Retro Television Review: Degrassi High “School’s Out”

Posted on August 10, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991! The series can be streamed on YouTube and Tubi

School’s out! What does the future hold for the students of Degrassi High?

“School’s Out”

(Dir by Kit Hood, originally aired on January 5th, 1992)

The series finale of Degrassi High left viewers with a few unanswered questions, particularly concerning the future of Joey and Caitlin’s relationship. Indeed, when the series ended, the majority of the characters still had another year left in high school.

School’s Out, a television movie that aired on CBC Television in 1992, was an attempt to bring closure to the Degrassi story. Starting with everyone but the perennially academically challenged Joey Jeremiah graduating, School’s Out deals with the final summer before everyone leaves for college or adulthood. Joey asks Caitlin to marry him and, when she says she’s not sure that she’s ready, he instead cheats on her with Tessa Campanelli. Joey loses his virginity to Tessa. Caitilin eventually loses her virginity to Joey (and, at the time, assumes that she’s his first as well). Snake does not lose his virginity over the summer and spends almost the entire film in a funk about it. Wheels becomes an alcoholic and ends up in prison after he crashes his car and kills a kid. Lucy, who was Wheels’s passenger, ends up blind and crippled. Simon and Alexa finally get married. Snake, meanwhile, drops the first F-bomb ever heard on Canadian television. Caitlin drops the second. “You were fucking Tessa Campanelli!?” As for Tessa, she ends up pregnant, has an abortion, and then apparently hops on a bus and vanishes.

Things got dark!

I’ve already reviewed School’s Out once. It’s not only a classic Degrassi film but it’s a great teen film period. Rewatching it, I truly was struck by just how incredibly dark things got in School’s Out. Degrassi High had its share of dark moments but never to the extent as seen in School’s Out. I mean, Wheels’s goes to prison! Watching Degrassi High over the past few months, it was easy to see that Wheels was destined to eventually end up in some sort of trouble. He was too angry and too self-centered and not willing to take responsibility for his actions. There was a reason why, even before the events in School’s Out, Snake was distancing himself from his former friend. Still, Wheels is a character who grew up over the course of the show. It’s still strange to think that the quiet “good kid” from Degrassi Junior High eventually grew up, developed a drinking problem, killed a child, and was sentenced to prison. As easy as it is to dislike Wheels, it’s still hard not to mourn who he could have been if a few things had just gone differently in his life.

That actions have consequences has always been one of the main themes of Degrassi. By lying and cheating on Caitlin, Joey not only loses the love of his life (albeit temporarily) but Tessa herself is left to suffer alone. Lucy, with a brilliant future ahead of her, makes the decision to get into a car being driven by the drunk Wheels and, when we last see her, she’s in a hospital bed and unable to see. School’s out and sadly, the students at Degrassi High can no longer escape the real world consequences of their actions.

School’s Out was meant to bring closure to Degrassi. And it did, for nearly ten years. Of course, all good things come back to life. Degrassi: The Next Generation would premiere in 2001. We’ll start looking at it next week.

Late Night Retro Television Review: Degrassi High 1.11 “All In A Good Cause:

Posted on February 2, 2025 by Lisa Marie Bowman

This week, Claude shows that in yourself, you must believe.

Episode 1.11 “All In A Good Cause”

(Dir by Eleanore Lindo, originally aired on January 16th, 1990)

There’s a wonderful moment in this week’s episode in which Claude tells Caitlin that they have a moral obligation to vandalize a factory that is being used to make nuclear weapons. (Yikes! In downtown Toronto!? Really, Canada!?) Claude says that Martin Luther King, Jr. didn’t let the law stop him.

Caitlin agrees.

The Chicago Seven, Claude continues, didn’t let the law stop them from protesting for what was right.

“Who are the Chicago Seven?” Caitlin asks.

Claude gets frustrated. “They were seven guys from Chicago.”

“What did they do?”

Claude, after a pause, “They were totally radical!”

Of course, Claude is incorrect. The Chicago Seven were not seven guys from Chicago. They were seven (originally eight) guys who came to Chicago from all over the country and they were arrested during the 1968 Democratic Convention. As for whether or not they were totally radical …. well, it depends on who you ask. Abbie Hoffman thought they were radical. Bobby Seale thought all of them were poseurs with the exception of himself. Jerry Rubin went on to become a businessman. Tom Hayden went into state politics and married an Oscar winner. As for the other members …. well, who cares? There’s a movie about them if you really want to subject yourself to it.

Claude is like a lot of young activists. He’s passionate and he’s convinced he’s going to save the world but he’s also totally shallow and given to hyperbole. Claude’s plan to vandalize the factory amounts to spray painting one anodyne anti-nuke message on a wall in the middle of the night. Caitlin serves as his lookout. When the cops arrive, Claude runs and leaves Caitlin behind. That stupid hippie!

Catilin does the right thing She dumps that pretentious douchebag! Good for her. Don’t get me wrong. I get it. I went through a period of time where I had a weakness for passionate activists as well. It was between my first bad boy phase and my second bad boy phase. But Claude was just so annoying and, even worse, Caitlin dumped Joey for this loser. Joey may not have known much about politics but Joey also would never have abandoned Caitlin to the cops.

This was a really good episode. Along with the Caitlin/Claude fiasco, this episode also features Kathleen finally reporting her abusive ex-turned-stalker Scott to the police and getting a restraining order against him. Good for Kathleen! (Rebecca Haines really did a good job portraying Kathleen’s ordeal with Scott and, in the best Degrassi tradition, she showed the audience that there was more to Kathleen than they may have originally assumed.) Even Arthur got a decent storyline this episode. Eager to show that he could be just as dangerous and daring as Yick, he and Yick toilet-papered Raditch’s house. What was funny about this plotline is that Arthur wanted to impress Luke. This is the same Luke who gave Shane the PCP that caused him to fall off a bridge. Get better heroes, Arthur!

This was an excellent episode. It’s tempting to hope that Caitlin learned a lesson from this experience but those of us who have watched Degrassi: The Next Generation know better.

Late Night Retro Television Review: Degrassi High 4.6 “Nobody’s Perfect”

Posted on January 5, 2025 by Lisa Marie Bowman

Oh Romeo, Romeo….

Episode 4.6 “Nobody’s Perfect”

(Dir by Eleanore Lindo, originally aired on December 5th, 1989)

This week’s episode is all about relationships, good and bad.

Patrick (Vincent Walsh), a student from Ireland, sees that Spike is wearing a Pogues t-shirt and asks her out. Spike replies that she wants to but she can’t because she has to take care of baby Emma at night. Patrick suggests a day date instead. Spike agrees, even if she’s still struggling to deal with her feelings about Shane.

(Shane, having suffered brain damage after a bad LSD trip, is not enrolled at Degrassi High. We won’t see him again until the third season premiere of Degrassi: The Next Generation.)

Meanwhile, despite having broken up with him so that she can date “Clode,” Caitlin still volunteers to be Joey’s scene partner for home room. They’re supposed to perform a scene from Romeo and Juliet and …. yeah, there’s no way that’s going to be awkward, right? Caitlin tells Joey that, even though they’ve broken up, she hopes they can still be friends. Joey awkwardly says, “Yeah.” They talk about why they broke up. Caitlin even says, “It’s not you, it’s me.” Those of us who know our Degrassi history know that this is a scene that’s going to be frequently repeated over the next twenty years or so.

Finally, Kathleen has convinced herself that she’s totally in love with Scott. Afterall, Scott is always telling Kathleen how much he loves her. He gives her jewelry. He sends her flowers. He wants her to spend all of her free time with him. Of course, when Scott isn’t doing all of that, he’s beating on her and telling her that she’s stupid for wanting to have any interests outside of being his girlfriend. When Kathleen is disappointed to discover that she hasn’t been cast in the school play, Scott informs her that she’s just not a very good actress and she shouldn’t worry about it. When Kathleen says that she wants to try out for a play at the community center, Scott tells her that she needs to make time for him. When Kathleen tries to have lunch with her friends, Scott drags her away so that she can have lunch with him. When Kathleen stays after school to practice a scene with her scene partner (who happens to be Luke, the guy who gave Shane the acid), Scott goes absolutely crazy and beats her up in the classroom.

“Kathleen,” Scott insists as Kathleen finally walks away from him, “I love you!”

Kathleen turns to look at him. We get a freeze frame of her bruised face and then the insanely cheerful Degrassi theme music starts playing. It makes for an interesting juxtaposition. (Combining cheerful music with depressing freeze frames was a Degrassi tradition.)

This episode deserves a lot of credit for realistically portraying Kathleen and Scott’s relationship and Scott’s abusive personality. Everything that an abuser does — from the gaslighting to the subtle insults and the sudden accusations to the desperate begging for forgiveness — is present in this episode and Kathleen’s reactions (“I can change him!”) are all too real. Degrassi High was a show that dealt with real issues and it usually managed to do it without resorting to melodrama or false hope. The thing that makes this episode so powerful is that we don’t know if Kathleen had the courage to reject Scott after that freeze frame or, if like so many other girls and women in the same situation, she once again forgave her abuser. Rebecca Haines deserves a lot of credit for her performance here, as does Byrd Dickens, who is terrifying as Scott. This episode was Degrassi High at its best and most important.