Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, T.S. goes up against his scariest opponent yet!
Episode 2.10 “Conspiracy”
(Dir by Robert Malenfant, originally aired on December 5th, 1988)
Two pre-teens, Paul (Michael Fantini) and Colby (Alan Fawcett), come across a million dollars hidden away in an apparently deserted warehouse. In slow motion, Paul throw the money into the air and declares that he and Colby are rich. Of course, Paul doesn’t stop to consider that the money is probably linked to something illegal and that it’s dangerous for him and his best friend to take it.
Soon, Paul and Colby are spending money all over the place. They buy new clothes. They buy new bicycles. Local store owner Bud (Charles Woods Gray) is concerned about the amount of money that Paul and Colby suddenly seem to have. He meets with his old friend, T.S. Turner, and asks Turner to talk to the boys.
Paul and Colby meet with Turner at Decker’s gym and Paul lies and says that the money came from his grandmother. He also says that he loaned Colby the money for Colby’s new bike. After the boys leave, Turner says that he knows that there is more to the story and that he’s going to investigate on his own. Turner invites Joe to investigate with him. It’s good to see that the show’s writers finally remembered that Turner and Amy basically adopted Joe at the start of the second season.
Turner is not the only one investigating. The counterfeiter who created the money wants to know who stole it. Birken (Martin Neufeld) may drive a car with a personalized license plate that reads “Rainbow” but he’s still a scary dude. He’s so dangerous that he doesn’t even wear a shirt half the time! No one is going to tell Birken what to do.
Eventually, Birken kidnaps Paul and ties him to a chair and threatens to suffocate him if he doesn’t help Birken get back his money. That leads to this rather disturbing sight:
The villains on T and T are usually fairly generic and forgettable but Birken is probably the scariest man in Canada. He’s certainly the first villain on this show to be just as intimidating at Mr. T. As soon as Birken shows up, the viewer has no doubt that he’s willing to kill anyone to get back his money. For once, the stakes on this show feels real.
Or, at least, they feel real until T.S. Turner shows up at Birken’s loft. (This is yet another episode where T.S. somehow manages to sneak into a building without being noticed.) When he confronts Birken, Birken attemps to show off his karate moves but T.S. takes him down with one punch.
It’s a bit of an anti-climatic ending, which is a shame because this was actually, by the standards of T and T, a pretty good episode. Birken was both memorable eccentric and genuinely menacing. Still, he was no match for T.S. Turner. No one stops Mr. T.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Amy, T.S. and Joe get involved in a — ugh — hostage situation!
Episode 2.9 “Hostage”
(Dir by Don McCutcheon, originally aired on November 28th, 1988)
Fleeing from the police after a botched robbery, two sweaty crooks, Rook (Lawrence King) and Larry (Angelo Rizacos), duck into Don’s Sporting Goods and end up holding 8 people hostage, including Amy and Joe! What a scary situation! These eight Canadians probably just wanted to buy new hockey jerseys and now, they’re being held hostage!
The police, of course, are ineffectual. T.S. tracks down the ex-wife of one of the men but she can’t convince him to come out of the store. The two crooks don’t want to go back to prison so they’ve demanded a lot of money and a plane and they’ve given the Toronto police only two hours to meet their demands. Inside the store, Amy tries to reason with them. Rook knows that things have gone too far and that they need to surrender to the police. But Larry is sweaty and violent and determined to escape with the money.
I groaned a bit when I saw what this episode was going to be about. I absolutely dread sitting through anything that involves hostage negotiation. There’s really not much that can happen in a story like this, other than the hostage takers doing a lot of yelling and the negotiators saying, “You’re going to have to give us more time!” It’s really not much fun to watch people getting guns pointed at their heads while some loser rants and raves about how he’s going to pull the trigger unless he gets what he wants. With the exception of Dog Day Afternoon, hostage taking is usually pretty boring to watch.
Probably the biggest mistake that this episode makes is that it sidelines T.S. Turner for much of the action. The main appeal of T and T is the chance to watch and hear Mr. T take down the bad guys. T.S. spends the majority of this episode just standing around and only he gets to call one person “brother.” Finally, during the final few minutes, T.S. ends up crawling around in the building’s loft so that he can break through the ceiling and take out the hostage takers but, by the time he does, the two criminals have already turned on each other. For once, it falls not to T.S. to capture the main bad guy but for the bad guy’s accomplice to shoot him in the back.
All in all, this was a disappointing episode. Amy failed to talk the criminals into giving themselves up and T.S. failed to capture the criminals by himself. What is Canada even paying these two for?
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, T.S. and Amy battle the Canadian Mafia!
Episode 2.8 “Every Picture….”
(Dir by Don McCutcheon, originally aired on November 21st, 1988)
This episode of T and T continues to insist that the show is taking place in a place called Metro County. It even features a newspaper called the Metro County Eagle and suburb of Metro County that is called Ridley. As well, it appears that all of the cars in Metro County have American-style license plates.
Listen, T and T, you’re not fooling anyone.
We can all see the snow on the ground.
We can all see the frozen breath whenever a scene takes place outside.
We have all noticed how polite all the extras are.
We can all see the hockey hair and the denim jackets.
Even more importantly, we can all hear the accent whenever anyone apologizes or asks, “What’s this all aboot?”
Everyone knows that T and T totally takes place in Toronto! Obviously, a lot of a Canadian shows deliberately tried to leave their setting ambiguous so that they could appeal to viewers in the United States. Interestingly enough, the most successful syndicated Canadian show in the United States was Degrassi, which was always proudly and forthrightly Canadian.
As for today’s episode, it opens with a waitress named Kathy (Jacqueline Samuda) fleeing from a diner after she happens to see her picture in the newspaper. It turns out that a lot of people have noticed that picture. One of them is a burly mob hitman (Paul Coeur) who calls the paper and demands to know who took the picture. When the editor refuses to name names, the hitman breaks into the office to search for the name himself.
Because Amy is friendly (and maybe more!) with the editor, she volunteers T.S. to investigate the photograph. T.S. and Amy track down the photographer, a nerdy teenage prodigy named Lenny (Robert Haiat). After talking to Lenny, they track down the diner where Kathy worked and eventually, they break into Kathy’s apartment. Kathy isn’t there.
“She either left in a hurry or she’s a bad housekeeper,” T.S. growls.
Meanwhile, the hitman kidnaps Lenny and demands that he take him to the diner where the picture was taken. When Lenny’s father tells T.S. that the abduction is all his fault, T.S. says, “I’m going to make this right!”
Kathy, it turns out, is actually named Maria. Because she testified against her mob boss brother, she’s in the Canadian witness protection program. Lenny kind of ruined all that by taking her picture. Now, she’s hiding out in a church but, after the hitman catches a priest entering Kathy’s apartment, he’s able to track her down. This hitman is so evil that he’s prepared to shoot Kathy in the head in the middle of a church! Luckily, T.S. shows up just in time.
“HEY, FOOL!” T.S. shouts before beating the crap out of the hitman.
There’s a simplicity to T and T that you really have to admire. For all the talk of T.S. being a detective and an advocate of peace and understanding, he solves most of his problems by either punching someone out or throwing them through a window. This show reminds us that the simple solution is sometimes the best.
Anyway, you know what? This was a really good episode. The mystery was intriguing. The show generated actual suspense over who would find Kathy first. The scene in the church was nicely atmospheric. Even the sentimental ending, with Kathy giving T.S. a crucifix to thank him for saving her life, felt totally earned. Way to go, Toronto!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, Mr. T whacks the attack!
Episode 2.7 “Fast Friends”
(Dir by Alan Simmonds, originally aired on November 14th, 1988)
On a rainy night in Toronto, Jonah (Leslie Toth) asks his friend Adam (Peter Spence) for permission to borrow Adam’s car. Jonah explains that he’ll only need the car for an hour and he just has to do some “business.” He promises Adam that this business has nothing to do with drugs. Adam hands over the keys.
So, from the start, this episode establishes that Adam is idiot.
I mean, seriously, once can just look at the sweaty and fidgety Jonah and tell that he needs the car to pick up some drugs. When someone who hasn’t taken a shower in a week tells you that he has to go out and do some “business,” it’s guaranteed that the business is going to involve drugs. And even if Jonah was being honest about not being involved in the Canadian drug trade, who lets anyone borrow their car? Even if it was a life-and-death situation, I would not give any of my friends the keys to my car. That’s right — I would rather that someone die than let them drive my car.
But Adam feels differently. He hands over his keys and, of course, Jonah drives to a warehouse and picks up several vials of crack cocaine. Jonah is in debt to some drug dealers so he needs to pick some crack to sell on the streets. But since Jonah is a no-good junkie, he smokes a little before he gets back in his friend’s car. While trying to return the car, Jonah attracts the attention of the police. Jonah abandons the car in an alley and runs for it.
When Adam finds out about what happened, he yells at Jonan and then, stupidly, heads down to the alley to get the car. Adam is shocked to find crack cocaine all over the front seat because, again, Adam is an idiot. Suddenly, the cops show up and arrest Adam!
Despite the best efforts of Detective Luntz (Alar Adema), Adam refuses to betray Jonah. He claims that he was at home all night and that someone stole his car and left it in the alley with the drugs. Detective Luntz continually points out that Adam’s story makes no sense because, if Adam’s car was stolen, how did Adam know where to find it?
It looks like Adam is doomed but, fortunately, his mother hires Amy Taler and T.S. Turner! While Amy talks to Luntz in the hallway, Turner talks to Adam and shows off his new, far less menacing mohawk.
Adam tells T.S. about Jonah. T.S. tracks down Jonah at a local drug den. When Jonah tries to run, T.S. grabs him and says, “I know who you are, I know what you’re doing, and I don’t like it …. Talk to me, brother!” That’s all it takes for Jonah to realize the error of his ways. After T.S. beats up the drug dealers, Adam is released from custody. However, Jonah still confesses to possessing the drugs because it’s the right thing to do.
And that’s the episode! This was another instance in which the show’s 30-minute running time led to the story feeling a bit rushed. T.S. tracked down Jonah with remarkable ease and he really didn’t seem to have any trouble convincing Jonah to turn on his dealers. That said, the scene in which T.S. walked through the crack house was well-directed and full of a lot of creepy visuals. Say what you will about Mr. T’s range of an actor, this episode featured him at his most sincere. One gets the feeling that beating up drug dealers was something that Mr. T did whenever he had a break from filming.
Next week on T and T …. oh, who knows? Toronto’s a wild city.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, things get muddy!
Episode 2.6 “A Secret No More”
(Dir by Don McCutcheon, originally aired on November 7th, 1988)
“On this episode….”
No, sorry, Mr. T does not utter those words at the start of this week’s episode of T and T. Starting with the second season, the show did away with the practice of Mr. T introducing each episode. It’s a shame because that was always one of the best parts of every episode. I especially would have liked to have heard how Mr. T would have introduced this episode, which features a lot of mud wrestling. “On this episode, Amy and I explore the world of mud wrestling and everyone gets dirty.”
This week’s episode find Amy and T.S. hired by an insurance company after a Canadian Senator named Sam Smale (Leon Pownall) is apparently killed by a car bomb. If the insurance company can prove that the car bomb was planted by gangsters instead of terrorists, the company can get out of paying any money to the senator’s wife. Wait? What? How does that work? Is that really something that would be put into an insurance policy? I guess the idea is that terrorists would be targeting Sen. Smale because of his job while gangsters would be targeting Sen. Smale because he was corrupt. I don’t know. It’s weird.
Sen. Smale was frequently seen hanging out at Toronto’s busiest mud wrestling club. The club is owned by the Granger Brothers, Charlie (Michael Copeman) and Red (Ric Sarabia). (“Those are two bad brothers,” T.S. says.) A review of the senator’s assets reveals that he was nearly broke. (“Senator business must be bad,” T.S. says.) Could Sam Smale have gotten into debt with the loan-sharking Granger brothers?
T.S. heads over to the club, where he meets the newest mud wrestler, K.C. Morgan (special guest star Vanity). K.C., however, is no ordinary mud wrestler. Instead, she’s a reporter working undercover and she’s uncovered evidence that the Senator was doing business with the Grangers! Needless to say, this leads to Amy, K.C., and T.S. all getting into a fight with the Grangers in the mud pit. It also leads to Senator Smale suddenly showing up and revealing that he faked his death and was planning on running off with the insurance money. T.S. promptly punches the senator and the corrupt politician ends up in the mud pit. Later, at the gym, T.S. talks about how silly Amy looked covered in mud and K.C. goes out on a date with T.S.’s best friend, Decker. (We learn, from K.C., that Decker’s first name is actually Danforth.) And that’s the end of that!
This episode packed quite a bit into 22 minutes. In fact, it was all a bit too rushed. This is one of those episodes that would have benefitted from an hour’s running time. I have to admit that I laughed out loud when the supposedly dead senator suddenly showed up with a gun on his hand, just because it was such an out-of-nowhere yet kind of lovable plot development. This was a totally ridiculous episode but that’s what made it fun. T and T is at its best when it embraces its own absurdity.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week’s episode begins in Manitoba but ends in Toronto.
Episode 2.5 “The Whole Truth”
(Dir by Allan Kroeker, originally aired on October 31st, 1988)
Apparently, with the start of the second season, the producers of T & T decided that the show no longer needed to begin with Mr. T telling us what was going to happen on “today’s episode.” That’s a shame, as Mr. T’s introductions were one of the highlights of the first season.
This episode begins with a title card telling us that the scene we’re about to watch is taking place in St. Louis. I’m going to assume that the show must be referring to the St. Louis in Manitoba because everyone knows that T & T totally takes place in Canada.
In St. Louis, Manitoba, a teenage pool player named Bobby (Lowell Conrad) is making a lot of money at the local pool hall. But when a man named Mike (James Purcell) steps into the pool hall, Bobby quickly puts away his pool cue and then makes a run for it.
Both Bobby and Mike end up in the city where T & T is set. A title card tells us that this city is apparently named “Metro County,” but again, the viewer only has to look at the snow on the ground and listen to accents of the inhabitants to realize that Metro County is actually Toronto.
Mike and Amy show up at Decker’s gym, where they have a meeting with T.S. (As opposed to the first season, in which Turner worked out of Amy’s law office, it now appears that T.S. works exclusively out of the gym.) Amy says that Mike is a client who needs help. Mike explains that he works for a St. Louis insurance company that is after a juvenile car thief named Bobby Slayton. Despite the fact that everything about Mike — from his suit to his smirk — radiates evil, T.S. agrees to help.
Joe Casper (Sean Roberge), who is apparently now like totally reformed from his flirtation with being a Neo-Nazi in the previous episode, is now living at Decker’s gym. He helps T.S. by walking around Toronto and asking random people, “Have you seen a 16 year-old, about 5’6?” Somehow, this vague description leads him to Bobby, who is once again making a living as a pool hustler.
As you probably already guessed, Mike is not an insurance agent and Bobby is not a car thief. Instead, Bobby is someone who has been on the run ever since he saw Mike murder a convenience store clerk during a robbery. When Mike comes after Bobby, he finds T.S. waiting for him.
“You’re outta gas, brother!” T.S. yells before grabbing Mike.
The episodes ends on a curious note, with T.S., Amy, and Bobby leaving a courtroom and lamenting that Mike was found not guilty on the robbery charge. Bobby says that the system failed to do its job but T.S. tells him that “sometimes, that’s what happens, little brother.” But, T.S. also assures Bobby that Mike will be going to jail on the attempted murder charge. Well, let’s hope so.
So far, this season of T&T seems like it’s attempting to be a bit more serious than the first season. If this episode had aired during the first season, Mr. T would have picked up Mike by his ankles and carried him around Toronto while inviting all of the citizens to jeer him and throw hockey pucks at him. Instead, in this episode, we just get Mr. T grabbing Mike and then waiting for the police to show up. That’s a shame as the first season was at its best whenever it acknowledged the absurdity of Mr. T working as a private detective in Toronto. This is really not a show that has any business taking itself seriously.
As with the previous second season episodes, there was a serious lack of Mr. T quirkiness in this episode. There was no talk of his love for cookies or gospel music. So far, about the only personality that T.S. Turner retains from the first season is his habit of calling everyone “brother.” Otherwise, T.S. has been turned into a typical, streetwise private eye. Seriously, why would you cast Mr. T and then not let him be Mr. T?
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, season 2 begins with a supesized episode.
Episodes 2.1 through 2.4 “Straight Line”
(Dir by George Mihalka, originally aired on October 24, 1988)
Straight Line, the second season premiere of T & T, is one story that is told over the course of four, 30-minute episodes. According to both Wikipedia and the IMDb, all four of those episodes aired on October 24th, 1988. To me, that would seem to suggest that Straight Line originally aired as a made-for-TV movie and that it was later split up into four episodes for syndication. It’s something that happens with a lot of shows, especially when it comes to season premieres. Straight Line was also apparently released, direct to video, as a stand-alone film in 1990 and you have to wonder how many people ended up renting it without realizing that they were spending their money on a super-sized episode of T & T.
The second season begins with some changes to the opening credits. Most of the supporting cast — including Decker, Aunt Martha, Sophie, and Detective Jones — no longer appear in the opening credits. (Decker and Aunt Martha do appear in the episodes but both David Nerman and Jackie Richardson are credited as being “guest stars.”) Instead, it appears that there are now only three regular members of the cast — Mr. T, Alex Amini, and Sean Roberge as a new character named Joe Casper. (Roberge previously appeared during the first season, playing a character named Fabian.)
Joe Casper is a teenager who is in a bit of trouble. He’s gotten involved with a neighborhood gang known as The Future and when the Future disrupts a campaign event for a reverend who is seeking to become Toronto’s first black mayor, it leads to a bomb going off and killing Joe’s mother. Distraught by what’s happened, Joe attempts to jump off a bridge but T.S. Turner (who was at the rally) approaches Joe and says, “Take it easy, little brother,” and that’s all Joe needs to hear to turn himself into the police. Joe is going to need a good lawyer so T.S. calls Amy, who rushes over the police station and….
OH MY GOD, WHAT IS AMY WEARING!?
Amy explains that she was at a banquet when T.S. called but still, I would probably put on a coat or something before heading over to Toronto’s dirtiest police station.
Anyway, Amy is able to keep Joe out of jail. Joe is sent to a juvenile rehabilitation center that is run by Dr. Hammel (Kenneth Welsh). Dr. Hammel is an ally of the preacher who is running for mayor and everyone thinks that Dr. Hammel is a good and devoted social activist. Of course, the audience automatically knows that Dr. Hammel is the bad guy because he’s played by Kenneth Welsh, who I imagine is best-known in America for playing the totally evil Windom Earle in Twin Peaks.
T.S. investigates The Future and discovers that there started out as a neighborhood watch before being transformed into a bunch of Neo-Nazis. He also discovers that Dr. Hammel is the one who is behind the organization. T.S. and Amy have to expose Hammel and they better hurry because the preacher running for mayor has been assassinated and Hammel has just announced that he’s running for mayor of Toronto!
This all may sound pretty exciting but the second season premiere is actually a bit dull. The main problem is that, as opposed to the first season, T.S. doesn’t get to do much in the episode. He’s rather subdued and there’s none of the quirkiness that made the character so memorable during the first season. He doesn’t talk about his love for cookies. He hardly calls anyone, other than Joe, “brother.” There’s not even a scene of him hitting a punching bag. It’s disappointing! As well, he and Amy were separated for the majority of the show, which kind of goes against the whole idea of them being T and T. Instead, the majority of the episode was devoted to introducing Joe. The episode ended with Joe, tears streaming down his face, walking away with T.S. and apparently renouncing his former affiliation with The Future. Since Joe is in the opening credits now, I assume he’s going to become T.S.’s ward for at least the next few episodes.
Hopefully, the next episode will features T.S. acting more like T.S. Otherwise, this is going to be a long season.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, season one of T and T comes to a close!
Episode 1.23 “Working It Out”
(Dir by Don McCutcheon, originally aired on June 23rd, 1988)
“In this episode,” Mr. T tells us, “push turns to shove and shove turns to ugly as a battle of sexes rages at Decker’s gym.”
Of all of the supporting characters who have been featured during the first season of T and T, Decker (played by David Nerman) has been the most prominent. That makes sense when you consider that each first season episode features at least a few minutes of T.S. Turner throwing jabs in a boxing ring or hitting the punching bag in Decker’s Gym. Decker is T.S.’s best friend. He may not be smart but he is loyal.
This episode finds Decker in a bit of quandary because Jessie (Allison Mang) wants to join the gym but, when she brings in the membership fee, Decker is shocked to discover that Jessie can also be a girl’s name! Decker’s gym is full of men who like to walk around in towels and say stuff like, “Where do you think you’re going, little girl?” Decker says the gym is men only.
(Myself, I don’t know why anyone would want to join Decker’s shabby little gym, which looks like it reeks of sweat.)
Amy decides to sue for her right to use the gym and she hires Amy Taler. Amy sends T.S. Turner down to Decker’s gym to talk to him about letting Jessie join. Decker explains he has no problem with Jessie joining but gym bully Madigan (Kevin Lund) doesn’t want to any girls to join. How much of a bully is Madigan? His nickname is Mad Dog and he even accuses T.S. of “getting soft!”
Meanwhile, Amy informs Jessie that the gym is a public business and therefore anyone can join. She also points out that there are other gyms in Canada, some of which are co-ed and women only. Jessie says that Decker’s sweaty, shabby gym — which, I would add, has been the scene of several major crimes since this season began — is the closest to her house. Personally, I would happily add a few minutes to my trip so that I could join a gym that doesn’t look like the set of a bad 70s porno but what do I know?
“She’s effeminate, isn’t she?” Sophie asks Amy about Jessie.
“You mean a feminist?” Amy replies.
“Yeah,” Sophie nods.
Amy rolls her eyes without answering Sophie’s question. Personally, I’m wondering how Sophie went from being a computer expert in one episode to not knowing what a feminist is in this episode.
Back at the gym, Decker tries to talk Madigan into accepting Jessie as a member of the gym. Decker tells Madigan that the men of the gym will just have to stop walking around without any clothes on. “We’re working out and sweating!” Madigan replies, “It makes sense to walk around without any clothes on!” And maybe Madigan would have a point if he was living in ancient Sparta but this is Toronto!
Decker goes to the law office, to talk to Amy. Decker is worried that Madigan will kill Jessie. Amy suggests turning his gym into a private club so that he can bar women from joining and offers to draw up the papers for him. Whose side are you on, Amy!?
The next day, when Jessie shows up at the gym, Madigan and every guy in the gym walks out. Only T.S. Turner stays to support Decker and Jessie. When the guys fail to return the next day, Turner says, “Who cares? I’m here. Jessie’s here. Amy’s here.”
Decker points out that everyone who left is going to want a refund on their membership fees and he’s not going to have the money to keep the gym open. Decker will soon lose his business but at least Jessie didn’t have to spend an extra 5 or 10 minutes driving to a gym that doesn’t have a history of people being murdered in the locker rooms.
Later, when Jessie is out jogging, she’s approached by Madigan who explains that Turner has set up a “fitness test” at the gym to prove that Jessie has what it takes to be a member. Jessie hasn’t heard anything about this and — oh no! Is Madigan trying to trick Jessie into returning to the gym so that he and his evil friends can attack her!? No, actually, it turns out that Turner actually did set up the fitness test but no one bothered to tell Jessie, which would seem to defeat the purpose of the whole thing.
(Amy says that Jessie left the gym before giving Turner a chance to explain his plan to her but why couldn’t he just call her and tell her? I mean, I know this show is set in Canada but surely Jessie has a phone. It’s not like they’re in Manitoba.)
Later, Amy takes Jessie to the gym, where Turner is waiting. “Oh, Amy!” Turner says, “That’s a nice dress you have on. You got plans?”
“Dinner date,” Amy says.
“Don’t stay out too late,” Turner growls.
Anyway, the fitness test ends in a tie, which means that Jessie didn’t beat Madigan. This is a problem because, as Madigan points out, Turner specifically said that Jessie would have to win to join the gym. Jessie admits that “Mad Dog” Madigan is right. Decker suggests letting the membership vote. (Why didn’t you just do that to begin with, Decker!?) Madigan says he wants to fight Turner without gloves.
“Now I see why they call you Mad Dog,” Turner replies before removing his jacket in slow motion and then flattening Madigan with one punch.
So, Jessie gets to join the gym, all because one man knocked out another.
“You know, Jessie,” Amy says, “I think you may have started a revolution.”
Anyway, this was a silly episode. Jessie absolutely should have been allowed to join the gym, if she really wanted to spend her time at that ugly, foul-smelling hub of crime. But the episode’s main message appeared to be that you can accomplish anything as long as Mr. T is around to beat up anyone standing in your way.
Episode 1.24 “Now You See It”
(Dir by Patrick Loubert, originally aired on June 20th, 1988)
Amy — and not T.S. — provides the introduction for the finale episode of season one. “In this episode,” she tells us, “a psychic sees through a violent drug rip-off but no one is willing to listen.”
Despite not doing the intro for this episode, T.S. is still present. At the courthouse, after Amy wins an acquittal for a shoplifter named Billy (Simon Reynolds, the stockboy from one of the other Canadian shows that I’m reviewing for Retro Television Reviews, Check It Out.). T.S. tells Billy, “Look here, little brother, if you want to change your life, meet me at Decker’s Gym.” Is he going to try to set Billy up with Jessie? T.S. leaves to buy the Billy a sandwich, which means that Amy is alone when she meets Emma (Gwynneth Walsh), a psychic who wants to sue the the police for firing her because they didn’t like her vision of what happened when a heroin dealer was murdered in a warehouse.
Amy agrees to sue the police — specifically Detective Thompson (A.C. Peterson) — for being rude to the psychic. As she later tells T.S., it may seem like a small thing but it’s important to her. “Sometimes,” T.S. replies, “it’s the small things that matter.”
Thompson agrees to apologize to Emma. After he does so, Amy snaps, “You can stop playing the nice guy! You’re off the hook!” And, of course, Thompson isn’t a nice guy. He’s the one killing the drug dealers! T.S. figures this out when Billy tells him that he doesn’t want to deal drugs anymore because “the streets are dry” and T.S. has a series of black-and-white flashbacks to Thompson talking about the dead drug dealers.
Anyway, Thompson is captured and season one ends with an episode that attempted to cram 60 minutes worth of plot into just 30 minutes. Overstuffed episodes were a frequent issue when it came to T and T‘s first season.
The first season can best be described as being uneven. The show was at its best when it took advantage of Mr. T’s unique screen presence. Though he definitely didn’t have the greatest range as an actor, Mr. T did show some comedic timing. The show struggled whenever it didn’t focus on T.S. Turner and oddly, that happened in more than a few episodes, as if Mr. T wasn’t the main reason why anyone would be watching this show to begin with. As a character, there was nothing particularly consistent about Amy, who was sometimes brilliant and sometimes woefully naïve. The supporting cast was frequently underused, though Catherine Disher had a few funny moments as Sophie. Seen today, the show is a time capsule of Canada in the late 80s and that is perhaps the main reason to watch it.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
In this episode, a spoiled little brat discover that …. well, no. I should let Mr. T tell you.
Episode 1.22 “Mickey’s Choice”
(Dir by Donald Shebib, originally aired on June 6th, 1988)
“In this episode,” Mr. T tells us, “a street-smart kid finds out he’s still got a few lessons to learn!”
On the mean and cold streets of Canada, Rubberhead (John Matuszak) sends 13 year-old Mickey (Jamie Shannon) on a mission to pick the pockets of the Canadians who have gathered to watch a street magician. When the police nab Mickey, Rubberheard snarls, “Don’t talk, you little punk!” before walking away.
Because Amy Taler is the only defense attorney in Canada, she gets assigned to Mickey’s case. The prosecution wants to toss Mickey in juvenile hall but Amy argues that Mickey is too young for that. Rubberhead and one of his henchmen walk into the courtroom and are properly thrown out by the judge. Mickey gives them the thumbs up signal as they leave. My question is how has Rubberhead not been arrested as he seems to have absolutely no idea how to subtle about carrying out his criminal activities. Also, why is he called Rubberhed? Is that a nickname he wanted?
Rather then send Mickey into the system, Amy arranges for Mickey to be released into the custody of T.S. Turner. Amy is able to pull this off despite the fact that Turner is an ex-con, her hair is a mess, and Turner is late coming to court. Luckily, the judge is a fan of boxing and he decides that Turner’s former career as a boxer is the perfect justification for giving him custody of a rebellious 13 year-old.
As Turner, Amy, and Mickey leave the courthouse, they are confronted by Rubberhead and his gang. One of them tries to grab Amy.
“Excuse me, brother,” Turner says, “that’s no way to treat a lady.”
Taking advantage of the distraction, Mickey runs for it. After telling Rubberhead, “I’ll deal with you later, punk,” Turner takes off after him.
Fortunately, Turner is able to grab Mickey and drop him off with Aunt Martha (Jackie Richardson) and Renee (Rachael Crawford). Aunt Martha puts Mickey to work peeling potatoes. Turner then heads out to try to track down Rubberhead and his gang.
“When I was younger, I was Mickey,” Turner explains, “I broke my mother’s heart!”
However, despite saying that he’s going to go out and find Rubberhead, the next scene finds Turner having dinner with Mickey, Aunt Martha, and Renee. Turner leads the group in saying grace and even Mickey bows his head.
That night, Rubberhead leaves a bag of burning trash on Aunt Martha’s porch. While Turner is distracted by the fire, Rubberhead breaks into the house and grabs Mickey. Back at Rubberhead’s headquarters, Mickey brags about how tough he is until Rubberhead demands to know what he told the police.
We then cut to Turner asking various Canadians if they’ve seen Mickey. “Look, brother,” Turner says at one point, “I’ve asked politely and I’ve asked nicely. Now, I’m just asking.” Frustrated by one dead end after another, Turner goes to the gym and lifts weights for several minutes.
“That’s how he thinks,” gym owner Decker explains as Turner shouts, “MORE WEIGHT!”
Somehow, all of this weight lifting leads to Turner figuring out where Rubberhead is headquartered. Turner heads down to Rubberhead’s warehouse, where he is promptly captured and tied to a chair by Rubberhead’s gang. Rubberhead announces that both Turner and Mickey will be dropped down an elevator shaft.
“You gotta make a choice, Mickey,” Turner says, “Right or wrong.”
Mickey unties Turner and Turner tosses a motorcycle at Rubberhead, taking out both him and his gang. Turner and Mickey then rush to the courthouse, where Amy has been stalling a court hearing on Mickey’s future. Mickey reveals all that he knows about Rubberhead and his gang. SNITCH!
This is definitely an episode that suffered from trying to tell a 60-minute story in only 30. Seriously, the narrative jumped around so much and was so haphazardly edited that it was a struggle to keep track of what was going on. That said, Canada is a safer place thanks to T.S. Turner and that’s the important thing. That’s why they put their faith in him.
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990. The show can be found on Tubi!
This week, T.S. Turner searches for a missing teenage boy and finds Vernon Wells instead.
Episode 1.21 “Private Eyes”
(Dir by Stan Olsen, originally aired on May 30th, 1989)
“On tonight’s episode,” Mr. T informs us during the pre-credits, “the mob hunts for a young kid to prevent his father from testifying in court.”
Now, I understand that it’s tempting to roll your eyes at the mention of the mob, seeing as how this is a Canadian show. But what many Americans don’t know is that the Mafia is actually very active in Canada and they have been since the days of Prohibition. All that liquor that Al Capone was selling on the streets of Chicago? It came from Canada!
Tonight’s episode opens with Frank (Angelo Pedari), who has an impressive flat top, walking and then driving down the snowy streets of Canada. He’s on a mission to prevent a married couple from testifying in court. As the local mob boss puts it, the couple will be less likely to testify if their son is missing. Interestingly, these two important witnesses do not have any police assigned their house so Mr. Flaptop and his criminal associate are able to walk right in and announce that they’re taking young Steve (Noam Zylberman) hostage. In his bedroom, Steve overhears and slips out the window. The mobsters decide to chase after Steve as opposed to kidnapping (or doing something even worse) to his parents. I mean, if their goal is to keep the parents from testifying and Canada won’t even send a patrol car to check on the house, I’m not sure why the mob is wasting their time on some teenager.
At the courthouse, Officer Jones (Ken James) gives Amanda a picture of Steve and then asks if T.S. Turner can hit the streets and look for him. (So, why not just give the picture to Turner?) Turner agrees to look for the kid, even though he and Amy agree that they’re obviously only getting half the story.
Turner heads to down to the local pool hall, where the local pool hustler says that someone already came into the place looking for the kid. “He talked like that Alligator guy in the movie.”
“Australian!?” Turner asks, as if this is the first time that an Australian has ever been spotted in Toronto.
Now fully aware that there is an Australian searching for the kid, Turner reminds everyone in the pool hall to “call me” and not the Australian.
Who is the Australian? Why, it’s veteran screen tough guy, Vernon Wells! (Wells played played Wez in The Road Warrior.) In this episode, Vernon is playing Nigel and he is determined to find that kid. When T.S. stumbles across Nigel at the local Canadian high school, showing the students picture of Steven, Turner demands to know what’s going on.
“I’m not talking to you, mate!” Nigel replies.
“Yes, you are.” T.S. replies.
“No, I’m not!”
“Yes, you are!”
“No, I’m not!”
Okay, guys, come on now….
Eventually, the police are called and Nigel and T.S. are both dragged down to the police station.
“When I get out of these cuffs, my friend!” Nigel says to T.S.
“You ain’t my friend, brother!” T.S. replies.
Detective Jones tells them to stop both yelling at each other. He explains that Nigel has been hired by Steven’s parents to find their son. He suggests that T.S. and Nigel work together.
“I work alone,” Nigel says before storming out of the police station. However, Nigel changes his mind, returns, and says that maybe he and T.S. should work together.
“No hard feelings, mate?” Nigel asks.
“I guess not,” T.S. replies, “I can always beat on your later.”
“That won’t be a easy from a hospital bed, mate.”
“I ain’t your mate, brother.”
Guys, come on now. The machismo is getting almost overwhelming.
At the gym, T.S. and Nigel meet a taxi driver who gave Steve a ride to the hotel where he is currently hiding out. T.S. and Nigel decide to head over to the hotel but the mob has already learned where Steve is hiding out. (Somehow, Steve’s disguise of a trench coat and dark glasses has failed to fool anyone.)
While T.S. and Steve head over to the gym, Amy confronts Detective Jones about the fact that there was supposed to be a police car in front of Steven’s parents house on the day that Steven disappeared. Someone called off the car. Jones admits that there is a mafia informant in the police department and that’s why he had to hire T.S. to look for the kid. Jones demands to know where Amy got her information. Amy says that she never reveals her sources. Then Sophie (Catherine Disher) wanders into the office and reveals that she got the information from a guy in fingerprinting that she’s dating. Go Sophie!
Meanwhile, at the hotel, T.S. and Nigel discover that Steve is not in his room. Nigel suggests that maybe one of them should wait outside in case Steve returns.
“That’s a good idea, brother!” T.S. says.
“I’m not your brother,” Nigel replies.
Okay, guys, come on, everyone is supposed to be working together here….
Anyway, the kid and the mob show up at the same time so Nigel and Turner get to beat some people up and save the kid. Yay!
Steven’s parents testify against the mob and then enter Witness Protection, which I guess means moving from Toronto to North York. At the courthouse, Nigel and T.S. finally find something that they can agree on, American football.
“Greatest football team ever made!” T.S. announces.
“The Redskins!” Nigel agrees.
Uh-oh. Guys, you might want to stop bonding….
Anyway, this episode was actually kind of fun, due to the bickering between Mr. T and Vernon Wells. They made for a fun team. Once again, it doesn’t really do anyone any good to try to tell an hour’s worth of story in only 30 minutes but Vernon Wells made me smile. That’s the important thing!
Through the Shattered Lens 