Chilling Adventures of Sabrina, S2 E9, Dir: Rob Seidenglanz, Review by Case Wright


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The finale!!! Don’t forget to check out Lisa’s review here!  This season was without a doubt a televised story that Netflix paid to make.  It had its downs and would roll credits.  By the end of this season, I am excited to speak with the show’s fan.

Last season was a triumph and this season was …. just trying.  Why? I didn’t mind that the characters separated and returned together; that’s a critical part of storytelling. I also don’t totally mind what Lisa pointed out: Sabrina sucks at her job.  She’s amazingly incompetent.  That’s kinda refreshing.  Usually, incompetence is just the purview of fat husbands married to pretty wives on sitcoms.  Sabrina blunders through everything she does and manages to survive because everyone cleans up her messes.  This time with Nick’s life, but I’m getting ahead of myself.  This is the finale so let’s get our flashlights out so we can see anything on our screens and try to figure out: Whaaa Happened?!

There was something different about this episode.  It wasn’t directed like it was done by an overtired cashier at The Last Blockbuster Video (Alaska) who couldn’t turn on the lights.  The direction popped and there was actual humor. Why? Am I watching the right show? Rob Seidenglanz directed this episode.  He is known for a number of dramas: The Following, Parenthood, BUT he also directed Party Down- a no kidding great comedy!

This episode and the season can be summed up in one word: burritos….wait, I’m kinda hungry….I meant failure.  Our heroine and her friends can barely tie their shoes correctly.  They should all get chaperones in case they try something challenging like getting their own mail or cutting up their own meat.

Last episode: Our heroine figured out that she was manipulated…oh wait she didn’t.  She unleashed Lucifer by “killing herself” her double.  In this episode, Lucifer gets released and Sabrina challenges him right off. Wait, no she…has dinner with him.  In fact, we learn that Lucifer is her father, but Hilda never thought to mention it. Ok, did the writers’ room just decide to eat bunch of turkey and nyquil sandwiches this season?!!!!!

Sabrina and the aunties try to kill Lucifer, but they bungle that too.  It’s kinda funny.  Sabrina’s friends also fail to keep the gates of hell closed.  Sabrina does a …. song and dance number?????  Huh??? But, Why? Why? Why?  It’s apparently a scheme to trap Lucifer in a puzzle box of her Adoptive Father’s design and it……fails.  Is someone around to bail out Sabrina? Yep, Nick! He makes Lucifer possess him and does a sleep spell.  Luckily, Ms. Wardwell is around to carry them both off to hell.  The shot is reminiscent of The Beyond, but no one goes blind from the revelation.

The episode ends with Sabrina and her friends planning out season 3 by deciding to try to go into Hell and rescue Nick. Poor, poor Nick.  Maybe you should stop doing…you know…things.  See you next season.  Maybe, Lisa will review it again if you beg her as I will!

This season as gif:

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TV Review: Chilling Adventures of Sabrina 2.8 “The Mandrake” (dir by Kevin Sullivan)


When last we checked in on the adventures of the Greendale’s most boring family of witches, Sabrina had been resurrected as some sort of witch messiah and was planning on revealing the truth of her powers to all of Roz’s church friends when she was suddenly stopped by Harvey.  Harvey cried out, “If you ever loved me, stop!”  That got a look from both Roz and Nick, not to mention Sabrina.

Anyway, it turned out that Harvey found a wall painting of Sabrina in the mines and apparently, the painting indicated that Sabrina was destined to be the herald of Hell and bring about the apocalypse.

“Am I evil!?” Sabrina asked.

The 8th episode of the 2nd season of Chilling Adventures of Sabrina attempted to answer this question and, as is typical with this show, the results were mixed.  In order to try to exorcise the evil out of her, Sabrina convinced Ambrose to help her create a duplicate Sabrina, a “mandrake.”  The Mandrake Sabrina would have all of her powers but none of her humanity and the plan was for the real Sabrina to kill the fake Sabrina 24 hours after creating it.  This would not only vanquish whatever evil that Sabrina had inside of her but it would also deprive her of both her powers and her immortality.  In short, Sabrina would become a normal mortal but, at the same time, she also wouldn’t end the world.

Sounds like a good plan, right?

Of course, it didn’t work like that, largely due to the fact that Sabrina is incredibly incompetent.  While Sabrina managed to create the Mandrake, she didn’t do a very good job of keeping track of it.  This led to the Evil Sabrina wandering around Greendale and exploiting all of her friends’s insecurities and weaknesses.  Of course, since Sabrina only has three friends, this means that the Mandrake just tracked down Harvey, Roz, and Theo.  If Harvey, Roz, and Theo were complex characters (as opposed to thinly drawn caricatures), it would be potentially interesting to see how the Mandrake manipulated them and tried to use their weaknesses against them.  But, as I’ve been saying since this season began, there’s not much to say about the members of Sabrina’s supporting cast.  Everyone has one or two traits that are used to define them.  Of course, Roz is going to be insecure about her relationship with Harvey and her eyesight because that’s really the only two things that Roz has going on in her life.  The show’s refusal to dig any deeper into its supporting cast remains one of its most glaring flaws.

On the plus side, the Mandrake’s plan to create duplicates of Harvey, Roz, and Theo did lead to a nice homage to Invasion of the Body Snatchers and Kiernan Shipka did a great job playing both Sabrina and her evil twin.  As is usually the case with this series, Kiernan Shipka’s efforts to hold this uneven episode together were nothing less than heroic.

When the episode wasn’t dealing with Sabrina and her Mandrake, it was focusing on Father Blackwood’s attempts to break away from the Church of Night and join the Church of Judas.  It was …. well, not very interesting.  Meanwhile, Mrs. Wardwell sent a reanimated scarecrow to kill Sabrina.  The scarecrow failed, of course but Sabrina has now finally figured out that Wardwell is her enemy.  Considering that Mrs. Wardwell has never been a subtle antagonist, you have to wonder how dumb Sabrina is to have only now figured this out.

Anyway, I actually liked this episode a little bit more than the previous one.  It had all the usual flaws that we’ve come to expect from this series but Kiernan Shipka’s evil turn as the Mandrake elevated the episode.  As usual, Kiernan Shipka remains the show’s greatest strength.  At times, it’s the show’s only strength.

Up next, Case finished up season 2 by reviewing the finale!

TV Review: Chilling Adventures of Sabrina 2.7 “The Miracles of Sabrina Spellman” (dir by Antonio Negret)


GOOD GOD, CAN SOMEONE IN GREENDALE TURN ON A FREAKING LIGHT!?

As you may have guessed from the introduction, I am once again reviewing Chilling Adventures of Sabrina.  I will be reviewing the seventh and eighth episodes of the 2nd season and then Case will be back with us, covering the big finale.  If you’ve read any of my previous reviews, you know that one of my huge issues with this show is that no one in this damn town — even the mortals — seems to know how to flip a light switch.  Visually and thematically, this is one dark show.

It’s also, especially during season 2, been a rather dull show.  Watching it, one gets the feeling that the writers ran out of ideas halfway through season 1.  Yes, everyone worships Satan.  Yes, they’re all witches and warlocks.  That should be interesting but trust this show to make the dark arts seem boring and rather tedious.  “What the Heaven’s happened!?”  Aunt Hilda (Lucy Davis) exclaims at the start of the show when she sees as seriously, perhaps fatally, wounded Sabrina and replacing “Hell” with “Heaven” is supposed to be shocking but, at this point, who cares?

The show’s main strength has always been Kiernan Shipka’s performance Sabrina.  She’s always been able to bring life to even the laziest of dialogue but this episode comes close to defeating even the normally reliable Shipka.  Kiernan Shipka has always kept the show grounded but this episode sent her up into the air.

While the previous episode ended with Sabrina nearly dead, this episode opens with Sabrina coming back to life and becoming not only a healer but also a messianic figure.  Sabrina not only heals Ambrose but she also prevents him from being executed.  And it says a lot of about this show’s flaws that I wouldn’t have minded if Amrbose’s head had been chopped off.  If nothing else, it would have meant no longer having to listen to him whine about every little thing.  Sabrina also gives Roz back her eyesight, so I guess that subplot’s resolved.  Roz is no longer blind and yay, I guess.  Roz is a flat, one-demensional character.  You didn’t care when she went blind and you’re not going to care that she can now see.  By that same token, you’re not going to care when Aunt Zelda is freed from the spell that Blackwood’s put her under because, again, she’s just Zelda and she’s not that interesting.

Anyway, now that Sabrina has returned from the dead and can magically do whatever the script requires her to do at any given moment, she wants to spread her father’s gospel and bring together mortals and humans.  Alone among the students at the Academy, Nick Scratch thinks that’s a good idea and I’d be worried about that if I cared about Nick and Sabrina as a couple….

Really, this was a surprisingly uninvolving episode.  I’m not even going to discuss Harvey and Theo in the mines or Ms. Wardwell creating a servant in her bathtub.  Nor am I going to talk about the rat that a possessed Zelda drops in a meat grinder.  It all plays out very slowly and it mostly plays out in the dark and it doesn’t work because none of these characters feel like they’re worth all the trouble.

As I pointed out earlier, even Kiernan Shipka stuggled during this episode.  Over the course of one episode, Sabrina goes from being a teenager trying to find her place in the world to being some sort of witch messiah and, in the process, she becomes self-righteous and a bit dull.  The episode ends with Sabrina looking at a cave painting, a prophecy that proclaims her to be the herald of Hell.

“I’m evil!” Sabrina says, shocked.

And who knows?  Maybe she is.  But seriously, who cares?

Coming up next, once I’ve found the strength to continue, episode 8!  And then Case will be here to wrap things up with the finale!

Here’s The Latest Teaser for Stranger Things!


Game of Thrones may be over but Stranger Things is coming back!  In fact, the new season will be dropping on Netflix on the 4th of July!

What does season 3 have in store for us?  Well, as you can tell from the teaser below, it’s summer in Hawkins!  That means that Billy is in charge of the public pool and Mrs. Wheeler is apparently hoping to be in charge of Billy.

Anyway, here’s the teaser.  If nothing else, it looks like Mike might be traumatized for life by the end of the summer.

Again, season 3 of Stranger Things will be dropping on July 4th!  Do you think we can convince Case to review yet another season for us?  Speaking of which, I should probably hurry up and review the next two episodes of Chilling Adventures of Sabrina so we can get that out of the way before Independence Day.  Fear not, I’m on it!

Here’s The Teaser for Season 3 of Westworld!


Tonight, right before the start of the Game of Thrones series finale, HBO aired the following teaser trailer for season 3 of Westworld and oh my God …. I can’t wait until 2020!

I know that some people hated season 2 of Westworld.  I thought it was great but, regardless, it looks like season 3 is going to be a lot different.  I guess that’s to be expected.  We’re out of the park now.  Welcome to Los Angeles.

Anyway, I can’t wait to see what season 3 has in store for us.  The teaser seems to promise either brilliance or disaster and there’s something exciting about not knowing which one we’re going to get.

We’ll find out next year!

Make ‘Em Laugh: RIP Tim Conway


gary loggins's avatarcracked rear viewer

If comedy is a gift, then Tim Conway was America’s Santa Claus, delivering bags full of laughter directly into our homes for over fifty years. The cherubic Conway, who died May 14 at age 85, was mainly known for his television work, but also starred in films, on stage, and in the home video field, making him a true Renaissance Man of Comedy.

Tim and Ernie “Ghoulardi” Anderson

Young Tim got his start in his hometown of Cleveland, not exactly a hotbed of humor (with apologies to Jim Backus, Kaye Ballard, and British transplant Bob Hope ), writing and appearing in skits with local TV personality Ernie Anderson during breaks in a morning movie show. Anderson himself would later gain fame as a horror host (Cleveland’s Ghoulardi) and  a network announcer, ‘The Voice of ABC’ (“Tonight on The Loooo-ve Boat….”).

Comic actress Rose Marie, on a cross-country tour promoting THE…

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A Moment of Comedy Bliss with Tim Conway and Harvey Korman


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As the world still mourns the loss of Doris Day yesterday, another great has left us  – TV comedy genius Tim Conway, who died today at age 85. Tim rightfully deserves a tribute post of his own, and he’ll get it, but until then, enjoy this classic bit of comedy gold from THE CAROL BURNETT SHOW (and watch Harvey Korman try to keep a straight face!):

Tim Conway (1933-2019)

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Scenes That I Love: Norma Accepts Ed’s Proposal in Twin Peaks: The Return (R.I.P. Peggy Lipton)


As this day comes to a close, I have some sad news to report.  The actress Peggy Lipton passed away earlier today, at the age of 72.  While one generation may know her best as a star of 1960s television and others know her for her marriage to legendary music producer Quincy Jones (and as the mother of Rashida Jones), I knew Peggy Lipton as Norma Jennings, one of the few characters to get a happy ending in David Lynch’s Twin Peaks: The Return.

Norma was the owner of the Double R Diner and, for the most part, one of the few stable residents of Twin Peaks.  While the rest of the town was collapsing around her, Norma could usually be found in a back booth, going over expense reports and continually proving herself to often be the lone voice of sanity in her hometown.

The love affair between Norma and Ed Hurley (Everett McGill) was a story that ran through both the original Twin Peaks and the Showtime revival.  One of the big moments in the revival came when Ed, having finally gotten Norma to agree to give him a divorce, finally asked Norma to marry him.  It’s perhaps the most unabashedly romantic scene to be found in David Lynch’s filmography.  (Lynch did the scene in one take and, according to Lipton, was in tears by the end of it.)  It’s a scene that’s wonderfully acted by both McGill and Lipton, with both actors saying so much without saying a word.

And here it is, a scene that I love from Part 15 of Twin Peaks: The Return:

 

An Underrated Man: RIP John Llewellyn Moxey (1925-2019)


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John Llewellyn Moxey’s “Horror Hotel” (1960)

You won’t find the name of John Llewellyn Moxey bandied about in conversations on great film directors. Truth is, though Moxey did make some features of note, he spent most of his career doing made-for-television movies, a genre that doesn’t get a lot of respect. John Llewellyn Moxey wasn’t a flashy director or an “auteur” by any stretch of the imagination, but he was more than capable of turning out a solid, worthwhile production, and some of his TV-Movie efforts are just as good (if not better) than what was currently playing at the local neighborhood theaters or multiplexes at the time. Moxey’s  passing on April 29 at age 94 was virtually ignored by the press, but his career deserves a retrospective, so Cracked Rear Viewer is proud to present a look back at the film and television work of director John Llewellyn Moxey.

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Chilling Adventures of Sabrina, S2, Ep6, The Missionaries, Review by Case Wright


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This is the first time in a long time where I rooted for the “villains” to kill off every character.  It’s a hard thing to watch a show you love slowly fail.  It’s like a bad relationship that slouches on from inertia and the inconvenience of setting up a separate bank account.  This is how I feel about CAOS.  I was really hoping that this episode would be the last one, but….not so much.

I would normally describe the director’s technique, but it’s Alex Pillai again and…man it has all the subtlety of a Lifetime MOW.  Not to say that I don’t REALLY like a good guilty pleasure lifetime live tweet, BUT that’s a different animal.  Lifetime movies are supposed to be campy and over the top ridiculous, but CAOS is supposed to bridge comics and realism and instead it’s just giggle-inducing borefest.

The episode opens with Nick being tortured by a guy who looks like a Mormon missionary who is about to chop his hands off.  Oh well, Nick kinda got on my nerves; maybe they’ll have to write a soupy episode featuring Nick titled: Who needs the clap?  Ambrose is still locked up without a shirt doing pull-ups.  This show has more gratuitous beefcake than Arrow season 1 and that is saying A LOT!  I do give Chance Perdomo credit on his abs.  I’m developing my abs and it is a process.  Chance, tip of the hat to committing to the shred!

The “Missionaries”of the episode aren’t really missionaries per se, but they ARE gorgeous blonde angels named Jerathmiel and Mehitable (Spencer Treat Clark and Bayley Corman)! I guess it makes sense that angels would be pretty, but WHOA!  It turns out these angels are avenging angels armed with the latest in …..Ancient Weaponry… wait, what?!  Why?!  Really, why are they armed with crossbows?  Most states just require a driver’s license to purchase any gun you want; let alone what you can get on craigslist.  This just seemed unnecessarily antiquated and dumb like really dumb….really!  Crossbows are heavy, awkward, take a long time load, hard to aim, and are ridiculous.  Bleh.

Jerathmiel and Mehitable spent most of the episode blundering through town trying to kill all of the witches of Greendale.  Why bother?  We already learned in previous episodes that the teenagers are unvaccinated and catch the Chicken Pox.  Just send in Jenny MacArthy’s measles carrying minions into town and you’ll have the whole town on its knees in matter of hours!

Jerathmiel and Mehitable catch most of the witches and start purifying the town.  I guess this says a lot about how the show has degraded because I really rooted for the Angels.  I thought to myself…Self, maybe they could just go full-on Hamlet?!!!!

This main plot is interwoven with the more compelling love story between Wardwell and Adam.  He wants to take her to Tibet.  She is about to accept when the Devil finds out about their escape plan, so the Devil turns Adam in Wardwell’s diner.  REALLY.  It’s really sad, but sets up a great revenge arc for Wardwell that looks MUCH more interesting than the primary storyline.

Jerathmiel and Mehitable have all the witches cornered and even put a few arrow bolts into Sabrina, but the Devil resurrects Sabrina and gets the Angels to renounce God and envelopes the angels in flames.  Honestly, I thought this scene was just plain terrible.  The angels spent the whole episode being intrepid crusaders, but they were easily cowed by a floating Sabrina?!  Really?! It came across as contrived.  The angels were so brave for the entire episode and then… nope.  It was just awful in an awful way, not like Lifetime which is bad in an AWESOME way.

I’m not sure what the show should do or where it should go, but it needs artistic honesty because without it, the suspense withers away like a dried out orange.