Horror Film Review: Evils of the Night (dir by Mardi Rustam)


How dumb can one movie be without becoming unwatchable?

1985’s Evils of the Night is here to answer that question!

Three space alien vampires (John Carradine, Julie Newmar, and Tina Louise) have led an expedition to Earth.  They’ve taken over a hospital and they’re stealing the blood of their patients so that it can be sent back to their dying planet.  They especially want young blood, which is why they specifically came to a college town.  Unfortunately, their intelligence was faulty and they arrived during the summer, when the campus was closed.  (I guess this is one of those rare colleges that don’t offer a summer term.)  There’s actually a very lengthy scene in which Carradine explains the faulty intelligence to Newmar and Louise and then Newmar complains about how the alien intelligence service just isn’t that good.  What makes this scene so special is that Carradine delivers his lines with a straight face and Newmar actually seems to be sincerely annoyed.  Aliens — they’re just like us!

Just because college is out of session, that doesn’t mean that there aren’t any young people hanging out down at the lake.  There’s actually quite a few, though all of them look to be a little bit too old for high school or college or whatever they’re supposed to be attending.  Several of them are played by veterans of the adult film industry, including Amber Lynn and Jerry Butler.  Everyone wants to get laid down at the lake, which is probably the most realistic thing about Evils of the Night.  However, John Carradine needs their blood so he has Julie Newmar hire two slovenly mechanics, Kurt (Neville Brand) and Fred (Aldo Ray), and sends them out to kidnap any young people that they find.  Kurt and Fred are very good at their job.  Newman pays them and mocks them for caring so much about coins.  Little do the mechanics realize that the aliens are planning on shooting them with their space laser as soon as they leave the planet.

Evils of the Night is a good example of a bad movie that is oddly watchable just because the viewer finds themselves curious as to just how stupid things can get.  The answer here is very stupid and very nonsensical  It never seems to occur to anyone just go to a different lake or maybe just do their skinny dipping in a pool somewhere.  The plot has a “make it up as you along” feel to it and that, at the very least, keeps things vaguely interesting.  The actors playing the “teen” victims are enthusiastic without being particularly good while most of the veterans in the cast are all obviously just there for the paycheck.

That said, John Carradine.  Wow.  What a career.  A trained Shakespearean actor who made his stage debut in 1925 and went on to appear in a countless number of movie, Carradine was a favorite of both John Ford and Fred Olen Ray.  Carradine appeared in hundreds of a theatrical films.  In fact, his final film was released seven years after Carradine’s death.  Carradine was one of the great actors, with that deep voice and that commanding stare.  But he was also one of those actors who was apparently willing to appear in just about anything and that’s one reason why he’s still such a beloved icon.  Playing an outer space vampire-turned-doctor was definitely not the strangest role that Carradine ever played.  Carradine handles his scenes like a pro!

Evils of the Night is dumb but I dare you to look away.

The TSL Horror Grindhouse: Things (dir by Andrew Jordan)


Things is a low-budget, independently-made horror film from 1989.

Things tells the story of Don (Barry J. Gillis) and Fred (Bruce Roach), two gentlemen with mullets who decide to drop by the house of Don’s brother, Doug (Doug Bunston).  When they arrives at the house, they’re surprised to find that Doug is nowhere to be seen.

“Doug, are you here?” Don asks, “Doug, are you alive?”

Don and Fred decide to raid the refrigerator in search of beer.  Inside the refrigerator, they find a book by Aleister Crowley and a tape recorder.  They decide to listen to the tape, which was a huge mistake because, when you’re starring in a crappy horror film, the last thing you want to do is remind the viewer of a different, better horror film.  As they played the tape, I thought to myself, “Don’t mention Evil Dead, don’t mention Evil Dead….”

“Hey,” Don said, “this is like that movie where those weird things happened….”

Anyway, Doug finally makes an appearance and orders them to stop making so much noise.  His wife is trying to sleep.  She’s been exhausted because she and Doug have been working with the mad Doctor Lucas (Jan W. Pachul) in an attempt to conceive a child.  Unfortunately, Lucas’s experiments have led to Susan giving birth to several insect-like monsters, which promptly attempt to eat Doug, Don, and Fred.

Things is such a Canadian film that I actually had to pause the movie after about ten minutes so that I could put on one of Jeff’s hockey jerseys and watch the film in proper style.  Don and Fred are just two regular guys who want to show off their guts and drink some beer.  Indeed, it’s debatable whether or not Don and Fred are as upset about the killer monsters as they are about the fact that Doug doesn’t have much beer left in the refrigerator.  For his part, Don sports both a formidable mullet and truck driver mustache.  He looks like he can’t wait to head back to Toronto as soon as the problem with all of the killer monsters are taken care of.

Things has a reputation for being one of the worst horror films ever made and …. well, it’s certainly not a good film.  The film takes a few stabs at Robocop-style social commentary by casting porn star Amber Lynn as a news reader who appears at random moments and announces that there’s been a power failure in New York and that George Romero is heading to the Supreme Court in his attempt to establish his ownership of Night of the Living Dead.  We’re also promised a story about the presidency of George H.W. Bush and the growing possibility of nuclear war.  Unfortunately, these scenes don’t add much to the film but they do provide a diversion from listening to Don and Fred attempt to have an articulate conversation.  Even if one can accept the bad acting (and sometimes, when it comes to indie horror films, you have to be ready to accept a few awkwardly delivered lines), the film itself is so poorly lit that it’s often difficult to tell what’s actually happening on screen.  Perhaps Things’s biggest problem is that, unless you really enjoy listening to two grown men argue about whether or not there’s any beer left, Things is just a boring movie.  It’s developed a cult reputation, largely due to being riffed on by the Rifftraxx crew, but I would be shocked to find anyone who has actually watched the film more than once.  Things is not The Room.  It’s not even Birdemic.

That said, the film did end with the suggestion that the whole thing might have just been a dream and I appreciated that.  It was a solution that made about as much sense as anything else in the film.

A Movie A Day #316: 52 Pick-Up (1986, directed by John Frankenheimer)


Harry Mitchell (Roy Scheider) is a businessman who has money, a beautiful wife named Barbara (Ann-Margaret), a sexy mistress named Cini (Kelly Preston), and a shitload of trouble.  He is approached by Alan Raimey (John Glover) and informed that there is a sex tape of him and his mistress.  Alan demands $105,000 to destroy the tape.  When Harry refuses to pay, Alan and his partners (Clarence Williams III and Robert Trebor) show up with a new tape, this one framing Harry for the murder of Cini.  They also make a new demand: $105,000 a year or else they will release the tape.  Can Harry beat Alan at his own game without harming his wife’s political ambitions?

Based on a novel by the great Elmore Leonard and directed by John Frankenheimer, 52 Pick-Up is one of the best films to ever come out of the Cannon Film Group.  Though it may not be as well-known as some of his other films (like The Manchurian Candidate, Seconds, Black Sunday, and Ronin), 52 Pick-Up shows why Frankenheimer was considered to be one of the masters of the thriller genre.  52 Pick-Up is a stylish, fast-paced, and violent thriller.  John Glover is memorably sleazy as the repellent Alan and the often underrated Roy Scheider does an excellent job of portraying Harry as a man who starts out smugly complacent and then becomes increasingly desperate as the story play out.

One final note: This movie was actually Cannon’s second attempt to turn Elmore Leonard’s novel to the big screen.  The first attempt was The Ambassador, which ultimately had little to do with Leonard’s original story.  Avoid The Ambassador but see 52 Pick-Up.