Horror Novel Review: Aftershock by Robert W. Walker


Dangerous work is being done at the Coppelmier Center For Disease Control.  In an underground lab that sits beneath a major American city, three scientists are working on creating the ultimate biological weapon.  That’s definitely not a good thing, especially when you consider that the city in question is Los Angeles and Los Angeles has a history of getting hit by earthquakes.  You would think that Dr. Leo G. Coppelmier would have understood that building his underground bio weapon lab in a place known to randomly and violently shake was a bad idea.  But Dr. Coppelmier is a wealthy genius and he wants to do things his way.

Of course, an earthquake does hit.  And, of course, a really dangerous plague is set free.  Soon, a horrifying creature with claws is killing people all over Los Angeles, removing their heads and their spinal columns and leaving the bodies in the sewers.  (Yuck!)  Could this be related to the earthquake and the mutated virus that was set free as a result?  Of course it does …. but good luck getting the powers-to-be to admit it!  The government would always rather cover up a problem than admit they played a role in creating it.

Reporter Bill Quinn is determined to discover and reveal the truth and he’s got two scientists and his best friend helping him out.  But will he be able to track down and stop the killer before the plague is spread even further?

Published in 1987, Aftershock is a quick and pulpy read, one that feels like a gory throwback to the B-movies of the 50s and 60s, the ones in which some scientist would make the mistake of trying to play God and end up getting transformed into a fly or a member of the Alligator People.  The subtext of those movies always seemed to be that it was dangerous to look for too many answers and that scientists should stop trying to change things just for the sake of changing them.  The subtext of Aftershock is not quite as reactionary, instead it just suggests that it’s dangerous to build a bioweapon lab on the San Andreas fault and I agree with that.  Aftershock is a violent and bloody tale that holds your attention and offers some genuinely frightening imagery.  Reading it today, it’s hard not think about the fact that COVID undoubtedly escaped from a lab as well.  After everything that we, as a society, have been through over the past four years, books about mad scientists and poorly-planned lab schemes hit a little bit differently nowadays.

Aftershock (1990, directed by Frank Harris)


It’s the future and society has collapsed.  America is now controlled by the evil Commander Eastern (Richard Lynch) who, with the help of a propagandist known as Big Sister and a paramilitary leader named Oliver Queen (John Saxon), rules with an iron hand.  Colonel Slater (Christopher Mitchum) is the leader of the revolution that threaten to overthrow Eastern’s regime.

Two revolutionaries, Wille (Jay Roberts, Jr.) and Danny (Chuck Jeffreys), are stuck in one of Eastern’s prison.  Every day, they fight for their lives and they wait for a chance to escape.  That chances come in the form of Sabrina (the beautiful Elizabeth Kaitan), an alien who lands on our planet under the mistaken assumption that Earth is an utopia.

When Sabrina, Willie, and Danny finally manage to escape, they have to make it to Slater’s headquarters while avoiding the bounty hunter (Chris DeRose) who Queen has been sent to capture them.

A fairly standard rip-off of the Mad Max films, the most interesting thing about Aftershock is the cast.  I already mentioned Mitchum, Saxon, Lynch, and Elizabeth Kaitan but there are also appearances from Russ Tamblyn, Michael Berryman, Matthias Hues, and Deanna Oliver.  For a movie that looks cheap and doesn’t really bring anything new to the postapocalyptic genre, there are a lot of very talented people in this movie.  (Even talented people have to pay the bills.)  Most of them are only on for a few minutes.  The instantly forgettable Jay Roberts, Jr. and Chuck Jeffreys are the actual stars here.  Jeffreys was a stunt man who was famous for his resemblance to Eddie Murphy.  He looks good in the action scenes but otherwise, he and Roberts don’t make much of an impression.

At least Elizabeth Kaitan gets a decent amount of screentime.  Kaitan appeared in a lot of movies in the 80s and 90s.  None of the movies were very good.  She got stuck with roles like the girlfriend in Silent Night Deadly Night Part 2 and a victim in Friday The 13th Part VII.  Kaitan got roles primarily because she was beautiful but she had a likable screen presence and more than a little talent.  In Aftershock, she gives a convincing performance as a stranger in a strange land, one who has her own eccentric way of viewing things.  Her performance is the best thing about Aftershock and the main reason to watch.

 

 

Monday Live Tweet Alert: Join Us For Aftershock!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1990’s Aftershock!  Selected and hosted by Rev. Magdalen, this movie is about life after an eclipse!  So, you know it has to be good!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Aftershock on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

Trailer: Aftershock (Official Red Band)


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With all the hoopla over this weekend’s release of Iron Man 3 one shouldn’t overlook the release the following weekend of a little horror film coming in under the radar called Aftershock.

The film has Eli Roth producing and starring in it with Nicolás López directing it. The film is a fictional account of a group of Americans with their Chilean friend trying to survive the aftermath of the real-life massive 2010 earthquake in Chile.

From the look of this official red band trailer the film looks like it’s going to be quite bloody and gory. If there’s anything that Roth seems to know it’s blood and gore. Whether this film  and its director will bring something else to the table will be determined upon the film’s release.

Aftershock is set for a North American release date of May 10, 2013.

Trailer: Aftershock (Official)


Horror is still my first true genre love when things get boiled down to their most basic. 2013 looks to be full of horror films to more than satisfy my appetite for them. One such film that I’d be itching to check out is the Chilean horror-thriller titled Aftershock.

The film was co-produced by horror filmmaker Eli Roth who also had a hand in co-writing the script with Guillermo Amoedo and the film’s director, Nicolás López. The film is a fictional account of the aftermath of the 2010 8.8 earthquake in Chile and how a group of young partygoers try to escape the chaos of the city after the quake. Part of the film’s story uses the real-life prison breakout of prisoners after the quake and the resulting chaos in the damaged areas of the city.

Aftershock looks to be in the same extreme horror that the French have been helpful in making one of the newest trends in horror cinema. The trailer is not the glorious red band variety everyone has been waiting for but there seems to be enough hints throughout to show that Aftershock will not be a bloodless affair.

The film premiered during last year’s Toronto International Film Festival and the buzz surrounding the film has been quite positive. Unfortunately, there’s still no word on a release date in the US or anywhere for that matter, but it definitely joins Franck Khalfoun’s Maniac as one of my must-see horror films for 2013.