Horror Film Review: Bloody Pit of Horror (dir by Domenico Massimo Pupillo)


First released in 1965, the Italian horror film, Bloody Pit of Horror, tells the story of the Crimson Executioner.

Back in the 17th century, The Crimson Executioner was one of the most feared men in Italy.  Well-known for his red mask, red tights, and his cape, The Crimson Executioner was one of the best executioners that the Vatican ever had but then it was discovered that he was taking his work home with him and executing people in his own private dungeon.  As these murders were sanctioned by neither the Church nor the State, the Crimson Executioner was forced into his own Iron Maiden and executed.

Centuries later, the Crimson Executioner’s castle is owned by a retired actor named Travis Anderson (played by body builder Mickey Hargitay).  Travis enjoys living in the castle, where he is waited on by two henchmen who wear blue striped shirts and who look like they should be playing revolutionaries in a Monty Python parody of a Jean-Luc Godard film.  Travis especially likes that, despite the fact that the Crimson Executioner was executed for having the stuff, no one ever got around to cleaning out the torture dungeon.  All of the torture devices are still down there but, unfortunately, Travis doesn’t really have anyone to use them on.

Then, one day, a group of people arrive at the castle.  The group is made up of photographers, a writer, a publisher, and several attractive models.  They’re looking for a location where they can take pictures that will be used to illustrate an upcoming horror book.  At first, Travis tells them that he doesn’t want them taking picture at his castle and he doesn’t really want them hanging out either.  But then, after seeing the models, Travis changes his mind.  The group heads down to the torture dungeon so that they can start snapping pictures while Travis dresses up the like The Crimson Executioner and prepares to torture everyone to death, one-by-one.  Yikes!

A lot of the torture devices that are seen in the dungeon do look frightening and I’ll admit that I snapped, “No, what are you thinking!?” when the only male model agrees to lay down under a bunch of very sharp spikes so that his picture could be taken.  (Needless to say, that didn’t go well.)  A lot of the torture devices involved the use of fire and again, that totally made me cringe.  That said, it should also be pointed out that a few of the other devices weren’t that impressive.  A scene of Travis spinning two models around while pushing several swords closer and closer to them was less than effective because the torture device itself just looked incredibly stupid.

Actually, speaking of looking incredibly stupid, Travis really does himself no favors by dressing up as The Crimson Avenger.  With his red, rubber mask and his tights and his cape, he looks like a character who would be the comic relief villain in a Marvel movie, like the incompetent, wannabe crook who Spider-Man captures before the real villains show up.  Mickey Hargitay was a body builder who was married to Jayne Mansfield and who is today perhaps best-remembered as being the father of Law & Order: SVU’s Mariska Hargitay.  Mickey’s performance in this film is over the top without being entertaining.  It’s impossible to take him seriously as an intimidating menace and it doesn’t help that the models at the castle are often just as likely to die from their own stupidity than from anything that Mickey did.  (One model literally stumbles in front of him right before he fires a crossbow at someone else.)

This film does have a brief scene with a big, fake spider and giant, booby-trapped web.  That scene is so ludicrous that, for a few minutes, Bloody Pit of Horror becomes just weird enough to be entertaining.  Otherwise, this is a fairly forgettable horror film.  The opening credits claim that the film is based on the writing of Marquis de Sade.  If that’s true, I can only conclude that he should never have been rescued from the Bastille.

(Seriously, they tried to execute Thomas Paine but they let the Marquis de Sade go free?  What was up with the French Revolution?)

Lisa Reviews an Oscar Nominee: Roman Holiday (dir by William Wyler)


roman_holiday

The 1953 film Roman Holiday is one that I’ve watched quite a few times.  If you know anything about the film and/or me, you won’t be surprised by that.  I love Audrey Hepburn.  I love Rome.  I love romance.  And I love bittersweet endings.  And Roman Holiday has all four of those!

Speaking of Audrey Hepburn, I’ve shared this picture before but I’m going to share it again:

Audrey Hepburn 1954 Roman HolidayThat is Audrey Hepburn, the morning after she won the Best Actress Oscar for Roman Holiday.  Roman Holiday was Audrey Hepburn’s motion picture debut and it continues to hold up as one of the greatest film debuts of all time.  Watching how easily she controls and dominates the screen in Roman Holiday, you would think that she had made over a 100 films previously.

The film tells a simple story, really.  Audrey plays Ann, the crown princess of an unnamed country.  Princess Ann is touring the world.  The press is following her every move.  Her royal handlers are carefully choreographing every event.  Her ever-present bodyguards are always present to make sure that no one gets too close to her.  In public, Ann is the epitome of royal discretion, smiling politely and always being careful to say exactly the right thing.  But, in private, Ann is restless.  Ann knows that she has never been allowed to see the real world and yearns to escape, if just for one night, and live a normal life.  So far, her handlers have managed to keep her under control but then she arrives in Rome and…

…well, who can resist Rome?

Despite having been given a sedative earlier, Ann stays awake long enough to sneak out of her hotel room and see the enchanting Rome night life.  Of course, the sedative does eventually kick in and she ends up falling asleep on a bench.  It’s there that she’s discovered by an American, a cynical reporter named Joe Bradley (Gregory Peck).  Not realizing who she is and, instead, assuming she’s just a tourist who has been overwhelmed by Rome, Joe allows her to spend the night at his apartment.

The next morning, Joe finds out who Ann actually is.  Realizing that getting an exclusive interview with Ann could be his ticket to the big time, Joe and his photographer, Irving (Eddie Albert), rush back to Joe’s apartment.  Joe doesn’t tell her that he’s a reporter.  He just offers to take her on a tour of Rome.  Ann, however, wants to experience Rome on her own.

What follows is a wonderful and romantic travelogue of the glory of Rome.  Though Ann does explore on her own for a while, she eventually does meet back up with Joe and Irving.  Whenever I watch Roman Holiday, I always try to put myself in the shoes of someone in 1953, sitting in the audience during the film’s first week of release.  For many of them, this film may have been their first chance to ever see Rome.  (The opening credits of Roman Holiday proudly announce that the entire film was shot on location, properly acknowledging the Rome is as much a star of this film as Hepburn, Peck, and Albert.)  If you’re not already in love with Rome (and I fell in love with the city — and really, the entire country of Italy — the summer after I graduated high school), you will be after watching Roman Holiday.

(If you truly want to have a wonderful double feature, follow-up Roman Holiday with La Dolce Vita.)

The film’s most famous scene occurs at the Mouth of Truth and… well, just watch…

This scene was improvised, on the spot, by Gregory Peck.  Audrey Hepburn’s scream was very much real as Peck didn’t tell her what he was planning on doing.  As great as this scene is, it’s even better after you’ve actually been to Rome and put your own hand in the Mouth of Truth.

It’s a very sweet movie, one that stands as both a tribute to romance but also proof of what pure movie star charisma can accomplish.  It’s not just that Audrey Hepburn gives a great performance as Princess Ann.  It’s that Gregory Peck gives one of his most natural and surprisingly playful performance as well.  It’s that Peck and Hepburn have an amazing chemistry.  By the end of the film, you know that they deserve Rome and Rome deserves them.

And then there’s that ending, that bittersweet ending that always brings tears my mismatched eyes.  It’s a sad (though not depressing) little ending but somehow, it’s also the only ending that would work.

Roman Holiday was nominated for best picture but it lost to From Here To Eternity.

That’s right — Roman Holiday and From Here To Eternity were released one after another.

1953 was a very good year.

roman_holiday-1

gac_romanholiday