Steven Spielberg never made The Color of Purple and that Jack Nicholson refused to star in Prizzi’s Honor.  Let’s say that none of the five nominated film had been eligible in 1985.  Which films would you have nominated in their place?

You can vote for five of the film listed below and yes, we do accept write-ins!

(Incidentally, I voted for Brazil, The Breakfast Club, To Live and Die In L.A., The Purple Rose of Cairo, and Insignificance.)

Quickie Review: Hot Tub Time Machine (dir. by Steve Pink)


I was a child of the 80’s. I can’t escape that particular information about my past, but unlike some of those of my generation I wholeheartedly embrace the 80’s both the good and the bad and the oh-so-awful. This is why after watching Hot Tub Time Machine (directed by Steve Pink…quite an 80’s name if there ever was one) I have a much deeper appreciation for the things I went through growing up as a teen during the mid-80’s. Rap was just starting to get real popular. Hairstyles, fashion and pop culture was dictated by the emerging juggernaut that was MTV (when they actually played music videos). This raunchy (and it is pretty raunchy) comedy starring John Cusack, Rob Corddry, Craig Robinson and Clark Duke definitely spoke to my inner 80’s teen self.

The film’s premise could’ve been taken straight out of any 80’s direct-to-video knock-off of Back to the Future meets Porky’s. I mean the title itself pretty much explains the premise of the film. A literal hot tub acts as a time machine which whisks the four actors mentioned above to 1986 where they get to re-live a specific night they all spent together in 1986 (well, except Duke’s character who wasn’t born yet). Talk about space-time continuum and butterfly effect gets bandied about, but in the end the whole film was just trying to insert as much 80’s pop culture references as possible within 90 and plus minutes.

The film definitely got the 80’s vibe by liberally putting in boobs and naked chicks. 80’s icons Chevy Chase, Crispin Glover and William Zabka make appearances and John Hughes moments get replicated. I mean shot literally like it was Sixteen Candles all over again. The performances by everyone involved was great and it seemed like everyone were enjoying themselves. Craig Robinson as Nick had me laughing out loud every time he said something.

One thing good I can say about Hot Tub Time Machine that encompasses everything good about it is that it played like the anti-Judd Apatow comedy. While Apatow laughers I enjoy they’ve gotten to the point that everyone tries to make their comedies sound like his. Plus, any comedy that can have Sixteen Candles and Red Dawn references in the same 30-minute span has to be awesome….Oh yeah, it also used Mötley Crüe’s “Home Sweet Home” power ballad over and over.