Retro Television Review: Miami Vice 5.4 “Bad Timing”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Crockett tries to find himself.

Episode 5.4 “Bad Timing”

(Dir by Virgil W. Vogel, originally aired on December 2nd, 1988)

With the case against him still unresolved, Crockett goes on vacation.  He doesn’t tell anyone where he’s going, which is a bit unfortunate as he ends up being taken hostage in the Bayous by a group of cartoonishly evil escaped convicts.  (Pruitt Taylor Vince plays one of the hostage-takers but is fairly forgettable.  A young Melissa Leo appears as a fellow hostage and shows none of the grit that made her so memorable as Sgt. Kay Howard on Homicide.)  Somehow, Tubbs still shows up at the last moment and, looking resplendent in a white suit, he shoots the final convict before the latter shoots Crockett.  Crockett doesn’t even ask Tubbs how he knew where Crockett was.  (If Tubbs had been following Crockett the entire time, why would he have allowed Crockett to have been taken hostage to begin with?)  This episode might as well have been called Dues Ex Tubbs.

Watching this episode, it occurred to me that, as a character, Crockett really doesn’t have anywhere left to go.  By having him turn into Burnett and become one of Miami’s most powerful drug dealers, the show pretty much pushed the character as far as possible.  It’s impossible for Crockett to come back from that and it’s equally impossible to watch an episode like this one and not wonder why Crockett wasn’t in prison.  He’s suspected of committing four murders.  He was witnessed shooting a cop.  He attempted to kill his own partner, twice.  The episode begins with several high-ranking cops saying that they don’t buy Crockett’s excuse that he had amnesia.  And yet, Crockett is allowed to leave Miami while the department tries to figure out what to do with him.

Really, the whole idea that Crockett — a minor celebrity due to his college football career — could maintain his Burnett cover for five seasons was already pretty hard to believe.  Crockett and Tubbs’s cover got blown in nearly every episode during the first three seasons.  Having Sonny “Burnett” marry a world-famous singer without anyone noting that Burnett looked just like Crockett was probably this show’s true shark jumping moment.  Once that happened, it became increasingly difficult to take Miami Vice seriously.  The whole arc of Sonny thinking he was Burnett was fun to watch and Don Johnson gave a good performance as a conflicted bad guy but it’s also left the show with nowhere to go.  With this episode, Crockett has been reduced to being taken hostage by a group of backwoods yokels and waiting for Tubbs to materialize from out of nowhere.

In short, it’s time for Sonny to move on.  And seeing as how this is the final season …. well, we’ll see what happens!

Retro Television Review: Miami Vice 5.1 “Hostile Takeover”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, we start the fifth and final season of Miami Vice.

Episode 5.1 “Hostile Takeover”

(Dir by Don Johnson, originally aired on November 4th, 1988)

The fifth and final season of Miami Vice gets off to a good start with this episode.  After opening with some appropriately glitzy scenes of the drug-fueled Miami nightlife, the episode then shows us that Sonny Crockett is still convinced that he’s Sonny Burnett.  He has now returned to Miami and, along with Cliff King (Matt Frewer), he is one of the key advisors to drug lord Oscar Carrera (Joe Santos).

Carrera is at war with El Gato (Jon Polito), the brother of Sonny Burnett’s former employer, Miguel Manolo.  El Gato, who wears gold lamé, cries over the body of one of his henchmen, and flinches when forced to deal with direct sunlight, is a flamboyant figure.  In fact, he’s so flamboyant that it’s initially easy to overlook how determined he is to get revenge for the death of his brother.  That means taking down the Carreras family and Sonny Burnett as well.

The Vice Squad knows that Sonny is moving up in the drug underworld but Castillo is firm when asked what they should do about it.  Sonny has an active warrant out for murdering a corrupt cop.  “Sonny’s not Sonny anymore,” Tubbs says at one point and Castillo seems to agree.

Tubbs goes undercover, making contact with the Carreras cartel.  When Sonny meets Tubbs, Tubbs introduces himself as “Ricardo Cooper” and starts speaking in his terribly unconvincing Jamaican accent and that was when I said, “Miami Vice is back!”  Sonny doesn’t trust Cooper from the start.  “Maybe you’re a cop,” Sonny says.  “Not I, mon,” Tubbs replies.

People are dying and, while Sonny doesn’t have a problem with that, the show is also careful to show that Sonny only shoots in self-defense.  (It appears the most of the cold-blooded murders are farmed out to Cliff King.)  When Oscar Carreras dies, it’s because his poofy-haired son (Anthony Crivello) accidentally shot him when Oscar discovered him with his stepmother.  When the son dies, it’s because he was about to shoot Sonny after he caught Sonny with …. his stepmother, again.  The Carreras family is so dysfunctional that it shouldn’t come as a surprise that Sonny steps up to take it over.

After promising Castillo that he’ll take out Sonny if necessary, Tubbs meets up with Sonny at beach-side tower.  Tubbs looks at Sonny and suddenly says, “Sonny, it’s me, Rico.”  Sonny stare at Tubbs.  “Do you remember me?” Tubbs asks.

“Sure,” Sonny suddenly says, “You’re Tubbs.”

Three gunshots ring out as the episode ends.

OH MY GOD, DID SONNY KILLS TUBBS!?

We’ll find out next week.  For now, I’ll say that — after a disappointing fourth season — this was exactly how Miami Vice needed to start things off for Season 5.  Seriously, if you’re going to have Sonny get hit with amnesia, you might as well just go for it and take things to their logical extreme.

Next week …. is Tubbs dead?  I hope not, mon.

 

A Movie A Day #123: Dillinger and Capone (1995, directed by Jon Purdy)


1934.  Chicago.  The FBI guns down a man outside of a movie theater and announces that they have finally killed John Dillinger.  What the FBI doesn’t realize it that they didn’t get Dillinger.  Instead they killed Dillinger’s look-alike brother.  The real John Dillinger (played by Martin Sheen) has escaped.  Over the next five years, under an assumed name, Dillinger goes straight, gets married, starts a farm, and lives an upstanding life. Only a few people know his secret and, unfortunately, one of them is Al Capone (F. Murray Abraham).  Only recently released from prison and being driven mad by syphilis, Capone demands that Dillinger come out of retirement and pull one last job.  Capone has millions of dollars stashed away in a hotel vault and he wants Dillinger to steal it for him.  Just to make sure that Dillinger comes through for him, Capone is holding Dillinger’s family hostage.

This film, which was produced by Roger Corman, combines two popular but probably untrue rumors, that Dillinger faked his own death and that Al Capone had millions of dollars stashed somewhere in Chicago.  Though the two never met in real life (and moved in very different criminal circles), the idea of bringing Dillinger and Capone together sounds like a good one.  Unfortunately, the execution leaves a lot to be desired.  Sheen and Murray are both miscast in the lead roles, with Sheen especially being too old to be believable as the 40 something Dillinger, and the script never takes advantage of their notoriety.  In this movie, Dillinger could just as easily be any retired bank robber while Capone could just as easily be any unstable mob boss.  In classic Corman fashion, more thought was given to the title than to the story.

One things that does work about the movie is the supporting cast, which is full of familiar faces.  Clint Howard, Don Stroud, Bert Remsen, Jeffrey Dean Morgan, Catherine Hicks, Maria Ford, and Martin Sheen’s brother, Joe Estevez, are all present and accounted for.  Especially be sure to keep an eye out for Jeffrey Combs, playing an FBI agent who suspects that Dillinger may still be alive.  He may not get to do much but he’s still Jeffrey Combs.

A Movie A Day #122: The Lost Capone (1990, directed by John Gray)


Chicago.  1915.  Up-and-coming gangster Al Capone (Eric Roberts) berates his younger brother, Jimmy (Adrian Pasdar), for not being aggressive enough in a street fight.  Not wanting to follow his brothers into a life of organized crime, Jimmy runs away from home and eventually finds himself in Harmony, Nebraska.  Claiming to be a World War I vet named Richard Hart, Jimmy impresses everyone with both his marksmanship and his incorruptible nature.  Soon, the new Richard Hart has been named town marshal.  While Al Capone is taking over the Chicago rackets, Richard is keeping the town safe with his Native American deputy, Joseph Littlecloud (Jimmie F. Skaggs), and starting a family with the local school teacher, Kathleen (Ally Sheedy).  When illegal liquor from Chicago starts to show up on a nearby Indian reservation, Richard Hart comes into conflict with the Chicago Outfit and his secret is finally revealed.

There is a sliver of truth to this made-for-TV movie.  Al Capone really did have a brother named James, who ended up changing his name to Richard Hart and working as a prohibition agent in Nebraska.  Otherwise, the movie changes so many facts that it is hard to know where to begin.  In real life, Al and James Capone grew up in New York.  James, who was actually several years older than Al, ran away from home not to escape Al’s bullying but because he wanted to join the circus.  (Al was only 9 when James ran away.)  James changed his name to Richard Hart not to keep people from realizing that he was related to Al but because he admired silent screen cowboy William S. Hart.  Though James did work in law enforcement, he never came into conflict with Al Capone’s organization and, in fact, regularly visited Chicago.

The Lost Capone is a forgettable mix of western and gangster clichés, featuring a notably stiff performance from Adrian Pasdar in the lead role.  It does feature two of the strangest performances that I have ever seen.  Eric Roberts, complete with a phony scar, playing Al Capone is just as weird as it sounds, while Ally Sheedy plays a wholesome and always smiling teacher but delivers her lines in the same halting tone of voice that she used as the “basket case” in The Breakfast Club.

There is probably a good movie that could be made about the life of James Capone/Richard Hart but The Lost Capone is not it.