Adam Gifford | Through the Shattered Lens

What type of justice?

Extreme justice, y’all!

In this 1993 film, Lou Diamond Phillips stars as Jeff Powers. Who is Jeff Powers? He’s a cop! He wants to keep the street safe! Sometimes, he knows that you have to be willing to break the rules! He’s a cop who does things his way!

Okay, is that enough exclamation points? I’m not just using them to be obnoxious. The film is pretty much just one big exclamation point. The action is hyperintense and the film is full of characters who always seem like they’re just one step away from exploding. No one in this film is particularly calm or laid back. From the start, everything is dialed to eleven and it just keeps going higher and higher.

After Jeff is put on probation for roughing up a suspect, he receives an invitation to join an elite squad of detective. Led by the charismatic Detective Dan Vaughn (Scott Glenn, giving a performance that is so over-the-top that he yells straight at the camera at one point), the Special Investigative Section is the best of the bed. Upon joining, Jeff finds himself a member of a sacred fraternity of law enforcers. Working with men like the always amused Detective Larson (Yaphet Kotto) and the somewhat paranoid Angel (Andrew Divoff), Jeff finds himself tracking some of the biggest criminals in the city.

What Jeff also discovers is that SIS does more than just arrest criminals. The SIS has been given an unofficial license to kill and they end up executing as many people as they take to jail. Often times, Vaughn will tells the men to allow a crime to be committed so that they can then dispense their own brand of justice. In the film’s most disturbing scene, the members of SIS wait until after a woman has been raped in an alley before they move to neutralize her attackers. When Jeff finally decides that he can’t be a part of all this and tries to reveal what’s going on, he discovers that the SIS has some support in some very high places. Who cares if the SIS is allowing crimes to be committed or if an innocent person occasionally gets caught in the crossfire? At least they’re taking care of the criminals!

Extreme Justice is a crude and energetic film and one that is based on some of the stories that spread about the LAPD’s RAMPART division in the 90s. That the film works is a testament to the performances of Phillips, Kotto, and Glenn and also the direction of Mark L. Lester. An exploitation vet who occassionally made big studio action films as well, Lester keeps the pace moving at breakneck speed and, even more importantly, he allows both sides to have their say. While Jeff is upset about SIS’s methods, Detective Vaughn is correct when he says that his unit is targeting the worst of the worst. It makes for an unusually intelligent exploitation film, one that leaves the audience with a lot to consider. How far would you go to keep your neighborhood safe?

Previous entries in 2025’s 14 Days Of Paranoia:

The Fourth Wall (1969)

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Freevee and several other services!

This week, Jonathan and Mark bring together a family.

Episode 3.4 “Another Kind of War, Another Kind of Peace”

(Dir by Dan Gordon, originally aired on October 15th, 1986)

Clancy (Eugene Roche) is an old man who has never gotten over the death of his son in Vietnam. He lives alone in an apartment in Los Angeles. His only friend is Guido Liggio (Ernest Borgnine), an Italian taxi driver who lives next door. Guido, who came to this country as a refugee during World War II, is the type of salt-of-the-Earth character who says stuff like, “Clancy, how come you no be a-nice to the people?” And Clancy is the type of bitter old man who says stuff like, “Don’t ask me for money, ya bum!”

Jonathan and Mark show up at Clancy’s apartment and inform him that they work for an agency that brings refugees to the United States. They explain that Clancy’s son had a child in Vietnam. Now, both Clancy’s grandchild and the grandchild’s mother are in the United States and they need somewhere to stay. Clancy is angered by the news, claiming that the mother is lying and just trying to get into the country. But eventually, he agrees to allow Lan Nguyen (Haunani Minn) and Michael Nguyen (Ernie Reyes, Jr.) to stay in his apartment. He even agrees to give Michael lunch money so that Michael won’t starve at school. Otherwise, Clancy says that he doesn’t want to have anything to do with either of them.

Guido, on the other hand, is more than willing to host Lan and Michael. He’s a refugee himself and, even more importantly, he’s everyone’s favorite character actor, Ernest Borgnine! But Jonathan and Mark understand that their assignment is to bring together Clancy and his grandson. Guido is a nice guy but he’s not Michael’s grandfather.

At school, a bully (Adam Gifford) is stealing Michael’s lunch money. When Michael says that he needs the money for food, the bully threatens to hurt Clancy. What a jerk! Seriously, check out this totally 80s bully:

When the principal tells Mark and Jonathan that Michael has been spending his lunchtime searching for food in the school dumpsters, Jonathan tells Clancy. Clancy, angered that his money is being wasted, heads down to the school and confronts the bully. Jonathan briefly gives Clancy and Michael “the stuff,” which allows them to beat up the bully and his entire gang. This experience brings grandson and grandfather together. So, I guess the message here is that violence is the answer. Forget about that turning the other cheek stuff. Instead, just throw your bully through a car window.

This episode was pretty much what most people picture when they think of a typical Highway to Heaven episode. It was unabashedly sentimental and a bit simplistic in its approach. It was earnest enough to be likable though a bit too heavy-handed for its own good. Any show that features Ernest Borgnine as a special guest star is not exactly going to deliver anything resembling a subtle story. While this episode was never quite as good as I wanted it to be, I was still glad that Michael and his mother found a home.